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Premier League managers are making their voices heard as the season nears its end. Eddie Howe of Newcastle United vows to 'fight harder than ever' to save his team's season, while Arne Slot of Liverpool FC is optimistic about Alexander Isak's return from injury.Howe demands commitment from his players, particularly Anthony Gordon, Sandro Tonali, and Tino Livramento, who are surrounded by transfer speculation. He emphasizes that he won't play players who aren't 100% committed to the club.In contrast, Arne Slot believes that Alexander Isak's return could ease the pain of Hugo Ekitike's long-term absence due to an Achilles tendon injury. Ekitike will miss the rest of the season and the World Cup.Roberto De Zerbi of Tottenham Hotspur confirmed that Cristian Romero will not play again this season due to a knee injury. He remains positive about the team's chances of staying in the Premier League.Andoni Iraola announced his departure from Bournemouth FC, citing a desire to end his journey with the club on a high note. He emphasized that his decision wasn't influenced by other clubs.Lastly, Oliver Glasner of Crystal Palace FC pledged his total commitment to the team until the end of his tenure, ensuring he will give 100% effort.

Cole Palmer, Chelsea's No 10, has expressed his commitment to the club amid speculation about a potential move to Manchester United. In an interview, Palmer emphasized that he has no plans to leave Chelsea and is focused on helping the team succeed.Palmer reflected on his contrast between shy conversational style and impactful performances on the pitch, where he has become known for his skill and 'Ice Cold' celebration. He discussed his injury struggles this season, which have limited his playing time, but expressed confidence in his recovery and ambitions for the World Cup.Palmer, who has recently captained Chelsea in an FA Cup match, discussed his leadership role within the team and his contract extension until 2033. He also touched on Chelsea's summer transfer plans and the need for more experienced players to complement the team's youthful core.Despite transfer speculation linking him to Manchester United, Palmer reiterated his commitment to Chelsea and his desire to compete for major trophies with the club. He also discussed his experiences with England and his hopes for the World Cup.

Arsenal manager Mikel Arteta has made it clear that his team will not adopt a defensive strategy in their upcoming Premier League match against Manchester City. Instead, they will go all out for victory to keep their title hopes alive.The Gunners currently sit six points clear of City, although they have played an extra game. A draw would significantly increase their chances of winning the title, with Opta's projections suggesting an 89% probability of Arsenal emerging victorious if the match ends in a stalemate.However, Arteta is focused on securing a win, stating, "We want to win the game. We are there to win the game. We haven’t talked about that [the draw]. We need to win the game."This approach contrasts with their previous encounter at the Etihad Stadium in 2024, where Arsenal were accused of "parking the bus" and settling for a 0-0 draw. Arteta emphasized that his team will not replicate this strategy, instead opting to play with an attacking mindset.Arsenal have struggled with attacking cohesion in recent weeks, scoring only three goals in their past five matches. Arteta acknowledged the challenges, citing the physical and mental strain of the season, but expressed confidence in his team's ability to perform.The manager also provided updates on his injury list, confirming that Bukayo Saka remains out with an achilles problem, while the availability of other players, including Jurriën Timber and Martin Ødegaard, is uncertain.

Scotland’s women’s rugby team is set to make history on Saturday by playing a standalone match at Murrayfield Stadium, the national venue traditionally reserved for the men’s side. The fixture against long‑time rivals England marks the first time the team will host a Six Nations game at Scotland’s premier rugby ground.Ticket sales have already surpassed 30,000, obliterating the previous Scottish women’s rugby attendance record of 7,774 set earlier this year at the Hive. The expected crowd also promises to be the largest audience ever for a standalone women’s sporting event in Scotland.Team captain Rachel Malcolm, who earned her first cap in 2016, described the occasion as a "landmark moment" and emphasized the importance of growing the sport’s profile: "Playing at our national stadium with crowds this size is something I never imagined in my career."Former Scotland star Donna Kennedy – the nation’s most‑capped player with 115 caps – credited the surge in interest to the team’s performance at the 2025 Women’s Rugby World Cup, where Scotland reached the quarter‑finals for the first time since 2002. She noted that the tournament provided a commercial and media springboard that has only accelerated in the past five years.England arrive as the dominant force in the competition, having won the Six Nations seven years in a row and maintaining a 28‑game winning streak against Scotland. The last Scottish victory over the Red Roses came in 1999, 27 years ago.Despite England’s pedigree, they head into the match with a significant injury list. Alex Matthews (vice‑captain) is out with a shoulder problem, while prop Hannah Botterman and hooker May Campbell have been ruled out for the remainder of the tournament. In total, England are missing 13 players due to retirement, pregnancy or injury, opening opportunities for newcomers such as Demelza Short, who will earn her first senior cap.Scotland also face a setback, missing scrum‑half Emma Orr through injury, but they remain optimistic that England’s depleted roster could level the playing field.England defence coach Sarah Hunter acknowledged the challenges, suggesting the situation could be a "blessing in disguise" for player development ahead of the 2029 World Cup in Australia. She highlighted the chance for younger talent to gain experience in a high‑pressure environment.With a record crowd, historic venue, and the prospect of ending a decades‑long losing streak, Saturday’s clash promises to be a defining moment for women’s rugby in Scotland and a compelling chapter in the Six Nations narrative.

