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Russia has officially designated Pavel Talankin, the main protagonist of the Oscar-winning documentary 'Mr Nobody Against Putin', as a 'foreign agent'. This move comes after Talankin, a teacher and videographer, spent two years documenting pro-war propaganda at a school in the Chelyabinsk region of west-central Russia.Talankin, in collaboration with US director David Borenstein, won the Best Documentary award at the Academy Awards earlier this month. The documentary features footage Talankin smuggled out of Russia in 2024, showcasing how students were exposed to pro-war messaging.A Russian court recently banned the documentary from several streaming platforms, citing that it promoted 'negative attitudes' about the Russian government and the war in Ukraine. Since Russia's full-scale military invasion of Ukraine in February 2022, Russian authorities have sought to suppress opposition to the war and rally support among citizens.As a 'foreign agent', Talankin is subject to stringent bureaucratic requirements and income restrictions in Russia. He is also obligated to label his social media posts and publications with the 'foreign agent' designation.In his Oscar acceptance speech on March 15, 2026, Talankin urged an end to global conflicts, stating, 'Stop all of these wars now'. The documentary has sparked controversy, with some Russians opposing Putin and the war criticizing Talankin for filming colleagues and children without consent.

The documentary 'Keir Starmer: Where Did It All Go Wrong?' presents a critical analysis of Prime Minister Keir Starmer's leadership, highlighting his historically low approval ratings and the public's perception of him as 'incompetent', 'useless', and 'weak'. The program, presented by political broadcaster Lewis Goodall, explores the reasons behind Starmer's unpopularity, including his lack of clear political strategy and vision.According to the documentary, Starmer's promise of change was a key factor in his election campaign, but little has changed for ordinary citizens. A survey conducted for the program revealed that a majority of respondents believe Starmer should resign, citing his slow pace of change and lack of a clear plan. The documentary also examines Starmer's shift to the right during his leadership campaign, which may have opened up space for the Greens to attract progressive voters.The program features interviews with various politicians, including Alan Johnson and Bridget Phillipson, who defend Starmer, while John McDonnell and Kim Johnson offer a more critical perspective. The documentary concludes by questioning whether Starmer can find the qualities needed to turn his leadership around and restore public trust.However, the article suggests that the documentary may be avoiding a deeper analysis of Starmer's ideology and the potential reasons behind his actions, including the possibility that he may be intentionally maintaining the status quo. The article also notes that Starmer's dealings with Donald Trump and his stance on Iran have been presented as positive aspects of his leadership.

Walking into Scisters Salon & Apothecary in southern California reveals what's immediately absent: no wall of plastic bottles, no chemical tang, and minimal waste. The salon's shelves feature large refill containers of shampoo and conditioner, houseplants adorn the space, and hair clippings are composted. The only trash can is a small basket mostly collecting clients' personal items, creating an environment that co-owner Melissa Parker notes clients immediately comment on: 'It smells good in here.' That never happens in a conventional salon.Opened 15 years ago by Parker and Easton Bajsec in La Mesa near San Diego, Scisters has evolved into one of the region's most prominent low-waste salons, diverting up to 99% of its refuse from landfills. Their business transformation addresses a significant industry problem: the beauty sector generates substantial waste, with North American salons sending an estimated 63,000lbs of hair to landfills daily, plus hundreds of tons of used foil and leftover hair dyes.The turning point came when Bajsec watched a documentary about the zero-waste movement while Parker developed health problems linked to prolonged exposure to salon chemicals. Studies have found that hairdressers' exposure to harmful chemicals such as formaldehyde, ammonia and sulfates puts them at higher risk of asthma, skin conditions, reproductive illnesses and cancer. Rather than leave the industry, they transformed their business.They eliminated perms due to formaldehyde exposure and moved away from big-name products despite green marketing claims. When existing alternatives didn't meet their standards for performance, ingredient transparency and waste reduction, they created their own line. Element, launched in 2019, is made in a California lab and sold in refillable glass and aluminum containers, featuring recognizable ingredients like organic aloe, wheat protein and castor oil.The salon's waste reduction strategies extend beyond product packaging. They implemented hair composting, foil recycling, and replaced waxing with sugaring—a compostable hair-removal technique. They switched to LED lighting, installed water-efficient showerheads, and use washable cloths instead of paper towels. Though they still offer hair bleaching (which releases ammonia), they mitigate risks with industrial air filtration and air-purifying plants.Bajsec acknowledges that 100% zero waste is impossible due to regulatory constraints on reusable gloves and plastic pump tops. The salon ships its minimal plastic waste to Green Circle Salons for specialized processing, paying $200 per box. Despite this cost, Parker notes the overall approach has been financially beneficial: 'Overall, it's actually less expensive. We're not outsourcing to other beauty brands. We're mindful about systems.'Their commitment to sustainability proved critical during the COVID-19 pandemic. When mandatory closures threatened their survival, they pivoted to refill sales, meeting clients in the parking lot. This refill model kept revenue flowing, allowing them to pay full rent while many neighboring tenants struggled. 'Going green has been the greatest thing we've done for our business financially,' Parker says. 'We accidentally created a point of differentiation.'Denise Baden, a professor of sustainable business at the University of Southampton, confirms that eco-friendly practices often reduce costs. 'It's a misunderstanding that to be eco-friendly, you have to spend more money. In fact, usually, it's the reverse,' she notes, adding that hairdressers are uniquely positioned to influence their communities.Now, Parker and Bajsec are helping other salons adopt similar practices through speaking engagements and an online guide. 'We get calls from other salons all the time,' Bajsec says. 'It's not sustainable if we're the only ones doing it.'

