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The Call for TV Show Recommendations The Guardian’s culture writers have compiled their favourite TV shows of 2026 so far and are now inviting readers to share theirs. The online form provided allows users to recommend new series they've enjoyed, along with reasons why they liked them. The Submission Process To share your favourite TV show of 2026, users can fill out a form that asks for: Name Location A bit about themselves (age, background, occupation) Their favourite TV show released in 2026 so far, and why An optional photo of themselves Contact details (phone number and email address) Permission to publish their response Interest in speaking to audio and/or video teams Privacy and Security Responses can be anonymous, and the form is encrypted, ensuring that only The Guardian has access to the submissions. Personal data will be deleted once it's no longer needed for the feature. The Invitation Readers are encouraged to share their experiences and recommendations. The Guardian also provides alternative ways to get in touch securely for those who prefer not to use the form. Additional Information For more details, readers can visit The Guardian's terms of service and privacy policy.

A Flawed Two‑Hander: The Premise of ‘How to Make a Mess’The new musical How to Make a Mess imagines celebrity chef Nigella Lawson emerging from a cookbook to help a grieving young woman, Anna, confront her past. While the concept is whimsical, the review finds the execution uneven, with the magical Nigella feeling more like a decorative prop than a fully realised character.Plot, Characters and Production ChoicesWritten by Emily Rose Simons and directed by Grace Taylor, the show follows Anna (played by Natasha Karp) as she wrestles with her mother’s death and an absent father. Tanya Truman portrays Nigella, delivering a performance that balances satire and sincerity, yet the script spends excessive time on back‑story at the expense of on‑stage cooking moments. The musical numbers have Broadway‑style heart but lack memorable hooks, and the staging relies heavily on a spangly kitchen set rather than tangible culinary action.Box‑Office and Critical MetricsVenue: Upstairs at the Gatehouse, LondonRun dates: Until 28 June 2026Critical tone: Mixed – strong performances praised, narrative and musical distinctiveness criticisedImplications for Celebrity‑Centric MusicalsThe production highlights the risk of building a show around a public figure’s persona. While Nigella Lawson brings instant name recognition, the review suggests that without a compelling story and distinctive music, the novelty may wear thin, limiting appeal beyond niche audiences and short‑term runs.Outlook: Will the Show Find a Wider Audience?Given the limited run and mixed critical response, the musical may struggle to secure a transfer to larger venues or touring productions. Future success could depend on revisions that deepen Anna’s culinary journey, tighten the score, and give Nigella more narrative weight beyond cameo‑style appearances.

The PlanThe team’s transformation under Sébastien Desabre can perhaps be summed up by one sentence the coach said to Leopardsfoot in an interview: “Discipline must begin on the pitch.” The Frenchman has imposed structure on a national team long associated with chaos and inconsistency. More than a traditional coach, Desabre operates almost like a manager in the English sense of the term, obsessing over details ranging from defensive positioning to the federation’s communication strategy. So far, it has worked.The CoachSometimes nicknamed “Tatu Seba” by Congolese fans (“Papa Seba”), Sébastien Desabre arrived in 2022 carrying years of African football experience gained in Uganda, Egypt, Morocco, Tunisia, Angola, Côte d’Ivoire and Cameroon. The former Chamois Niortais coach left Ligue 2 to take on one of the continent’s most talented, and structurally complicated, football nations. “DR Congo is a true football country,” he told Afrik-Foot after qualification. “People love their national team and are proud of it.” Pragmatic by nature, Desabre believes in continuity and stability above all else. The veteran striker Cédric Bakambu credits him with finally giving the Leopards “a framework”. More importantly, he has built a united squad around a clear collective identity, something the DRC had lacked for years.Star PlayerAfter missing the Africa Cup of Nations in order to regain sharpness following a knee injury, Yoane Wissa arrives at the World Cup carrying huge expectations. Nicknamed “Kovo” (“the bald one”) by Congolese supporters, the Newcastle forward became the first player from the DRC to score more than 10 Premier League goals in a season during his time at Brentford. Deployed usually from the left in the national team, Wissa combines pace with intelligent movement and relentless pressing. His first season at Newcastle was disrupted by injuries, but when fully fit he remains the Leopards’ most dangerous attacking weapon and their biggest international star.One to WatchThere is something unusually elegant about the way Ngal’ayel Mukau plays football. Tall, technically refined and blessed with a decent left foot, the Lille midfielder glides through games with a calmness that is rare for a 21-year-old. He can recover possession, escape pressure, progress with the ball and speed up attacks. Belgium tried hard to keep him but instead Mukau committed early to the DRC, becoming one of several highly rated Belgian-Congolese youngsters helping to reshape the future of the national team. Already linked with clubs such as Barcelona, Mukau could emerge from this tournament as one of Africa’s breakout midfielders.

