Breaking AI & Tech News Analyzed

The Rise of Sam Campbell Sam Campbell's journey from Australian standup comedian to Britain's most distinctive comedic voice represents a fascinating evolution in modern comedy. Since moving to the UK in the early 2020s, the 34-year-old has carved out a unique space in the British comedy circuit with his irreverent style that swings between hammy overacting and childish belligerence. His approach forces observational comedy through an absurdist filter, with contrarian takes covering everything from hand sanitiser and dragonflies to Ferrero Rocher and Bratz dolls. This distinctive voice earned him the prestigious Edinburgh comedy award in 2022, followed by an arrogant victory lap the next year with his single 10-minute performance titled Bulletproof Ten. The Unconventional World of "Make That Movie" Channel 4's new series "Make That Movie" represents Campbell's boldest creative venture yet. The show-within-a-show format stars Campbell as an alternative version of himself: a pompous director whose creative well has run dry. He invites the public to share their bizarre movie ideas, which he and his dysfunctional crew then develop into actual feature films within the framework of a shoddy reality program. Each episode concludes with the film's premiere, creating a viewing experience that's equal parts hilarious and bewildering. The production process was remarkably hands-off, with Campbell noting that the production company was busy working on an animated Ricky Gervais series about cats, "so we sort of got left to our own devices." This creative freedom was bolstered by Channel 4's head of comedy, Charlie Perkins, a longtime champion and collaborator of Campbell's who was described as "very trusting" despite initially not fully understanding the concept. Campbell's Comedy Philosophy What sets Campbell apart in the comedy landscape is his instinctive approach to humor. As director Joe Pelling observes, "Sam doesn't really seem like someone who's prone to super analysing his stuff too much. He's just led instinctively by what's funny." This gut-driven creativity manifests in his standup material, which subverts and simultaneously adheres to observational comedy tropes. In "Make That Movie," this translates to embracing obviously "dumb" ideas with deadpan seriousness, finding humor in taking film-making too seriously, especially when disaster strikes. The series features an ensemble cast largely drawn from Campbell's friendship circle, including fellow Australian comic Aaron Chen as the nerdy yet incompetent Sebastian, whose parents fund the entire enterprise. Exuberant standup Helen Bauer plays against type as grumpy sound engineer Pat, while 86-year-old actor David Hargreaves completes the gang as cinematographer Winnie. Dressed in matching purple jumpsuits, the team's aesthetic blends Ghostbusters with Scooby-Doo, creating what Pelling describes as a "real-life cartoon feel" to prevent the show from feeling bleak and strange. Campbell's Impact on British Comedy Campbell's influence extends beyond his own series to reshape the British comedy landscape. His triumphant stint on Taskmaster led to numerous appearances as the resident oddball on panel shows like Would I Lie to You?, 8 Out of 10 Cats Does Countdown, and QI. His most high-profile gig to date was this year's series of Last One Laughing UK, where he battled established comedians like Alan Carr, David Mitchell, and Bob Mortimer with unconventional material including duck impressions and claims of dining next to "mole people" during Eat Out to Help Out. What makes Campbell particularly distinctive is his deadpan delivery that proved more than just a mask during Last One Laughing UK. His composure was so unshakable that producers eventually had to implement a rule change, with Campbell ultimately losing to David Mitchell by virtue of having made marginally fewer contestants crack up. This ability to maintain his comedic vision despite external pressures has solidified his reputation as a uniquely uncompromising comedic voice. The Future of Alternative Comedy As Campbell continues to gain prominence, his success signals a promising future for alternative comedy within mainstream media. His willingness to embrace absurdity while maintaining underlying comedic logic suggests that there's significant appetite for comedy that challenges conventional formats and expectations. The fact that Channel 4 has given him such creative freedom indicates that broadcasters are increasingly recognizing the value of distinctive voices over formulaic approaches. Looking ahead, Campbell's career trajectory suggests he'll continue to push boundaries while maintaining his unique comedic identity. Whether through more television projects, standup specials, or other creative ventures, his instinctive approach to humor and refusal to second-guess himself positions him as a comedian who will likely continue to surprise and delight audiences while expanding the possibilities of what comedy can be.

