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The Birth of a Classic The Mekons and Gang of Four emerged from the same fine art course at Leeds University. After being inspired by the Clash and the Sex Pistols, the Mekons formed and recorded their first single, 'Never Been in a Riot', on a two-track tape recorder in a living room. The Making of 'Where Were You?' For their song 'Where Were You?', Bob Last from the Fast Product label helped them record at Spaceward in Cambridge. The song came together quickly with Kevin Lycett strumming two chords, Tom playing a choppy counter-melody, and Jon on drums. Mark White wrote the lyrics, and Andy Corrigan sang them. The Impact of 'Where Were You?' 'Where Were You?' became a huge success, selling over 27,000 copies and receiving significant airplay from John Peel. The song gained even more popularity when David Bowie compared the Mekons to T. Rex on a Radio 1 programme. The Legacy of 'Where Were You?' The song has remained a classic, with the Mekons still playing it live almost 50 years later. The song's lyrics, influenced by Buzzcocks' Pete Shelley, deal with themes of loneliness and feminism. The Mekons' decision to include women in the band and their anti-macho approach to music set them apart from other rock bands at the time. The Song's Enduring Influence 'Where Were You?' continues to have an impact, with the song being used in an advert for Honda's Acura cars and generating a substantial amount of money for the band. The Mekons' story serves as a testament to the power of creativity and perseverance in the music industry.

The Struggle of Working-Class Artists The Tara Clerkin Trio, consisting of Tara Clerkin, Sunny Joe Paradisos, and Pat Benjamin, has been making waves in the underground music scene with their eclectic sound, which blends elements of minimalist jazz, avant-pop, and trip-hop. Despite their growing success, the band members, who are all working-class artists, share their struggles in the UK's music industry. The Band's Unique Sound Their music is characterized by happy accidents and incidental noises, which they incorporate into their tracks. The band's sound is shaped by their use of loop pedals, sampling, and a variety of instruments, some of which they don't play properly. This unique approach has charmed fans across the music spectrum, including jazz enthusiasts. The Challenges of Making Music The band members discuss the difficulties of making a living as working-class artists in the UK. They highlight the struggle to balance touring, working, and making music, often having to juggle multiple jobs to make ends meet. The situation is further complicated by the fact that touring three times a year doesn't pay enough to support their living expenses. The New Album: Somewhere Good Their second album, 'Somewhere Good', is their most pop-oriented record yet, featuring more structured songwriting and storytelling. The album was written and recorded in precarious circumstances, with the band members working and touring simultaneously. Despite the challenges, the album captures a sense of optimism and positivity, with songs that address themes of loss, grief, and gentrification. The Future of Independent Music The Tara Clerkin Trio's experience reflects the broader challenges faced by working-class artists in the UK. They chose to release their album on the in-house label of east London record shop World of Echo, rather than signing with a bigger label, to maintain creative control and avoid giving away their rights. As they continue to make music, they hope to inspire others to do the same, despite the difficulties.

