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The Unplanned Performance La La Land is a much adored homage to Hollywood, where dreamers take chances and seize unexpected moments. On Saturday night at the ICC’s Darling Harbour theatre, that idea became a reality for a 21-year-old university student who was thrust into the spotlight at a live performance of the movie’s score – and saved a concert from derailment. The Keyboardist's Sudden Illness Sterling Nasa was in the audience at La La Land in Concert, a touring production where the movie – which features Ryan Gosling and Emma Stone – is projected on to a screen while a live orchestra plays the musical score in synchronisation with the film. The performance proceeded normally until the interval, which stretched out to 40 minutes. Then the film’s Oscar-winning composer and conductor, Justin Hurwitz, walked out alone to address the audience. The Call for a Pianist The orchestra’s keyboardist had suddenly fallen ill. Was there by any chance a pianist in the house? And one with exceptional sight-reading skills? Nasa, who plays piano and organ and is the bagpipes tutor at his old school, Scots College, hesitated when the call went out. The Impromptu Performance Nasa told the ABC he was thinking the same thing when he saw the complex score. “I saw it on the score and I thought, oh, I don’t know if I’m going to be able to sight-read that in one go,” he said. Like Gosling’s jazz-pianist character Sebastian, the student had to decide whether to stay in the shadows or take a monumental leap of faith. With no time to overthink, he chose to trust his instincts. The Audience's Reaction The gamble paid off, carrying the orchestra through the number – and earning Nasa a resounding ovation from the audience. “He saw it coming up … and he just improvised,” Hurwitz said. “That is a whole other skill on top of sight-reading. To be able to play a really cool solo in the right key, in the right scale, on the fly with no rehearsal – it was remarkable.” The Future Performance While the production team is now scrambling to rehearse new keyboardists for the upcoming Melbourne and Brisbane legs of the tour, Nasa will be heading back to his regular university lectures. La La Land in Concert will play at the ICC Sydney on Monday, at the Brisbane Convention & Exhibition Centre on Wednesday and at the Hamer Hall in Melbourne from Friday 6 to 8 June.

French artist Camille Henrot presents her latest exhibition “Don’t” at the Perimeter in London, shifting from her previous large‑scale, concept‑driven installations to a pared‑back, intimate investigation of everyday digital overload. The Minimalist Turn: “Don’t” Strips Henrot’s Grand Narratives The show is divided into two bodies of work. The painted series layers screenshots, collaged paper and brushstrokes into frantic digital abstractions, while the accompanying drawings depict mythic beasts and overtly erotic figures. By inserting personal artifacts—a photo of her husband, an X‑ray of her wrist, even a bill for IVF‑related oocyte storage—Henrot turns the exhibition into a visual diary rather than a theoretical treatise. Absence of Big Numbers: What the Lack of Commercial Data Reveals Opening date: 2026‑05‑31 (press review) Venue run: until 25 July 2026 No disclosed ticket‑price or attendance figures, underscoring the exhibition’s focus on personal experience over market metrics. Redefining Post‑Internet Intimacy in Contemporary Art Henrot’s shift mirrors a broader trend in post‑internet practice: moving from hyper‑complex installations toward works that foreground the artist’s private life and digital fatigue. The chaotic blend of analogue and digital elements questions what is “real” in a screen‑saturated world, while the erotic drawings expose the raw, often ignored, physicality behind online personas. Future Directions: Anticipating Henrot’s Next Personal Exploration Given the intimate tone of “Don’t,” future projects may delve deeper into domestic technology, perhaps exploring AI‑mediated relationships or the emotional economics of data storage. Critics will watch to see whether Henrot continues to trade grand gestures for the mundane, reshaping how contemporary art narrates the digital age.

The Lead In a Hollywood landscape where blockbuster hits dominate, smaller films like 'Miss You, Love You' often get lost in the cracks. This affecting grief drama, starring Allison Janney, showcases a powerful performance but may go unnoticed due to a quiet HBO release. Allison Janney Anchors a Powerful Performance 'Miss You, Love You' tells the story of Diane (Allison Janney), a woman dealing with the death of her husband. Her performance is marked by a keen self-awareness and depth, bringing nuance to a character that could have easily become one-dimensional. Janney's portrayal is both heartbreakingly effective and authentic, making it one of her finest turns to date. The Data Analysis No specific data or box office numbers are available for 'Miss You, Love You', but the film's quiet release on HBO suggests it may not reach a wide audience. This is a trend seen with other robustly made and acted films like 'Bad Education' and 'The Great Lillian Hall', which have struggled to garner attention and awards. The Impact Analysis The film's impact lies in its thoughtful exploration of complex themes such as grief, coming out, infidelity, and unrequited love. Writer-director Jim Rash's script is mature and un-mawkish, allowing characters to be flawed and authentic. This approach creates a surprisingly big emotional impact, despite the film's small scope. The Prediction While 'Miss You, Love You' may not receive widespread recognition, it is likely to resonate with viewers who appreciate nuanced, character-driven dramas. The film's premiere on HBO on May 29 in the US, with UK and Australia dates to follow, may help it find a dedicated audience.

