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The Lead 'Fairyland' offers a glorious wallow in nostalgia for those familiar with the Bay Area in the 1970s and 80s, with grainy archive footage of San Francisco Gay Freedom parades and sushi at a book launch. But at its core, the film tells the story of a new kind of family. Queer Parenting in 1970s San Francisco The film centers around Steve (Scoot McNairy), a gay father raising his young daughter Alysia (Nessa Dougherty, then Coda's Emilia Jones as a teen) in San Francisco. After his wife, Alysia's mother, is killed in a car accident, Steve is faced with the challenge of parenting alone. He turns down an offer from his ultra-straight mother-in-law (Geena Davis) to raise the little girl. Parenting Techniques and Resilience Steve's parenting techniques are sometimes selfish and neglectful, but he loves Alysia deeply. He encourages her independence, teaching her to navigate the city and take care of herself. The film draws comparisons to Marielle Heller's adaptation of The Diary of a Teenage Girl, but Alysia turns out to be more resilient and independent. The Impact of the AIDS Epidemic The film's second half covers the later 80s, as the AIDS epidemic takes a devastating toll on the community. The cast, including McNairy and Jones, deliver excellent performances. Writer-director Andrew Durham adapts Alysia Abbott's memoir with sensitivity and discretion. The Future of Queer Representation 'Fairyland' is a significant contribution to queer representation in film. With its release in UK cinemas on May 29, it promises to resonate with audiences and spark important conversations about family, love, and identity.

A fire ripped through the dormitory of Utumishi Girls School in Gilgil, Nakuru County, central Kenya, killing at least 16 students and injuring 79 others, officials said on Thursday.Fire Breaks Out in Gilgil Dormitory, Leaving 79 InjuredThe blaze started overnight in the girls’ boarding facility. Police and education authorities responded quickly, deploying roughly 50 officers to search the surrounding area for students who may have fled the flames. The cause of the fire has not been immediately identified.Casualty Figures and Response ResourcesDeaths: 16 studentsInjured: 79 (including several serious cases)Police personnel on scene: ~50 officersLocation: Utumishi Girls School, Gilgil, about 120 km northwest of NairobiFootage from Citizen Television showed shattered windows and smoke‑stained walls, confirming the intensity of the fire.Recurring School Fires Highlight Systemic Safety GapsKenya has a documented history of school fires. Government data recorded more than 60 arson cases in public secondary schools in 2018 alone, often linked to student protests over harsh discipline and poor living conditions. Notable past incidents include:2024 – A fire at a primary boarding school in Nyeri County killed 21 students.2017 – Ten students died in a Nairobi school fire, leading to a murder charge against a student.These patterns suggest deeper issues related to infrastructure, fire safety standards, and student‑staff relations.What Policy Changes Could Prevent Future Tragedies?Education Minister Julius Ogamba and senior police commander Masoud Mwinyi are likely to face pressure to strengthen safety protocols. Potential measures include:Mandatory fire‑safety audits for all boarding schools.Installation of functional smoke detectors and fire‑extinguishing equipment.Improved emergency evacuation training for students and staff.Addressing underlying grievances that may lead to arson, such as discipline policies and dormitory conditions.How quickly these steps are implemented will determine whether Kenya can break the cycle of deadly school fires.