The Masterpiece of John Woo The title of this 1990 John Woo extravaganza might lead the uninitiated to expect a chillingly focused, targeted assassination. Actually, there are innumerable bullets and innumerable heads in this over-the-top gonzo spectacle. It is a crime thriller, a wartime action film set in Vietnam, but it offers something other than the usual Hollywood perspective; it is a parable of greed comparable to The Treasure of the Sierra Madre, and even a kind of romantic melodrama. The Symbolic Bullet There is, however, one key bullet in a head, a literal bullet lodged in the skull of someone who achieves a macabre zombie-like semi-survival, the bullet being symbolic of the way violence takes root in the brain, dehumanising its victim. The final “boardroom” scene disclosing this image is toweringly mad and strange. Yet in this movie, as in so many other Woo films, we can see how the director counterintuitively uses sad music – harmonica, woodwind – over grisly, brutal action sequences, as if what he wants us to register is not the violence or the shock but just how poignantly futile and pathetic it all is. The Plot Unfolds The setting is – initially – late 60s Hong Kong; Tony Leung plays Ben, a young guy getting married to his sweetheart Jane (Fennie Yuen), and on hand are his buddies Frank (Jacky Cheung) and Paul (Waise Lee). This trio are involved in a gang war with a rival mob who corner Frank when he has gone to get cash from the local moneylender to pay for the wedding. The confrontation ends in violence and, simply to get away and avoid the heat – Woo has a cameo as a police inspector – the three guys accept a crooked job from a local gang boss smuggling contraband pharmaceuticals in Vietnam. The Climax In Saigon, all their plans explode in pure anarchy; they are at first arrested under suspicion of working for the Vietcong, then upgrade their strategy to cynical arms smuggling for the North Vietnamese, and stealing the gold belonging to the local wiseguy who was supposed to be distributing their drugs. They make contact with a worldly fixer called Luke (Simon Yam), who has a Catherine Deneuve poster in his apartment, and also gallantly undertake to rescue a Hong Kong singer Sally (Yolinda Yam), who has been trafficked to Vietnam to sell sex. They end up on the spectacular field of battle itself (with helicopters, explosions, burning villages), where Paul, increasingly obsessed with the gold, finds himself at a key moment at mortal risk of detection if he cannot keep the wounded Frank quiet, whose cries of pain might alert the enemy to their position. The Legacy It’s an extraordinary, uninhibited barnstormer from Woo, who takes us from regular, domestic crime to military chaos with confidence and sweep. One moment, in which someone stands in front of a tank, even appears to echo the Tiananmen Square protests. No one else could have made it. The Release Bullet in the Head is in UK cinemas from 1 June, and on 4K UHD and Blu-ray from 22 June.

The Filmmaker's Perspective on Indigenous Issues Lucrecia Martel, known for her fiction films like 'Zama' (2017) and 'The Headless Woman' (2008), has spent about 15 years working on 'Landmarks', her first documentary. The film addresses the broader and historical problem of Indigenous rights in Argentina through the case of Javier Chocobar, an Indigenous leader killed in 2009. The Event Details: The Killing of Javier Chocobar The documentary centers on the killing of Javier Chocobar, an activist and leader of the Diaguita people from the Chuschagasta community in the province of Tucumán. He was shot dead inside his territory on October 12, 2009, by Darío Luis Amín, a mining businessman, and two former police officers. Martel was present at the trial, which she described as an 'extraordinary spectacle' that highlighted racism against Indigenous peoples. The Data Analysis: A Historical Pattern of Neglect Martel believes that Argentine racism against Indigenous peoples, who make up about 3% of the population, is tied to how the country sees and projects itself: a 'white' nation shaped by European immigration. She argues that Argentina needs to end its 'fantasy of being a European country' and acknowledge its Indigenous heritage. The Impact Analysis: The Ongoing Struggle for Recognition The Chuschagasta community is still fighting for official state recognition of its land. Martel's film aims to contribute to the history of Argentina and the health of Argentine society by shedding light on the usurpation of Indigenous lands. The documentary shows moments where the centuries-long presence of the Chuschagasta community was questioned, and even the very existence of Indigenous Argentinians was denied. The Prediction: A Call for Change Martel hopes that her film will help bring about change and recognition of Indigenous rights in Argentina. She plans to hand over the rights to the Chuschagasta community, who were the first to see the completed documentary. The film's promotional cycle is coming to an end, and Martel looks forward to its continued impact on raising awareness about Indigenous issues in Argentina.

