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The UN's Controversial Blacklist AdditionThe United Nations has confirmed placing Israel on a blacklist of countries suspected of committing sexual violence against civilians, with Russia also added to the list. The decision, part of a "conflict-related sexual violence" report released on Friday, has prompted Israel's foreign ministry to announce it will sever all ties with UN Secretary-General Antonio Guterres.The UN cited "credible information" regarding sexual violence committed by Israeli security forces against Palestinian detainees in prisons and other detention centers, noting that UN inspectors had been denied access to these facilities. Israel's UN Ambassador Danny Danon countered that the UN had been invited to check the allegations but chose not to come.Detailed Allegations Against Israeli ForcesThis year's UN report stated that in 2025, "the United Nations verified multiple incidents of conflict-related sexual violence, including as a form of torture, inflicted against 14 men, seven women, nine boys and one girl from the Gaza Strip and the [occupied] West Bank."The report detailed that 13 of these attacks occurred in 2024, with 18 more recorded in 2023 and 2024. The violations included "rape, including with objects, gang rape, attempted rape, physical violence to the genitals, instances of targeted shooting of the genitals, touching of breasts and genitals, strip and cavity searches conducted without apparent security justification, forced nudity and threats of rape."Rape and gang rape were perpetrated against nine victims, primarily Palestinians from Gaza, according to the report. The assaults occurred mainly during detention and interrogation at military camps, checkpoints, and during Israeli military operations in the Occupied Palestinian Territory. Survivors included journalists and human rights defenders, with some violations being filmed or photographed.Russia's Addition to the BlacklistThe latest UN report also contains harrowing descriptions of abuses attributed to Russia's military, following "findings of continued patterns of sexual violence documented." The UN human rights monitoring mission in Ukraine had verified 310 cases of conflict-related sexual violence perpetrated by Russian armed and security forces.These cases included rape, gang rape, genital mutilation, electric shocks and beatings to the genitals, injuring 280 men, 26 women and four girls. The report's annex lists 77 parties deemed responsible for patterns of conflict-related sexual violence, including 62 non-state actors, with new additions including three non-state armed groups operating in the Democratic Republic of the Congo.Global Surge in Conflict-Related Sexual ViolenceThe report reveals that nearly 10,000 cases of conflict-related sexual violence were recorded worldwide last year – more than double the previous year's figure. Pramila Patten, the UN official who authored the report, stated that this increase marks a "very disturbing trend" that represents only the "very tip of the iceberg.""This number can be attributed to the fact that we are going through a time when we have a record number of extremely violent conflicts, and the fact that perpetrators are feeling emboldened by a context of impunity, where this crime is almost cost-free," Patten explained.Diplomatic Fallout and Future ImplicationsBeing added to the UN blacklist does not automatically carry specific punitive measures such as sanctions, although public naming and shaming can cause significant reputational damage for the states involved. Those repeatedly listed are barred from UN peacekeeping operations.The UN official noted that she had made several requests for information on preventive measures implemented by Israel but "did not get any response on the substantive aspect." While Israel had extended an invitation for a visit, disagreements about the scope and related issues of access and cooperation ultimately led to its suspension due to Israel's war on Gaza.The addition of Israel and Russia to the blacklist comes at a time of heightened tensions between these nations and the United Nations, with the report likely to further strain diplomatic relations and potentially influence international policy decisions regarding these conflicts.

