Breaking AI & Tech News Analyzed

President Donald Trump has launched a scathing attack on NATO, expressing disappointment with the alliance's reluctance to support the US in its conflict with Iran. In a post on his TruthSocial platform, Trump wrote in capital letters: "NATO wasn't there when we needed them, and they won't be there if we need them again".The remarks came after a two-hour meeting with NATO's Secretary-General, Mark Rutte, at the White House. The meeting took place a day after the US and Iran agreed to a ceasefire. Trump's comments have raised concerns about the future of the transatlantic alliance, which he has repeatedly called a "paper tiger".Rutte, known as the "Trump whisperer" for his ability to maintain a productive relationship with the US president, said that Trump was "clearly disappointed with many NATO allies". However, Rutte also pushed back against some of Trump's broader criticism, highlighting the contributions of many European nations to NATO.In addition to his criticism of NATO, Trump also appeared to revive his threat to seize Greenland from Denmark, a move that had previously roiled the alliance. "Remember Greenland, that big, poorly run, piece of ice!!!" he wrote.The Wall Street Journal reported that Trump was considering punishing some NATO members he believed were unhelpful during the conflict by moving US troops out of their countries. However, Rutte declined to comment directly on the report.NATO, formed in 1949 to counter the Soviet Union, has been the cornerstone of Western security. The alliance has only activated its mutual defence clause on one occasion, following the September 2001 attacks on the World Trade Center in the US.

At a Wednesday briefing, White House Press Secretary Karoline Leavitt framed the ongoing US‑Israel war against Iran as a "test" that NATO failed, hinting that President Donald Trump is weighing a possible withdrawal from the alliance. She quoted the president saying the partnership had turned its back on the American people over the past six weeks. Shortly thereafter, Trump met with NATO Secretary‑General Mark Rutte at the White House. Both described the discussion as "frank and open," with Rutte acknowledging logistical support and base access from allies, but noting the absence of direct military contributions. During a CNN interview, host Jake Tapper asked Rutte whether the president intended to pull the United States out of NATO or at least reduce its backing. Rutte admitted there was disappointment, yet emphasized he had listened carefully to Trump’s arguments and praised the president’s leadership. Since assuming office in 2025, Trump has intensified pressure on NATO members to raise defence spending. At the 2025 NATO summit, members agreed to a non‑binding target of 5 % of GDP by 2035. Spain’s request for an exemption sparked a year‑long public denouncement by Trump. Earlier, Trump threatened to seize the Danish territory of Greenland, claiming its strategic value, though the United States has since softened that stance. Nevertheless, he continues to argue that US control of Greenland is essential, despite opposition from local residents and European leaders. The Wall Street Journal reported that the administration is evaluating the closure of U.S. bases or the redeployment of troops from countries such as Spain and Germany as retaliation for their limited engagement in the Iran conflict. When pressed about a potential NATO exit, Leavitt confirmed that the president "has discussed" the option and may address it after his meeting with Rutte. The president’s relationship with Rutte remains close; the Dutch leader has visited the White House multiple times during Trump’s second term. Rutte warned that NATO "will not work" without U.S. support, underscoring the strategic stakes of any American pull‑back. The unfolding debate highlights a deepening rift between Washington and its European partners at a time when the broader geopolitical landscape is already destabilised by the Iran war.

Cameron Picton, the bassist‑vocalist behind British art‑rock outfit Black Midi, has unveiled his first solo statement under the moniker My New Band Believe. Recorded with a cadre of improvisational musicians—including veteran drummer Steve Noble, formerly of Rip Rig + Panic—the album abandons the band’s signature wall of sound for an intimate, acoustic approach.The record opens with the gentle ballad “Still,” a track originally tucked away on Black Midi’s sprawling rock‑opera Hellfire. Here, Picton’s unadorned vocal delivery replaces Geordie Greep’s theatrical croons, setting a tone of understated sincerity that runs through the entire project.Every song is built from live‑sounding instruments: fingerpicked guitars, double bass, piano, subtle percussion and tasteful string arrangements. This stripped‑back aesthetic allows the lyrics to move away from Black Midi’s often surreal narratives toward more direct, everyday subjects. For instance, the opening track “Target Practice” retains a hint of the band’s dark humor, while “Love Story” paints a nostalgic picture of a couple cooking together, and “Opposite Teacher” reflects on the challenges of fatherhood.Even within this quieter framework, Picton injects moments of tension. The second track, “In the Blink of an Eye,” introduces dissonant chords that remind listeners that “understated” is a relative term for an artist accustomed to sonic extremes. Throughout, the songs remain episodic, with sudden key changes and tempo shifts that echo the restless spirit of Van Dyke Parks’ 1967 Song Cycle—a collaboration Picton initially pursued before budget constraints halted the partnership.Highlights such as “Heart of Darkness” weave together folk‑rock riffs, jazzy drumming and an improvised coda of feedback‑like strings, while “Actress” balances sweet melodies with dramatic pauses and volume surges, ending more as a gradual fade than a conventional finish.Compared with Black Midi’s recent releases—most notably the chaotic, genre‑bending Hellfire and Geordie Greep’s solo effort The New Sound—Picton’s debut feels more approachable without sacrificing artistic curiosity. The album’s constant motion is contained by its acoustic instrumentation, making it easier to love rather than merely admire. It resists standard song structures, defies easy categorisation, and showcases a plethora of unconventional musical ideas, all while wearing its intelligence with a lighter touch.