French artist Camille Henrot presents her latest exhibition “Don’t” at the Perimeter in London, shifting from her previous large‑scale, concept‑driven installations to a pared‑back, intimate investigation of everyday digital overload. The Minimalist Turn: “Don’t” Strips Henrot’s Grand Narratives The show is divided into two bodies of work. The painted series layers screenshots, collaged paper and brushstrokes into frantic digital abstractions, while the accompanying drawings depict mythic beasts and overtly erotic figures. By inserting personal artifacts—a photo of her husband, an X‑ray of her wrist, even a bill for IVF‑related oocyte storage—Henrot turns the exhibition into a visual diary rather than a theoretical treatise. Absence of Big Numbers: What the Lack of Commercial Data Reveals Opening date: 2026‑05‑31 (press review) Venue run: until 25 July 2026 No disclosed ticket‑price or attendance figures, underscoring the exhibition’s focus on personal experience over market metrics. Redefining Post‑Internet Intimacy in Contemporary Art Henrot’s shift mirrors a broader trend in post‑internet practice: moving from hyper‑complex installations toward works that foreground the artist’s private life and digital fatigue. The chaotic blend of analogue and digital elements questions what is “real” in a screen‑saturated world, while the erotic drawings expose the raw, often ignored, physicality behind online personas. Future Directions: Anticipating Henrot’s Next Personal Exploration Given the intimate tone of “Don’t,” future projects may delve deeper into domestic technology, perhaps exploring AI‑mediated relationships or the emotional economics of data storage. Critics will watch to see whether Henrot continues to trade grand gestures for the mundane, reshaping how contemporary art narrates the digital age.

Early Reading Memories Virginia Evans shares her earliest reading memory, reading either 'The Velveteen Rabbit' by Margery Williams or poems from 'Where the Sidewalk Ends' by Shel Silverstein with her sister. Favorite Books Growing Up Evans loved mysteries and fantasy worlds, reading many Nancy Drew books, 'The Boxcar Children' by Gertrude Chandler Warner, and 'The Wind in the Willows'. She enjoyed books about things that can't exist, calling it escapism. The Book That Changed Her as a Teenager At 15, Evans read John Steinbeck's 'The Grapes of Wrath', which gave her a new understanding of what fiction can do and how words can portray complex living. The Writer Who Changed Her Mind Evans praises Joan Didion, saying every time she reads Didion's work, she is changed in some way, seeing the world, people, and politics differently. The Book That Made Her Want to Be a Writer In college, Evans read Jhumpa Lahiri's 'Interpreter of Maladies', which inspired her to write, making her think: 'I have to do this, I can do this, I will do this'. The Author She Came Back To Evans tried Jane Austen's 'Pride and Prejudice' too young, but when she came back to it in her late 20s, she enjoyed it tremendously. Books She Rereads Daphne du Maurier's 'Rebecca' Steinbeck's 'East of Eden' The Book She Could Never Read Again Evans devoured the Millennium series by Stieg Larsson but was too disturbed to read it again. The Book She Discovered Later in Life Evans didn't read 'Little Women' by Louisa May Alcott until her adult life, relating to the mother character and identifying with Jo's struggles as an author. Current and Comfort Reads Currently reading: 'While I Was Gone' by Sue Miller Comfort reads: 'The Uncommon Reader' by Alan Bennett, 'Beautiful Ruins' by Jess Walter, 'I Capture the Castle' by Dodie Smith

