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The Documentary’s Long Road to CannesIn 1972 William Greaves filmed a four‑hour cocktail party at Duke Ellington’s Harlem townhouse, gathering the last surviving figures of the Harlem Renaissance. Though the footage was intended for a feature titled From These Roots, it remained unfinished for 50 years. The project finally resurfaced when Greaves’ son David and granddaughter Liani completed the edit, earning a spot in Cannes’ Directors’ Fortnight in 2026. Restoring 60,000 Feet of 16mm FilmOriginal shoot: 60,000 feet of 16mm film captured.Restoration: Digitisation and colour correction undertaken by David and Liani Greaves.Archival work: Material passed from William to his widow Louise Greaves, then to the next generation after her death in 2023. Voices of the Harlem Renaissance ResurfaceThe film features painters, poets, musicians and activists such as Aaron Douglas, Richard Bruce Nugent, Arna Bontemps, Eubie Blake, Noble Sissle, James Van Der Zee and Ida Mae Cullen. Their conversations drift from jazz’s revolutionary impact to debates over terminology—whether to use “Negro” or “Afro‑American”—mirroring discussions that persist today. Contemporary Resonance: Race, Memory, and Global PoliticsDavid Greaves draws parallels between historic footage of Haile Selassie’s 1936 appeal to the League of Nations and modern leaders like Volodymyr Zelenskyy. The documentary also confronts America’s ongoing racial violence, juxtaposing archival anti‑lynching poetry with present‑day activism, underscoring how three generations are still voting on the same struggle. Looking Ahead: Release Plans and Cultural LegacyFollowing its Cannes debut, the team aims to release the full film ahead of William Greaves’ centenary in October 2026, with retrospectives slated for New York and the Barbican in London. Critics such as Richard Brody have already hailed it as “one of the greatest talking pictures,” positioning the documentary to cement Greaves’ reputation as a chronicler of African‑American history.

The LeadTinned tomatoes, a staple in kitchens worldwide, have entered the era of premium branding as Italian company Mutti positions itself as a status symbol in the UK market. The brand, which retails at about £1.60 per tin compared to 50p for supermarket own-label products, is poised to overtake Napolina as the UK's biggest non-supermarket brand of tinned tomatoes, passata and paste.The Premium Tomato TakeoverMutti reached the No. 1 spot for the first time in the 12 weeks from February, according to market data, with a share of nearly 11%. The brand is on track to maintain this prime position for the rest of the year, supported by a £6m marketing campaign that includes TV advertisements. Despite its premium positioning, supermarket own labels still control more than 60% of the market, indicating significant growth potential for brands like Mutti.Financial GrowthThe Italian family-owned brand, which arrived in the UK in 2020, has demonstrated impressive financial performance. It increased sales in the UK by 19% last year, reaching €26.2m (approximately £22.4m) for the UK and Ireland markets. This growth trajectory suggests that consumers are increasingly willing to pay a premium for what they perceive as higher-quality ingredients.Brand StrategyMutti has implemented an aggressive expansion strategy, extending its product range beyond basic tomatoes to include ready-made sauces and ketchup. The company now operates a promotional van touring major UK cities, including Manchester, Liverpool, Edinburgh and Cardiff, to increase brand awareness and consumer engagement. This direct-to-consumer approach complements its supermarket presence, which has expanded from Sainsbury's and Waitrose to include all major supermarkets by 2024.The Italian HeritageFounded in 1899 and based in the province of Parma, Mutti represents a century of Italian tomato processing expertise. The company worked with 1,000 farming families across Italy last year, processing a record 725,000 tonnes of tomatoes over approximately 70 days from mid-July to late September. Francesco Mutti, great-grandson of one of the founders, emphasizes the brand's focus on taste and quality, stating: "We think and believe that it can really play a significant role in a cuisine. It's not Champagne but it has dignity, and is full of flavour."Economic PressuresDespite its market success, Mutti faces significant challenges from rising energy and fuel costs driven by global conflicts and climate change. Francesco Mutti has indicated that if energy prices do not decrease by July, it will put pressure on the company's margins. Additionally, packaging suppliers, whose costs are linked to oil and energy, may increase prices, potentially leading to higher costs for both supermarkets and consumers. While the company has installed "plenty of solar panels" on its buildings to offset electricity costs, it cannot cover all energy requirements for processing tomatoes, leaving it vulnerable to energy market fluctuations.