The musical 'Kiss of the Spider Woman', originally from the early 1990s, is experiencing a resurgence in popularity. A movie adaptation, directed by Bill Condon and starring Diego Luna, Tonatiuh, and Jennifer Lopez, is set to be released. In the meantime, a touring production of the stage show, directed by Paul Foster, is visiting theatres in the UK. This revival, currently showing at Leicester Curve and touring to Bristol and Southampton, offers a slick and earnest take on the classic musical. The story is set in a Buenos Aires prison, which presents a challenge for productions to balance the grim setting with the fantasy sequences. The show features a strong cast, including Fabian Soto Pacheco as Molina, George Blagden as Valentin, and Anna-Jane Casey as Aurora. The production values are high, with impressive fight sequences and bold choreography by Joanna Goodwin. The set, designed by David Woodhead, is transformed into a film noir setting with Howard Hudson's lighting. The singing is powerful, particularly in the choral numbers, under Dan Glover's musical direction. While the production has some distance due to its fourth-wall approach, the cast delivers strong performances. Soto Pacheco brings warmth and resonance to his singing, complemented by Blagden's political rage. Overall, the revival is a study of an unlikely friendship that impresses more than it moves.

Outcome arrives on Apple TV+ on April 10 as Jonah Hill’s most ambitious foray into Hollywood satire. The film casts Keanu Reeves as Reef Hawk, a globally recognized star whose public persona of kindness masks a deep‑seated narcissism and a hidden past of heroin addiction.Reef becomes the target of a mysterious extortionist who claims to possess compromising footage. His crisis lawyer, Ira—portrayed by Hill himself with a shaved head and unnerving veneers—guides him through a frantic quest to locate the blackmailer. The narrative unfolds as a “whodunnit without a body,” prompting Reef to apologize to every person he’s ever wronged while hunting the unseen threat.Supporting roles feature Cameron Diaz and Matt Bomer as Reef’s high‑school friends who reluctantly join the mission. The film also boasts cameo appearances from Laverne Cox as a women’s‑rights attorney, Drew Barrymore playing herself, and a moving turn by Martin Scorsese as a washed‑up talent manager. In a tongue‑in‑cheek detail, Ira’s office wall displays a picture of Kanye West, symbolising the industry’s obsession with redemption narratives.The satire’s core message is that wealth and fame do not guarantee happiness. Reef spends idle moments Googling his own reputation—searching “Reef Hawk bad person”—underscoring a profound loneliness beneath the glittering surface. While the script delivers frequent laughs, its climax lands on a comparatively flat note, offering personal growth rather than the expected murder or public humiliation.Overall, the performances remain consistently entertaining, and Hill’s dialogue, co‑written with Ezra Woods, captures the insider tone of Hollywood’s inner circle. Outcome serves as both a comedic critique and a reflective portrait of celebrity culture, inviting audiences to consider the cost of perpetual public scrutiny.

Michael Jordan, the legendary basketball player, has found a new winning formula in Nascar. His team, 23XI Racing, has stormed to the top of the Cup series standings in 2026, with Tyler Reddick claiming four wins in the first six events, including a victory in the Daytona 500.Jordan's foray into Nascar ownership began in 2021 with a joint venture with Denny Hamlin, a prominent driver and Jordan Brand ambassador. The team's rapid rise to prominence has been fueled by Jordan's competitive drive and leadership style, which he attributes to his basketball background. "I'm cursed with this competitive gene, that anything I do is from a competitive lens," Jordan explained in an interview with CBS's Gayle King.The team's success has not been limited to Reddick, with Bubba Wallace, the No 45 car driver, consistently finishing in the top 11 through the first five races. Jordan's leadership approach, which emphasizes performing at the highest level and taking calculated risks, has drawn comparisons to his basketball career. "He emphasizes doing what you need to do to make sure you're performing at your highest level and taking that game-winning shot," said Dave Rogers, 23XI's senior director of competition.Jordan's entry into Nascar was not without controversy. In October 2025, 23XI Racing filed an antitrust lawsuit against Nascar, challenging the sport's charter system and revenue distribution model. The lawsuit led to the resignation of Nascar commissioner Steve Phelps in January 2026 and ultimately resulted in a settlement between Jordan and Nascar.Jordan's impact on Nascar extends beyond his team's on-track success. He has been instrumental in promoting diversity and inclusion in the sport, launching 23XI Racing with Bubba Wallace, a trailblazer for racial equality in Nascar. Jordan has also engaged with fans and artists, including rappers Fat Joe and Jadakiss, to help bring Nascar into the 21st century.As Jordan told King, "I'm excited that I'm connected to this sport. I feel like I watch it through the lens of my father, or with my family – and that matters to me." With 23XI Racing's impressive start to the season, it's clear that Michael Jordan has found a new passion and a winning formula in Nascar.