The Rise of Heated Rivalry: From Canadian TV to NYC StageWalking into the Culture Club in West Chelsea, New York, for a performance of Heated Rivalry: The Unauthorized Musical Parody last week, I was met by three ghosts left over from when the space was called the McKittrick hotel and it hosted the immersive spookfest, Sleep No More. The first was the phantom of clever detail: cans of Athletic IPAs for sale, a cute, non-alcoholic nod to the mega-popular series' hockey setting. The second was of unnerving fright, as I realized there would be no booze at this singing satire. Would I be able to make it through 90 minutes of jokes about an overexposed Canadian gay sports romance, with zero quality guarantee and an even lower blood alcohol concentration? At least at the downtown premiere of the popular parody Titanique, long before it proved itself worthy of a handful of Tony nominations, you could stand up and order a bucket of White Claws.But then the third specter materialized, the ghost of immersion and surrender, as this very funny production completely won me over. (I've since learned that a liquor license is forthcoming.) Heated Rivalry, for the uninitiated, is a television show adapted from a series of gay romance novels by Rachel Reid, a straight woman who unwittingly launched a thousand discussions about who gets to be horny over whom, how and when. Fans of the books petitioned for a wider release of the show produced for the Canadian streamer Crave, last November and, some six months later, its formerly unknown stars Connor Storrie and Hudson Williams are in easy contention for the most photographed people alive. Heated Rivalry: The Unauthorized Musical Parody is the latest addition to New York City's musical parody cottage industry, which has led me to a theater lobby where a woman in a branded hockey jersey is telling the stranger next to her that she's seen the series "probably not as many times as you think, but still a lot".The Unauthorized Musical: A Masterclass in ParodyThere was a communal giddiness as everyone filed into the unassuming performance space, where less than 200 folding chairs were arranged around a small stage. Super-fans were giddy that their dreams were coming true, and the more reserved types, perhaps blushing at what they deemed beneath them, were still clearly enjoying themselves. I liked the TV show just fine, a bit underwhelmed at what was broadly discussed as "softcore smut" but felt more in line with the twee "naughtiness" of the romance world. I had worried a musical parody put together in a few months would be a cash-grab; plain fan service for those who can't get enough of those six novels or episodes, not jabbing at the culture so much as stroking its ego. Impressively, as written by Dylan MarcAurele and directed by Alan Kliffer, it satisfies all three camps.Framing is everything, and this romp begins with a faux earnest number, à la Waitress, where three suburban Susans detail their newfound pastime: putting their husbands to bed with some iPad time, knocking back an "Ambien margarita" and reveling in their favorite televised "boy aquarium". From there, "Main Susan" (Ryann Redmond, glorious) recaps the years-long flirtation between the feuding players, innocent Japanese-Canadian "Shane Hollander" (Jimin Moon) and brusque Russian "Ilya Rozanov" (Jay Armstrong Johnson).The obligatory double entendres (a song titled Shane Hollander, Slap that Stick! or a line, by Shane's mom, about the "heavy load" her obviously gay son carries) are expertly delivered right between earnestness and tongue-in-cheek, but it's MarcAurele's ability to mock the story's sillier elements that clinched it for me. Shane, whose thumb-twiddling submissiveness often grated me in the TV show, is played by Moon as a dopey bottom with a hopeless romantic complex. What the series plays out as a forbidden romance writ epic across timelines and borders, MarcAurele presents as Shane's borderline delusion in dealing with an uncaring dom for years on end. "I keep replaying things he said," Shane beams after a hookup, "like, 'Ass up, little whore.'" The score's best number, certainly the one best primed for cabaret nights anywhere, is Liza Minnelli's Maybe This Time send-up where Shane croons, "This fuck felt different from the last fuck. This fuck, he asked if I would stay."If reading that inspires eyerolls – totally – Moon (and the rest of the cast, which includes Cherry Torres and Ryan Duncan) are so winning in their deliveries, so in on the joke without reducing their project into one, that it's impossible to resist. As the icy-hot Ilya, Johnson has the less showy role and plays it mostly straight, which makes his song about an outcast childhood made tragic by his impossibly "big ass, cold heart" that much funnier. And, well, let's face it: Johnson and Moon are sexy as hell, and charming to boot. Kliffer's inventive staging, with choreography by Brooke and Tiffany Engen on a resourceful set by Sully Ross, goes long on bunny-hopping glee.The Off-Broadway Parody Boom: A New RenaissanceThe Canadian Kliffer, previously artistic director of famed improv spots like Second City and Asylum NYC, where he helped launch Titanique's improbable boom, later told me that these parodies rarely come together with such speed, let alone quality. He'd loved MarcAurele's Pop Off, Michelangelo! in London and M3gan spoof stateside, and had just bought into Heated Rivalry, courtesy of its amorously optimistic fifth episode, when the writer texted him with the idea. The resulting work fits attractively between the out-and-out bawdiness of the Titanic send-up and the relentless Millennial nostalgia of Ginger Twinsies, which parodied the 