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The Emergence of Goals A new football game called Goals has been launched, offering a free-to-play alternative to EA Sports FC. Developed by a Stockholm-based studio, Goals promises a fast-paced, responsive experience with a focus on skill rather than licensing or scripting. Gameplay and Features Goals offers a simplified control scheme with a focus on fast-paced action. The game features randomly generated teams and players, with no real-life licensing. Players can earn XP and improve their performance, but also age and retire, forcing players to continually tweak their squad. Fast-paced and responsive gameplay No scripting or assisted passing/shooting accuracy Randomly generated teams and players Players can earn XP and improve performance Available on PC, PS5, and Xbox Series X/S The Impact of Goals on the Football Gaming Market The launch of Goals marks a significant shift in the football gaming market, which has been dominated by EA Sports FC for over a decade. With its innovative approach and focus on skill-based gameplay, Goals has the potential to disrupt the market and attract players looking for a new football gaming experience. The Future of Goals The success of Goals will depend on its ability to maintain a strong player base and attract new players. The game's monetization system, which allows players to spend money on packs of players, may also impact its popularity. As the game continues to evolve, it will be interesting to see how it competes with established titles like EA Sports FC and eFootball.

The Final Performance Ryan Bancroft, the principal conductor of the BBC National Orchestra of Wales, took his final bow in a concert that showcased his vibrant and quietly forceful presence on the podium. The program featured Stravinsky's Song of the Nightingale, Brahms's Double Concerto, and Rachmaninov's Symphonic Dances. A Poignant Opening Bancroft opened with Stravinsky's Song of the Nightingale, a symphonic poem that conjures exotic sounds, including gong and celeste. The poignancy of the emperor's fate, symbolized by his infatuation with a real nightingale and then a mechanical version, colored the score. A Delicate Balance The Stravinsky made for an imaginative pairing with Rachmaninov's Symphonic Dances, with its similarly delicate balance between light and dark, life and death. The central waltz flowed and was infinitely flexible, while the final dance featured a lingering reverberation of the tam-tam. A Tribute to Friendship Brahms's Double Concerto for Violin and Cello was equally imbued with deeply felt reflections on life. The close rapport of the two soloists, Lesley Hatfield and Alice Neary, held one's attention, particularly in their exchanges with the wind players. A Fitting Farewell The concert was a fitting farewell to Bancroft's six-year tenure as principal conductor of the BBCNOW. The program will be broadcast on Radio 3 at a future date and is available to watch on iPlayer.

The Life and Times of Ol' Blue Eyes A new musical about Frank Sinatra's explosive rise to fame has opened in London, giving audiences a chance to experience the life and times of the legendary singer. The Story Behind the Music The musical, which has been making waves in the theatre scene, takes a deep dive into Sinatra's journey from his early days as a young singer to his rise as a global superstar. A Star-Studded Affair With a talented cast and crew, the show promises to bring the energy and excitement of Sinatra's performances to life on stage. A Look at the Man Behind the Music Through a combination of music, dance, and drama, the musical aims to give audiences a glimpse into the life of the man behind the music, exploring his relationships, struggles, and triumphs. The Verdict As the curtains open on this new production, audiences and critics alike are eager to see how this musical will pay tribute to the legacy of Frank Sinatra.