The Deadly School Fire At least eight students have been arrested on suspicion of arson after fire at a boarding school for girls in Kenya killed 16 students and injured 79, police said. The fire broke out in the early hours of Thursday at the Utumishi Girls Academy Senior School in Gilgil, west-central Kenya. Investigation and Arrests On Friday, the Directorate of Criminal Investigation said preliminary investigations had identified eight people as “persons of interest in connection with the planning and execution of the suspected arson attack”. “The eight girls have since been arrested and are currently in police custody,” the statement added. The Aftermath Student Hilda Njeri, who was in one of the dorms most-affected by the fire, told Al Jazeera she was still dealing with everything that happened. “I was badly injured on my leg, and my lower back was badly injured,” Njeri said outside the school on Friday, adding that the principal took the students to hospital and paid all bills for treatment. Government Response Kenyan Education Minister Julius Ogamba told reporters that early investigations found that two teachers had been informed of the students’ alleged plans, but failed to stop them. Ogamba added that the school failed to follow safety rules, citing overcrowding in the dorms and a locked emergency exit. The Kenyan government has disbanded the school board of management and will take appropriate legal and disciplinary action against any staff found to have neglected their duties, he said.

The Water Outage Crisis in Kent "Spitting, fuming, angry and powerless" is how Pat Prestage describes her emotions after a water outage that has affected thousands of homes in Kent during the heatwave. The Extent of the Outages On Wednesday, 8,000 South East Water customers in Whitstable lost water, with 14,000 more in Tankerton, Ashford, and its surrounding areas facing an intermittent supply or low pressure. South East Water's incident manager, Matthew Dean, said on Thursday that 22,000 people had had water supply problems. The Company's Response The company blamed increased demand in the hot weather and asked people to use water only for essential purposes. Customer Frustration Prestage, 67, lives with a disability that makes her more vulnerable to events like this. At 6.30pm on Wednesday, Prestage's water supply in Whitstable went off. Her husband, Martin, tried to ring for an emergency delivery but could not get through to South East Water's emergency line. On Thursday morning, he spent more than an hour queueing for water at a bottle station. The Impact on Residents The Prestages are angry at the company's response, particularly its co-option of what the couple describe as the "blitz spirit" in asking customers with water to ease up on their usage to help those without.

On 29 May 2026 Israel intensified its military campaign, extending strikes across the Lebanese border and triggering large‑scale civilian evacuations. The escalation has heightened regional tensions and sparked urgent humanitarian concerns.Escalation of Israeli Operations into Southern LebanonIsraeli forces moved beyond previously targeted zones, targeting infrastructure and alleged militant positions in border towns such as Marjayoun and Hasbaya. The broadened scope marks a notable shift from isolated cross‑border incidents to a coordinated offensive.Humanitarian Toll: Displacement and EvacuationsUN agencies report that thousands of residents have fled their homes in the affected districts.Temporary shelters have been set up in nearby towns and at UNRWA facilities.Access to basic services—water, electricity, and medical care—has been severely disrupted.Regional Implications for Lebanese StabilityThe attacks risk destabilising Lebanon’s fragile political balance, already strained by economic crisis and sectarian divisions. Hezbollah’s response and the Lebanese government’s capacity to manage the influx of displaced persons are now central to the unfolding security picture.International Reaction and Calls for De‑escalationThe United Nations, European Union, and several Arab states have urged restraint, emphasizing the need to protect civilians and prevent a broader conflagration. Diplomatic channels are being activated to negotiate cease‑fire arrangements.Outlook: Prospects for De‑escalation and Humanitarian ReliefAnalysts caution that without a rapid diplomatic breakthrough, the displacement wave could expand, overwhelming Lebanon’s already limited humanitarian infrastructure. Continued monitoring of Israeli‑Hezbollah engagements will be critical to forecasting the conflict’s trajectory.