90s Parent Trap remake last summer, and Kliffer notes that this very queer, very funny moment downtown – which also includes Cole Escola's Oh, Mary! – points to "a little bit of an Off-Broadway renaissance."This particular renaissance seems to be defined by parodies that are loving but not saccharine, willing to mock their source material while still celebrating what made it appealing in the first place. The success of these shows suggests a hunger for theater that doesn't take itself too seriously but still delivers genuine theatrical craft. In a city where Broadway ticket prices can be prohibitive, these intimate, affordable productions offer a different kind of theatrical experience – one that feels more accessible and immediate.Cultural Impact: Beyond the ParodyHeated Rivalry exists at the intersection of several cultural conversations. The original series, based on novels by Rachel Reid, sparked discussions about who gets to tell LGBTQ+ stories and how those stories should be represented. The parody doesn't shy away from these questions but instead uses humor to explore them. By exaggerating certain elements of the original series, the musical actually highlights what made it compelling in the first place.The show also represents the growing visibility of LGBTQ+ stories in mainstream entertainment. What began as niche content has become a cultural phenomenon, with the original series gaining international attention and its stars becoming unlikely celebrities. The musical parody capitalizes on this popularity while simultaneously commenting on it, creating a meta-narrative that appeals to both fans and newcomers.Moreover, the success of Heated Rivalry reflects a broader trend in entertainment where audiences are increasingly drawn to content that acknowledges and plays with its own artificiality. In an era of heightened awareness about media consumption, audiences seem to appreciate works that don't pretend to be anything other than what they are – crafted, performed, and enjoyed.The Future of Parody Theater: What's Next?As the Off-Broadway scene continues to evolve with these clever parodies, we can expect to see more adaptations of popular TV shows and movies hitting the small stage. The success of Heated Rivalry, following in the footsteps of Titanique and other parody hits, suggests that there's a sustainable market for this type of entertainment.What's particularly interesting is how these parodies are pushing the boundaries of traditional musical theater. They're more immediate, more self-aware, and more willing to break the fourth wall than many conventional productions. This approach seems to resonate with younger audiences who are accustomed to interactive media and meta-commentary.Looking ahead, we might see parodies of other recent cultural phenomena – perhaps streaming hits, viral social media trends, or even political events. The key to success, as demonstrated by Heated Rivalry, will be balancing genuine affection for the source material with sharp, intelligent humor that offers something new to the conversation.

Interviewing Mouse on Mars: A Conversation Like No Other Interviewing Mouse on Mars is no easy feat. Not because the duo are hard to find, even though their current studio is hidden in a courtyard deep in Berlin’s Kreuzberg district. Nor because they continue to be notoriously busy, particularly since one half of the band, Jan St Werner (born Jan Stephan Werner), is now a professor in pop music, at the Folkwang University of the Arts in the western German city of Essen. The Collaboration with Lee 'Scratch' Perry After a five-year silence, they are about to release Spatial, No Problem, a collaboration with Lee “Scratch” Perry recorded during the late dub and reggae legend’s whirlwind visit to their former Berlin studio in 2019, two years before his death aged 85. The meeting had been set up by mutual friends, though it was not clear whether it would really happen until Perry arrived at Berlin’s airport – the former Bob Marley producer had a reputation for unpredictability, and dates kept shifting. The Making of Spatial, No Problem The result is a collage-esque fever dream of a record, marrying Perry’s signature free-flowing vocals with a strange, yet warm mix of countless instruments played by friends, all held together by glitchy electronics. They had the idea to record the session as spatial audio, a technology used to mimic a more “natural” hearing experience in 3D. Asking about his familiarity with the technique, Perry answered with a wide grin, and the sentence “Spatial? No problem”. The title to the album was born, which includes recordings that are said to be some of Perry’s last. The Impact of the Collaboration Their reverence for Perry is obvious, every attempt to steer the conversation towards other topics brings the trio back to their time with him. They paint a picture of a creative frenzy: technicians installing microphones whichever corner Perry ended up standing and performing in, friends popping in and out of the sessions, NKishi being proclaimed “God” by Perry in a graffito on the studio’s walls, a general sense of a meeting of minds between artists with a similarly anarchic approach to life and craft. The Future of Mouse on Mars At a moment when the music industry is becoming ever more algorithmic, more optimised, more relentlessly targeting fickle attention-spans on social media, Mouse on Mars remain a genuinely anomalous proposition: a band whose greatest asset is their refusal to be legible. And they have been doing this for 30 years, ending up somewhere entirely different than originally planned – and making it sound, against all odds, exactly where they meant to be.