The Grand Final Decider: City’s Clinical Finish Secures Fifth TitleIn front of a packed Melbourne crowd, Melbourne City delivered a dominant performance to defeat newcomers Wellington Phoenix 3‑1 and claim a record‑equalling fifth A‑League Women Championship. The victory was sealed by two rapid goals from Holly McNamara in the 41st and 43rd minutes, followed by a spectacular long‑range effort from Leticia McKenna in the second half.Key Moments and Player Performances That Shaped the MatchMcNamara, fresh off her Golden Boot award, opened the scoring with a spin‑and‑strike from outside the box before doubling the lead two minutes later. McKenna’s curling strike in the 49th minute gave City a comfortable cushion, while Wellington’s Makala Woods pulled one back in the 52nd minute. The match also featured the league’s first VAR intervention, which upheld a non‑penalty call on Bryleeh Henry after a contentious challenge.Statistical Snapshot: What the Numbers RevealFinal Score: Melbourne City 3 – 1 Wellington PhoenixGoal Scorers: Holly McNamara (2), Leticia McKenna (1), Makala Woods (1)Championships Won: Melbourne City now holds five titles, equal to Sydney FCPremierships: Five all‑time, matching their championship tallyUpcoming Fixture: AFC Women’s Champions League semi‑final vs. Tokyo Verdy BelezaImplications for Australian Women’s Football LandscapeThe win solidifies City’s emergence as the pre‑eminent force in Australian women’s football, matching Sydney FC’s historic record and underscoring the growing competitiveness of the A‑League Women. Coach Bev Priestman, voted Coach of the Season, highlighted the squad’s depth and tactical flexibility, while the introduction of VAR marks a new era of officiating standards in the league.Looking Ahead: Potential Treble and Regional DominanceCity’s focus now shifts to the AFC Women’s Champions League, where a semi‑final clash against Japanese side Tokyo Verdy Beleza offers a chance to become the first A‑League Women club to secure a treble of domestic league, domestic cup, and continental titles in a single season. Success would not only elevate City’s brand internationally but also boost the profile of Australian women’s football on the Asian stage.

The LeadFalling seriously ill, like falling in love, can happen all of a sudden – although this film is not exactly about either. Ryusuke Hamaguchi's new movie, co-scripted with the Franco-Japanese screenwriter Léa Le Dimna and his first not set entirely in Japan, is a bold and high-minded if rather pedagogic work that spreads itself over three hours. It's tender and sometimes beautifully made, but also contrived and occasionally features some too-good-to-be-true caring characters. Frankly, it's rather precious.The Film's International VisionHamaguchi and Le Dimna have taken as their starting point the nonfiction book "You and I: The Illness Suddenly Get Worse" by Makiko Miyano and Maho Isono, a meditative correspondence between a philosopher and medical professional on the subjects of love and mortality. Hamaguchi has opened this out to create a drama set in Paris and Kyoto, and it's incidentally hard not to suspect that Hamaguchi, like many a celebrated movie director spending so much time on the international festival circuit, has been led to create an uneasy international mixture.Care Home Dynamics and CharactersMarie-Lou (Virginie Efira) is the director of a private care home in Paris called the Garden of Freedom, where they practise a care technique called "humanitude," a time-consuming patient-centred approach that exasperates old-fashioned nurse Sophie (Marie Bunel). It needs more staffing facilities than the home is prepared to provide and, in any case, Marie-Lou has a bad habit of being patronising to those who question her. For all that, there are some lovely scenes with caregivers and patients, and these observant, unfussily compassionate moments are where the film works best.Cross-Cultural ConnectionsMarie-Lou is stressed and overworked, and her life is upended when she encounters an autistic Japanese teen called Tomoki (Kodai Kurosaki) in the street, apparently lost; he is being looked after by his grandfather, Gorô (Kyōzō Nagatsuka), an actor in town performing in an experimental piece about psychiatric care in which Tomoki is encouraged to take part if he feels like it. The show is directed by Mari (Tao Okamoto), and her stylish calm and intelligence entrances Marie-Lou; they are clearly on the verge of an intense friendship and perhaps more, although the film is reticent on this last point.Philosophical Exchanges and Narrative ConcernsMarie-Lou comes to a performance, stays for the Q&A; afterwards and reveals herself to be fluent in Japanese, asking questions of Mari in that language which touch on Mari's very serious illness. Some in the audience rather plaintively – and understandably – call for the conversation to be in French, though this film comes close to being insufferable when Gorô solemnly tells everyone that their exchange was so intimate and meaningful that the audience should be content with simply sensing that.The Film's Strengths and WeaknessesAll of a Sudden works best entirely outside the exotically overwritten, overthought bond between Mari and Marie-Lou. The realist set pieces are very moving, showing us patients with dementia surrounded by their families, and also showing us, often with photos of their younger selves in demanding jobs, how these patients have changed. The film's high concept is a little self conscious.All of a Sudden screened at the Cannes film festival.