The Rise of Heated Rivalry: From Canadian TV to NYC StageWalking into the Culture Club in West Chelsea, New York, for a performance of Heated Rivalry: The Unauthorized Musical Parody last week, I was met by three ghosts left over from when the space was called the McKittrick hotel and it hosted the immersive spookfest, Sleep No More. The first was the phantom of clever detail: cans of Athletic IPAs for sale, a cute, non-alcoholic nod to the mega-popular series' hockey setting. The second was of unnerving fright, as I realized there would be no booze at this singing satire. Would I be able to make it through 90 minutes of jokes about an overexposed Canadian gay sports romance, with zero quality guarantee and an even lower blood alcohol concentration? At least at the downtown premiere of the popular parody Titanique, long before it proved itself worthy of a handful of Tony nominations, you could stand up and order a bucket of White Claws.But then the third specter materialized, the ghost of immersion and surrender, as this very funny production completely won me over. (I've since learned that a liquor license is forthcoming.) Heated Rivalry, for the uninitiated, is a television show adapted from a series of gay romance novels by Rachel Reid, a straight woman who unwittingly launched a thousand discussions about who gets to be horny over whom, how and when. Fans of the books petitioned for a wider release of the show produced for the Canadian streamer Crave, last November and, some six months later, its formerly unknown stars Connor Storrie and Hudson Williams are in easy contention for the most photographed people alive. Heated Rivalry: The Unauthorized Musical Parody is the latest addition to New York City's musical parody cottage industry, which has led me to a theater lobby where a woman in a branded hockey jersey is telling the stranger next to her that she's seen the series "probably not as many times as you think, but still a lot".The Unauthorized Musical: A Masterclass in ParodyThere was a communal giddiness as everyone filed into the unassuming performance space, where less than 200 folding chairs were arranged around a small stage. Super-fans were giddy that their dreams were coming true, and the more reserved types, perhaps blushing at what they deemed beneath them, were still clearly enjoying themselves. I liked the TV show just fine, a bit underwhelmed at what was broadly discussed as "softcore smut" but felt more in line with the twee "naughtiness" of the romance world. I had worried a musical parody put together in a few months would be a cash-grab; plain fan service for those who can't get enough of those six novels or episodes, not jabbing at the culture so much as stroking its ego. Impressively, as written by Dylan MarcAurele and directed by Alan Kliffer, it satisfies all three camps.Framing is everything, and this romp begins with a faux earnest number, à la Waitress, where three suburban Susans detail their newfound pastime: putting their husbands to bed with some iPad time, knocking back an "Ambien margarita" and reveling in their favorite televised "boy aquarium". From there, "Main Susan" (Ryann Redmond, glorious) recaps the years-long flirtation between the feuding players, innocent Japanese-Canadian "Shane Hollander" (Jimin Moon) and brusque Russian "Ilya Rozanov" (Jay Armstrong Johnson).The obligatory double entendres (a song titled Shane Hollander, Slap that Stick! or a line, by Shane's mom, about the "heavy load" her obviously gay son carries) are expertly delivered right between earnestness and tongue-in-cheek, but it's MarcAurele's ability to mock the story's sillier elements that clinched it for me. Shane, whose thumb-twiddling submissiveness often grated me in the TV show, is played by Moon as a dopey bottom with a hopeless romantic complex. What the series plays out as a forbidden romance writ epic across timelines and borders, MarcAurele presents as Shane's borderline delusion in dealing with an uncaring dom for years on end. "I keep replaying things he said," Shane beams after a hookup, "like, 'Ass up, little whore.'" The score's best number, certainly the one best primed for cabaret nights anywhere, is Liza Minnelli's Maybe This Time send-up where Shane croons, "This fuck felt different from the last fuck. This fuck, he asked if I would stay."If reading that inspires eyerolls – totally – Moon (and the rest of the cast, which includes Cherry Torres and Ryan Duncan) are so winning in their deliveries, so in on the joke without reducing their project into one, that it's impossible to resist. As the icy-hot Ilya, Johnson has the less showy role and plays it mostly straight, which makes his song about an outcast childhood made tragic by his impossibly "big ass, cold heart" that much funnier. And, well, let's face it: Johnson and Moon are sexy as hell, and charming to boot. Kliffer's inventive staging, with choreography by Brooke and Tiffany Engen on a resourceful set by Sully Ross, goes long on bunny-hopping glee.The Off-Broadway Parody Boom: A New RenaissanceThe Canadian Kliffer, previously artistic director of famed improv spots like Second City and Asylum NYC, where he helped launch Titanique's improbable boom, later told me that these parodies rarely come together with such speed, let alone quality. He'd loved MarcAurele's Pop Off, Michelangelo! in London and M3gan spoof stateside, and had just bought into Heated Rivalry, courtesy of its amorously optimistic fifth episode, when the writer texted him with the idea. The