Translated Fiction Review Roundup A collection of recent translated fiction has been reviewed, showcasing the diversity and complexity of global literature. The reviews include: 'Sisters in Yellow' by Mieko Kawakami Sisters in Yellow by Mieko Kawakami, translated by Laurel Taylor and Hitomi Yoshio (Picador, £16.99) Kawakami’s latest opens with a bang, as narrator Hana learns that her old friend Kimiko has been charged with abduction. This MacGuffin takes us to their friendship in late-1990s Tokyo, when teen Hana and the older woman open a bar called Lemon: “Yellow attracts money.” But it’s a turbulent ride and soon Hana is in a world of organised crime. “The world is crazy. I feel like I’m living in a manga.” She’s not the only one, and you need an appetite for Kawakami’s style, which prefers to explore rather than explain – people come and go, buildings burn down, cancer is diagnosed, almost at random – but the relentless rush means there’s no time to get bored. At its best – as in a scene where Hana’s unreliable mother wants to borrow 2m yen for investment in lingerie that helps “your spine and organs move back to where they’re supposed to be” – this is a story both absurd and horrifying. 'All Flesh' by Ananda Devi All Flesh by Ananda Devi, translated by Jeffrey Zuckerman (Pushkin, £12.99) “Forgive me for starting this story with bodily, unpalatable origins.” You may as well – it’s all like that. In an unnamed European country, a schoolgirl “born with no urge but to consume” is getting bigger and bigger. “My gut, my ass, my thighs – they were all set on reaching the farthest corners of the world.” She blames her gluttony on the need to silence the voice of her dead twin sister, who was “absorbed into my tissues” in the womb. She hates school, where other kids mock her, as though her own self-disgust weren’t enough. After a blackly comic scene where she gets stuck in her bedroom doorframe like “an uncooperative cork”, she falls in love with the lonely carpenter who arrives to widen the door – but there are more twists to come. This powerful story is deeply physical, but driven by a compelling voice describing the torment of a girl who is “the psychical mirror of our time … immoderation made manifest”. 'The White Desert' by Luis López Carrasco The White Desert by Luis López Carrasco, translated by Rosalind Harvey (Granta, £14.99) This unpredictable book, comprising five linked stories about a Spanish couple, opens with the end of the world and gets weirder from there. A balloon debate about a post-apocalyptic scenario turns nasty when one participant pulls a knife, or thinks he does. A plane crash-lands on an island. “Can [we] go and get our luggage … Lots of people have, you know, soiled themselves.” What links the scenes is a sense of disconnection in our connected world, but the book subverts expectations: when a group of people celebrating New Year’s Eve go missing, it turns out to be a game of hide and seek. Footnotes peppered throughout suggest we’re viewing all this from the future (“Emirates was a well-known passenger airline …”), and discovering what the white desert is turns everything on its head. For readers who like to do their own joining up, and who want a playful, original take on our precarious lives, this is a thought-provoking treat. 'The Home of the Drowned' by Elin Anna Labba The Home of the Drowned by Elin Anna Labba, translated by Elizabeth Clark Wessel (Harvill, £16.99) “You could have waited, you bastards.” In 1942 Lapland, a village occupied by the semi-nomadic Sámi people is flooded by a new hydroelectric plant’s dam. One family watch as their goahti (peat-covered hut) disappears under the water. “It wasn’t the nicest goahti,” says Ánne. “No, but it was mine,” says her sister Rávdná. When Rávdná wants to build a house to replace it, the authorities refuse permission: the Sámi way of life has been rejected but alternatives are not permitted. A local newspaper half-heartedly offers to publicise their case, but “we receive a lot of angry letters if we use any foreign words”. When the government tells local people the new dam “will lift us out of poverty and injustice”, the words reek with irony. This intimate story of infuriating discrimination is, Labba says, based on real events in Sweden.

The Dark Side of the Space Race 'Star City' is a gripping space race thriller that serves as a counterpoint to 'For All Mankind', exploring what if the Russians had been the first to land on the moon. The series, created by Ronald D Moore, Ben Nedivi, and Matt Wolpert, shifts its focus to the USSR, delving into the lives of characters behind the iron curtain. Alternate History and Character Development The show is set in 'Star City', a Soviet equivalent of Cape Canaveral, where the characters celebrate the success of Alexei Leonov walking on the moon. The story follows Lyudmilla, a terrifying colonel in the Great Patriotic War and head of KGB surveillance, played by Anna Maxwell Martin. The series weaves together the daily compromises, doubts, stresses, and accidental indiscretions of characters living under a strict regime. The Impact of a Strict Regime The show masterfully layers the tension and fear of living in a regime where every word must be considered, and every decision is carefully calibrated to minimize risk. The characters' lives are marked by the constant threat of repercussions, making even the smallest actions potentially fatal missteps. A Deep Dive into Human Nature 'Star City' offers space history fans a deep dive into the 'what if?' possibilities surrounding the space race, while also exploring broader themes of human nature. The show examines how people survive intolerable stress, and what they will do to be free, making it a fascinating watch for a broad audience. Conclusion and Availability 'Star City' is now available on Apple TV, offering a unique perspective on the space race and the human experience. With its gripping storyline and exceptional performances, including Anna Maxwell Martin's portrayal of Lyudmilla, this series is a must-watch for fans of historical dramas and space thrillers.

