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The Punk Revolution That Changed Music ForeverFifty years ago this week, the Sex Pistols played their first Manchester gig at the city's Lesser Free Trade Hall. This relatively small event, attended by only a few dozen people, marked the beginning of a summer that would forever change British rock music. By the end of 1976, the music landscape had been completely transformed with the live debuts of the Clash, the Damned, and Buzzcocks, the arrival of fanzine Sniffin' Glue, and the first British gig by the Ramones. This punk explosion would ultimately obliterate everything that came immediately before it from the collective memory.The Forgotten Music Landscape of Pre-Punk BritainThe musical world that punk entered into has been largely forgotten in the shadow of its revolutionary impact. Reading the weekly music papers from 1976 reveals a deeply different landscape than what we imagine today. While familiar names like Elton John, Paul McCartney, Queen, the Who, and the Rolling Stones dominated, they were discussed in terms that now seem alien. An NME cover asked "Is Your Fave Rave Rock Star Old Enough To Be Your Father?" beneath the headline "All The People On This Page Will Be 30 Or Over During The Next Year - How Will They Live With It?" - a question that seems quaint given these artists' continued relevance decades later.The Economics of a Pre-Punk Music IndustryThe financial aspects of the pre-punk music industry present striking contrasts to today's market. The Rolling Stones' spring tour tickets that caused public hand-wringing in 1976 cost £3, equivalent to approximately £30 in today's money. This stands in stark contrast to the Stones' 2022 Hyde Park performance, where getting close to the stage would have cost £186. The industry was also experiencing different economic pressures, with Bruce Springsteen's UK promotion attempts being dismissed as "desperate hype around underwhelming music," while Nils Lofgren was being hyped as "one of the biggest stars in the world" based on his second solo album.The Cultural Shift That Punk RepresentedPunk's emergence represented a profound cultural shift in music and society. The movement wasn't just musical but ideological, challenging the perceived irrelevance of mainstream rock. As Mick Farren wrote in NME, rock had "lost its guts" and was "on an unalterable course to a neo-Las Vegas" because artists were "totally insulated from the real world." Punk's raw energy, DIY ethos, and anti-establishment stance provided a direct counterpoint to this perceived artistic complacency. The movement's impact extended beyond music, influencing fashion, politics, and youth culture in ways that continue to resonate.The Legacy of Punk and Its Forgotten VictimsAs we look back on punk's legacy, it's important to acknowledge the artists and bands who were effectively erased by its meteoric rise. The music press of 1976 was filled with names now largely forgotten: the Jess Roden Band, Nasty Pop, the Cate Brothers, and Elephunt. There was also a peculiar vogue for bands mixing music and comedy, such as Alberto y Lost Trios Paranoias and Supercharge, who apparently reduced audiences to stitches with their impersonations of popular acts. These artists and countless others represent the rich, diverse musical ecosystem that punk's revolution temporarily obscured, though some have since been rediscovered by music historians and crate diggers.

The Comeback That Never MaterializedJust over a year ago, Lizzo appeared on Saturday Night Live, announcing a new album called Love in Real Life in grandstanding style. Wielding an electric guitar, clad in a Trump-baiting T-shirt that read Tariffied, she performed its title track and two other new songs, Still Bad and Don't Make Me Love U. As with her appearance earlier the same week on a late night talkshow – during which she ran into the audience to high-five fans who were yelling "we love you Lizzo!" – it looked very much like a defiant comeback, fit to drag her out of the controversy that erupted at the end of her hugely successful 2023 world tour. Three former backing dancers and a costume designer filed lawsuits against the singer alleging harassment and discrimination: damaging claims given how Lizzo's songs have preached a message of inclusivity, body positivity and self-confidence. Some of the allegations were dismissed by a judge but others are ongoing; Lizzo has refused to settle