The Lead: BBC’s Salford‑Based World Cup CoverageThe British broadcaster plans to host its entire 2026 World Cup output from a state‑of‑the‑art studio in Salford, a move designed to trim costs and reduce its carbon footprint while competing with rivals broadcasting from New York and Brooklyn. The Salford Studio Strategy and On‑Air TalentPresenters: Gabby Logan, Kelly Cates and Mark Chapman will anchor matches from the new “immersive” studio.Visuals: A giant LED backdrop will display digitally enhanced vistas of each of the 16 host cities, with weather and lighting adjustable in real time.Pundits: Post‑match analysis will feature Wayne Rooney, Micah Richards and others on a virtual rooftop or riverside balcony set. The Cost and Carbon Savings NumbersFinancial impact: Hosting from Salford is expected to save “a few million” pounds compared with overseas production.Environmental impact: The BBC claims a 19 % reduction in carbon emissions versus the 2022 Qatar tournament. The Competitive Landscape of World Cup BroadcastsWhile the BBC opts for a modest Salford base, ITV will showcase the opening match from a Brooklyn studio with Manhattan skyline views, and former BBC frontman Gary Lineker has signed a reported £14 million deal with Netflix to produce his “The Rest Is Football” podcast from Times Square. The Outlook: Audience Reach and Future Production ChoicesCritics have mocked the BBC’s “work‑from‑home” approach, yet the corporation expects to send presenters to the US for key England or Scotland matches and to maintain a strong on‑ground reporting presence. If the cost and emissions narrative resonates with viewers and regulators, the Salford model could set a new benchmark for large‑scale sports broadcasting.

Day 103 of the Iran‑US conflict saw the United States launch limited air strikes on Iranian targets after Tehran’s IRGC claimed to have shot down a U.S. Apache helicopter over the Strait of Hormuz. Iran responded with drone and missile attacks on U.S.-linked sites in Bahrain, Kuwait and Jordan, raising the risk of a broader regional flare‑up.US retaliatory strikes after Iranian helicopter downingUS action: Self‑defence strikes against Iranian radar and missile‑defence installations following the reported downing of a U.S. Apache helicopter.Iranian claim: The IRGC said it shot down the helicopter and subsequently launched drone attacks on the U.S. Fifth Fleet in Bahrain and missile strikes on a Jordanian airbase hosting U.S. personnel.Geographic spread: Explosions reported on Qeshm Island, Sirik, Bandar Abbas and Jask, all near the strategic Strait of Hormuz.Casualties and material losses reportedAt least 17 people killed in southern Lebanon attacks, with dozens injured.Iranian state media reported multiple explosions across key locations but provided no specific casualty figures.The IRGC claimed destruction of four targets in Jordan, including F‑35 hangars, though these claims remain unverified.Regional ripple effects across the Gulf and JordanKuwait: Air‑defence systems activated to intercept “hostile aerial targets”.Bahrain: Drone attack on the U.S. Fifth Fleet, with IRGC warning of heavier retaliation.Jordan: Alleged missile strike on a U.S.-linked airbase, potentially affecting NATO‑U.S. cooperation in the region.Iranian Foreign Minister Abbas Araghchi warned that “no attack or threat will go unanswered,” underscoring the diplomatic volatility.Prospects for de‑escalation or further conflictRetired U.S. General Mark Kimmitt sees the limited scope of strikes as a possible sign of mutual containment.Al Jazeera analyst Alan Fisher cautions that the next few hours will determine whether the cease‑fire holds or a tit‑for‑tat cycle begins.U.S. President Donald Trump has stated the operation should not derail ongoing peace talks, but Tehran’s response remains the decisive factor.