The Deadly School Fire At least eight students have been arrested on suspicion of arson after fire at a boarding school for girls in Kenya killed 16 students and injured 79, police said. The fire broke out in the early hours of Thursday at the Utumishi Girls Academy Senior School in Gilgil, west-central Kenya. Investigation and Arrests On Friday, the Directorate of Criminal Investigation said preliminary investigations had identified eight people as “persons of interest in connection with the planning and execution of the suspected arson attack”. “The eight girls have since been arrested and are currently in police custody,” the statement added. The Aftermath Student Hilda Njeri, who was in one of the dorms most-affected by the fire, told Al Jazeera she was still dealing with everything that happened. “I was badly injured on my leg, and my lower back was badly injured,” Njeri said outside the school on Friday, adding that the principal took the students to hospital and paid all bills for treatment. Government Response Kenyan Education Minister Julius Ogamba told reporters that early investigations found that two teachers had been informed of the students’ alleged plans, but failed to stop them. Ogamba added that the school failed to follow safety rules, citing overcrowding in the dorms and a locked emergency exit. The Kenyan government has disbanded the school board of management and will take appropriate legal and disciplinary action against any staff found to have neglected their duties, he said.

Judge Halts Implementation of Trump's Controversial FundA United States federal judge has temporarily blocked President Donald Trump's nearly $1.8 billion "anti-weaponisation fund" to compensate victims of alleged government "lawfare." On Friday, US District Judge Leonie Brinkema of the Eastern District of Virginia blocked the Trump administration from "taking any further action" to set up or operate the fund while she hears legal arguments. The judge, who was nominated to the bench by President Bill Clinton, scheduled a June 12 hearing about whether to extend the order blocking payouts.The Legal Battle Over the Fund's CreationThe Department of Justice announced the fund last week as part of an agreement to settle a lawsuit brought on behalf of Donald Trump, in his personal capacity, against the Internal Revenue Service (IRS). He had initially sought $10 billion in damages, stemming from allegations that Charles Edward Littlejohn, a former government contractor, leaked his private tax records to journalists. Though Littlejohn was not an IRS employee, Trump had argued that the tax agency should nevertheless be held accountable for the contractor's actions.The lawsuit and its settlement have raised concerns about conflicts of interest within Trump's government, as the president was suing an agency under his oversight, represented by lawyers in his administration.Financial Implications of the Blocked FundThe proposed $1.8 billion fund would have been overseen by a five-member commission which would release money to applicants who can show that they were victims of "lawfare" and "weaponisation," terms Trump and his allies have used to describe investigations and criminal cases against them. The Justice Department has yet to form the commission, so there has been no money paid out yet or claims accepted.Partisan Concerns and Multiple Legal ChallengesFriday's ruling came in response to a lawsuit filed by Democracy Forward, an advocacy group representing those who believe they would be perceived "by the Trump-Vance administration as ideological or political opponents." Among the group is a former assistant US attorney, Andrew Floyd, who served as a prosecutor on cases related to the riots on January 6, 2021, when Trump supporters stormed the Capitol.The suit claimed that the fund is a partisan tool designed to award payouts to Trump supporters and not those who are seen as adversarial to the president. Floyd's lawsuit is not the only legal challenge to the "anti-weaponisation fund". There are at least two other complaints. One was brought by former Capitol Police officer Harry Dunn and Metropolitan Police Department officer Daniel Hodges, who alleged that Trump created a "taxpayer-funded slush fund to finance the insurrectionists and paramilitary groups that commit violence in his name." Meanwhile, the watchdog group Citizens for Responsibility and Ethics (CREW) also filed a lawsuit in Washington to block the fund. Both cases are being processed in federal courts in Washington, DC.Political Fallout and Eligibility QuestionsThe fund spurred a backlash, even from some lawmakers in Trump's Republican Party. Many expressed anger that rioters who attacked the Capitol on January 6, 2021, would receive taxpayer-funded payouts. During a congressional hearing earlier this month, acting Attorney General Todd Blanche did not rule out the possibility that January 6 participants could be eligible, even if they attacked police.Nearly 1,600 people were charged with federal crimes after the January 6 riot. More than 1,200 were convicted and sentenced before Trump handed out pardons, commuted prison sentences, and ordered the dismissal of every pending January 6 criminal case last year. Questions have also arisen over whether public figures Trump targeted with investigations and criminal charges might also be eligible for payouts under the "anti-weaponisation" fund.Future Outlook for the Anti-Weaponisation FundThe fund comes amid reports this week that the Department of Justice is launching an investigation into E Jean Carroll, the writer who accused Trump of sexual assault. The Justice Department has also launched investigations into Trump's perceived political opponents, in some cases seemingly at the president's request. Last September, for instance, Trump posted on social media a message directed at then-Attorney General Pam Bondi, appearing to pressure her to file criminal charges against critics like former FBI director James Comey and New York Attorney General Letitia James.Comey was subsequently charged with lying to Congress, while James faced an indictment on mortgage fraud. Both cases were ultimately dismissed, but the Justice Department has since filed new charges against Comey, alleging he threatened the president with a message written in seashells. Comey and James have denied the charges against them, arguing that the cases are evidence of Trump using the power of the government for personal aims. In addition, the Justice Department launched an investigation into former Federal Reserve Chairman Jerome Powell, as Trump pressured the then-head of the central bank to lower interest rates. That investigation was ultimately dropped as well.