The LeadAs temperatures soar to unprecedented levels in May, a concerning pattern emerges among swallow populations across the UK. Young chicks, unable to withstand the extreme heat, are prematurely abandoning their nests, resulting in high mortality rates and threatening the survival of this year's broods.The Event DetailsUnder the scorching tin roofs where swallow nests are typically built, temperatures have become unbearable for the young chicks. With no sweat glands to regulate body temperature, the chicks are forced to the edge of their nests, eventually making the fatal decision to leap—often before they've developed the ability to fly. The author describes finding chicks huddled on the ground, vulnerable to predators and environmental hazards, while parent birds continue to bring insects that provide both nutrition and moisture in a desperate attempt to sustain their young.The Data AnalysisThis phenomenon occurs during a record-breaking week of May heat in the UK, with temperatures reaching unprecedented levels for this time of year. The heatwave represents a significant deviation from the normal climate patterns that migratory birds like swallows have evolved to rely on. These birds typically leave South Africa for the UK's plentiful insect supply and temperate spring and summer, only to encounter conditions far exceeding their evolutionary adaptations.The Impact AnalysisThe premature nest abandonment represents a broader environmental crisis as extreme weather events disrupt natural ecosystems. The heatwave is dehydrating animals, drying up soil and ponds, disrupting food chains, stressing trees, and scorching plants. For migratory species like swallows, these changes create a mismatch between their biological rhythms and environmental conditions, potentially leading to population declines and ecosystem imbalances. The situation highlights how climate change is affecting wildlife at the most vulnerable life stages.The PredictionAs climate patterns continue to shift, such extreme weather events may become more frequent, posing increasing challenges for wildlife populations. Conservation efforts may need to adapt to provide additional support for vulnerable species during extreme weather conditions. For swallows and other migratory birds, the changing climate could alter migration patterns, breeding seasons, and survival rates, potentially leading to long-term ecological consequences if adaptation doesn't occur quickly enough.

The prosecution: MelanieI want to live a healthier life too, but removing all plastics is unrealistic and unaffordableMy girlfriend, Amy, has become increasingly concerned about microplastics and environmental toxins, and it is starting to feel a little too much. It all began after she watched online content about how plastics affect fertility, and has escalated into a broader effort to remove anything she considers “toxic” from our home.We have thrown out hundreds of pounds’ worth of cleaning products and replaced toothbrushes and dental floss. I came home from work to find all our plastic food containers had been binned, and now she wants to discuss replacing furniture, like swapping our white plastic dining table for an oak one.In principle, I understand it will be better for us. I share her desire to live a healthier lifestyle, especially as we are trying for a baby using a donor and I will be the one carrying the pregnancy. However, the pace and the intensity of the change feels a bit unmanageable.If I pick up a plastic bottle of water, Amy will snatch it from my hands and say it’s poisonousWe can’t realistically eliminate all plastics and find alternatives overnight. Unfortunately, the world is full of plastic and so is our home: we have polyester cushions, plastic shoes and appliances that I’m not prepared to chuck out. Attempting a total removal feels financially and emotionally unsustainable. Buying a new dining table won’t be easy on our wallets.We are both self‑employed and saving for a baby, so we need to be frugal. Plastic‑free products are often deemed as specialist and it’s hard to get cheap alternatives. When I found Amy had splurged on all these organic cleaning products I was shocked, because they cost about £200.At the moment, it feels as if any “normal” behaviour is deemed to be unsafe by her. If I pick up a plastic bottle of water, Amy will snatch it from my hands and say it’s poisonous.I support her decision to live with fewer toxins, but her level of vigilance is harming our wellbeing. I want us to make healthier choices, but to do so gradually and realistically, rather than through sweeping changes that leave us feeling anxious and restricted.The defence: AmyI’m conscious of what we’re exposed to as we’re trying for a baby