The City Council’s Unanimous Vote to Freeze New AI Data CentersOn Tuesday, June 10, 2026, Seattle’s city council approved a year‑long moratorium on the construction of new data centers serving the artificial‑intelligence sector. The decision makes Seattle the largest U.S. city to enact such a pause amid growing backlash against AI‑heavy infrastructure.Details of the One-Year Moratorium and Expansion AmendmentThe moratorium is framed as a window to draft regulations that address the electricity‑intensive nature of AI data centers and protect residents from environmental risks and rising utility bills. Mayor Katie Wilson emphasized that the pause will also let the city evaluate whether data centers constitute a “good use of urban land” and could tie future permits to local transit and housing investments.An amendment passed unanimously permits existing data centers to apply for expansions requiring up to 20 megawatts of additional power during the moratorium, a point that activists warn could undermine the pause’s intent.Quantifying the Energy and Investment StakesFive proposed data centers could consume up to one‑third of Seattle’s current electricity demand.Amazon and Microsoft are projected to spend $390 billion on AI investments in 2026.The amendment allows up to 20 MW of extra power for existing facilities.Implications for Seattle’s Tech Landscape and ResidentsLocal tech workers, including groups like Amazon Employees for Climate Justice and 350 Seattle, mobilized a campaign that generated nearly 100,000 emails to lawmakers. Activists argue AI expansion threatens jobs and could exacerbate power consumption, while lawmakers differentiate between civic‑purpose facilities (e.g., health and emergency services) and large‑scale AI centers.Mayor Wilson indicated the city will push for state‑level regulation of data centers in the upcoming Washington legislative session, and activists are extending their outreach to other Washington cities such as Spokane and Walla Walla.What the Next Year Could Hold for AI Infrastructure RegulationThe moratorium creates a testing ground for policy tools that could balance AI growth with environmental and social concerns. If the city successfully drafts stringent zoning and power‑usage standards, Seattle may set a precedent for other tech hubs. Conversely, the expansion amendment could spark legal challenges or pressure to lift the ban early if power demand spikes.

The Evening’s Musical Immersion at Strawberry HillUnder a moonlit sky on a 150‑hectare reserve managed by Strawberry Hill Wildlife Trust, participants gathered around a campfire to sing a Navajo prayer and later joined a live session of Singing With Nightingales. The gathering was not only a cultural experience but also a field component of Exeter University's research into how nature immersion may alleviate chronic pain.Nighttime Chorus: Nightingales, Grasshopper Warbler, and Navajo PrayerAs the group trekked through scrub and young woodland, a grasshopper warbler provided a buzzing backdrop before three nightingales emerged, weaving a complex repertoire of over a thousand syllables. Their song intertwined with the low notes of a violin played by guest musician Simmy, creating a layered, nocturnal symphony.Sharp Decline: 90% Drop in UK Nightingale Numbers Since the 1960s90% reduction in nightingale population across the UK since the 1960s.In neighbouring Hertfordshire, nightingales are virtually extinct as a breeding species.Primary drivers identified: loss of damp scrub, coppiced woodland, and increased deer grazing.The stark figures underscore a rapid contraction of suitable habitat, turning once‑common songbirds into a conservation priority.Ecological and Health Implications of Habitat LossThe decline of nightingales reflects broader pressures on UK scrub habitats—areas often dismissed as “messy” or “unproductive.” Their loss reduces biodiversity, diminishes ecosystem services, and removes a potential therapeutic resource highlighted by the university study linking nature exposure to chronic‑pain relief.Future Outlook: Restoring Scrub and Expanding Nature‑Based TherapiesConservationists argue for a reimagined aesthetic that values ecological richness over tidy landscapes. Restoring damp scrub, managing deer populations, and encouraging coppicing could revive nightingale breeding grounds. Simultaneously, expanding research like Exeter University's could integrate wildlife experiences into health‑care pathways, offering a dual benefit for biodiversity and human wellbeing.

