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The World Health Organization (WHO) has issued a dire warning about a health crisis unfolding in real time across the Middle East, emphasizing the urgent need for a complete cessation of hostilities to mitigate the humanitarian catastrophe.Dr. Hanan Balkhy, the WHO's regional director for the Eastern Mediterranean, stressed that hospitals and healthcare facilities must be treated as safe havens to protect patients and healthcare workers. The region, encompassing 22 countries and territories including Iran, Gulf states, Gaza, Sudan, Afghanistan, and Pakistan, is facing severe disruptions in healthcare services due to the ongoing conflicts.The violence has resulted in significant loss of life and displacement, with over 1,000 people killed in Lebanon, 1,500 in Iran, and 16 in Israel, alongside reports of numerous deaths in the West Bank and Gulf Arab states. Moreover, 3.2 million people have been displaced in Iran and over 1 million in Lebanon within a month, exacerbating the crisis.Balkhy expressed deep concern about the long-term impacts on maternal mortality, mental health, and the plight of orphaned children left without education. The WHO has verified dozens of attacks on healthcare facilities in Lebanon, Iran, and Israel since the conflict began, including a recent attack on a hospital in Sudan that killed at least 70 people.The organization is also preparing for potential attacks on nuclear sites and water desalination plants, which could have catastrophic health repercussions. Balkhy urged for a significant de-escalation or a permanent pause in hostilities to prevent further humanitarian disaster.

UK Prime Minister Keir Starmer has written to Travelodge's CEO, Jo Boydell, to express his concerns over the hotel chain's safety protocols following a recent sexual assault incident. The incident involved a 29-year-old man, Kyran Smith, who was given the victim's room number and key card by staff at the Maidenhead branch of Travelodge.Starmer's letter, released by Downing Street, emphasizes the need for Travelodge to 'seriously engage' with MPs and the government to address concerns around best-practice interventions for prevention, staff training, and the company's response to the incident. The Prime Minister views tackling violence against women and girls as a 'personal mission' and expects Travelodge to play its part in this effort.The incident has raised 'deeply concerning' questions about Travelodge's security processes and procedures. More than 20 MPs had demanded a meeting with Boydell to discuss the case, including the company's offer of an 'insulting' £30 refund to the victim. Starmer has welcomed Travelodge's decision to launch an independent investigation into its room security policies and urged the company to proceed with the review at pace.Travelodge has apologized to the victim for the way the incident was handled, stating that it adopts industry-standard security procedures. However, the company has faced criticism for its response to the incident, and Starmer's letter underscores the need for improved safety measures to prevent similar incidents in the future.

Los Angeles Rams star receiver Puka Nacua is facing a civil lawsuit filed by a woman named Madison Atiabi, who claims he made an antisemitic statement and bit her on the shoulder on New Year's Eve. According to the lawsuit, Nacua allegedly said 'fuck all Jews' during a dinner in Los Angeles, which Atiabi, who is Jewish, found deeply distressing.The lawsuit also alleges that Nacua bit Atiabi on the shoulder, leaving teeth marks, and also bit her friend's thumb 'with such force that her companion screamed in acute pain.' The suit cites gender violence and negligence in addition to the antisemitic remark and biting incident.Nacua's attorney, Levi McCathern, has strongly denied the allegations, stating that multiple sober witnesses confirm Nacua never made the claimed comments. McCathern described the bites as 'horseplay' and announced that Nacua intends to sue Atiabi for defamation. This development comes after Nacua apologized last December for performing a gesture that invoked antisemitic tropes during an internet livestream.The 24-year-old receiver had a stellar season with the Rams, leading the league with 129 catches, 1,715 yards, and 10 touchdowns, and then leading the NFL again in playoff catches. His future with the Rams includes eligibility for a contract extension this offseason that could make him one of the highest-paid receivers in NFL history.

The film 'They Will Kill You' is a satirical take on the beat-em-up genre, offering a mix of gore, bad jokes, and deja vu. The story revolves around Asia, a new maid at the Virgil, a satanic co-op residence in New York, where she must navigate a world of satanic rituals and eternal life.The film's tone is pitched between a bloodbath and bath time, with a boyish strain of immaturity dominating the creative force. This is evident in the giddy, inventive approach to violence, where the narrative device of immortality unshackles the filmmaker from the laws of physics. The film's antic gore peaks with an extended interlude following a disembodied eyeball as it rolls down corridors and slingshots itself up an elevator shaft.The adolescent quality runs deeper than that, manifesting more overtly in the potty-mouthedness of the script and the ostentatious stylistic flourishes that are hand-me-downs from other filmmakers. The film's supporting cast is haphazardly assembled and half-assedly differentiated from one another, with Heather Graham and Tom Felton getting the most to do.Despite its sprightly fight choreography and retro synth arpeggios, the film's invoked inspirations and story components err on the side of the popular and well-trod. The received shtick grows worn before long, and the film's attempts at humor often fall flat. A good rule of (severed) thumb: if you're going to make a character quote Monty Python's immortal 'just a flesh wound' bit, you must yourself be capable of originally generating something at least as funny.