The connection between boxing and cinema dates back to the early days of film, with the first sports film being a 1894 short of a six-round match between Mike Leonard and Jack Cushing. Since then, boxing has been a staple of the big screen, captivating audiences with its high-stakes emotion, physical intensity, and personal turbulence.The British Film Institute's new season, The Cinematic Life of Boxing, curated by Clive Chijioke Nwonka, an amateur boxer since his childhood in London, explores this symbiotic relationship. Nwonka believes that an uncompromising hunt for realism is central to the relationship between the sport and artform, with films that interact with human experience, poverty, struggle, triumph, and boxing as a way of life.Boxing films often capture a political zeitgeist, as seen in the 1974 'Rumble in the Jungle' heavyweight championship match between Muhammad Ali and George Foreman, which was not just a fight but a referendum on ideology during the civil rights era. This fight was documented in the 1996 film When We Were Kings, described by Nwonka as 'probably the greatest sports documentary of all time'.The Rocky franchise, which has spanned six films and a spin-off series, Creed, under the direction of Ryan Coogler, is a barometer for all the films captured in its wake. The first film remains the hallmark of sporting cinema, successfully capturing the habitual experience of the sport outside its more glamorous moments.Despite the genre's popularity, boxing films are not immune to clichés, with many relying on stock characters and familiar arcs. However, the best film-makers are able to return to the core of these films: the stakes of signing up for a fight, and the physical, psychological, and real monetary costs of endurance.

Raoul Peck's documentary about George Orwell and his enduring relevance takes as its keynote the heretical masterpiece Nineteen Eighty-Four and its famous scene about the state compelling people to believe whatever it says is the truth: that two and two make five. This Orwellian anti-arithmetic of tyranny has become a political meme often repeated in social media debates.The simple experience of hearing Orwell's prose, both from his published work and letters and diaries, read aloud by Damian Lewis, is invigorating and refreshing. There's an interesting emphasis on Orwell's physical frailty, with him effectively composing his masterwork in the shadow of death. Peck amusingly juxtaposes Orwell's sickness with Winston Smith being made to do exercises and the infatuation of tyrannical regimes with public displays of physical fitness.Peck cites various movie and TV adaptations of Nineteen Eighty-Four and includes footage of Jura, where Orwell went to live, and archive photo records of Orwell's childhood and early working life as a policeman in Burma. The film also shows how Orwell predicted the rise of AI in propaganda and in soulless bread-and-circuses for the masses.The film falls down in not focusing on actual theocracies of the present day and the Orwellian qualities of Isis and Hamas. The question of how far Orwell renounced his own earlier antisemitic tendencies is not entirely addressed in this film.Orwell was disliked by some on the left for daring to write Nineteen Eighty-Four and disliked still more with the revelation 30 years ago that in 1949 he had handed over to British authorities the names of 38 public figures he considered 'crypto-communists' – a fact from which this film averts its eyes. But Orwell's complications don't compromise his genius for truth-telling.