The Rise of Delta Goodrem in Eurovision 2026 Delta Goodrem's performance of 'Eclipse' in Eurovision 2026's second semi-final has propelled Australia to the grand final, with her odds of winning soaring. She's now ranked second, behind Finland. Why is Australia Included in Eurovision? Australia's inclusion in Eurovision stems from its strong viewership and multicultural population. The European Broadcasting Union (EBU) allowed Australia to join due to its good business case, particularly SBS's consistent high ratings for Eurovision since 1983. Australia's Eurovision watch parties were popular long before its participation in 2015. The country's multicultural broadcaster SBS had been getting good numbers for Eurovision locally. How Does Eurovision's Scoring System Work? The Eurovision winner is decided 50% by jury votes and 50% by televotes from viewers in each participating country, as well as a 'rest of the world' vote. Each country has its own jury, made up of seven music industry types. Juries use four judging criteria: vocal capacity, performance, composition, and overall impression. Countries cannot vote for themselves. Is There an Art to Winning Eurovision? According to analysis by Spotify, the perfect tempo for a Eurovision entry is 127 beats per minute. Delta Goodrem's song 'Eclipse' is 134 BPM. Carniel says there's a risk of getting too precise with a Eurovision bid. The winning song usually needs something that really connects with the audience. If Australia Wins Eurovision, Does That Mean Australia Gets to Host It? No, if Australia wins, it must 'co-host' the event with a full EBU member country within Europe. Australia is only an 'associate member'. There is a precedent: when Ukraine won in 2022, the UK hosted it due to Ukraine's inability to do so. Will the Juries Vote Against Australia Because It's Not in Europe? All signs indicate no. When Australia came second in 2016 with Dami Im, she had the most jury votes. Carniel says the EBU wants to avoid any sign that the jury system is corrupt or biased.

The Transformative Night in Blackpool Bronzed, with winged tips and doused in Le Male, I clamped the baby pink GHDs to my hair until they sizzled and singed it. Emerging from a cloud of cheap hairspray, I was ready for the dancefloor. I was 18 and had grown up in Blackpool, a place synonymous with hedonism and fun. I came out in high school at the age of 14 and from 16 I studied performing arts at a local college. Underage, I was smuggled into clubs and in my spare time I watched shows in our many beautiful theatres. The bright lights of the illuminations, the showgirls, the feathers, sequins and rhinestones were intoxicating. Blackpool really was – and still is – extraordinary. When the bar closed, a new adventure would begin. One night, as the sun was coming up (and as was I), a drag queen took me back to her place. I didn't know the significance of what I was about to experience, but I was to receive an education no university course could ever match. The drag queen was a Liza Minnelli tribute act. She knew every beat of every Liza film, every concert, every move of choreography. She performed as Liza in all the bars around town. Now I was ordained by being welcomed into her home. This moment could be the plot of a movie with Blackpool as a beautiful backdrop to my coming out/coming-of-age fantasy The Muppet Show That Changed Everything Was I ready to be indoctrinated? Very. She led me to the living room for a VHS screening of what I was told was one of Liza's finest performances. I was expecting Cabaret, the winner of eight Academy Awards, but not on this occasion. She sat me on the sofa and played Episode 414 of The Muppet Show from 1979, with special guest the one and only Liza Minnelli. The premise works so beautifully for exactly the same reason that The Muppet Christmas Carol is so beloved. In that film, Michael Caine gives the performance of his life in a movie almost entirely populated by felt characters, and in her guest episode Liza matches him in commitment. Take