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France secured a 2-1 victory over Brazil in a World Cup warm-up match, showcasing their resilience even after being reduced to 10 men on the field.The match, which served as a crucial preparation for the World Cup, saw France demonstrate their determination and skill against a strong Brazilian side.For a detailed account of the game, including key moments and player performances, click here to access our full match report.

Adele Bertei's memoir, 'No New York', provides an essential slice of New York's bohemian history, particularly its no wave music scene in the late 1970s. Bertei, a relative unknown, brings a fresh perspective to the era, unencumbered by cultural baggage.Bertei's journey begins with her arrival in Manhattan in 1977, a city struggling with a municipal debt crisis and frequent fires. However, this period also saw a creative explosion, with the avant-garde art scene thriving post-Warhol. Bertei immerses herself in the alternative scene, crossing paths with future counter-culture icons like Joey Ramone and Alan Vega.Her writing vividly captures the era's spirit, describing the no wave music scene as "Dada brutalism" and a "negation of every way that had come before". As a member of the Contortions, Bertei experiences firsthand the challenging nature of the music, which was an expression of a darker collective reality. She also highlights the barriers faced by women and queers in the music industry, where sexism and homophobia were prevalent.Bertei's memoir is not without its challenges, as the focus shifts post-no wave, and she becomes a witness to subsequent cultural moments rather than a central figure. Despite this, her vivid and visceral account remains essential reading for anyone interested in alternative music.No New York: A Memoir of No Wave and the Women Who Shaped the Scene by Adele Bertei is published by Faber (£20).

Liverpool FC's Egyptian star Mohamed Salah has announced that he will be leaving the Premier League club at the end of the season. The 33-year-old forward confirmed the news in a video message on social media, marking the 'first part' of his farewell.Salah will depart on a free transfer despite having 12 months remaining on his contract. The reasons behind his departure are not explicitly stated, but earlier in the season, he mentioned having a nonexistent relationship with Liverpool manager Arne Slot.The fan favorite accused the club of making him a scapegoat for their poor start to the Premier League season. Speculation about his next destination has been ongoing, with links to several clubs around the world.Salah's agent, Ramy Abbas Issa, stated that no decision has been made about his future. The Saudi Pro League, particularly Al-Ittihad and Al-Hilal, have been mentioned as potential destinations. A move to the MLS in the United States is also a possibility.Liverpool has respected Salah's wish to announce his departure early, celebrating his achievements and memorable moments with the club. Salah is one of the most decorated players in Premier League history, with 255 goals in 435 appearances and numerous awards, including three PFA Player of the Year titles and four Premier League Golden Boot awards.

The Oklahoma City Thunder, a team once considered vulnerable, has surged ahead in the Western Conference with 12 wins in their last 13 games. Their recent performance has sparked discussions about their character and vibes, both on and off the court.At the heart of the Thunder's success is star player Shai Gilgeous-Alexander, known for his mechanically brilliant gameplay and deadly midrange jumper. This season, he's added a step-back three-pointer to his arsenal, producing more viscerally awesome moments than ever before. A notable example was his game-winning three-pointer against the Denver Nuggets on March 9, showcasing his clutch performance.Gilgeous-Alexander's personality, though sometimes quirky, has endeared him to fans. His love for fashion is evident in his game-day attire, from a mustard-colored leather suit to a fur coat. The Thunder's team dynamic is also characterized by their tendency to conduct on-court interviews in groups, showcasing their camaraderie.While some critics have labeled the Thunder as 'nerdy' and 'authentic,' these traits have become a breath of fresh air in the NBA. Their decision to decline a visit to the White House, citing a 'timing issue,' and their refusal to engage in certain political discussions, have also sparked conversation.Compared to other top NBA teams, the Thunder's quirks are a refreshing change. Unlike the Boston Celtics' reliance on three-pointers or Victor Wembanyama's sanctimonious views on the Spurs' playing style, the Thunder's approach is seen as more genuine. Even their defensive strategy, fueled by effort and creativity, as seen when Alex Caruso tried to block a shot with his shoe, has garnered admiration.As the Thunder continue to excel, their authenticity and team spirit are likely to win over more fans. Despite potential animosity from other teams, the Thunder's unique blend of personality and performance is set to make them a beloved team in the NBA.

As its title suggests, this musical about Claude Monet is full of reflections – fittingly so given the artist's preoccupation with light. In 1916, while struggling to complete The Water Lilies with cataracts, the ageing painter (Jeff Shankley) retreats into memories of his early career. His single-minded younger self (Dean John-Wilson) may be about to change art forever, but looking back, all Monet sees is the personal cost of his drive, particularly his mistreatment of his first wife, muse and mother of his children, Camille (Brooke Bazarian).For a man usually defined by his success, this alternative reflection is refreshing. Also bouncing back at Monet are his peers' struggles, the artistic establishment's dismissal of impressionism, and art's relationship to war and women. So abundant are these reflections, in fact, that Carmel Owen's ambitious book at times becomes a house of mirrors – enticing but with a distractingly split focus.There are certainly strengths, though, not least Libby Todd's set: a floor-to-ceiling jumble of empty canvases, which fill with huge impressionist paintings, vivid washes of coloured light and animated backdrops rendered in flickering brushstrokes. It's an invitation to step inside the artistic movement that favoured feeling over realism.Director Christian Durham has an accomplished cast on his hands. Shankley brings moving introspection (and a brilliant turn as a sniffy Paris salon clerk), while Bazarian and John-Wilson deliver standout singing on a stage full of mighty voices. Their connection, however, is outshone by those between young Monet and his fellow impressionist upstarts Bazille (a lovable Ritesh Manugula) and Renoir (a breezy Sam Peggs), whose moments together are the show's strongest. They fizz with the impatience of young rebellion, and their bickering, which provides much-needed moments of gentle humour, gives way to genuine devotion.An excellent eight-piece orchestra takes on Owen's songs, which lead us aptly through the story's tonal beats – lush strings for young love; jaunty woodwind for bantering artists. But none are distinctive enough to reach the heights of "hum it all the way home".Like Monet's, this musical's ambition sometimes comes at a cost, but it still lands in a place of beauty and deep feeling.