Dash Crofts, the renowned musician from the soft rock duo Seals and Crofts, has died at the age of 85. His passing was announced by the duo's producer, Louie Shelton, on social media. Crofts succumbed to complications following heart surgery, as confirmed by a family member. Crofts and his musical partner, Jim Seals, crafted some of the most iconic hits of the 1970s, including 'Summer Breeze' and 'Diamond Girl'. Their 1972 album 'Summer Breeze' reached the top 10 in the US and featured the hit single 'Hummingbird'. The duo's gentle musical style, characterized by breezy soft rock, became a staple of the decade. The duo faced controversy with their 1974 album 'Unborn Child', which reflected their Bahá’í faith. The title track sparked a backlash and was banned by some radio stations following the landmark Roe v Wade ruling. Despite this, their music continued to resonate with audiences, and they remain celebrated for their contributions to the soft rock genre. After the duo disbanded in 1980, Crofts pursued a quieter life in Nashville, focusing on country music. Yacht rock, the genre they helped define, has seen a recent resurgence in popularity, with a 2024 HBO documentary highlighting its importance. Crofts' legacy continues to inspire new generations of music lovers.

The UK launch of HBO Max has introduced a distinctly British true-crime docudrama, 'Boom Box: Beats and Betrayal', which tells the astonishing tale of a record shop and recording studio in Edmonton, north London. The studio, known as Boom Box, was initially set up to provide a safe space for teenagers involved in petty crime, but it unbeknownstingly became a hotbed of gang-related activity.The series reveals that the people these teenagers were getting involved with were not criminals, but undercover police officers who had targeted the area after a spate of murders in 2008. As the four episodes unfold, the ethics of the police operation are questioned by those who feel they were ensnared and manipulated to commit serious crimes they would never have thought about otherwise.The documentary uses dramatic reconstructions contrasted with interviews, and even features the actors who play the Boom Box teens talking to the actors who portray them. The studio was equipped with top-of-the-range equipment, which kids could use for just £15 an hour, giving it a 'Dr Dre vibe' according to one of the teens, Junior.The operation, which cost several hundred thousand pounds, raises questions about the fairness and impact of the police actions. While some officers argue they were making the operation look legitimate while pushing for information on existing criminal activity, others, including a lawyer for two of the men, argue that there was an abuse of process by the police.A judge later deemed the police actions lawful, but the series leaves viewers questioning the morality and effectiveness of the operation. The documentary is co-produced by Rogan Productions, known for diverse and ambitious documentaries, and is centered around the kids whose lives were forever altered by their time at Boom Box.The series is now available on HBO Max, offering a thought-provoking look into the complexities of the situation and the lasting impact on the individuals involved.

The documentary 'Rave Culture: A New Era' is a high-energy testimonial to the UK's dance revolution in the 80s and 90s. Directed by Eduardo Cubillo Blasco, the film features a pantheon of electronic music greats, including Fabio, Orbital's Hartnoll brothers, Slipmatt, Goldie, and Leeroy Thornhill, who provide deep insights into the dancefloor culture.The film explores the logistics of rave parties, including artwork, promotion, and booking, as well as the legal challenges faced by organizers. It also touches on the evolution of rave from a free-for-all to big business, and its subversive power in terms of race and football hooliganism.While the film could be better structured, it effectively captures the creative longevity of rave culture, which has influenced hardcore breakbeats, jungle, speed garage, grime, and dubstep. The documentary serves as a reminder to digital-native generations to keep the live club experience going.The film is set to premiere at the Rio in London on March 27 and will tour thereafter.

Martin Dohrn, a veteran wildlife photographer, has created a joyous film that explores the fascinating world of bees in his urban Bristol garden. The documentary, 'My Garden of a Thousand Bees', features over 60 species of bees and showcases their unique characteristics and behaviors.Dohrn's enthusiasm for bees is palpable as he shares his experiences with the audience. He notes that bees live in a 'completely different dimension' and that his approach to filmmaking is 'time-stretching', resulting in breathtaking detail and a soundtrack that immerses the viewer in the world of bees.The film features a range of bee species, including the wool carder bee, the ashy mining bee, and the red-tailed mason bee. Each species is showcased in its natural habitat, highlighting their unique characteristics and behaviors. Dohrn's interactions with the bees are both fascinating and heartwarming, particularly his bond with a leafcutter bee named Nicky.The film's themes of companionship and appreciation for nature are woven throughout the narrative, making it a delightful and educational watch. Dohrn's passion for bees is infectious, and the film encourages viewers to appreciate the importance of these vital pollinators.The documentary also touches on the decline of bee populations worldwide, with Dohrn noting that 'all over the world, bees are declining'. However, the film's focus is on the beauty and wonder of bees, rather than the doom and gloom of their decline.The film's message is clear: let's appreciate and protect these incredible creatures. As Dohrn says, 'It's changed my view of bees. It's changed my view of the world.''My Garden of a Thousand Bees' is available to watch on BBC Four and iPlayer.