Partridge Boswell's poem, 'The Gathering', has been crowned the winner of this year's National Poetry Competition, a prestigious award that attracted over 21,000 entries from poets across 113 countries. The poem delves into themes of language, love, and the struggle to make sense of global suffering, state violence, and war.Boswell's work is a reflection of his attempt to process the emotional burden of following distressing global events. He describes how he wrote elegies, parodies, and rants to cope with his discomfort and disbelief. The poem specifically addresses the challenge of maintaining language's potency in the face of the relentlessness of the news cycle and the difficulty of resisting false narratives.The judges praised 'The Gathering' for its ambition, emotional stakes, and philosophical perspicacity. They noted that the poem reflects on the tensions between personal grief and state violence, particularly in Gaza. The poem questions how to preserve the potency of language amid the overwhelming nature of global events.Boswell, who is also the author of the Fool for Poetry prize-winning chapbook Levis Corner House and the Grolier prize-winning collection Some Far Country, will receive £5,000 for his winning poem. His work, along with the runner-up and third-place poems, will be published in the spring 2026 issue of The Poetry Review.The National Poetry Competition, founded in 1978, has a history of recognizing talented poets. Past winners include Carol Ann Duffy, Sinéad Morrissey, James Berry, and Tony Harrison. This year's competition saw seven commended poets receive £500 each, while Damen O'Brien's poem Axe secured the runner-up position with a £3,000 prize.

The traditional cold war diplomacy of brinkmanship, characterized by carefully balanced standoffs and rules-based international order, has given way to a world in freefall. This shift is exemplified by the ever-widening conflict in the Gulf where strategic objectives remain as unclear as the potential endpoint of hostilities.Approaching a month since the United States and Israel launched attacks on Iran, the stated objectives of removing the country's nuclear threat and destroying its ballistic missile capability appear increasingly disconnected from the disproportionate impact on civilians and neighboring Gulf nations. Despite these consequences, the Iranian regime's willingness to escalate the conflict shows no signs of diminishing.The Guardian Weekly's coverage examines this critical juncture through multiple perspectives. Patrick Wintour recounts the pivotal week when global tensions reached a tipping point, while Richard Partington analyzes the long-term economic implications of a prolonged conflict, from oil price fluctuations to inflationary pressures and economic growth impacts. From South Lebanon, William Christou reports on healthcare professionals caught in the crossfire of Israeli airstrikes, highlighting the human cost of the escalating violence.Emma Graham-Harrison provides insight from Jerusalem, examining Israeli Prime Minister Benjamin Netanyahu's strategy of attempting to rehabilitate his image through what he frames as destruction of an 'axis of evil.' Meanwhile, Simon Tisdall poses a critical question: when US President Donald Trump eventually seeks to halt the conflict, will any parties be willing to heed his calls for de-escalation?Beyond the primary geopolitical focus, this week's Guardian Weekly edition explores several significant developments across different sectors. The UK political landscape features an examination of the upcoming local elections, where voter sentiment appears increasingly focused on rejecting established parties rather than actively supporting alternatives. The scientific section explores innovative approaches to addressing snoring disorders through CPAP machines, while the culture section features an in-depth interview with Dave Grohl discussing Foo Fighters, personal challenges, and grief following the loss of bandmate Taylor Hawkins.In sports, the publication celebrates the remarkable achievement of British athletes Keely Hodgkinson, Georgia Hunter Bell, and Molly Caudery, who each secured gold medals at the world indoor athletics championships in Poland, showcasing British excellence in track and field events.

Photographer Peter van Agtmael captured a striking image during his first trip to Iraq 20 years ago, which has become a defining moment in his career. The photograph shows a dejected soldier sitting in a domestic living room, highlighting the incongruity of war in everyday life.Van Agtmael, who was 25 at the time, had been embedded with the US military for six weeks. He wanted to move beyond traditional war photography, which often focuses on violence and horror, and explore the human side of conflict. This image, he says, crystallized his understanding of the US military's role in the Middle East and the absurdity of war.The photograph shows a soldier in a mundane setting, which could be anywhere in the world. Van Agtmael notes that this juxtaposition of war and domesticity reveals the complexity of human nature and the proximity of war to everyday life. He believes that war is part of the human soul and that it's essential to acknowledge this reality.Van Agtmael's experience in Iraq was formative, and he reflects on the failures of the war in Iraq and Afghanistan. He questions the effectiveness of externally created regime change and the long-term impact of military interventions.As a war photographer, van Agtmael has grappled with the moral complexities of his work. He believes that thoughtful documentation of human violence can have a moral impact, but also acknowledges the challenges of being a witness to extreme violence.Now a father, van Agtmael has shifted his focus away from war photography. He reflects on the changing nature of his work and the importance of finding new purpose in life.

The forthcoming film 'The Drama', starring Robert Pattinson and Zendaya, has sparked controversy over its portrayal of a character who once planned a school shooting. Tom Mauser, whose son Daniel was killed in the 1999 Columbine school shootings, expressed his disapproval of the film's approach, calling it 'awful' and accusing it of 'humanising' perpetrators of such violence. The film, a dark romantic comedy directed by Kristoffer Borgli, features Zendaya's character revealing a past plan to carry out a school shooting during a parlour game. Despite her character backing out of the attack, Mauser argues that the film 'normalises' such actions. He also criticized Zendaya's response to questions about the film's twist on the Jimmy Kimmel show. A24, the studio behind 'The Drama', has limited screenings of the film to avoid spoilers. Early reactions to a small screening in the US were broadly positive, but reviews are embargoed until March 31. The film's UK distributors have been approached for comment. The controversy surrounding 'The Drama' highlights ongoing concerns about the portrayal of violence in media and the impact on audiences. This is not the first time a film has tackled the sensitive topic of school shootings; Gus Van Sant's 'Elephant' (2003) and Michael Moore's documentary (2002) are notable examples.

Israeli forces have demolished a mosque minaret in southern Lebanon, a move that is likely to exacerbate already strained relations between the two countries. The incident occurred in the context of ongoing Middle East conflicts, which have seen periods of heightened tensions and violence.The destruction of the minaret has been reported by Al Jazeera, a prominent news organization. Details about the circumstances surrounding the demolition and the Israeli military's motivations are still emerging.This development adds to the complex dynamics in the region, where Israel and Lebanon have a history of conflict. The incident may have implications for regional stability and could potentially draw international attention.