Breaking AI & Tech News Analyzed

OpenAI, a leading AI company, has recently released a 13-page policy paper titled 'Industrial Policy for the Intelligence Age,' which calls for a reimagining of the social contract around 'a slate of people-first ideas.' This move is part of an aggressive effort by major AI players to reshape the narrative around their industry, as public disapproval of AI is increasing.OpenAI's paper proposes ideas such as a four-day workweek and a public wealth fund that would return profits directly to citizens. While the company presents these ideas as a starting point for a broader conversation, critics argue that they are more of a public relations ploy than a genuine policy document.OpenAI spent nearly $3m on lobbying in 2025, and its president, Greg Brockman, co-founded a pro-AI Super Pac that raised more than $125m last year. The company is also backing a bill in Illinois that would shield AI firms from liability in cases where an AI model causes serious societal harms.Critics argue that these efforts are aimed at undermining independent efforts to regulate the industry and that the company's proposals shift responsibility away from the company and towards the public and lawmakers. As public distrust of AI grows, the industry is looking for ways to reframe the debate and influence regulation.A Pew Research Center survey found that only 16% of Americans believe that AI will help people think more creatively, while only 5% of Americans believe it will help people better form meaningful relationships. An NBC News poll found that only 26% of voters had a favorable opinion of AI, with a net negative rating.

The rise of generative AI has sparked concerns about its impact on the art world. Artists are seeing their work stolen and used to train AI models without consent or compensation. This has led to a heated debate about the role of AI in creative industries and the need for regulation.In 2022, the author, an artist, first started to see knock-offs of their work generated by AI image generators. The tech industry's approach has been to move fast and break things, with little regard for the consequences. The author argues that this is the greatest art heist in history, with billions of images harvested from the internet without credit, compensation, or consent.The tech lords knew what they were doing, with venture capitalist Marc Andreessen claiming that enforcing copyright law would “kill” the entire industry. The industry's narrative of inevitability is a way of getting people to comply in advance. The author notes that people seemed utterly unprepared to question the impact of AI on creative industries.In response, journalist Marisa Mazria Katz and the author launched an open letter demanding to keep AI-generated images out of newsrooms. The letter attracted thousands of signatures from around the world. Other artists have fought back in more powerful ways, including a lawsuit against leading image-generation companies Midjourney and Stability AI.The author argues that the tech elite's anti-humanism is revealed in their attacks on art. They shun human interaction and its serendipities, annoyances, and joys. The author notes that friction is the basis of all pleasure and that learning to make art is also friction.The impact of AI on creative industries has been devastating, with many artists out of work and entry-level illustration gigs annihilated. The audience will have to get used to the fact that generative AI is a tool to discipline and eliminate the human worker. The author argues that this is sold as progress, but it is actually a dystopian future.The author draws parallels with the luddites, who fought against the “satanic mills” and were skilled artisans fighting for their way of life. Artists too are fighting for a way of life, and if they are too disorganised to triumph, that will be everyone’s loss. The author concludes that AI companies' scraping may have started with the work of illustrators, but it has grown to encompass everything else, including culture, education, sanity, and our very imaginations.

Following a recent policy shift, Israel has eased the restrictions that limited Christian access to Jerusalem’s Church of the Holy Sepulchre. The change permits believers to once again visit the revered site for worship and pilgrimage. The relaxation of these measures marks a significant development in the nation’s approach to religious freedom, potentially improving relations with Christian communities worldwide. Authorities have not disclosed detailed timelines for the new access guidelines, but the immediate effect is a renewed flow of pilgrims to the historic cathedral.

The Grand National meeting in 2026 is set to be a spectacular event, as captured in a series of captivating images. Telescopes will be used to get a closer look at the action, while selfies will provide a personal touch to the experience. The event will also feature epic leaps by the horses, making it an unforgettable experience for spectators.The images from the event showcase the excitement and drama of the Grand National, one of the most prestigious horse racing events in the world. With its rich history and thrilling competition, the Grand National continues to captivate audiences and inspire memorable moments.

The New York Times Company has launched an investigation into the coverage of New England Patriots head coach Mike Vrabel by NFL reporter Dianna Russini. This move comes after photos of Russini and Vrabel together at an Arizona resort were published, raising concerns about their relationship and potential bias in reporting.Russini, who works for The Athletic, owned by The New York Times, has been temporarily sidelined while the review is ongoing. The images, published by the New York Post’s Page Six, show Russini and Vrabel together at a luxury hotel in Sedona, including by a pool, in a hot tub, and on a rooftop deck. Some photos appear to show the pair embracing and holding hands.Both Russini and Vrabel, who are married to other people, have claimed that the interaction was platonic and taken out of context. Russini stated that the photos did not reflect that they were part of a larger group gathering, while Vrabel called any suggestion of impropriety “laughable”.The Athletic initially defended Russini, with executive editor Steven Ginsberg saying the images lacked context and depicted public interactions among multiple people. However, the outlet has since expanded its review after additional reporting raised questions about Russini’s coverage of Vrabel and the nature of their relationship.Editors are now seeking to verify claims that others were present at the gathering. Notably, no stories under Russini’s by-line have been published since the photos surfaced earlier this week. The review is ongoing and expected to take time. Russini is among the highest-paid reporters at The Times Company, and her contract is set to expire later this year.