The Revolutionary GeneticistCraig Venter, the pioneering geneticist who revolutionized genome sequencing and challenged traditional scientific approaches, has died at age 79. His announcement at the 2001 BioVision conference that humans possess only about 30,000 genes—far fewer than the previously estimated 100,000—shattered scientific assumptions about genetic determinism. "We simply do not have enough genes for this idea of biological determinism to be right," Venter declared, emphasizing that human diversity is shaped primarily by environmental influences rather than hard-wired genetic code.The Breakthrough in Genome SequencingVenter's most significant contribution was developing the revolutionary whole genome shotgun sequencing technique, which allowed for faster, more efficient genome mapping. In 1995, his team achieved the remarkable feat of sequencing the first genome of a living organism, the bacterium Haemophilus influenzae. This breakthrough led to the founding of Celera Genomics in 1998, which aimed to sequence the entire human genome using Venter's innovative methods.The competition between Venter's privately funded Celera and the publicly funded Human Genome Project, spearheaded by the US government and UK's Wellcome Trust, created what scientists described as "testosterone-driven" rivalry. Despite tensions, this competition dramatically accelerated progress in genomics research, culminating in the announcement of the first draft human genome sequence at a White House ceremony in June 2000.The Scientific MaverickVenter was as famous for his bold personality as for his scientific achievements. A brilliant entrepreneur and unapologetic self-promoter, he enjoyed showcasing his success, private plane, yacht, and luxury watches. This flamboyant approach made him both admired and controversial. James Watson, co-discoverer of DNA's double-helix structure, compared Venter to Hitler for attempting to patent human genes, while others nicknamed him "Darth" Venter after the Star Wars villain.His tendency to break scientific protocols became evident when he revealed that much of the DNA used in Celera's human genome sequencing came from his own cells—a decision that annoyed scientists who felt he had subverted standard processes. "I've been accused of that so many times, I've got over it," Venter responded, noting that the analysis revealed he had an abnormal fat metabolism and elevated risk of Alzheimer's disease.A Life Shaped by Science and WarBorn in Salt Lake City, Utah, Venter had an unconventional path to scientific greatness. Growing up in California, he had a poor academic record and initially pursued "pursuits that involved drink, girls and bodysurfing" rather than education. His life took a dramatic turn during the Vietnam War, where he served as a senior corpsman in a naval hospital's intensive care unit in Da Nang."I witnessed several hundred soldiers die, more often than not while I was massaging their hearts – at times with my bare hand – or attempting to breathe life into them," Venter recalled. "Vietnam would teach me more than I ever wanted to know about the fragility of life." This experience sparked his interest in life sciences, leading him to study at the University of California, San Diego, where he earned a PhD in physiology and pharmacology in 1975.The Legacy of a Scientific PioneerAfter being dismissed as head of Celera in 2002, Venter used his substantial payoff to endow the J. Craig Venter Institute with $100 million. There, he pursued ambitious projects including designing energy-producing microbes and synthesizing bacterial genomes. He later founded Human Longevity and Diploid Genomics, companies that aim to combine artificial intelligence with advances in aging research and gene sequencing to extend human lifespans and improve disease diagnosis.While some of Venter's claims about the primacy of environmental influences over genetics have been questioned, his impact on genomics research remains undeniable. His revolutionary sequencing techniques transformed the field, and his competitive approach accelerated what would have otherwise been a much slower process of mapping the human genome. As the scientific community remembers Craig Venter, it acknowledges a complex figure who was simultaneously a brilliant innovator, a controversial competitor, and a transformative force in our understanding of life's fundamental building blocks.

Global Study Quantifies Gender Attractiveness Gap Across AgesThe research team led by Dr Eugen Wassiliwizky at the Max Planck Institute for Empirical Aesthetics compiled the world’s largest dataset on facial attractiveness, drawing from 52 studies across 76 countries.Numbers Behind the Gap: 1.5 Million Ratings Reveal 60% Preference1.5 million attractiveness ratings17,000 distinct faces evaluated30,000 individual ratersAverage female face rated more attractive than 60% of male facesGap strongest in Western cultures, present across all sexual orientationsWhen participants rated themselves, the gender gap vanished, underscoring the role of external perception.Implications for Evolutionary Theory and Social PerceptionThe findings revive debate over Darwinian sexual selection. While Darwin noted male ornamentation in many species, he considered humans an exception where male competition dominated. This study suggests a universal bias toward rounder, more feminine facial structures, which may be linked to infant‑like features rather than purely cultural norms.Historical language—"the fairer sex", "le beau sexe"—reflects a long‑standing perception that the research now quantifies.Future Research Directions and Societal ShiftsAs the attractiveness gap diminishes after age 80, researchers hypothesize that facial structural differences shrink with age, reducing perceived bias. Ongoing work will explore:Neuro‑cognitive responses to facial roundness across agesCross‑cultural variations beyond the current datasetPotential impacts on age‑related social dynamics and media representationThe study, published in Proceedings of the Royal Society B, calls for cautious interpretation but highlights a robust, global pattern that challenges purely cultural explanations.

The British Solving Championship: An Opportunity for Chess Enthusiasts This week’s puzzle is a chance to enter an annual national competition in which Guardian readers ­traditionally perform well and in ­considerable numbers. White in the diagram, ­playing as usual up the board, is to play and checkmate in two moves, against any black defence. The Event Details The puzzle is the first stage of the annual Winton British Solving Championship, organised by the British Chess Problem Society and sponsored by the investment ­managers ­Winton. This competition is only open to ­British ­residents and entry is free. To take part, simply send White’s first move by post to Nigel Dennis, Boundary House, 230 Greys Road, Henley-on-Thames, Oxon RG9 1QY, or by email to [email protected]. Entry Requirements and Deadline All entries must be postmarked or emailed no later than 31 July 2026. Entrants must provide their name and home address. Juniors under 18 on 31 August 2025 must also give their date of birth. The Competition Structure The best 15-20 players from the postal round, plus the best juniors, will be invited to the final at Harrow school on Saturday 13 February 2027, where the prize money is expected to be at least £1,600. The winner of the final will have the right to represent Great Britain at the 2027 world ­solving championships, an event where GB are often medal contenders. A Note on Chess and Professionals Back in the 1950s most top English players were amateurs, often civil servants or teachers, who competed in tournaments during their vacations. After the 1970s Fischer boom and English successes brought an influx of sponsors, chess professionals could earn a decent living, but the tide turned again during the 1990s. The breakup of the Soviet Union brought harder international competition, while Nigel Short’s world title defeat and the move to screen rather than print marketing drove sponsors away. A New Grandmaster: Harry Grieve Harry Grieve became England’s latest grandmaster on Tuesday when the 25-year-old, who was British champion in 2022 and helped CSC/Kingston finish second in this season’s UK 4NCL League, won first prize in Budapest with a 7/9 total.

