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The Lead As football's greatest spectacle prepares to touch down in North America, cartoonist David Squires offers a unique perspective on FIFA President Gianni Infantino's vision for the World Cup 2026. Through a series of insightful cartoons, Squires draws parallels between the tournament's expansion and the dramatic narrative of West Side Story, creating a satirical yet poignant commentary on the intersection of sport, politics, and commerce. The Cartoonist's Vision David Squires, renowned for his sharp wit and incisive commentary through visual art, presents a narrative that captures the essence of FIFA's ambitious plans for the 2026 World Cup. The cartoon series reimagines the tournament as a modern-day drama, with Infantino as the central figure navigating the complex relationships between football's traditional powers and emerging markets, much like the Jets and Sharks in the classic musical. The Political Landscape The cartoons highlight the political maneuvering surrounding the World Cup, particularly the involvement of former U.S. President Donald Trump and the tournament's expansion to include 48 teams. Squires captures the tension between commercial interests and the spirit of the game, showing how FIFA's leadership must balance competing demands from different continents and stakeholders. The Commercial Impact With the World Cup's expansion and move to North America, the tournament's commercial value has skyrocketed. Squires' cartoons illustrate the financial implications of this expansion, showing how broadcast rights, sponsorships, and ticket sales have transformed the World Cup into a global commercial enterprise worth billions of dollars, raising questions about the balance between profit and the sport's integrity. The Cultural Significance Beyond the political and commercial aspects, Squires' work also touches on the cultural significance of the World Cup. The cartoons capture how the tournament serves as a platform for national identity and international unity, while also highlighting the cultural tensions and rivalries that define football's global appeal. The Future Outlook As the World Cup 2026 approaches, Squires' cartoons suggest a future where the tournament continues to expand both in scale and commercial reach, while facing ongoing scrutiny over governance and ethics. The narrative implies that Infantino's leadership will be crucial in shaping how football evolves in the coming decades, balancing tradition with innovation and global interests with local identities.

The Tracey Emin Competition Details This summer, as part of our partnership with Tate for their Tracey Emin: A Second Life exhibition, we have an amazing prize up for grabs. A Second Life is the largest ever exhibition of Emin's work, and features career-defining sensations alongside works never before exhibited. Answer the question below before 11.59pm on Sunday 5 July to be in with a chance of winning: Prize Package Breakdown A special-edition one-year Tate Membership for you and a friend Lunch for two at Tate Modern A Tracey Emin Teacup and Pancake blanket (worth £200) An exhibition catalogue for A Second Life A Tracey Emin tote bag A Tracey Emin cap Competition Terms and Conditions The promotion starts on Tuesday 9 June 2026 and closes at 11:59pm on Sunday 5 July 2026. Open to residents of the United Kingdom aged 18 and over. By entering this competition, you consent to the use of your personal data by the Guardian and Tate as set out in these terms and conditions and the Guardian's privacy policy. Your information will be used to administer the promotion only in accordance with our privacy policy and Tate's privacy policy. Important Prize Information There will be one winner. The winner is responsible for paying all associated costs that are not specifically stated to be included in any promotional materials or these Terms and Conditions, including (without limitation): travel to or from Tate Modern, food and drink, spending money, personal expenditure or any incidental expenses. The prize is non-transferable, non-refundable and there is no cash alternative.