Robert MacIntyre's visit to the Masters ended in disappointment, with the Scot missing the cut after carding a 71 on Friday, which left him at seven over par. His struggles began on Thursday, when he posted an 80, including a quadruple bogey at the 15th hole.MacIntyre's behavior during the tournament, particularly in the closing stages of round one, has raised concerns. He was caught on live television releasing expletives and making an offensive gesture after finding water on the 15th hole. This reaction, along with his subsequent social media post featuring an AI-generated image of himself making an obscene gesture as the iconic Masters gnome, is likely to prompt a stern response from Augusta National officials.The 29-year-old's aggressive behavior on and off the course has sparked debate about his sportsmanship and adherence to the high standards expected at the Masters. His father, Dougie MacIntyre, has urged his son to 'tone it down' when things aren't going his way on the course.In contrast, MacIntyre's playing partner, world No 1 Scottie Scheffler, managed to bounce back from a lackluster first round with a 74 on Friday, moving to even par for the tournament. Scheffler acknowledged struggling with the pace of the greens, stating, 'I felt like I played better than my score'.

The European Parliament's decision to block the extension of a law that permits big tech firms to scan for child sexual exploitation on their platforms has created a legal gap that child safety experts say will lead to crimes going undetected. The law, which was a temporary measure allowing companies to use automated detection technologies to scan messages for harms, including child sexual abuse material (CSAM), grooming, and sextortion, expired on April 3.Google, Meta, Snap, and Microsoft have expressed disappointment over the EU's decision, stating that they will continue to voluntarily scan their platforms for CSAM. In a joint statement posted on a Google blog, the companies said, 'We are disappointed by this irresponsible failure to reach an agreement to maintain established efforts to protect children online.'Child protection advocates had warned that allowing the legislation to lapse would probably trigger a steep fall in reports of child sexual abuse. They point to a similar legal gap that occurred in 2021, when reports of such material from EU-based accounts to the National Center for Missing and Exploited Children (NCMEC) fell by 58% over a period of 18 weeks.The EU's decision to prohibit scanning will have ripple effects in other regions around the world, child safety experts said. Many internet crimes are cross-border, with perpetrators sending illegal images to people or targeting children in other countries. 'The offender can be anywhere in the world, but they could have unfettered access to minors in Europe now that there's legal uncertainty around those safeguards and protections to identify when a child is being groomed,' said John Shehan, vice-president at NCMEC.In 2025, NCMEC received 21.3m reports that included more than 61.8m images, videos, and other files suspected of being related to child abuse, from around the world. About 90% of these reports are related to countries outside the US.

The Artemis II mission came to a close on Friday night with a gentle Pacific Ocean splashdown, marking a significant achievement in space exploration. The Orion capsule, carrying four astronauts, touched down off the coast of San Diego at 5:07 pm PT, bringing an end to a 10-day lunar odyssey.This mission marked a historic moment as the three Americans and one Canadian became the first people to travel beyond lower Earth orbit since the final Apollo mission in December 1972. The successful test flight around the far side of the moon appears to have met all its objectives, paving the way for future missions.The crew, consisting of Reid Wiseman, Victor Glover, Christina Koch, and Jeremy Hansen, traveled 252,756 miles from Earth, setting a new record for the farthest human spaceflight. Koch became the only woman to have traveled to the moon and back, while Hansen became the first non-American, and Glover became the first person of color to achieve this feat.During their mission, the astronauts evaluated Orion's life support systems, radiation detectors, next-generation spacesuits, and tested other operations crucial to future deep-space missions. The mission also included a successful lunar flyby, with the crew capturing stunning video footage and high-resolution images of the lunar surface.The splashdown was a complex process, involving a succession of deployments of Orion's 11 parachutes at various altitudes to slow the spacecraft to a safe landing speed. The Coast Guard and NASA recovery crews were positioned to cover a large landing zone, ensuring a smooth recovery process.This mission marks a significant step forward for NASA's Artemis program, which aims to return humans to the moon by 2028. The success of Artemis II brings us closer to achieving this goal and paves the way for future missions to the moon and beyond.

Israeli settlers have made a record number of attempts to smuggle animal sacrifices into the Al-Aqsa Mosque compound during the Jewish Passover festival. A total of seven incidents were documented, the highest number since the Israeli occupation began in 1967.The attempts took place while the 144-dunum (36-acre) compound, along with the Church of the Holy Sepulchre, was sealed off for 40 consecutive days due to security concerns linked to the US-Israel war on Iran. Despite the restrictions, settlers successfully reached the borders of the Old City with their sacrifices on at least two occasions before being stopped.Experts argue that the incidents are part of a long-term strategy by far-right 'Temple Mount groups' to encroach on Al-Aqsa, with the aim of taking it over. The groups view the sacrificial rituals as highly symbolic, signifying a transition from waiting to actual field action.The Palestinian Authority has warned that the push for animal sacrifices represents the 'peak of weaponising religious rituals as a colonial tool' to Judaise the mosque. Suhail Khalilieh, a political analyst and expert on Jerusalem affairs, described the Israeli police's detention of settlers as a 'theatrical play' designed to absorb local and international anger while allowing gradual changes on the ground.The use of artificial intelligence-generated images has also been employed by settler groups to rally support and normalise the practice of animal sacrifices within Israeli society. Khalilieh warned that this poses a 'real strategic threat', as it shifts the idea from being a limited, fringe concept to a full popular demand.