Shaw's Professionalism Secures Manchester City's Historic DoubleManchester City head coach Andrée Jeglertz has highlighted the mental fortitude of prolific striker Khadija Shaw, crediting her ability to block out contract speculation for her continued excellence on the pitch. Shaw scored the opening goal in the 4-0 victory over Brighton, helping City complete a domestic double by lifting the Women's FA Cup at Wembley.Wembley Triumph Amid Contract SpeculationThe 29-year-old Jamaica international has been in scintillating form throughout the cup run, netting in the quarter-final and semi-final before nodding in from an Alex Greenwood cross on Sunday. Despite being heavily linked with Chelsea since March and initially deciding to leave the club in early May, Shaw delivered a dramatic performance that silenced her critics and secured her future.Resolving the Contract SagaJeglertz was effusive in his praise for Shaw's demeanor during a turbulent period. "I'm very impressed how she handled that," he stated. "She has never shown any kind of 'mood' that has affected her performance. Of course, she is a person, like everybody else, so of course, she will know about all the writing, she knows about that, but at the same time she has been so professional all the time."Teammate Rebecca Knaak echoed this sentiment, noting the difficulty of maintaining focus amidst the background noise. "It's quite hard as a player to still focus then, and that's exactly what she did. She’s always turned up in all the games for us. She’s so important for us and I’m just incredible happy that she’s staying."Brighton's Path to the Next LevelWhile City celebrated their historic achievement, Brighton head coach Dario Vidosic acknowledged the challenge of facing a clinical striker. Despite Brighton enjoying greater possession and having 12 efforts at goal compared to City's 14, Shaw's clinical nature proved decisive in the heavy scoreline.Vidosic expressed pride in his side's bravery on the ball but admitted the loss will serve as motivation for the upcoming season. "This will hurt for a little while, but hopefully we can use that motivation and that fire for next season," he said. With Brighton looking to build on their strong campaign—which included knocking out Arsenal—they plan to retain their core squad while targeting new signings to strengthen specific areas.

The LeadExeter Chiefs delivered a stunning performance at Welford Road, becoming the first away side to defeat Leicester Tigers in the league at their fortress home in 14 months. The 35-26 victory was secured through two tries from veteran full-back Olly Woodburn, whose performance proved decisive in ending the Tigers' unbeaten run.The Event DetailsThe match was a ferocious contest from start to finish, with both teams demonstrating their championship credentials. Exeter's strategy focused on disrupting Leicester's set-piece and implementing punishing defense around the ruck, while their attack was led by the powerful wing Manny Feyi-Waboso, who carved through the Tigers' defense to set up Woodburn's first try in the seventh minute.Leicester responded with a try from 20-year-old academy full-back George Pearson on his first Premiership start, but Exeter regained the lead early in the second half through tries from Len Ikitau and Woodburn's second score. Despite Woodburn being sin-binned and Leicester fighting back to take a one-point lead, Exeter dug deep to score through second row Andrea Zambonin and seal the victory with Slade's late penalty.The Impact AnalysisThis victory represents a significant turnaround for Exeter Chiefs, who just last season languished in ninth place out of ten in the Premiership. Director of rugby Rob Baxter has masterminded this resurgence, and this win at one of the league's most difficult away venues will provide tremendous confidence as they head into their final regular season match.For Leicester, the defeat ends their remarkable unbeaten run at home and represents a momentum stopper as they prepare for the playoffs. While they remain firmly in the playoff positions, the loss will raise questions about their ability to perform under pressure in crucial matches.The PredictionExeter will now approach their final regular season match against Saracens at Sandy Park with renewed belief. A victory there would secure their place in the playoffs, and based on this performance against a top-four side, they have every chance of achieving that goal.Leicester, already assured of a playoff spot, will need to regroup quickly ahead of their trip to Bath. With home advantage in the semi-finals potentially at stake, they'll be determined to secure a victory and maintain their championship aspirations.