The Final Artistic Statement Georg Baselitz's final exhibition presents a powerful, emotional reckoning with death by the influential German artist who died in April at age 88. The works, created while Baselitz was frail and facing mortality, showcase his signature inverted figures and chaotic style as he confronts his own mortality. A Visual Journey Through Mortality On one wall, a body falls calmly through a serene blue sky. On the opposite, splat, it's landed with a thud on the blood-spattered mud. You don't need to be an expert in image analysis to figure out what Georg Baselitz's final paintings are about: death was coming for him, and he knew it. Baselitz painted these final works from a wheeled office chair with a paintbrush on a stick, the canvas splayed out on the floor in front of him, his body not strong enough to stand like it used to. But they are still immediately recognisable as Baselitz works, filled with scrawled nude bodies, hung upside down to disorientate the viewer and subvert your gaze. The Physical Manifestation of Aging It's just that now the chair has left mucky tracks across the paintings, evidence of the slow creep of decrepitude. The figures in these works, as usual, are mainly him and Elke, his wife and great muse. It's their sagging skin and brittle limbs scrawled on every work. As soon as you walk in and see that body falling through the sky you know exactly what Baselitz was dealing with: life is a trip, a rush, and then bang, you hit the dirt and you're dead. Desperate Struggles Against the Inevitable Instead of still and calm, the figures are flailing and thrashing, they've grown extra limbs, they are fighting against what's coming, they are panicked, manic. They look like spiders trying to climb out of a bathtub, and he repeats them over and over. The final gallery is filled with these enormous golden insectile forms wriggling on black canvases, falling into the abyss, trying desperately to escape. They're pretty horrifying things, bleak, angry, filled with fear. Canonization Through Art Things are calmer in the room of golden canvases. Here, his and Elke's bodies are papery thin, fragile things. You can barely distinguish one from the other, they've almost become one figure now. For years, we've been watching Baselitz's figures become frailer and weaker – he wasn't a prolific painter, and he had his fair share of exhibitions, so we got to see him age over time, his lines become shakier, his figures become saggier and more gaunt. But this is another level, a sense of finality, of impending morbidity, of bodies broken beyond repair. With the gold canvases, it's like he's canonising himself and his wife, turning the figures into Byzantine religious icons. The Artist's Legacy Baselitz said, "Now that I'm more or less at the end of my painting activity, I thought I should draw some kind of conclusion." The eagles, the bodies, the references to art history: this is him reaching for all of the touchstones of his life in art. He knew, I guess, that artists outlive themselves through their work, and these are objects to be worshipped long after he's gone. How could you not be moved by a painter this important, trying to say goodbye and doing it so beautifully? He wanted a conclusion, well here it is, a full stop on a career. Or an exclamation point. What a painfully sad goodbye. Exhibition Details Georg Baselitz: Back Again is at White Cube Bermondsey, London from 10 June to 30 August 2026.

The Danish String Quartet's Captivating Performance A hushed chord sustained by the second violin, viola and cello. Fragments of a melody played as a distant memory by the first violin, which reached slowly upwards to a final crystalline harmonic. Pizzicato, diminuendo, silence. In this captivating performance by the Danish String Quartet, stillness settled over the closing portion of Shostakovich’s String Quartet No 3 in F Op 73 like heavy snow. Bow changes became impossibly seamless. The quartet’s silken tone appeared to exude eerily, disconnected from the basic friction of hair on string. Dynamic Shifts in Tone and Style Such quiet control was all the more striking in the wake of jagged, impassioned solo interjections, deeply incised octave unisons and phrases pursued as if the musicians’ survival depended on it. There was articulation so spiky it was percussive – all contact, no resonance – and passages that sounded symphonic in their velveteen richness. Yet there were also moments of polite levity and luminous classicism. The atmospheric gearshifts were sometimes imperceptibly gradual, sometimes violent, but rarely visible: beyond describing itself as “relatively bearded”, the Danish String Quartet is not an ensemble given to choreographed spectacle. A Showcase of World-Class Musicianship They were, announced violist Asbjørn Nørgaard, thrilled to be back at Wigmore Hall, “this church of chamber music with the best sound in the world”. And you could tell. They played Stravinsky’s Suite italienne (arranged themselves) as a showcase of what a truly world-class quartet can do with the Hall’s acoustic. The work’s rococo twiddles were neat and outrageously classy. Tremolo was served on ice, its melancholic impact immediate. Descant lines were picked out sweet and bright. The quartet relished the squelchiest moments of Stravinsky’s neoclassical harmonic palette, the spare duet that opened the last movement and the sun-saturated warmth into which it blossomed. A Smooth Transition to Ravel's String Quartet After the interval, Ravel’s String Quartet in F saw another switch of palette. There was spacious, unforced nattiness, diaphanous shimmers and scrubbing with the harsh intensity of swarming insects. A handful of instants when ensemble or intonation briefly wavered stood out, inevitably, in such exquisitely polished surroundings. But elsewhere the four musicians seemed to communicate so intimately – so naturally – that their playing sounded like a single, 16-string instrument.