The Lead Forza Horizon 6 is the latest installment in the open-world racing series, and it takes players on a breathtaking journey through Japan. The game offers a vast map, varied environments, and a wide range of cars, making it a must-play for fans of the series. The Event Details The game is set in Japan, with a vast map that includes iconic locations such as Mount Fuji, Tokyo, and the Japanese countryside. Players can explore the map, participate in various racing events, and collect a wide range of cars. The game also features a new progression system, where players start as a rookie and have to qualify to enter the festival. The Data Analysis The game features over 100 cars, including iconic Japanese models such as the Toyota Corolla and the Nissan GT-R. The game's map is based on real-world locations in Japan, with intricate details and scenery. The game offers various gameplay modes, including racing, exploration, and a 'Discover Japan' mode where players can take part in driving tours of beautiful areas. The Impact Analysis Forza Horizon 6 is a significant addition to the series, offering a fresh and exciting experience for players. The game's Japanese setting and attention to detail make it a standout title in the series. The game's improved progression system and accessibility options also make it more appealing to a wider audience. The Prediction Forza Horizon 6 is likely to be a major hit for Microsoft, with its stunning visuals, engaging gameplay, and faithful recreation of Japan. The game's success will likely pave the way for future installments in the series, potentially exploring other international settings.

The Birth of a Classic The Mekons and Gang of Four emerged from the same fine art course at Leeds University. After being inspired by the Clash and the Sex Pistols, the Mekons formed and recorded their first single, 'Never Been in a Riot', on a two-track tape recorder in a living room. The Making of 'Where Were You?' For their song 'Where Were You?', Bob Last from the Fast Product label helped them record at Spaceward in Cambridge. The song came together quickly with Kevin Lycett strumming two chords, Tom playing a choppy counter-melody, and Jon on drums. Mark White wrote the lyrics, and Andy Corrigan sang them. The Impact of 'Where Were You?' 'Where Were You?' became a huge success, selling over 27,000 copies and receiving significant airplay from John Peel. The song gained even more popularity when David Bowie compared the Mekons to T. Rex on a Radio 1 programme. The Legacy of 'Where Were You?' The song has remained a classic, with the Mekons still playing it live almost 50 years later. The song's lyrics, influenced by Buzzcocks' Pete Shelley, deal with themes of loneliness and feminism. The Mekons' decision to include women in the band and their anti-macho approach to music set them apart from other rock bands at the time. The Song's Enduring Influence 'Where Were You?' continues to have an impact, with the song being used in an advert for Honda's Acura cars and generating a substantial amount of money for the band. The Mekons' story serves as a testament to the power of creativity and perseverance in the music industry.

The Struggle of Working-Class Artists The Tara Clerkin Trio, consisting of Tara Clerkin, Sunny Joe Paradisos, and Pat Benjamin, has been making waves in the underground music scene with their eclectic sound, which blends elements of minimalist jazz, avant-pop, and trip-hop. Despite their growing success, the band members, who are all working-class artists, share their struggles in the UK's music industry. The Band's Unique Sound Their music is characterized by happy accidents and incidental noises, which they incorporate into their tracks. The band's sound is shaped by their use of loop pedals, sampling, and a variety of instruments, some of which they don't play properly. This unique approach has charmed fans across the music spectrum, including jazz enthusiasts. The Challenges of Making Music The band members discuss the difficulties of making a living as working-class artists in the UK. They highlight the struggle to balance touring, working, and making music, often having to juggle multiple jobs to make ends meet. The situation is further complicated by the fact that touring three times a year doesn't pay enough to support their living expenses. The New Album: Somewhere Good Their second album, 'Somewhere Good', is their most pop-oriented record yet, featuring more structured songwriting and storytelling. The album was written and recorded in precarious circumstances, with the band members working and touring simultaneously. Despite the challenges, the album captures a sense of optimism and positivity, with songs that address themes of loss, grief, and gentrification. The Future of Independent Music The Tara Clerkin Trio's experience reflects the broader challenges faced by working-class artists in the UK. They chose to release their album on the in-house label of east London record shop World of Echo, rather than signing with a bigger label, to maintain creative control and avoid giving away their rights. As they continue to make music, they hope to inspire others to do the same, despite the difficulties.

