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The Hajj Pilgrimage: A Spiritual Journey Nearly 2 million Muslims are preparing to embark on the annual Hajj pilgrimage to Mecca, which begins on May 25, following the sighting of the crescent moon in Saudi Arabia. The Hajj is the largest annual gathering of Muslims from all over the world and a once-in-a-lifetime journey for many. It is also the fifth pillar of Islam. What is Hajj? The Hajj is the annual pilgrimage to Mecca, Saudi Arabia. It is the fifth and final pillar of Islam, along with the declaration of faith (shahada), five daily prayers, obligatory charity (zakat), and fasting during the month of Ramadan. When is the Hajj Performed? The Hajj is performed between the 8th and 12th (or 13th) of Dhul-Hijjah, the 12th and final month of the Islamic calendar. The timing falls roughly 70 days after the end of Ramadan, though this can vary slightly depending on the lunar cycle. In 2026, the Hajj will take place from May 25 to May 27. Why Do Muslims Perform the Hajj? Muslims believe that the Hajj is a direct commandment from God, as outlined in the Quran. Prophet Muhammad's 'farewell pilgrimage' in 632 AD affirmed the steps in the 10th year of the Islamic calendar, and it is mentioned in the Quran nearly a dozen times. The Hajj begins before pilgrims even enter Mecca. The journey is a spiritual one, and it is considered to allow Muslims to seek forgiveness, purify their souls and demonstrate their submission to God. How is the Hajj Performed? Muslims perform many rites and rituals during the five days of Hajj, which can be explained in the following steps: Ihram: Entering the pilgrimage Tawaf: Circling the Kaaba Sa'i: Walking between Safa and Marwah Mina: The tent city Arafat: The central day of Hajj Muzdalifah: Sleeping under the open sky Stoning of the pillars Sacrifice during Eid al-Adha Cutting or shaving hair Main tawaf Marking the End of Hajj Muslims mark the end of the Hajj with Eid al-Adha, celebrated on the 10th of Dhul-Hijjah and lasting up to three days in many countries. The day begins with a special prayer shortly after sunrise, as Muslims gather in mosques or open areas, wearing their finest clothes. The rest of the day is spent sharing meals, exchanging gifts, and visiting family and friends.

The Lead: Carla Simón's Unique Approach to Family DramaFamily reunions in European arthouse cinema are almost always unhappy events, on a scale of strife that ranges from simmering resentment to spectacular score-settling. Carla Simón, however, has a rare gift: she makes you leave the cinema with renewed faith that having relatives and keeping in touch with them may actually be a wonderful thing.No film-maker working in Europe now is as capable of turning birthday gatherings, garden parties or poolside barbecues into thrillingly sprawling canvases of human virtue and vice as this 39-year-old rising star. From a riotous water fight in the Berlinale Golden Bear-winning farming drama Alcarràs to a foul-mouthed dinner table singalong in her new film Romería, Simón directs kinship meetings with the attention to detail that other film-makers may invest in action sequences or dance routines.The Event Details: Romería and the Journey to Self-DiscoveryAmong the tricks Simón employs, she explains, is to ensure her actors only read the script once before the camera starts rolling, so they have to improvise to fill the gaps. She takes her casts to parties, for walks and on shopping trips, and if there are disagreements on the way, so much the better. The ultimate secret sauce, though, is to ignore WC Fields's notorious advice and always work with children and animals."I never get bored of working with kids," she says. "When you are only working with adult actors, shooting becomes more like executing an idea that you have in your mind, and I think that is not interesting. With children, you always have this feeling that that things are going to happen in front of the camera by chance. It keeps things alive."Her new film Romería, meaning "pilgrimage" in Spanish, dives deeper into the story of the biological parents she barely got to know. Eighteen-year-old Marina travels to her relatives in Vigo, in north-western Galicia, purportedly to find the death certificate of her biological father, which she needs to study film-making in Barcelona. The initial reaction is warm, but family is a room with dark corners and locked closets.The Personal Journey: Aids, Loss and Family SecretsSimón's fascination with freewheeling scenes of family life was undoubtedly honed through her own biography. Born in Barcelona in 1986, her father died when she was three and her mother when she was six. Both of them succumbed to Aids. She was 12 when her adoptive mother told her that her parents had been infected with the autoimmune disease through their use of drugs.All of her first three films have been strongly autobiographical: Summer 1993 tells the story of a six-year-old girl who moves to an unspecified location countryside to live with her aunt after the death of her mother, while 2022's Alcarràs is specifically set in the Catalan peach-growing community of her adoptive family.In the film, a cache of letters written by her late mother opens up a portal to the time when her parents met and discovered love – for each other, the Atlantic Ocean and drugs. The letters, Simón explains, are real. "She wrote to her friends and family while she lived in Vigo. Her Catalan is full of mistakes, because teaching Catalan was banned under the Franco regime. But they are the most important thing that I have from my mother, because suddenly I can hear her talking."The