The Guardian reports that Greenpeace’s latest research links the ultra‑wealthy’s financial and physical assets to a disproportionate share of greenhouse‑gas emissions, quantifying a $1 trillion annual climate debt and urging policymakers to focus on ownership‑based emissions. Super‑rich ownership drives a quarter of global emissions Through shareholdings in oil producers, property developments and other carbon‑intensive assets, the top 1 % of wealth holders control about 25 % of global annual emissions. This ownership‑based share eclipses the impact of their personal consumption such as private jets and yachts. $1 trillion annual climate debt attributed to the ultra‑wealthy Top 1 % responsible for 40 % of all ownership‑based emissions (which themselves account for 60 % of total carbon output). Top 0.1 % account for 17 % of ownership‑based emissions. Top 0.01 % account for 9 % of ownership‑based emissions. Bottom 50 % of the world’s population contributes only 3 % of ownership‑based emissions. Estimated climate damage cost: nearly $1 trillion per year. Financial sector contribution: banks invested $900 billion in fossil fuels last year. Why ownership‑based emissions reshape climate policy debate Greenpeace’s global lead campaigner Clara Thompson argues that focusing solely on consumer behaviour overlooks the larger, less visible emissions tied to asset ownership. She notes that current climate policies target household consumption, while the bulk of emissions stem from investments and corporate control held by the ultra‑rich. Future pathways: wealth taxes and just transition talks at COP31 The study fuels calls for wealth taxes as a mechanism to address the “climate debt.” As governments convene in Bonn ahead of COP31, discussions are expected to centre on a “just transition” that includes fiscal measures targeting extreme wealth and reallocating resources toward low‑carbon economies.

Four officers of Indonesia's Strategic Intelligence Agency (BAIS) were sentenced this week for the acid attack that left activist Andrie Yunus blind in one eye and severely burned. The ruling, handed down by a military court in Jakarta, is the first conviction in a case that has become a flashpoint for debates over military power and human‑rights protections in the country.Details of the Court Verdict and SentencesThe presiding judge, Fredy Ferdian Isnartanto, found the defendants guilty of serious pre‑meditated assault. The four officers—Edi Sudarko (45), Budi Hariyanto Widhi Cahyono (43), Nandala Dwi Prasetia (40) and Sami Lakka (41)—were described as acting with “arrogant conduct.” The trial, which began in April, concluded with the following prison terms:Edi Sudarko: 3 yearsBudi Hariyanto Widhi Cahyono: 2.5 yearsNandala Dwi Prasetia: 2 yearsSami Lakka: 1.5 yearsQuantifying the Punishments: Years Behind BarsThe maximum penalty for the charge of serious pre‑meditated assault is 12 years, yet the court imposed comparatively modest sentences, totaling 9 years across the four defendants. This aggregate reflects the court’s assessment of individual culpability and the absence of evidence that the attack was ordered by higher‑ranking officials.Repercussions for Military Influence and Human Rights Climate in IndonesiaThe case underscores mounting tension between Indonesia’s expanding military role in civilian governance—exemplified by the recent amendment allowing active‑duty personnel to hold broader government positions—and civil‑society demands for accountability. International bodies, including the United Nations, condemned the attack; Volker Turk labeled it a “cowardly act of violence,” while Special Rapporteur Mary Lawlor called it “horrific.” The sentencing may signal a willingness to curb overt repression, but activists note that the military agency’s chief resigned without explanation, leaving questions about systemic reform.Outlook: Prospects for Civilian Oversight and Activist SafetyHuman‑rights groups continue to press for trials to be moved to civilian courts, arguing that military tribunals risk cover‑ups. The verdict could embolden calls for stronger civilian oversight of the armed forces and for legislative safeguards protecting activists. However, the relatively short sentences may also be interpreted as a limited deterrent, suggesting that further legal and political pressure will be necessary to ensure lasting change in Indonesia’s human‑rights landscape.