The connection between boxing and cinema dates back to the early days of film, with the first sports film being a 1894 short of a six-round match between Mike Leonard and Jack Cushing. Since then, boxing has been a staple of the big screen, captivating audiences with its high-stakes emotion, physical intensity, and personal turbulence.The British Film Institute's new season, The Cinematic Life of Boxing, curated by Clive Chijioke Nwonka, an amateur boxer since his childhood in London, explores this symbiotic relationship. Nwonka believes that an uncompromising hunt for realism is central to the relationship between the sport and artform, with films that interact with human experience, poverty, struggle, triumph, and boxing as a way of life.Boxing films often capture a political zeitgeist, as seen in the 1974 'Rumble in the Jungle' heavyweight championship match between Muhammad Ali and George Foreman, which was not just a fight but a referendum on ideology during the civil rights era. This fight was documented in the 1996 film When We Were Kings, described by Nwonka as 'probably the greatest sports documentary of all time'.The Rocky franchise, which has spanned six films and a spin-off series, Creed, under the direction of Ryan Coogler, is a barometer for all the films captured in its wake. The first film remains the hallmark of sporting cinema, successfully capturing the habitual experience of the sport outside its more glamorous moments.Despite the genre's popularity, boxing films are not immune to clichés, with many relying on stock characters and familiar arcs. However, the best film-makers are able to return to the core of these films: the stakes of signing up for a fight, and the physical, psychological, and real monetary costs of endurance.

Daniel Křetínský, the Czech billionaire who acquired Royal Mail's parent company for £3.6bn last year, has pushed back against criticisms that the service has declined under his ownership. Despite heavy criticism of late deliveries and price rises, Křetínský insisted that service has not deteriorated. In a defensive performance before MPs on the business select committee, Křetínský said he was “deeply sorry” for any letters that arrive late. Since his takeover, Royal Mail has faced trade union disputes over working conditions, raised first-class stamp prices from £1.70 to £1.80, and delivered 16m Christmas letters late. Křetínský disputed a string of complaints, including that service is getting worse and that more lucrative parcels are being prioritized over letters. He argued that the UK's expectations for next-day delivery at relatively low prices are comparatively high compared to other European countries. For instance, he noted that in Italy, first-class letters cost €5.50 (£4.76) and regulators only require delivery targets to be met 80% of the time. With a week to go until Royal Mail’s service targets are reduced by the regulator Ofcom, Křetínský emphasized that the UK’s expectations remain far higher than those in other European countries. From next week, Ofcom will ease pressure on the postal service by lowering Royal Mail’s targets under the so-called “universal service obligation.” It will only require delivery of 90% of first-class mail within one working day (instead of 93%) and 95% of second-class mail within three days (instead of 98.5%). The committee’s chair, Liam Byrne, began the session by stating that Royal Mail is on track to deliver 220m letters late this year out of a total of 5.6bn. Křetínský denied that the service was prioritizing more profitable parcels over letters, attributing any instances of this to crisis moments rather than policy.

Mohamed Salah has been a pivotal figure at Liverpool FC for nine remarkable years. His journey with the team has been marked by numerous accolades and memorable moments.As one of the most skilled players in the Premier League, Salah has consistently demonstrated his prowess on the field, earning him a special place in the hearts of Liverpool fans.This article, presented in pictures, takes a look back at Salah's glorious nine years at Liverpool, showcasing his contributions to the team's success.

The final season of Netflix's Heartbreak High has concluded, but its farewell has left much to be desired. The show, a remake of the 1990s Australian series, had potential with its fresh-faced cast and energetic tone. However, it ultimately succumbed to a polished but contrived approach, straying far from the gritty realism that made its predecessor compelling.The original Heartbreak High was praised for its near-verite realism and diverse cast, tackling tough issues with fearlessness and courage. In contrast, the new series opted for a blinged-out U-turn, adopting a jokey tone and pat writing. While it still addressed important issues like abortion, mental health, and racial tensions, it did so without the same level of authenticity.The final season follows the gang's last year at Hartley High, kicking off with a chaotic muck-up day prank. However, even this moment felt painfully contrived, lacking the realism that once defined the series. The show's approach to emotional moments was similarly forced, designed to generate feeling rather than earn it.Creator Hannah Carroll Chapman may have aimed for a show akin to Sex Education, but Heartbreak High fell short. Its colourful but contrived approach rarely achieved a strong emotional pull, instead favouring sentiment over subtlety in its conclusion.Despite its shortcomings, Heartbreak High still explored complex relationships and character aspirations. However, the show's failure to balance humour and drama, coupled with its contrived emotional moments, left this reviewer underwhelmed.