The Lead Bedouine (Azniv Korkejian) has released her fourth album "Neon Summer Skin," a deeply personal work that explores themes of displacement, identity, and security. The musician, whose family fled conflict in the Middle East, discusses how her experiences of leaving Syria and Saudi Arabia have shaped her latest musical offering. The Musical Journey of Displacement The title track to "Neon Summer Skin" recreates a perfect day from Korkejian's childhood, painting a picture of safety that contrasts with the reality of growing up in regions affected by conflict. "I wanted to paint a picture of what it's like to feel safe," she explains. "So much of the record is about not having the luxury to not consider your own safety." A Family's Flight from Conflict Korkejian's family, of Armenian descent, lived in Syria before moving to a US compound in Saudi Arabia. In 1995, unnerved by the proximity of the Gulf War, they successfully applied for the green card lottery and relocated to the US. "And thank God, because we would eventually have had to return to Syria," Korkejian reflects. "I don't know what would have happened to us then." The Emotional Landscape of Exile Despite escaping the violence that would later engulf Syria, Korkejian describes the "long tail of sadness" that comes with displacement. "You can escape the slaughter, but still there's this long tail of sadness, to be parted from people and places that mean so much to you," she says. The album captures this complex emotional landscape through songs like "On My Own" and "Canopies." Artistic Evolution and Personal Expression While her earlier records felt intimate and conspiratorial, "Neon Summer Skin" represents a departure in style. Korkejian embraced a "middle of the road" approach inspired by artists like Carole King and Elton John, aiming for "more emotional expression, more melodic movement, more crooning." This evolution coincided with her parents' second displacement, as they moved from Saudi Arabia to Armenia after retirement. Humanizing the Middle Eastern Experience In promoting the album, Korkejian plans to exhibit her parents' old photos from their time in Syria and Lebanon. "People from the Middle East are often perceived as violent and horrible, and there's pity, too," she explains. "I want to humanise them." Through both her music and these visual artifacts, she seeks to present a more nuanced view of Middle Eastern life and identity.

The Lead The 29th cinema outing for Conan Edogawa, the gumshoe forced to occupy a kid's body, is a briskly enjoyable whodunnit with high-class visuals and sharp character work. Motorbike Whodunnit Cranked Up to Top Speed Coming hard on the heels of last year's One-Eyed Flashback comes the latest cinema outing for Conan Edogawa (voiced by Minami Takayama), the gumshoe forced to occupy a kid's body. The franchise seems to have turned into Akira: the first 10 minutes opens not only with a seemingly phantom headless biker riding past Conan's gang in the countryside, but then three more choppers tearing up a Yokohama freeway like an urban wall of death. The Investigation Unfolds The half-pint sleuth and pals are on their way to a motorcycle convention, where the star of the show is Chihaya (Miyuki Sawashiro), the auburn-tressed elite bike cop who was pursuing the felons. The real torque of the town, though, is the mysterious black superbike that harries other two-wheelers; Conan tags on surreptitiously in wide-eyed-schoolboy mode, as he does, while Chihaya continues her investigation. The Verdict With a torn-from-the-headlines conspiracy revolving around automated vehicles and big data, Fallen Angel of the Highway thrashes through the gears of another briskly enjoyable whodunnit. But it's not completely convincing: Conan continues his habit of advancing the detective work in what feel like retroactively explanatory info-dumps, rather than organically teased-out revelations. The Future of the Franchise But the potboiler tendencies don't detract from the franchise's brio, which is fully on show in director Takahiro Hasui's high-class visuals. Sharp and idiosyncratic character work stands out against limpidly gorgeous cityscapes, making regular use of deep-focus effects for extra cinematic kick. Detective Conan: Fallen Angel of the Highway is in UK cinemas from 12 June.

The Vision for Planetary Survival Humanity can raise living standards, reduce inequality and keep global heating within a 2C rise, according to a sweeping vision for planetary survival, the Guardian reported last week. In an age of ecological dread, that is a bracingly hopeful claim. The optimism came courtesy of the Global Justice Report, produced by Thomas Piketty’s World Inequality Lab. The Challenges to Progress The report identifies the blocks to progress: plutocracy, US power and timid climate politics that leave elites largely untouched. Its strength is to name the forces capable of change – trade unions, citizen movements and coalitions of countries – and to insist that a green transition must be built through democratic means, not technocratic fiat. The Path to a Richer Life One of the report’s key aims is to bring every country to today’s rich-country level of €5,000 per person per month in purchasing-power terms. The figure for sub-Saharan Africa is €290. The report proposes a new global fiscal and monetary architecture: taxes on the very rich would build the public realm, while a Keynesian “clearing union” and new international currency would ease the external constraints that limit poorer countries’ state spending. Rethinking Abundance The standard of living at which the report wants the world to converge is not one of endless private consumption, but of secure public services, increased leisure and climate stability. The report imagines this as a very high standard of life – and potentially a happier one – better in many respects than that experienced by the majority in today’s developed nations. The Future Outlook Critics will say that the report is a utopian dream. But that is perhaps its power. The political resistance to the ideas would be enormous. Many people in rich countries see their consumption not as “excess” but as compensation for insecurity, long hours, unaffordable housing and alienation. So the report’s offer has to be understood not as “less for you”, but as less waste, less work, less rent extraction, more security, more leisure time and more public luxury.