The Lead A recent BBC Panorama investigation, 'Predator: The Billionaire Football Boss,' has brought to light serious allegations against David Sullivan, the billionaire owner of West Ham United football club. The documentary, a collaboration between the BBC and the Times newspaper, presents a skin-crawling exposé of Sullivan's past, revealing a history of sexual misconduct and exploitation. The Event Details The investigation, led by journalist Billy Kenber, delves into Sullivan's background in the adult entertainment industry and his ownership of the Sport newspaper. Sullivan made his fortune through adult entertainment, owning sex shops and producing pornographic films. He served a short prison sentence for 'living off the immoral earnings of prostitutes.' The documentary also highlights Sullivan's tabloid past, particularly his involvement with the Sunday Sport, which published controversial content, including photos of partly clothed schoolgirls. The Data Analysis No specific data or financial impact is provided in the article. The Impact Analysis The allegations against Sullivan have significant implications for the football world and beyond. The documentary raises questions about the safeguards in place around club ownership in British football and highlights the need for greater accountability. The Football Association has launched a safeguarding inquiry, and West Ham United has stated that Sullivan stepped down before the publication of the allegations. The Prediction The outcome of the allegations against Sullivan remains to be seen. However, the documentary has sparked a necessary conversation about the accountability of those in positions of power and the need for greater safeguards in place to protect vulnerable individuals. As the football community continues to grapple with issues of ownership and accountability, this exposé serves as a reminder of the importance of demanding better from those who shape the sport.

The Winners of the Beaker Street Science Photography Prize The Beaker Street science photography prize has announced its winners, showcasing stunning images of blue mushrooms, shy trees, and glowing seas. Capturing the Beauty of Science The prize aims to celebrate the beauty of science and the natural world. The winning images showcase the diversity and complexity of scientific phenomena, from the intricate details of microorganisms to the vastness of the natural world. A Showcase of Scientific Wonders The winning images include: Blue mushrooms, highlighting the unique characteristics of certain species Shy trees, showcasing the fascinating behavior of plants Glowing seas, capturing the breathtaking beauty of bioluminescent organisms The Importance of Science Photography Science photography plays a crucial role in communicating scientific concepts and inspiring future generations of scientists and researchers. The Beaker Street science photography prize is an excellent example of how photography can be used to make science more accessible and engaging.

The Lead Documentary photographer Polly Braden has embarked on a year-long project to capture the lives of young people in coastal communities across England and Wales. Her work, part of The Guardian's 'Against the Tide' series, sheds light on the challenges faced by these communities, including poverty, poor housing, and limited opportunities. Capturing the Lives of Young People in Coastal Communities Braden's project was inspired by a landmark report on the poor health of people living on the English coast. As a single mother of teenagers, she became interested in the lives of young people growing up under austerity, during a pandemic, and in a cost-of-living crisis. Her photographs aim to tell a story about the 'island nation' and shine a spotlight on 16- to 25-year-olds who are often overlooked. The Data Analysis Young people in many of England's coastal towns are disproportionately likely to face: poverty poor housing lower educational attainment limited employment opportunities compared to their peers in equivalent inland areas. The Impact Analysis Braden's work highlights the resilience and beauty of young people in these communities. Her photographs, such as one of Libby from Whitehaven, depict a mix of bleakness and beauty. A touring exhibition of her work is set to open at Arnolfini gallery in Bristol in June and move to Colchester's Firstsite gallery in October. The Prediction The 'Against the Tide' project aims to put the voices of young people at the forefront of reporting on coastal communities. By sharing their stories, the project hopes to examine what kind of changes are needed to build better futures for these young people.