the musical number Copacabana she performs: the curtain goes up and Liza is smoking. She is the narrator, the storyteller, in a Funny Face-esque black polo neck that gives a real sense of gravitas to those Barry Manilow lyrics. Moments later, she is Lola, dancing with human-sized muppets. Or in another scene Liza holds Kermit while they sing A Quiet Thing together. Their connection is pure and tender, a thing of simplicity and gentleness. A Career Born from Inspiration As I reflect on this story nearly 20 years later, I am now 10 years sober and while life might well be a cabaret, the decadence of my early youth is firmly in the past. But I think back to this moment, which could be the plot of a movie with Blackpool as a beautiful cinematic backdrop to my coming out/coming-of-age Technicolor fantasy. I didn't know at the time, but this incident set me on the path to my current profession. Four years later, in 2011, I started making cabaret performances in south London at the famed Royal Vauxhall Tavern at nights such as Duckie, where my turns were packed full of wigs and jockstraps, fake blood and mascot costumes. In 2015, I joined the international circuit when I became part of big touring pieces of variety and circus spectacle, showing off in the US, Australia, New Zealand and London's glittering West End. I once performed a 107-hour durational piece in drag at Glastonbury and at the Adelaide fringe, as a teenage girl who wouldn't leave her bedroom. A Lifelong Dedication to Liza's Legacy Ever since that fateful night back in Blackpool in the 2000s, Liza has been a hero of mine. I saw her live in concert at the Royal Festival Hall in London in 2013. I have a Liza tattoo on my right thigh. Back in 2019, I did an eight-hour performance in an old deconsecrated church in Brighton, dressed as Liza Minnelli, performing her album Results in full, emulating through endurance art Liza's beautiful commitment to performance. Pet Shop Boys, who produced Liza's Results album, even heard about what I was up to and said my performance sounded great. The Enduring Impact of a Single Performance And if you ever see one of my shows, please understand that the technical foundation of my performances isn't drama school training or Stanislavski; it's Liza on The Muppets. Truth be told, I don't know where the drag queen in the story is now. I hope she's OK, but if I did see her I'd say: "Thank you for changing my life." Harry Clayton-Wright's show Mr Blackpool is at the Grand theatre, Blackpool, 20 May.

The Relegation Battle Fury. Grief. Embarrassment. Horror. Resignation. The emotions run hot for supporters of West Ham and Tottenham right now as the two grand old clubs stare at potential relegation from the Premier League. The Impact of Mismanagement With their spiritual homes demolished at the altar of progress and profit, first Upton Park in 2016 and then White Hart Lane in 2017, both clubs had visions of glory days ahead. Instead they have been consumed by greed, mismanagement and false promises. Key perpetrators such as Karren Brady at West Ham and Daniel Levy at Spurs have exited the scene, but David O’Sullivan is still the Hammers chairman and the damage remains. The Current State of Affairs The London Stadium – which West Ham now rent for a knock-down price – is universally panned as stale and unsuited to football, while the sparkling Tottenham Hotspur Stadium looks like a monument to hubris. One of these 60,000 seater stadiums will be hosting Championship football in August. The Fans' Perspective Defeats on the pitch this season have been calamitous and bruising (they’ve endured 34 league losses between them); protests have been loud and fuming. Two points separate the teams, with two games remaining. The equation now is very simple: it’s either them or us. The Future Outlook As the Tottenham Supporters Trust put it on their website: “The arithmetic is stark, the stakes unmistakable. This is no longer a conversation about style or long-term trajectory; it is a question of survival.”