The Digital Dilemma I recently learned through Apple's Screen Time app that I was spending about eight hours a week on my phone browsing Reddit and Instagram. That's 17.3 days a year spent consuming entertaining but ultimately pointless fluff. The warning signs are if your phone is the first thing you look at in the morning and the last thing you look at in bed, says Prof Marcantonio Spada, emeritus professor of addictive behaviours and mental health at London South Bank University. The Psychology of Phone Addiction Too many of us have "outsourced our brain to California," Spada says, but that's not completely our fault: "There are behavioural scientists and neuroscientists who are working daily to ensure that it's outsourced. I know some of them really well." Phones also suck our time. "We all complain: 'I don't have time to exercise, cook healthy food or read novels,'" says Hilda Burke, psychotherapist and author of The Phone Addiction Workbook. "But then we look at how much time we spend on YouTube, TikTok, Instagram – we find there is time to do those things." The Turning Point Changing habits can be daunting, she says, but, like Spada, she insists that the rewards are worth any early discomfort. "Initially there's that twitchiness, but I guess what happened [for me] was a kind of a positive reinforcement where I was like: 'Actually, this is quite nice.'" The point of using any of the techniques outlined in the piece is to see what we're missing, he says, not just to act on a puritanical urge to purge technology from our lives for the sake of it. "I'm generation X, so I had the benefit of access to the real world, real emotions, the heart racing in anticipation of meeting somebody, which has been numbed by virtual existence," he says. "Stay there [in the real world] long enough, and you can get massive rewards." The Solution That Worked The trick that worked best for me was Brick, a small, grey, magnetic square you stick to a metal surface – in my case, the front door, because it's reinforced with metal. It'll set you back £54, which is undoubtedly a big ask for something so simple, but if time is indeed money, you can make a case that it will quickly justify the outlay. Touch your phone to it, and apps that rely on you opening them without thinking can't be tapped. To regain access, you have to physically get up and unlock your problem apps with another touch – which is just enough of a pain to make you reassess your priorities. Implementing Change You can choose what to lock down, and I've been quite conservative. WhatsApp is a social lifeline for those of us who work from home, for example, and Gmail is essential for work. Podcasts expand the mind, and even Netflix is something I only use in the gym, so it's a wellbeing positive overall. But Reddit, Instagram, Bluesky and Facebook? I have them locked all day except when I leave the house (what else am I going to do on the tube?). I'm especially vigilant at bedtime, so there's no temptation to doomscroll in bed or delay getting up in the morning. The Results The friction that Brick adds has made all the difference, and I'm already feeling the benefit. I feel more focused, and my brain feels calmer. I still check in on social sites on my desktop work PC, but these are easily closeable tabs rather than full-screen, infinitely scrolling apps. It's genuinely a quick break – after all, who wants to sit at their desk any longer than they have to? By my earlier back-of-an-envelope sums, I've already lost about three days of 2026 to mindless scrolling. But I'm excited about what I'm going to do with the recovered 15.