and I want the best for themPlastics and chemicals are everywhere. I’m not pretending we can eliminate them all, but I’d like to make some changes. I don’t think the only rational response when presented with all the information about toxins and plastics is to shrug and accept it without question.It’s not that hard to make some changes. Mel says: “Microplastics are everywhere, so where does it end?” But she should be saying: “What can we do to start?”Small changes help improve our health. I watched a documentary and it really scared me: I learned that just brushing my teeth with my normal toothbrush was releasing hundreds of thousands of microplastics into my mouth every day. These are linked to illness and altered brain functionality.Mel hasn’t heard all of the facts. If she watched the same documentary, she would feel the sameI didn’t start looking into endocrine disruptors and microplastics because I wanted to overhaul our home overnight. It was because we’re trying for a baby and that makes me more conscious of what we’re exposed to. If we have a child, I want them to have the best start in life and be as healthy as possible.Sometimes Mel acts as if I’m trying to dismantle our entire life, but I’m just trying to make things better. Switching cleaning products and replacing plastic food storage with glass will benefit us for years. When I threw our cleaning products away, it was because I had done the research and knew how much better nontoxic ones would be for us. That wasn’t a gradual adjustment, but I don’t regret it.I feel overwhelmed sometimes, but being told to “calm down” or “take it slow” doesn’t help. I don’t want to make our lives miserable. I want us to make informed choices together.Not drinking from plastic bottles is an easy change we can make, as is using better cleaning products. Mel and I need to work together on this, and active participation is important to me. If my decisions seem rash, it’s only because Mel hasn’t heard all of the facts. If she watched the same documentary she would feel the same. I don’t want to scare her, but making our home safer for our unborn child is a priority.The jury of Guardian readersGetting rid of plastic won’t make Amy and Melanie’s home healthier if they replace it with pressure and resentment. Amy’s pursuit is noble, but her cold‑turkey approach risks alienating Melanie from the cause.Estelle, 27They both want to live with fewer toxins, but Amy shouldn’t decide the pace at which they do this without agreement from Melanie. Amy throwing out all plastic containers and cleaning products without any discussion contradicts her claim that she wants “to make informed choices together”.Val, 68Life’s too short to make it hard for yourself. Carrying containers everywhere and only going to specialist retailers? No one’s got time for that when there’s work and chores to be done. Changing your life after one documentary is extreme, and Amy should consider the benefits of plastic.Ivan, 29We can’t live perfect lives, but that doesn’t mean we shouldn’t try to make better choices. I think they plan together what can change now and what can wait, Melanie might feel part of it instead of feeling it is something being done to her.Michael, 39Amy is valiant in trying to live a healthier lifestyle, but not making it a joint decision with Melanie seems to be detrimental to their relationship, and they need to be working together when they have a child. I wonder if Amy’s obsession might be masking a deeper issue.Jon, 50Now you be the judgeIn our online poll, tell us: should Amy bin her hatred of plastics?The poll closes on Wednesday 3 June at 9am BSTLast week’s resultsWe asked, should Martin stop telling his wife how to mop the floor?98% of you said yes – Martin is guilty2% of you said no – Martin is innocent

The Evolution of Enrichment: From Blood Lollies to Misting SystemsAs global temperatures rise, zoos are increasingly turning to innovative behavioral enrichment to ensure animal welfare. The Zoological Society of London (ZSL) has introduced a unique dietary intervention for big cats: frozen blood-based ice blocks, often spiced or containing edible treats. This approach not only provides a cooling mechanism but also encourages natural investigative and hunting behaviors.While lions and Sumatran tigers receive the blood lollies, other species employ a variety of biological and environmental tactics. Chester Zoo experts note that miniature wallabies use evaporative cooling by licking their wrists, while aardvarks and African crested porcupines retreat underground. Meanwhile, rhinos and capybaras submerge themselves in mud wallows to regulate body temperature.Operational Data: A Spectrum of Cooling StrategiesZoological management relies on a diverse