England's women's football team, the Lionesses, are on the cusp of a historic milestone as they prepare to play their 500th game against Iceland in a World Cup qualifier. Manager Sarina Wiegman has stressed the importance of securing a positive result to make their recent 1-0 victory over Spain even more valuable.Wiegman acknowledged that Iceland will present a different challenge, but she is confident that her team is ready. The Lionesses have three wins from three in their qualifying group, and with only the top team from each group in League A securing automatic qualification, the stakes are high.The team has been boosted by the return of Leah Williamson, who has not played since mid-March due to a thigh injury. However, Keira Barry is the only confirmed absence due to ankle problems.Lucy Bronze, who has 146 caps for England, reflected on the significance of the 500th game, saying it's 'insane' to think about. She expressed her pride in being part of the team's history and is optimistic about the future, citing the talent of young players like Lucia Kendall.

Ipswich Town is in a strong position to secure promotion to the Premier League, but their lead is not insurmountable. A Championship record fee of around £20m was offered for Middlesbrough midfielder Hayden Hackney, but he turned it down. Hackney's absence due to a calf injury has impacted Middlesbrough's performance, with the team drifting to fifth place. Ipswich Town's manager, Kieran McKenna, is aiming to guide the team straight back to the Premier League. The team's top scorer, Jack Clarke, has 14 goals, while Jaden Philogene has been spectacular when fit. The Dutch holding midfielder Azor Matusiwa has been instrumental in Ipswich's success this season. However, Ipswich Town's recent 2-0 defeat at Portsmouth has given hope to other contenders. Southampton, who went down with Ipswich Town, have surged back into contention under new management. The Championship's unpredictability means that anything can happen in the final stretch of the season. Ipswich Town's next match against Middlesbrough at Portman Road is crucial. A win would put them on the brink of promotion, but a loss could open the door for other teams. The pressure will be high at Ipswich Town's packed home stadium, and the team's ability to handle it will be key to their success.

Angelina Jolie leads the new fashion‑driven drama Couture, bringing a rare level of personal honesty by confronting a storyline that mirrors her own double mastectomy performed to prevent breast cancer. While her performance is undeniably courageous, the film’s overall execution falls short of its ambitions.The plot follows Maxine, an American indie filmmaker (Jolie) who arrives in Paris to direct the opening short for a prestigious runway show. She discovers, through a compassionate doctor played by Vincent Lindon, that a recent biopsy confirms she has breast cancer, forcing her to consider postponing or abandoning her next project. Jolie conveys the shock and denial with subtlety, yet the script, penned by director Alice Winocour, often lapses into glib dialogue that undermines the emotional weight of the situation.Supporting characters include Ada, a fledgling South Sudanese model (Anyier Anei), makeup‑artist‑turned‑writer Angèle (Ella Rumpf), and the brooding first‑assistant director Anton (Louis Garrel). Their subplots—most notably Ada’s ankle injury that threatens the runway performance—remain underdeveloped, serving more as decorative set‑pieces than integral narrative threads.Visually, the film captures the glamour of Parisian haute couture with polished cinematography, yet this sheen accentuates the story’s lack of depth. The fashion world is presented with a “precious” aesthetic that feels specious, offering little insight beyond surface‑level allure.Despite these shortcomings, Jolie’s star power shines through. Her willingness to align a fictional role with a deeply personal health battle adds a layer of authenticity that the surrounding screenplay fails to sustain. ‘Couture’ will be available on digital platforms from 20 April, offering audiences a chance to appreciate Jolie’s performance even if the film’s broader ambitions remain unfulfilled.

Alex Manninger, 48, died when his vehicle was hit by a train at a level crossing near Salzburg on Thursday morning. The accident occurred at approximately 8:20 am local time (06:20 GMT), according to Salzburg police. The former Austria goalkeeper, who earned 33 caps for his country, spent the early part of his career at Arsenal (1997‑2001), where he was part of the squad that won the league and FA Cup in the 1997‑98 season, before finishing his playing days at Liverpool in 2017. In Italy he guarded the posts for Fiorentina, Torino, Bologna, Siena, Udinese and Juventus. OEFB Sporting Director Peter Schoettel called Manninger “an outstanding ambassador of Austrian football” and praised his “professionalism, calmness and reliability” that inspired a generation of young goalkeepers. Police reports indicate the car was hit by a railcar of the Salzburger Lokalbahn while crossing the tracks and was dragged along. The driver – Manninger – was alone in the vehicle; the train driver escaped injury. First responders freed him, but resuscitation attempts were unsuccessful. Clubs paid tribute: Fiorentina announced a minute’s silence and black armbands for their Conference League match against Crystal Palace, while Arsenal expressed shock on social media. Liverpool and Juventus also released statements, with Juventus noting that Manninger will be remembered for his “humility, dedication and exceptional professionalism.” The tragic loss underscores the dangers of level‑crossing accidents and has prompted an outpouring of grief across the football community.

Caro Claire Burke's Yesteryear had all the makings of a thought-provoking novel: a tradwife protagonist who wakes up in the pioneer days and finds that traditional wifedom is not as glamorous as her social media persona had suggested. The premise is genius, and the protagonist Natalie's biting and occasionally hilarious voice makes the novel zip along.However, as the story progresses, it becomes clear that Burke has failed to create a convincing mother figure in Natalie, and the novel's exploration of pronatalism and traditional Christian values feels shallow and cliched. The author's decision to remove politics almost entirely from the narrative is also a major omission, particularly given the current cultural climate.The novel's main drive becomes resolving the mystery of Natalie's situation - has she really time travelled, or is this an awful reality TV show? - to the detriment of more profound concerns. Burke's treatment of birth injury and child disability as a plot point is also shockingly cack-handed and feels cynical and underresearched.Overall, Yesteryear is a disappointing novel that fails to live up to its promise. Despite its talented author, the book feels like a lesson in not allowing a fun premise to get in the way of a good story.