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Jun 01, 2026
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Camille Henrot’s ‘Don’t’: A Surreal, Intimate Dive into Digital Overwhelm

AI Summary
French artist Camille Henrot unveils “Don’t” at the Perimeter, London, trading her monumental installations for a stripped‑back, personal look at digital fatigue. The show blends chaotic digital paintings with raw, erotic drawings, offering a candid window into everyday intimacy.

French artist Camille Henrot presents her latest exhibition “Don’t” at the Perimeter in London, shifting from her previous large‑scale, concept‑driven installations to a pared‑back, intimate investigation of everyday digital overload.

The Minimalist Turn: “Don’t” Strips Henrot’s Grand Narratives

The show is divided into two bodies of work. The painted series layers screenshots, collaged paper and brushstrokes into frantic digital abstractions, while the accompanying drawings depict mythic beasts and overtly erotic figures. By inserting personal artifacts—a photo of her husband, an X‑ray of her wrist, even a bill for IVF‑related oocyte storage—Henrot turns the exhibition into a visual diary rather than a theoretical treatise.

Absence of Big Numbers: What the Lack of Commercial Data Reveals

  • Opening date: 2026‑05‑31 (press review)
  • Venue run: until 25 July 2026
  • No disclosed ticket‑price or attendance figures, underscoring the exhibition’s focus on personal experience over market metrics.

Redefining Post‑Internet Intimacy in Contemporary Art

Henrot’s shift mirrors a broader trend in post‑internet practice: moving from hyper‑complex installations toward works that foreground the artist’s private life and digital fatigue. The chaotic blend of analogue and digital elements questions what is “real” in a screen‑saturated world, while the erotic drawings expose the raw, often ignored, physicality behind online personas.

Future Directions: Anticipating Henrot’s Next Personal Exploration

Given the intimate tone of “Don’t,” future projects may delve deeper into domestic technology, perhaps exploring AI‑mediated relationships or the emotional economics of data storage. Critics will watch to see whether Henrot continues to trade grand gestures for the mundane, reshaping how contemporary art narrates the digital age.