Oil and gas markets rallied on Thursday as investors grappled with the shaky outlook for the two‑week Iran‑Israel ceasefire. Brent crude rose more than 2% to $96.77 a barrel, while New York light crude climbed nearly 3% to $97.23, still shy of the $100 threshold that many traders watch. The previous session had seen Brent plunge 13.29% to a four‑week low of $94.75. In the gas sector, the UK month‑ahead contract rebounded 1% to 115.35p per therm after a 15% drop the day before. European natural‑gas futures also recovered, edging toward €46/MWh from a five‑week trough of €45.30. The price uptick reflects growing scepticism about the durability of the ceasefire announced a day earlier by the United States and Iran, which included a pledge to reopen the Strait of Hormuz. UAE and Kuwait reported intercepting Iranian drones, and Iran’s parliamentary speaker accused the United States and Israel of breaching several agreement points. Iran’s Revolutionary Guards warned of a “regret‑inducing response” if Israeli strikes on Lebanon continue. The latest Israeli barrage killed at least 254 people and wounded 837, prompting the Fars news agency to note that oil‑tanker traffic through the strait had been halted. Former President Donald Trump used his Truth Social platform to threaten that U.S. forces would remain in the region until a “real agreement” is fully honoured, warning that any non‑compliance would trigger “stronger than anyone has ever seen before” military action. Asian equity markets reacted negatively: Japan’s Nikkei slipped 0.7%, South Korea’s Kospi fell 1.7%, and Hong Kong’s Hang Seng edged down 0.4%. In Europe, the FTSE 100 dipped 0.1%, Germany’s DAX fell 0.6%, France’s CAC 40 dropped 0.3%, and Italy’s FTSE MIB slipped 0.2%. The pan‑European Stoxx 600 trimmed 0.1% after a near‑4% rally the day before, while U.S. futures pointed to a lower opening on Wall Street. Deutsche Bank strategist Jim Reid noted that market stress has eased compared with 24 hours earlier, as the ceasefire news generated renewed optimism and reduced fears of a stagflationary shock. On the diplomatic front, White House press secretary Karoline Leavitt announced that Vice‑President JD Vance will lead a delegation to Islamabad, with initial talks slated for Saturday morning. Jefferies chief European economist Mohit Kumar argued that, despite its fragility, the truce is likely to hold because of the “mutually assured destruction” calculus. He added that both sides now see a ceasefire as the lesser‑evil, given the escalating costs of continued conflict and the strategic challenges of securing cheap drone interceptors and a reliable Hormuz passage.

At least 50 new accounts on Polymarket, a prediction market platform, made substantial bets on a US-Iran ceasefire on Tuesday, resulting in profits of hundreds of thousands of dollars. These bets were placed despite escalating rhetoric from Donald Trump and few signals of an imminent deal.An analysis of blockchain data shows that one wallet, created on Tuesday at 10am ET, placed roughly $72,000 in bets at an average price of 8.8¢ and cashed out for a profit of $200,000. Another wallet, which joined the platform on April 6, won $125,500.The trading pattern of newly created accounts placing strategic, well-timed bets has raised questions about insider trading and the need for regulation in prediction markets. Bipartisan groups of senators and representatives have introduced legislation to broaden the definition of insider trading to include prediction markets.“This is why these markets need regulation,” said Todd Phillips, a professor at Georgia State University. “We can’t have people trading with inside information and expect other traders are going to be OK being in these markets.”Polymarket and other industry players, including Kalshi, have acknowledged the need to broaden the definition of insider trading on their platforms.

Cornish film-maker Mark Jenkin has brought his latest film, Rose of Nevada, to his hometown of Newlyn in Cornwall. The film, a ghostly time travel tale, has received excellent early reviews and features Jenkin's signature authentic storytelling.Jenkin, who is from Newlyn, expressed his pride in Cornwall, stating, “This is the greatest town in the world. I see Cornwall as being at the centre of the world.” He emphasized the importance of showcasing Cornwall's culture and community in his films.The film was shot entirely in Cornwall, using a clockwork Bolex camera and featuring a working fishing boat. Jenkin's vision for his homeland is central to the film, rather than using it as a backdrop.Jenkin's success has put a spotlight on Cornwall, with other filmmakers, such as Brett Harvey and Dan Simpkins, highlighting the growing recognition of regional film-making. Laura Giles of Screen Cornwall noted that Jenkin is a “talisman for Cornish film-making” and that there are other emerging filmmakers in the region.The film's producer, Denzil Monk, emphasized the importance of sustainability and inclusivity in the production, stating, “We try to step very lightly” in terms of impact on the environment and community.