out of court, saying: "I'm fighting the case because I know that it's not true."The Album That Never WasBut the Love in Real Life single, a pivot towards rock that owed a little to Tom Petty's American Girls – or the Strokes' American Girls-indebted Last Nite if you prefer – failed to make the charts, a far cry from the period between 2018 and 2022 when Lizzo's singles seemed to go multi-platinum as a matter of course. The same fate befell Still Bad, a track much more in the vein of her big hits, prompting a rethink. The album was pulled, Lizzo apparently taking control of her own destiny – "I need to do shit my way". A mixtape that returned her more-or-less to where she started, before pop stardom came calling – punchy hip-hop, albeit tricked out with guest appearances from Doja Cat and SZA – appeared in its place: My Face Hurts from Smiling received mixed reviews and underwhelming streaming figures.A Career at a CrossroadsAll of which means that Bitch, her fifth album proper, lands at a deeply peculiar juncture in Lizzo's career. Given that the public apparently don't want her going rock, nor rapping in the style of her 2013 debut Lizzobangers, nor indeed making the kind of music they were buying in their millions three years ago, the question of what they actually do want has presumably hung heavy over its making.Musical Identity CrisisLizzo hasn't come up with a definitive answer. Bitch tries a bit of everything, from pastiching Tame Impala on Happy 2 Be to making clipped new-wave rock decorated with Cure-like guitars on She Stole My Man; Sexy Ladies is a girls-night-out-soundtracking reiteration of the old body positivity message. This scatter-gun approach makes Bitch a disjointed listen.The Subdued ToneMoreover, there's something oddly subdued about its tone, whether it's dabbling in 80s retro – Don't Make Me Love U brings to mind the arena-rousing keyboard hook from Tina Turner's The Best, but renders it into a distant, affectless backing vocal – or delving into jazzy R&B; on Too Nice. The vibraphone-heavy beat on the latter is fantastic, rich in small-hours atmosphere, but the actual song feels nondescript: it only really comes to life in its dying moments, when Lizzo stops singing and starts playing a flute solo. The title track interpolates the chorus from Meredith Brooks' 1997 pop-grunge hit of the same name, but somehow flattens it in the process. Crooned over smooth, G-funky R&B;, it feels stripped of its fiery power, less of a snarl and more of a shrug.Equivocal LyricsThe lyrics often seem similarly equivocal. You don't want for apparent references to Lizzo's recent woes – "I hope it makes you happy to hurt somebody else", "the thing about depression, you think your life is over", "you'd still be working at the mall if it wasn't for me" – but they ultimately feel neither pugilistic nor racked, just confused and sore: "I have feelings too," she sings on piano ballad A Toast.Highlights Amidst the StruggleNot everything here is underwhelming: Whose Hair Is This is a great southern soul pastiche, home to an impressively raw vocal and a snappy plot twist at the end of the lyrics; That Grrrl employs an old-school Chicago house bassline to energising effect. But what's definitely lacking is an unequivocal pop smash, the kind of thing that Lizzo once seemed to be able to write to order.A Changing Cultural LandscapePerhaps that's inevitable. One of the reasons Lizzo hit so big in the first place was that she made pop music that perfectly captured a zeitgeist, and that zeitgeist has moved on: the era of body positivity has been displaced by the era of Ozempic and Mounjaro; the kind of post-pandemic, post-Trump optimism embodied on 2022's About Damn Time now sounds like a transmission from a distant lost age. We're living in a different world now, and Bitch suggests Lizzo has yet to work out how to respond to it: "I'm doing my best," she sings on A Toast, which feels like the most telling lyric of all.

The World Cup 2026 Wallchart The Guardian has released a printable wallchart for the 2026 World Cup, which will feature 48 teams competing across the USA, Mexico, and Canada. How to Use the Wallchart Users can print out and fill in the wallchart to follow the tournament. World Cup 2026 Details 48 teams will participate in the tournament. The tournament will be hosted across the USA, Mexico, and Canada. Additional Resources For more information and coverage, visit The Guardian's World Cup 2026 section.