Impact Analysis: Spanish Cinema and the Legacy of AidsSpanish cinema has a track record in making films where child actors take centre stage: Ana Torrent's spell-binding turn as a young girl obsessed with the Frankenstein tale in Víctor Erice's 1973 film The Spirit of the Beehive is considered an all-time great performance by a minor, and Simón describes it as "a very, very important film for me".During the transition period after Franco's rule, Madrid gave birth to la movida, a countercultural movement that celebrated lifestyles that had been banned under military rule. "All these kids who were raised under Franco and religious oppression, suddenly freedom arrived and they embraced it", Simón says. "They didn't think much about the future or the consequences of what they were experimenting with. And then the drugs came in."When we talk about this generation in Spain, people sometimes use words like shame and blame, but I feel that's really unfair: people like my parents just had bad luck.The Future Direction: Beyond Family in Simón's Next ProjectHalfway through Romería there is a stylistic shift, from the Eurorealism she favoured in her previous works toward something more magical-realist: there is a mysterious cat you might expect to encounter in a Miyazaki film, and an unforgettable dance number set to Vigo punk rocker's Siniestro Total's song Bailaré Sobre Tu Tumba ("I'll Dance on Your Grave")."These three films I've made are kind of a cycle, because they all talk about my family, adoptive and biological. But since I became a mother a few years ago, I feel that my place in the family changed. When you have kids you feel it's a new period in your life, so I feel like maybe doing something that has nothing to do with my family."Her next film, she confides, is going to be a flamenco musical.

Apple Corps has reacquired its historic 3 Savile Row building in Mayfair and announced plans to open a seven‑storey Beatles visitor attraction in 2027. The development will showcase archive items, a replica Let It Be studio, and the rooftop where the band performed their final public concert in 1969. The Return of 3 Savile Row: A Seven‑Floor Beatles Experience The former home of the Beatles’ record label will be transformed into a multi‑level cultural venue. Across seven floors, visitors will explore Apple Corps archives, temporary exhibitions, a shop, and two flagship attractions: a faithful recreation of the Let It Be studio and access to the historic rooftop. Numbers Behind the Project: Floors, Timeline, and Key Features 7 floors dedicated to exhibitions, retail and immersive experiences. Opening scheduled for 2027, with construction slated to begin later this year. Key attractions: replica Let It Be studio, rooftop concert platform, and a permanent Apple Corps archive gallery. Planned amenities include a souvenir shop, café, and spaces for rotating music‑related exhibitions. Cultural Ripple: Boost to London’s Heritage Tourism Mayor Sadiq Khan hailed the project as “hugely exciting,” expecting it to draw both local visitors and international Beatles fans. By turning a legendary music‑heritage site into a public attraction, the city strengthens its reputation as a global cultural tourism hub and adds a new revenue stream for the local economy. Looking Ahead: How the Attraction Could Shape the Beatles’ Legacy With recent Beatles releases—such as the AI‑enhanced single “Now and Then” and new documentary projects—the attraction will serve as a physical anchor for the band’s evolving legacy. Analysts predict that the venue will become a pilgrimage site, potentially inspiring further archival releases, immersive media projects, and even new film adaptations centred on the Savile Row location.

The US Shift on Hormuz and Nuclear Talks The United States Navy began escorting commercial vessels through the Strait of Hormuz on Monday morning, only to pause the operation by Tuesday afternoon. President Donald Trump announced the reversal on Truth Social, citing the 'request of Pakistan and other Countries' and 'great progress' towards a 'complete and final agreement' with Iran. Iran's Core Demand For weeks, Iran has been demanding multistage negotiations, with a preliminary deal aimed at ending the war, and negotiations on the White House's demands that Tehran end its nuclear programme pushed for later. The US appears to have come around to accepting Iran's demand, with a one-page MoU to end the war close to being agreed upon. The Data Analysis The shift in the US approach reflects a sober reassessment in Washington of what is achievable. Seyed Mojtaba Jalalzadeh, an international relations analyst based in Tehran, said the week's diplomatic signals indicated a viable first step to solve the immediate problem. Iran's 14-point proposal to end the war includes lifting the US naval blockade, releasing frozen Iranian assets, and paying reparations. The US and Iran are close to agreeing to a one-page MoU to end the war. The Impact Analysis The central question is whether the US has, implicitly, accepted Iran's core demand: end the war and settle the Strait of Hormuz first, with the nuclear programme to follow. This marks a significant shift from March, when the US outlined four objectives, including destroying Iran's ballistic missile capabilities and ensuring Iran never obtained a nuclear weapon. The Prediction Significant gaps remain, including the definition of 'opening the strait' and the new mechanism governing the Strait of Hormuz. However, the converging deadlines, including the upcoming Hajj pilgrimage and the summit between Trump and President Xi Jinping, make some form of agreement more likely.