The Looming Threat of a 'Super' El Niño A powerful, or “super” El Niño – marked by 2C (3.6F) or greater increase in sea surface temperatures – is now highly probable for this year, lasting into 2027. Weakened trade winds allow warm surface waters to spread across the central and eastern Pacific. This disrupts ocean circulation and alters weather patterns worldwide. Exacerbating Global Economic Inequality El Niño is intensifying an already unequal global economy. Food insecurity is not simply a climatic problem, but rooted in dependency and global market integration, while climate shocks expose how supply chains push risk on to the world’s poorest populations. 10 Potential Worst-Case Scenarios What follows are 10 potential worst-case scenarios – impacts that will not be evenly felt but disproportionately borne by poorer farmers and workers. Drought Drought hits rain-fed agricultural regions particularly hard. In parts of sub-Saharan Africa grain yields often fall during and following El Niño’s, increasing import dependence and raising food prices. Shock to global food supply chains Globally, there is a heightened risk of a shock to global food supply chains. Four crops – wheat, rice, maize and soybeans – provide more than 60% of the world’s calorie intake. Wildfire risk El Niño can heighten wildfire risk in some regions. In South America, it often reduces wet‑season rainfall, leaving vegetation drier and more fire‑prone; severe fires in Brazil in 2016 and 2024 burned millions of hectares. Excess rainfall Parts of the southern United States and South America, the Horn of Africa and central Asia often experience excess rainfall during El Niño, leading to flooding. Increased coal consumption Greater heat can increase already high levels of coal consumption in parts of the world. El Niño brings above-average temperatures and intensifies prolonged heatwaves in south Asia by weakening monsoon rains, which increases demand for air conditioning. Coal-based power systems in Asia supply about 70% of electricity in India and approximately 55% in China. Grid failure risk Drought also affects hydropower generation, increasing risk of grid failures. Colombia, for example, relies upon hydropower for about 65% of its energy generation. Declining fish stocks El Niño stops cool water upwelling in parts of the Pacific, limiting nutrient availability for phytoplankton and leaving small fish such as anchovies and sardines without enough food. Heightened geopolitical tensions over critical agricultural inputs More extreme weather could exacerbate geopolitical tensions. Rising temperatures reduce crop fertility and farmers often respond by applying more fertilizers. Higher rates of heat illness All these dynamics affect societies unequally. Workers exposed to heat stress face heightened health risks, particularly in physically demanding jobs such as agriculture and construction. Civil conflict Reduced crop yields and weakened economies often intensify social tensions. The likelihood of civil conflict in affected tropical countries can double during El Niño years. The Way Forward There is also extensive knowledge on building resilient agricultural systems that can generate food security while contributing to ecosystem restoration. But again, breaking out of an export-orientated, chemically intensive agricultural system will take large-scale political transformations.

The Air Quality Challenge in Pacoima Los Angeles is rated one of the country's worst cities for air pollution, and Pacoima, a neighborhood in the north-east San Fernando valley, is one of the most densely populated and environmentally challenged areas. With a multicultural, working-class community of more than 81,000 people squeezed into seven sq miles, Pacoima is hemmed in by highways, heavy industry, and a small regional airport. The Community-Driven Solution Pacoima Beautiful, a local environmental group, has launched a community air-quality monitoring program using Aeroqual sensors. These sensors, which are attached to homes, businesses, and playgrounds, provide precise measurements of pollutants such as PM2.5 and ozone. The data is then used to inform residents about the air quality in their neighborhood and push for better management of air quality. The Impact of Hyperlocal Data The hyperlocal data collected by the sensors is critical because the closest monitor used for regulatory purposes is miles away and doesn't reflect conditions on the ground. By having this data, residents can make informed decisions about their health and advocate for change. Paloma Giottonini, an urban planning professor at California State University, Northridge, notes that "data in the hands of the community is really powerful" and can be used to guide better management in the future. Sucking Up the Data Pacoima Beautiful is deploying multiple sensors throughout the neighborhood, providing a detailed picture of air quality across the area. This data will be used to advocate for more Air Quality Index (AQI) sensors for the entire north-east San Fernando valley and push for policy changes to improve air quality. The Future of Air Quality in Pacoima The project in Pacoima is an example of community-driven environmental action and the use of technology to address air pollution. By providing residents with real-time data on air quality, Pacoima Beautiful hopes to secure a better climate future for the neighborhood and inspire similar initiatives in other environmentally challenged communities.