resulting work fits attractively between the out-and-out bawdiness of the Titanic send-up and the relentless Millennial nostalgia of Ginger Twinsies, which parodied the 90s Parent Trap remake last summer, and Kliffer notes that this very queer, very funny moment downtown – which also includes Cole Escola's Oh, Mary! – points to "a little bit of an Off-Broadway renaissance."This particular renaissance seems to be defined by parodies that are loving but not saccharine, willing to mock their source material while still celebrating what made it appealing in the first place. The success of these shows suggests a hunger for theater that doesn't take itself too seriously but still delivers genuine theatrical craft. In a city where Broadway ticket prices can be prohibitive, these intimate, affordable productions offer a different kind of theatrical experience – one that feels more accessible and immediate.Cultural Impact: Beyond the ParodyHeated Rivalry exists at the intersection of several cultural conversations. The original series, based on novels by Rachel Reid, sparked discussions about who gets to tell LGBTQ+ stories and how those stories should be represented. The parody doesn't shy away from these questions but instead uses humor to explore them. By exaggerating certain elements of the original series, the musical actually highlights what made it compelling in the first place.The show also represents the growing visibility of LGBTQ+ stories in mainstream entertainment. What began as niche content has become a cultural phenomenon, with the original series gaining international attention and its stars becoming unlikely celebrities. The musical parody capitalizes on this popularity while simultaneously commenting on it, creating a meta-narrative that appeals to both fans and newcomers.Moreover, the success of Heated Rivalry reflects a broader trend in entertainment where audiences are increasingly drawn to content that acknowledges and plays with its own artificiality. In an era of heightened awareness about media consumption, audiences seem to appreciate works that don't pretend to be anything other than what they are – crafted, performed, and enjoyed.The Future of Parody Theater: What's Next?As the Off-Broadway scene continues to evolve with these clever parodies, we can expect to see more adaptations of popular TV shows and movies hitting the small stage. The success of Heated Rivalry, following in the footsteps of Titanique and other parody hits, suggests that there's a sustainable market for this type of entertainment.What's particularly interesting is how these parodies are pushing the boundaries of traditional musical theater. They're more immediate, more self-aware, and more willing to break the fourth wall than many conventional productions. This approach seems to resonate with younger audiences who are accustomed to interactive media and meta-commentary.Looking ahead, we might see parodies of other recent cultural phenomena – perhaps streaming hits, viral social media trends, or even political events. The key to success, as demonstrated by Heated Rivalry, will be balancing genuine affection for the source material with sharp, intelligent humor that offers something new to the conversation.

The prosecution: MelanieI want to live a healthier life too, but removing all plastics is unrealistic and unaffordableMy girlfriend, Amy, has become increasingly concerned about microplastics and environmental toxins, and it is starting to feel a little too much. It all began after she watched online content about how plastics affect fertility, and has escalated into a broader effort to remove anything she considers “toxic” from our home.We have thrown out hundreds of pounds’ worth of cleaning products and replaced toothbrushes and dental floss. I came home from work to find all our plastic food containers had been binned, and now she wants to discuss replacing furniture, like swapping our white plastic dining table for an oak one.In principle, I understand it will be better for us. I share her desire to live a healthier lifestyle, especially as we are trying for a baby using a donor and I will be the one carrying the pregnancy. However, the pace and the intensity of the change feels a bit unmanageable.If I pick up a plastic bottle of water, Amy will snatch it from my hands and say it’s poisonousWe can’t realistically eliminate all plastics and find alternatives overnight. Unfortunately, the world is full of plastic and so is our home: we have polyester cushions, plastic shoes and appliances that I’m not prepared to chuck out. Attempting a total removal feels financially and emotionally unsustainable. Buying a new dining table won’t be easy on our wallets.We are both self‑employed and saving for a baby, so we need to be frugal. Plastic‑free products are often deemed as specialist and it’s hard to get cheap alternatives. When I found Amy had splurged on all these organic cleaning products I was shocked, because they cost about £200.At the moment, it feels as if any “normal” behaviour is deemed to be unsafe by her. If I pick up a plastic bottle of water, Amy will snatch it from my hands and say it’s poisonous.I support her decision to live with fewer toxins, but her level of vigilance is harming our wellbeing. I want us to make healthier choices, but to do so gradually and realistically, rather than through sweeping changes that leave us feeling anxious and restricted.The defence: AmyI’m conscious of what we’re exposed to as we’re trying for a baby and