The Return of the Medieval Tiles: A Conscience-Driven PilgrimageSimon White, a 68-year-old retired chartered surveyor, has completed a remarkable act of restitution, returning three fragments of a medieval tiled floor to Wenlock Priory that he pocketed as a nine-year-old boy nearly 60 years ago. The handover marks the end of a long journey for the tiles, which survived decades hidden in a toffee tin, and serves as a poignant reminder of how historical preservation attitudes have evolved.The Toffee Tin Discovery and Historical ContextThe incident dates back to the late 1960s when White, then just nine years old, took the decorative clay tiles during a family visit to the historic site in Shropshire. He recalled his father encouraging the act, telling him, "Oh, this is pretty – take it home." The fragments were rediscovered by White during a recent house move and, despite the passage of time, he felt a moral obligation to return them.Age at Theft: 9 years oldYear of Theft: Late 1960sCurrent Age: 68 years oldStorage Method: Old toffee tinUncovering the Unknown: The Dragon MotifThe return of the tiles has yielded significant historical value. Matty Cambridge, assistant curator at English Heritage, confirmed that the fragments are indeed from Wenlock Priory, narrowing the origin down from three potential sites in Shropshire. The most exciting discovery is a dragon motif on one of the tiles, which was previously unknown at the site. Another fragment depicts a face thought to be a lion or a grimacing expression.A Shift in Heritage Ethics: From Laxity to PreservationThis story highlights a stark contrast between the laxity of the 1960s and the stringent preservation measures of today. While it is not unheard of for mementos to be taken from historic buildings, it is rare for such artefacts to be kept in such pristine condition for nearly six decades. The "pilgrimage" White undertook to return the items suggests a growing societal emphasis on the ethical treatment of cultural heritage, even decades after the transgression.The Future of the ArtifactsWhile the tiles will not be re-laid on the floor of Wenlock Priory due to their fragility, they will be moved to an English Heritage archaeology store for further analysis. The discovery of the dragon motif may prompt a re-evaluation of the site's history, offering new insights into the Cluniac monks who once inhabited the priory and their architectural preferences.

Palace’s long‑awaited semi‑final showdown in KrakówCrystal Palace will face Shakhtar Donetsk in the first leg of the Conference League semi‑final on Thursday evening at Wisła Kraków’s stadium. Around 6,000 supporters are expected to travel to southern Poland, marking a rare pilgrimage for the English club’s fans.Glasner’s tactical reset and the road to the semi‑finalManager Oliver Glasner has downplayed expectations despite a club‑record 19‑match unbeaten run that included a FA Cup final win over Manchester City. After a turbulent winter – the departure of captain Marc Guéhi to City and a 12‑match winless streak – Glasner restored confidence, guiding Palace back to European contention.Numbers that shape the tie6,000 fans expected in Kraków.Palace’s unbeaten streak: 19 matches across all competitions.Shakhtar’s form: only 1 loss in their last 23 matches.Palace’s recent form: 8‑match unbeaten run ended at Liverpool.Travel distance: roughly 1,000 miles from the Donbas Arena.What the semi‑final means for Palace and Ukrainian footballThe tie offers Palace a chance to add a second European trophy to the FA Cup and Community Shield won under Glasner. For Shakhtar, the match carries symbolic weight; manager Arda Turan highlighted playing “for the pride of a war‑torn nation.” The presence of exiled Ukrainian supporters in the stadium underscores the broader cultural significance.Looking ahead: potential outcomes and managerial futuresIf Palace secure a favourable result in Kraków, they could head to Leipzig for a historic final, providing a memorable send‑off for Glasner, who is set to leave at season’s end. Conversely, a Shakhtar victory would reinforce their dominance in Eastern European football and boost morale amid ongoing conflict. Both clubs will gauge squad depth, with defender Tyrick Mitchell fit and eager to win a trophy for the departing manager.