The Enduring Legacy of Doonesbury Garry Trudeau's Doonesbury cartoons have been a staple of American satire for 56 years, offering a unique perspective on the country's evolution. Unlike other popular cartoons, Doonesbury characters age, evolve, and even die, providing a realistic and relatable portrayal of American life. The Man Behind the Cartoons Garry Trudeau, the creator of Doonesbury, is a reclusive figure who has given only a handful of interviews over the past six decades. Despite this, his work has had a profound impact on American culture, earning him a Pulitzer Prize for editorial cartooning. The Biographer's Challenge Joshua Kendall, author of 'Trudeau & Doonesbury: The Cartoonist Who Turned the News into Art,' faced significant challenges in writing about Trudeau's life. With Trudeau's reputation for being elusive, Kendall had to rely on interviews with friends, colleagues, and archival documents to piece together the cartoonist's story. Trudeau's Formative Years Trudeau's life was marked by both privilege and trauma. Growing up in Saranac Lake, New York, a company town founded by his family, Trudeau experienced a childhood that was both idyllic and isolating. The sudden departure of his mother when he was 10 years old had a profound impact on his life, shaping his perspective and informing his art. The Power of Art Trudeau found solace in art, particularly cartoons, during his formative years. His experiences at Yale University, where he developed his skills as a cartoonist, laid the groundwork for his future success. Kendall's biography offers a fascinating glimpse into Trudeau's creative process and the ways in which his art has reflected and influenced American culture.

The Lead Meena Kandasamy's novel "Fieldwork As a Sex Object" tackles the terrifying reality of deepfake technology and its use in online harassment, particularly targeting women in India's complex digital landscape. Through protagonist Amy Chaturvedi, the novel explores how fabricated content can destroy lives and how internet trolls exploit such content for misogynistic and political purposes. The Digital Hell of Indian Internet Culture The novel portrays India's internet as a particularly toxic environment, far exceeding the toxicity of Western platforms like X and Facebook. Kandasamy captures a world where caste, religion, and political extremism intersect with misogyny to create a dangerous space for women. The author describes how algorithms, far-right government influence, and societal tensions combine to create a digital hellscape where women are systematically targeted and harassed. The Deepfake Crisis and Its Victims The central plot revolves around Amy Chaturvedi, a privileged student activist living in London, who becomes the victim of a deepfake sex tape. Despite her sexual liberation and experimentation, Amy must confront a world that immediately judges and shames her based on the fabricated content. The novel explores how such digital violations can be used as weapons, not just for humiliation but also for political and social control. The Anatomy of Online Trolls Kandasamy provides a sharp, humorous, yet critical examination of the Indian internet troll, exposing their motivations, insecurities, and political alliances. The author portrays trolls as a "disparate bunch of Nazi-loving, Islamophobic vegetarian dicks" who use anonymity to spread hate, promote extremist ideologies, and attack those who challenge their worldview. The novel reveals how these trolls operate in coordinated campaigns to silence dissenting voices, particularly women and minorities. Literary Merits and Political Commentary As one of India's most outspoken writers, Kandasamy blends personal narrative with political commentary, creating a work that is both entertaining and thought-provoking. While the reviewer notes some stylistic choices that could be refined—particularly the Marxist theoretical framework and excessive internet jargon—the novel's power lies in its unflinching portrayal of online misogyny and its intersection with political extremism. The author's willingness to "not pull any punches" makes her a vital voice in contemporary Indian literature. The Future of Digital Rights and Literature "Fieldwork As a Sex Object" arrives at a critical moment when deepfake technology is becoming increasingly sophisticated and accessible. The novel serves as both a warning and a call to action, highlighting the urgent need for better legal protections and digital literacy. As internet culture continues to evolve, works like Kandasamy's will play an essential role in shaping public discourse about technology, power, and gender in the digital age.

The Significance of Eid al-Adha Muslims around the world have begun celebrating Eid al-Adha, the “Festival of Sacrifice”, which falls on the 10th day of Dhul Hijjah, the 12th and final month of the Muslim lunar calendar. The Hajj Pilgrimage One of the biggest holidays in the Muslim calendar, it coincides with the last day of the annual Hajj pilgrimage in Saudi Arabia. More than 1.7 million people are taking part in the Hajj this year, slightly up from 2025. Celebrations Amid Challenges In Gaza, where Israel’s months-long offensive has devastated neighbourhoods and displaced most of the population, many families are marking Eid in tents and crowded shelters, with little meat or festive clothing. The Rituals of Eid al-Adha Eid al-Adha commemorates the Quranic story of Prophet Ibrahim’s willingness to sacrifice his son Ismail as an act of obedience to God. The day is marked with the sacrifice of an animal – usually a sheep, goat or cow – and the distribution of its meat among family, neighbours and those in need. The Global Observance On Tuesday, pilgrims prayed on Mount Arafat, where Prophet Muhammad is believed to have delivered his final sermon. They then spent the night out in the open at Muzdalifah, halfway between Arafat and Mina, where they collected pebbles for the symbolic stoning of the devil.