I want the best for themPlastics and chemicals are everywhere. I’m not pretending we can eliminate them all, but I’d like to make some changes. I don’t think the only rational response when presented with all the information about toxins and plastics is to shrug and accept it without question.It’s not that hard to make some changes. Mel says: “Microplastics are everywhere, so where does it end?” But she should be saying: “What can we do to start?”Small changes help improve our health. I watched a documentary and it really scared me: I learned that just brushing my teeth with my normal toothbrush was releasing hundreds of thousands of microplastics into my mouth every day. These are linked to illness and altered brain functionality.Mel hasn’t heard all of the facts. If she watched the same documentary, she would feel the sameI didn’t start looking into endocrine disruptors and microplastics because I wanted to overhaul our home overnight. It was because we’re trying for a baby and that makes me more conscious of what we’re exposed to. If we have a child, I want them to have the best start in life and be as healthy as possible.Sometimes Mel acts as if I’m trying to dismantle our entire life, but I’m just trying to make things better. Switching cleaning products and replacing plastic food storage with glass will benefit us for years. When I threw our cleaning products away, it was because I had done the research and knew how much better nontoxic ones would be for us. That wasn’t a gradual adjustment, but I don’t regret it.I feel overwhelmed sometimes, but being told to “calm down” or “take it slow” doesn’t help. I don’t want to make our lives miserable. I want us to make informed choices together.Not drinking from plastic bottles is an easy change we can make, as is using better cleaning products. Mel and I need to work together on this, and active participation is important to me. If my decisions seem rash, it’s only because Mel hasn’t heard all of the facts. If she watched the same documentary she would feel the same. I don’t want to scare her, but making our home safer for our unborn child is a priority.The jury of Guardian readersGetting rid of plastic won’t make Amy and Melanie’s home healthier if they replace it with pressure and resentment. Amy’s pursuit is noble, but her cold‑turkey approach risks alienating Melanie from the cause.Estelle, 27They both want to live with fewer toxins, but Amy shouldn’t decide the pace at which they do this without agreement from Melanie. Amy throwing out all plastic containers and cleaning products without any discussion contradicts her claim that she wants “to make informed choices together”.Val, 68Life’s too short to make it hard for yourself. Carrying containers everywhere and only going to specialist retailers? No one’s got time for that when there’s work and chores to be done. Changing your life after one documentary is extreme, and Amy should consider the benefits of plastic.Ivan, 29We can’t live perfect lives, but that doesn’t mean we shouldn’t try to make better choices. I think they plan together what can change now and what can wait, Melanie might feel part of it instead of feeling it is something being done to her.Michael, 39Amy is valiant in trying to live a healthier lifestyle, but not making it a joint decision with Melanie seems to be detrimental to their relationship, and they need to be working together when they have a child. I wonder if Amy’s obsession might be masking a deeper issue.Jon, 50Now you be the judgeIn our online poll, tell us: should Amy bin her hatred of plastics?The poll closes on Wednesday 3 June at 9am BSTLast week’s resultsWe asked, should Martin stop telling his wife how to mop the floor?98% of you said yes – Martin is guilty2% of you said no – Martin is innocent

Adam Walton’s phone has barely stopped buzzing after his five‑set triumph over world No. 10 Daniil Medvedev at Roland Garros, delivering the Australian’s fourth Grand Slam win and his first against a top‑10 opponent. The Upset: Walton's First‑Round Victory Over a Top‑10 Seed At 27, the Queensland wildcard produced a stunning upset, beating Medvedev in a five‑set battle that sent his ranking‑point tally soaring. It was only his fourth Grand Slam win, but the most significant in terms of opponent ranking. Financial Windfall: €130,000 Prize Boosts Walton's Career Reaching the second round guarantees Walton €130,000 (approximately A$212,000), a sum that will fund travel, coaching and his upcoming wedding in November. Of his career earnings just over US$2 million, nearly half now comes from the four majors, underscoring the financial importance of deep Grand Slam runs. From Rural Racetrack to Roland Garros: A Queensland Tale Walton grew up in the small town of Home Hill, where the local tennis courts sit inside a horse‑racing track. Early mornings required waiting for horses to clear the gate before a lesson could begin – a unique backdrop that shaped his resilience. After a scholarship to a Brisbane boarding school and a kinesiology degree at the University of Tennessee, he captured the NCAA doubles title in 2021 before breaking into the top 100 in 2024. Looking Ahead: Walton's Next Match and Future Prospects Next up, Walton faces American Zachary Svajda, a familiar opponent from the ITF circuit. A win would propel him further into the tournament and cement his status as a late‑blooming talent. With his confidence boosted and finances secured, Walton aims to reach the main draw of every Grand Slam in the coming years.