Returning Heroes: Liquidators Revisit Chernobyl After Four DecadesOn April 26, 2026, a group of former “liquidators” from Ukraine’s Poltava region stepped onto the abandoned streets of Chernobyl for a day‑long pilgrimage. Their visit marks the 40th anniversary of the explosion that devastated reactor four and serves as a poignant reminder of the personal sacrifices made to contain the world’s worst civilian nuclear accident.Scale of the Cleanup: Numbers Behind the 600,000‑Strong Liquidator Force~600,000 personnel mobilised across the Soviet Union between 1986‑1990.Roles ranged from helicopter pilots dumping sand, clay and lead to miners burying contaminated machinery.Cleanup operations continued for more than 10 days of core fire, followed by years of decontamination work.Environmental and Human Legacy: How the Disaster Shapes Ukraine’s Landscape TodayThe exclusion zone now spans thousands of square kilometres, covering parts of Ukraine, Belarus and Russia. While the nearby city of Pripyat remains a ghost town, nature has reclaimed much of the area, with rare species such as the endangered Przewalski’s horse roaming freely. The human toll includes lingering health issues among survivors and a collective memory that continues to influence Ukrainian society.Future of the Exclusion Zone: Tourism, Conservation, and Security OutlookSince Russia’s invasion in 2022, the zone has been closed to tourists, prompting debates over its future use. Experts argue for a balanced approach that leverages controlled tourism to fund conservation while maintaining strict safety protocols. The return of the liquidators may accelerate policy discussions on how to preserve the site’s historical significance and ecological recovery.

The Lead: Iran's Diplomatic HardeningTehran, Iran – Iran's authorities and state media project that they are less interested than before the war in negotiations with the United States if they go beyond their accepted terms, as mediated talks failed to materialise in Pakistan.Foreign Minister Abbas Araghchi met senior Pakistani officials in Islamabad on Saturday and left for Oman, to be later bound for Russia. The top diplomat, who was not joined by Parliament Speaker Mohammad Bagher Ghalibaf like in a previous round of negotiations earlier this month, said he was "yet to see if the US is truly serious about diplomacy".The Failed Negotiation in PakistanEnvoys Steve Witkoff and Jared Kushner had been expected in Pakistan after the White House said Iran asked for a second round of direct negotiations, but US President Donald Trump cancelled the trip and said, "we have all the cards, they have none" while reiterating his claim about "infighting and confusion" among Iran's leadership."If they want to talk, all they have to do is call!!!" Trump wrote in an online post, continuing to put the onus on Iran's leadership.Iran's Projected Unity Amidst US ClaimsAmid a state-imposed near-total internet shutdown in Iran, nearing two months, officials and the supporters of the Islamic Republic emphasise that they are united in opposing any concessions to Trump.The US president said earlier this week he was in "no rush" to reach an agreement with Iranian leadership, whom he claimed, without evidence, were "fighting like cats and dogs" among themselves.Since Trump highlighted the perceived fractures, military, security, judiciary and government authorities in Iran have been releasing synchronised messages with near-identical wording to proclaim absolute unity.Iran's Military Posturing and ThreatsThe Khatam al-Anbiya Central Headquarters of the Islamic Revolutionary Guard Corps (IRGC) said on Saturday afternoon that armed forces would retaliate against the US if it continues its "blockade, banditry and piracy" in Iran's southern waters."We are prepared and determined to monitor the behaviour and movement of the enemies in the region and maintain management and control of the strategic Strait of Hormuz, and to inflict more severe damages on the American-Zionist enemies in case of another aggression," read its statement.The IRGC on Saturday took a state television presenter to broadcast near two vessels seized days earlier in the strait to report that Iran exercised "total control" over the waterway.Domestic Show of Force and UnityThe authorities also claim that more than 30 million people – a third of Iran's total population – have registered in a state-run campaign to express readiness to "sacrifice" their lives if necessary, but they have not provided any documentation to prove this.The messages, circulated through state media and even using similar graphics and fonts but with different colours, claim that everyone in the country is "revolutionary" and exercises "complete obedience" to Supreme Leader Mojtaba Khamenei.In a rally in downtown Tehran on Friday night, Meysam Motiei, a prominent state-backed religious singer with links to the supreme leader's office, told the crowds that anyone stuck in factional infighting during times of war "has not grown up yet".Hardening Stance Against Nuclear NegotiationsIranian state media reports indicate that the US naval blockade of Iran's ports is undermining the ceasefire extended by Trump and allowing the more hardline voices in Tehran to come out on top.The Tasnim and Fars news agencies, affiliated with the IRGC, argued against allowing any nuclear negotiations to take place with