portfolio of cooling solutions tailored to specific species' physiological needs. The following breakdown illustrates the range of interventions currently employed:Big Cats: Frozen blood ice lollies to stimulate hunting instincts and lower body heat.Humboldt Penguins: Utilization of heat-escape bills and bare facial patches, supplemented by misting systems and fans.Primates: Special fruit and vegetable ice lollies for chimpanzees, bears, and red pandas.Ungulates: Refreshing showers and mud wallows for greater one-horned rhinos.Apes: Sugar-free fruit tea ice blocks for gorillas.Shifting the Paradigm of Zoo ManagementThe core philosophy driving these interventions is the principle of choice. Angela Ryan, ZSL’s head of zoological operations, emphasizes that the goal is not to over-intervene but to provide a range of options. “Some will head straight for pools or shaded spots, while others really enjoy things like misting or frozen treats,” she stated.This approach highlights a significant shift in modern zoo management. It moves away from rigid environmental controls toward a model that respects the animals' ability to self-regulate, provided they are given the tools to do so. The integration of misting systems, specialized pools, and dietary enrichment demonstrates a sophisticated understanding of animal physiology and psychology.Preparing for a Warmer Climate: The Future of Wildlife ConservationAs climate patterns become more unpredictable, the reliance on environmental enrichment will likely increase. The current strategies at ZSL and Chester Zoo serve as a blueprint for the future of wildlife conservation. We can expect to see a continued investment in climate-resilient habitats, including advanced misting technologies and more sophisticated enrichment diets designed to withstand heatwaves. The focus will remain on creating environments where animals can thrive naturally, regardless of external weather conditions.

The Looming Energy Bill Crisis Ministers face growing calls to cut utility bills as millions of households in Great Britain face energy cost 'anxiety,' with gas and electricity costs forecast to rise to almost £1,900 from this summer. Projected Energy Price Hikes The typical dual-fuel bill is expected to climb by nearly 13% under the government's energy price cap, adding £209 a year to household costs, in a blow to families already hit by rising prices for essentials. Data Analysis: Forecasted Energy Costs The unit price of electricity is expected to rise to 26.03p per kilowatt hour from July. Gas will rise to 7.16p/kWh, according to Cornwall Insight forecasts. The Impact on Households Higher energy bills are expected to weigh on households through the summer months after the Iran war caused the UK's gas market price to double earlier this year. Campaigners expressed disappointment that the government had not taken action on energy bills. Future Outlook: Potential Government Support Rachel Reeves announced a package of measures to cut the cost of living but has not so far offered support for domestic energy costs. The Treasury has insisted that it is too soon to act, however, with the scale of winter price increases as yet unclear.

The Glyndebourne Festival's Tosca Debut Giacomo Puccini's Tosca has finally made its debut at the Glyndebourne Festival, 92 years after the festival's inception. The production, directed by Ted Huffman and conducted by Robin Ticciati, opened the 2026 festival with a high-octane bloodbath that left audiences reeling. A Fresh Take on a Classic The production takes a fresh approach to the classic opera, setting it in a mid-20th-century church interior before transitioning to a high-end restaurant and finally, an abandoned nowhere. The set design and lighting are exquisite, with details such as wooden pews, a small Madonna and child on the wall, and real mid-century modern spotlights. Musical Performance The musical performance was also praised, with Matteo Lippi delivering a heroically burnished performance as Cavaradossi and Caitlin Gotimer bringing Tosca to life with her gleaming top notes and emotional depth. The London Philharmonic Orchestra was also on fine form, with Ticciati coaxing midnight-black sonorities from the lower reaches. The Impact of the Production The production's screws begin to tighten with the entry of arch-villain Scarpia, clad in a double-breasted pinstripe suit and delivered with dangerously smooth vocals by Vladislav Sulimsky. The final act is the most compelling of all, with a setting that is both painterly and appalling. What's Next The production will run at Glyndebourne, Sussex, until 22 June and 4-30 August. With its shocking debut and rave reviews, Tosca is set to be a highlight of the 2026 festival season.