The AI-Driven Economic Surge Taiwan's economy is booming, with a growth rate that would be the envy of any country. The AI boom sweeping Taiwan has made it an exciting time to work in tech, particularly in the semiconductor industry, which produces about 90 percent of the most advanced chips used to power leading AI models. The Semiconductor Industry's Dominance Taiwan is a semiconductor powerhouse, with Taiwan Semiconductor Manufacturing Company (TSMC) accounting for more than 40 percent of the value of the island's stock market. Semiconductors alone account for more than 20 percent of Taiwan's GDP. The Uneven Distribution of Benefits Despite the impressive economic growth, concerns are rising about the uneven distribution of benefits. Many industries unrelated to tech do not seem to be feeling the benefits, with some individuals experiencing stagnant pay and rising living costs. The semiconductor industry employs only about 300,000 people in a workforce of 11 million. The Risk of a 'Dual Society' Economists warn that Taiwan's economic model has left it at risk of becoming a 'dual society' where tech sweeps up talent, funding, and resources at the expense of other industries. The wealth divide has grown over the decades, with Taiwan's Gini coefficient increasing from 0.308 in 1980 to 0.341 in 2024. The Future Outlook As Taiwan's economy continues to grow, the government faces challenges in addressing the uneven distribution of benefits and ensuring that the growth is inclusive and sustainable. The country's reliance on a single industry for growth marks a shift from the Asian Tiger era, when Taiwan's economy was driven by hundreds of thousands of small and medium-sized enterprises.

The Rise of AI Psychosis in Corporate Decision MakingBox founder Aaron Levie has identified a troubling trend in corporate America: what he calls "AI psychosis," where executives and decision-makers become so enamored with artificial intelligence that they believe it can replace human jobs without understanding what those roles truly entail. This overenthusiasm for AI is leading to significant workforce reductions and a growing backlash from both employees and users.Workforce Reductions Fueled by AI AmbitionThe consequences of this AI psychosis are already becoming apparent in the tech industry. Productivity software company ClickUp recently cut 22% of its workforce, citing a shift toward AI agents. This move is part of a larger trend where tech layoffs in 2026 are already nearly matching the total number of layoffs seen throughout all of 2025. These cuts suggest that companies are prioritizing AI implementation over human talent, often without fully understanding the implications.User Backlash Against Forced AI IntegrationWhile companies push AI solutions, users are increasingly resisting. DuckDuckGo has seen a surge in installations from users who want Google to stop forcing AI into search results and simply provide traditional links. This user backlash highlights a disconnect between corporate AI strategies and actual consumer preferences, suggesting that not all AI implementations are welcome or beneficial.The Duality of AI AdoptionAs TechCrunch's Equity podcast hosts discuss, both the AI-pilled (those enthusiastically embracing AI) and the AI-skeptical (those questioning its implementation) may have valid points. The challenge lies in finding a balance where AI augments human capabilities rather than replacing them entirely, and where technology serves actual needs rather than being implemented for its own sake.Future of Work in an AI-Driven EconomyAs AI continues to evolve, companies must develop more nuanced approaches to workforce planning and technology implementation. The current trend of replacing human workers with AI agents may prove shortsighted if it leads to decreased product quality, poor user experience, and loss of institutional knowledge. The future likely lies in hybrid models where AI and humans collaborate, each bringing their unique strengths to the workplace.