the US, even though Trump and Israel's Prime Minister Benjamin Netanyahu started the war with the predominant goal of preventing a nuclear-armed Iran."The negotiations with the US are strictly to end the war, and Iran does not consider the nuclear issue to be part of the talks," Tasnim said, claiming that time was not on Washington's side due to the tumult in global markets resulting from the war.Regional Military Buildup and Escalation RisksIsrael's Defence Minister Israel Katz earlier this week adopted Trump's apocalyptic messaging, and said armed forces are awaiting a greenlight from the US to "return Iran to the age of darkness and stone by blowing up central energy and electricity facilities and crushing national economic infrastructure".There are currently three US aircraft carriers and their supporting vessels in the Middle East region, according to the US military, which marks the first time this has happened since the buildup to the 2003 invasion of Iraq.Khamenei has not directly commented on more negotiations, but Ali Khezrian, another representative of Tehran in the hardline-dominated parliament, told state media on Thursday that Khamenei was "opposed to any extension of negotiations" under threats from the US and Israel.Civilian Infrastructure Under ThreatThe government of relatively moderate President Masoud Pezeshkian has signalled concern about the potential impacts of systematic targeting of more civilian infrastructure, especially power plants, in case the war continues."We have a simple request from the people: to reduce their consumption of power and energy. For now, we have no need for these dear people to sacrifice their lives, but we need to control consumption," the president said on Saturday. "They have hit our infrastructure and blockaded us, so the people become dissatisfied."Mohammad Allahdad, the head of Tavanir, the government-owned mother company for development and operation of Iran's power grid, told state television that it would pay a reward to citizens who would report any theft and illegal use of electricity.Future Outlook: Stalemate or Escalation?First Vice President Mohammadreza Aref said, "We will build Iran back more glorious" through unity after previous infrastructure attacks that hit oil and gas facilities, steel producers, petrochemical firms, aluminium factories, energy facilities, as well as airports, naval ports, bridges and railway networks.The government reopened Tehran's Imam Khomeini Airport for limited foreign-bound flights on Saturday, including those taking people to the Hajj pilgrimage in Saudi Arabia, despite the potential of war resuming.With both sides digging in their positions and showing little flexibility, the region appears to be heading toward either a prolonged stalemate or a potential escalation that could have far-reaching consequences for global energy markets and security.

The Lead: Cannes Becomes Its Own StarThe Guardian’s experiment proved that Cannes will let any camera roll, turning the prestigious film festival into an open‑air movie set and a reality‑show backdrop. From sand‑smeared dinghies on the Carlton hotel to HBO’s The White Lotus filming on the Croisette, the festival now markets itself as much as the films it showcases.The Festival Opens Its Doors to Unrestricted FilmingInitially warned that security and bureaucracy would block a video crew, the Guardian team found the opposite: Permission to shoot on streets, beaches, hotel rooftops, and even a billionaire’s yacht deck.Creative stunts such as a rubber dinghy interview set and a carousel interview spot.Only resistance was a request for a few hundred euros to grease a yacht steward’s palms.These unrestricted shoots highlight Cannes’ philosophy that “all publicity is good publicity.”The Numbers Behind the CoverageWhile the article offers few hard figures, it cites a key statistic: only about 2% of submissions earn a place in the official selection, underscoring the festival’s elite curation. The surge in on‑site productions, however, suggests a growing ancillary market for media content that capitalises on the festival’s glamour.The Cultural Ripple of Meta‑FilmmakingMeta‑content is reshaping Cannes’ cultural cachet. Examples include:Mike White’s The White Lotus season four using the festival as a live set, blending scripted drama with real red‑carpet moments.Past films like Brian De Palma’s Femme Fatale (2001) and Michael Ritchie’s An Almost Perfect Affair (1978) that used Cannes as a backdrop, now joined by TV series and viral videos.Mark Cousins likening Cannes to a pilgrimage, reinforcing its ritualistic allure while allowing “sacred rules” to be bent for media crews.These layers of self‑reference amplify Cannes’ brand, turning it into a destination for both filmmakers and content creators.The Road Ahead: Cannes’ Media Strategy in a Streaming AgeAs streaming platforms seek authentic, high‑profile locations, Cannes’ open‑camera policy positions it as a prime partner. Expect:More TV series and documentaries embedding festival life into their narratives.Increased sponsorship deals tied to on‑site filming locations.Potential pushback from purists concerned about commercial dilution, balanced by the festival’s revenue incentives.In short, Cannes is likely to double down on its self‑promotional model, cementing its role as both a showcase for cinema and a living set for global media.