The Masterpiece of John Woo The title of this 1990 John Woo extravaganza might lead the uninitiated to expect a chillingly focused, targeted assassination. Actually, there are innumerable bullets and innumerable heads in this over-the-top gonzo spectacle. It is a crime thriller, a wartime action film set in Vietnam, but it offers something other than the usual Hollywood perspective; it is a parable of greed comparable to The Treasure of the Sierra Madre, and even a kind of romantic melodrama. The Symbolic Bullet There is, however, one key bullet in a head, a literal bullet lodged in the skull of someone who achieves a macabre zombie-like semi-survival, the bullet being symbolic of the way violence takes root in the brain, dehumanising its victim. The final “boardroom” scene disclosing this image is toweringly mad and strange. Yet in this movie, as in so many other Woo films, we can see how the director counterintuitively uses sad music – harmonica, woodwind – over grisly, brutal action sequences, as if what he wants us to register is not the violence or the shock but just how poignantly futile and pathetic it all is. The Plot Unfolds The setting is – initially – late 60s Hong Kong; Tony Leung plays Ben, a young guy getting married to his sweetheart Jane (Fennie Yuen), and on hand are his buddies Frank (Jacky Cheung) and Paul (Waise Lee). This trio are involved in a gang war with a rival mob who corner Frank when he has gone to get cash from the local moneylender to pay for the wedding. The confrontation ends in violence and, simply to get away and avoid the heat – Woo has a cameo as a police inspector – the three guys accept a crooked job from a local gang boss smuggling contraband pharmaceuticals in Vietnam. The Climax In Saigon, all their plans explode in pure anarchy; they are at first arrested under suspicion of working for the Vietcong, then upgrade their strategy to cynical arms smuggling for the North Vietnamese, and stealing the gold belonging to the local wiseguy who was supposed to be distributing their drugs. They make contact with a worldly fixer called Luke (Simon Yam), who has a Catherine Deneuve poster in his apartment, and also gallantly undertake to rescue a Hong Kong singer Sally (Yolinda Yam), who has been trafficked to Vietnam to sell sex. They end up on the spectacular field of battle itself (with helicopters, explosions, burning villages), where Paul, increasingly obsessed with the gold, finds himself at a key moment at mortal risk of detection if he cannot keep the wounded Frank quiet, whose cries of pain might alert the enemy to their position. The Legacy It’s an extraordinary, uninhibited barnstormer from Woo, who takes us from regular, domestic crime to military chaos with confidence and sweep. One moment, in which someone stands in front of a tank, even appears to echo the Tiananmen Square protests. No one else could have made it. The Release Bullet in the Head is in UK cinemas from 1 June, and on 4K UHD and Blu-ray from 22 June.

The Filmmaker's Perspective on Indigenous Issues Lucrecia Martel, known for her fiction films like 'Zama' (2017) and 'The Headless Woman' (2008), has spent about 15 years working on 'Landmarks', her first documentary. The film addresses the broader and historical problem of Indigenous rights in Argentina through the case of Javier Chocobar, an Indigenous leader killed in 2009. The Event Details: The Killing of Javier Chocobar The documentary centers on the killing of Javier Chocobar, an activist and leader of the Diaguita people from the Chuschagasta community in the province of Tucumán. He was shot dead inside his territory on October 12, 2009, by Darío Luis Amín, a mining businessman, and two former police officers. Martel was present at the trial, which she described as an 'extraordinary spectacle' that highlighted racism against Indigenous peoples. The Data Analysis: A Historical Pattern of Neglect Martel believes that Argentine racism against Indigenous peoples, who make up about 3% of the population, is tied to how the country sees and projects itself: a 'white' nation shaped by European immigration. She argues that Argentina needs to end its 'fantasy of being a European country' and acknowledge its Indigenous heritage. The Impact Analysis: The Ongoing Struggle for Recognition The Chuschagasta community is still fighting for official state recognition of its land. Martel's film aims to contribute to the history of Argentina and the health of Argentine society by shedding light on the usurpation of Indigenous lands. The documentary shows moments where the centuries-long presence of the Chuschagasta community was questioned, and even the very existence of Indigenous Argentinians was denied. The Prediction: A Call for Change Martel hopes that her film will help bring about change and recognition of Indigenous rights in Argentina. She plans to hand over the rights to the Chuschagasta community, who were the first to see the completed documentary. The film's promotional cycle is coming to an end, and Martel looks forward to its continued impact on raising awareness about Indigenous issues in Argentina.