The Lead As the Jeffrey Epstein case dominated headlines earlier this year, a group of female playwrights decided to transform the narrative by focusing on victims rather than perpetrators. This initiative evolved into "All the Rage," a collaborative theater production featuring the work of over 80 female and non-binary writers, set to premiere across 15 spaces in a repurposed London office block. The Birth of a Collective Response The project began with a simple question posed by Rebecca Lenkiewicz, screenwriter of "She Said" about the Harvey Weinstein case: "Is anyone else enraged about the Epstein files and how it's all about the men and the money?" This question sparked a movement, with 45 writers responding to her call in a WhatsApp group. What started as a potential reading quickly escalated into a full-scale theatrical production, embodying the frustration that women's voices were being erased in media coverage of abuse cases. The Architecture of Activism "All the Rage" is structured as a two-part experience. The first invites spectators to wander through intimate spaces filled with text, images, and installations, encouraging personal reflection and written responses. The second brings the audience together for a 50-minute theater piece that Lenkiewicz is assembling from contributions by nine actors—predominantly female. The production embraces a collaborative ethos where participants contribute what they can, from writing to publicity, fitting the work around their other commitments. The Legacy of Rapid-Response Theatre This production stands in a tradition of rapid-response theater that addresses social issues immediately. Notably, it includes Lucy Kirkwood's "Maryland," a blistering 30-minute play written in just two days in 2021 in response to the murders of Sarah Everard and Sabina Nessa. By including this piece, "All the Rage" connects itself to a lineage of feminist theater that refuses to see Epstein and his associates as isolated cases, but rather as part of a systemic pattern of disregard for women's lives. Voices from the Vanguard Contributors to the project include established voices like Gurpreet Kaur Bhatti, whose previous play "Behzti" sparked controversy when it was canceled mid-run in Birmingham in 2005 after protests. Bhatti's contribution to "All the Rage" draws inspiration from a classic 1970s Indian film, exploring the transition from macro to micro-objectifications of women. Timberlake Wertenbaker approached her contribution as a series of questions, reflecting on how theater always poses questions rather than providing definitive answers. The Future of Feminist Theatre "All the Rage" represents a significant moment in contemporary theater—one where activism and artistic expression merge to challenge societal narratives. By giving voice to over 80 female and non-binary creators, the production not only responds to the Epstein case but also asserts the continuing relevance of feminist perspectives in cultural discourse. As Lucy Morrison describes it, "It's like 70s and 80s feminism never happened—women's voices are being erased," making this collective response both timely and necessary.

The Lead: Nature's Weekly WondersThis week's wildlife roundup brings us extraordinary moments from across the animal kingdom. From a sea lion's leisurely day to the delicate beginnings of osprey chicks and the remarkable birth of rare lemur quadruplets, nature continues to surprise and delight observers worldwide.A Sea Lion's Leisurely LifestyleMarine biologists have documented a particularly relaxed sea lion off the coast of California, spending an unusual amount of time basking in the sun rather than hunting. This behavior, while seemingly lazy, may actually be an energy conservation strategy during warmer months. The sea lion, affectionately named Leo by researchers, has become a local attraction as visitors gather to watch his peaceful existence.The New Generation of OspreysIn a remote nesting platform overlooking a pristine lake, a pair of osprey parents have successfully hatched three chicks. These young raptors represent hope for the species, which has faced challenges due to habitat loss and environmental changes. Wildlife cameras have captured the tender moments as the parents tirelessly hunt to feed their growing family, showcasing the dedication required to raise the next generation of these magnificent birds of prey.Rare Lemur Quadruplets Bring HopeIn a conservation breakthrough in Madagascar, a critically endangered species of lemur has given birth to quadruplets—a rare event that has brought new hope to preservation efforts. The lemurs, part of a breeding program aimed at saving the species from extinction, are receiving specialized care from veterinarians and researchers. This extraordinary birth represents a significant achievement in primate conservation and underscores the importance of dedicated breeding programs for endangered species.Conservation ImplicationsThese diverse wildlife stories, while captivating individually, collectively highlight the importance of conservation efforts worldwide. The sea lion's relaxed existence reminds us of the delicate balance in marine ecosystems, the osprey chicks demonstrate the resilience of nature when given proper habitat, and the lemur quadruplets show how dedicated conservation programs can make a difference for endangered species.Looking Ahead: Wildlife in a Changing WorldAs climate change and human development continue to impact natural habitats, wildlife stories like these become increasingly important. They not only showcase the beauty and diversity of life on Earth but also serve as indicators of ecosystem health. Conservationists worldwide are working to create more protected areas and implement sustainable practices to ensure future generations can continue to experience these natural wonders.