The Final Showdown It all comes down to this, again. France have been runners-up to England in the Women's Six Nations for the past six years, edging ever closer: last year's decider was settled by a single point. But can François Ratier's team not only end England's dominance in this competition but also halt their 37-game winning run on Sunday? If they show up from minute one to 80, France can do it. England's Challenge with a Depleted Squad England will be favourites to lift their eighth straight Six Nations trophy but have been contending with a lot this tournament. Retirements, pregnancy and injury mean the team are without a wealth of talent including Zoe Stratford – the usual captain – Abbie Ward and Alex Matthews. They have continued to win with a depleted squad but their depth will be given its biggest test yet against an in-form France team. Statistical Analysis: France's Dominant Form The statistics never lie and France's so far this competition, particularly in defence, have been commanding. The side are topping the charts for most carries, offloads and defenders beaten. They also have the fewest missed tackles, the most dominant contacts and an 88.4% tackle success rate, the best in the competition. England's Offensive Strengths England lead in fewer areas but have scored the most points this tournament and have the top try scorer in Marlie Packer, who will start on the bench with Sadia Kabeya back from injury. The fly-half Zoe Harrison's supreme kicking has also been a huge asset to the team, with 23 of 24 kicks successful. They know their attack is the highlight of their game at the moment and, when asked if working on defence will be critical against France, the England head coach, John Mitchell, said: "It will be, but we'll just score more." Defensive Concerns for England Against Italy, England conceded the most points they ever have in the Six Nations against a team that was not France. The former England captain Packer believes the side need to be more reactionary: "I think we need to be a bit better at see, do. We are thinking. As soon as you think, the other team has a foot on top of you. France's Key Players England will need to plug their defensive holes because France have stars who will snipe at any opportunity given to them. Anaïs Grando has scored four tries in four games and has proved to be a great resource in defence too, a particular highlight coming against Ireland where her covering tackle held up Fiona Tuite over the line. The scrum-half Pauline Bourdon Sansus has also been an integral cog in the French setup for years and her form has not let up this year either. Strategic Battle: France's Game Plan France have been chasing England's tails since they last beat them in 2018 and the Red Roses know they have a target on their backs. While their captain, Meg Jones, said the dominant winning run isn't something that is discussed between the squad, Mitchell has urged teams to "come and get us". The Road Ahead "We love being the standard bearers of consistency," Mitchell said. "Somebody is going to get us, we understand that reality and we shouldn't be disgraced if somebody does get us. We don't want to give that up easily, anyone can pick on our weaknesses but we will look to fix them. That doesn't mean we are in decline, we are actually developing and evolving. Maybe we are evolving a lot quicker than a lot of people realise. We get another chance to test that on the weekend, that is what we embrace and thrive in."

The Eurovision Song Contest Grand Final 2026The 70th year of the Eurovision Song Contest will see 20 acts perform at the Wiener Stadthalle arena in Vienna. Spain, Iceland, Ireland, the Netherlands, and Slovenia are not participating due to Israel's participation. Graham Norton provides commentary, and the UK's entry is electro act Look Mum No Computer with the song Eins, Zwei, Drei.Britain's Got TalentThe fourth semi-final takes place tonight on ITV1, featuring acts like Mizuki the aerialist, Mega Unity dance squad, and 17-year-old harpist Niamh.World's Most Secret HotelsChannel 4 showcases unique getaways, including a sea-view hotel in Hamburg made from a freight crane, a wagon retreat in Utah, and a land-bound submarine-cum-hotel in the Scottish Highlands.Royal Peacemaker: Sophie, Duchess of EdinburghChannel 5 profiles Sophie, Duchess of Edinburgh, highlighting her rise in the House of Windsor and her ability to navigate royal challenges.Monsieur SpadeU&Drama; airs a crime drama starring Clive Owen as detective Sam Spade, investigating a murder in 1963 France.Saturday Night Live UKSky One's variety show concludes with a celebratory episode, featuring Ncuti Gatwa and music from Holly Humberstone.Film ChoicesDisney+ offers 'The Testament of Ann Lee,' a historical biopic and folk musical about the founder of the Shakers Christian sect. BBC Four airs 'The Teachers' Lounge,' a German drama exploring issues in a school.Live SportTonight's live sports include the Scottish Premiership Football match between Celtic and Hearts on Sky Sports Main Event, and the FA Cup Final between Chelsea and Man City on BBC One.