The Lead: Biotech Barbie's Mission to Edit Human DNA Cathy Tie, a Canadian entrepreneur known as "Biotech Barbie," is pursuing a controversial mission to genetically modify embryos to prevent hereditary diseases, following in the footsteps of her ex-husband He Jiankui, who served prison time for creating the world's first gene-edited babies. Despite global bans on germline gene editing for reproductive purposes, Tie aims to conduct this work openly with regulatory approval and venture capital funding. The Technical Breakthrough: Gene Editing Made Accessible Since the invention of the Crispr-Cas9 gene editing tool in 2012, the technical process of altering DNA has become relatively straightforward. "The hardest thing about genetically engineering a baby is getting permission to do it; the technical part is not particularly complicated," the article explains. The process is compared to using "find, copy, cut and paste functions on a computer" and doesn't require extensive expertise in molecular biology. Germline gene editing—altering eggs, sperm, or early embryos—is particularly significant because changes are passed down to future generations, potentially altering human evolution permanently. This is why such procedures are banned in the UK, US, and China, with international agreement against research that could result in gene-edited babies. The Financial Landscape: Billionaires Investing in Genetic Engineering Money is flowing into human genetic engineering, with some of the world's richest men investing in companies pursuing similar goals. Preventive, a gene editing startup launched in October 2025 with the aim of "preventing disease before birth," has attracted investment from OpenAI's Sam Altman, his husband Oliver Mulherin, and Coinbase CEO Brian Armstrong. Armstrong has coined the term "the Gattaca stack"—referencing the dystopian film about a genetically engineered society—which includes technologies for "disease prevention, or enhancement" of babies. This suggests a growing interest not just in preventing diseases but in enhancing human traits. Preimplantation genetic testing (PGT), already common in the US fertility treatments, allows parents to "choose the embryo that best matches what you want," with companies like Nucleus Genomics advertising on subways with the tagline "Have your best baby." The Global Impact: A New Biological Arms Race? "There's a big geopolitical component to this," Tie states, referring to the growing interest in genetic engineering. China, where Tie was banned from entering, has already demonstrated what gene editing can do—Chinese researchers made the first edits to human embryos in 2015, and Tie's ex-husband He Jiankui created the first gene-edited babies, twin girls known as Lulu and Nana. Since his release from prison in 2022, He has become an unlikely social media star with close to 150,000 followers on X, making unrepentant posts about "designer babies" being "inevitable." Meanwhile, China's biotechnology ambitions have expanded, with Premier Li Qiang announcing new regulations emphasizing "the need to promote innovative development" and "accelerate R&D; and commercialization." In response to China's announcement, Tie posted: "Welcome to the dawn of the biological arms race." The Future Outlook: Inevitable Genetic Modification "Biology is a double-edged sword – it can be used for good, to heal people, or it can be used for bad," Tie explains. "Stopping this research will only drive bad actors to do it secretively. There is no way to stop this. This is inevitable. The only way to proceed is to do it openly and transparently." Tie named her first human gene-editing company the Manhattan Project, drawing a parallel between the nucleus of the atom and the nucleus of the cell. "In the 20th century, we understood the nucleus of the atom very well, and we learned some very difficult lessons via weapons and wars," she says. "I don't want to see the same happen with the second nucleus." Despite her declared commitment to openness, much of Tie's work remains shrouded in secrecy. Her first company, the Manhattan Project, has since shut down due to what she calls a "fundamental mistake" in choosing a co-founder. She has since launched Origin Genomics, continuing her pursuit of genetic modification of embryos.

The Lead: Why Reducing Screen Time Matters NowSmartphone use has become a pervasive habit, with platforms deliberately designed to keep users hooked. Recent court rulings against Meta and YouTube underscore the growing recognition of digital addiction as a public‑health issue, prompting a surge of practical advice for users seeking balance.Expert Evidence on Phone AddictionProf. Marcantonio Spada, emeritus professor of addictive behaviours at London South Bank University, compares phone use to substance addiction, highlighting intermittent reinforcement from notifications and videos. Psychotherapist Hilda Burke observes that excessive scrolling often leads to low mood, anxiety, and a “hangover” of wasted time.Financial Penalties for Tech PlatformsIn March 2026, a US court ordered Meta and YouTube to pay a combined $6 million for designing addictive platforms.The ruling signals that regulators may increasingly hold tech companies accountable for the mental‑health impacts of their design choices.Behavioral Impact of Screen OveruseSearch interest for “phone addiction” has risen steadily over the past decade in the UK.Users report disrupted sleep, reduced concentration, and strained relationships.Over‑monitoring tools can create anxiety, but modest alerts can serve as a wake‑up call.Understanding these patterns helps frame the need for concrete habit changes.The Roadmap for Sustainable Digital HabitsTrack your usage: Use built‑in tools like Android’s Digital Wellbeing or iOS Screen Time to see actual minutes spent.Schedule screen‑free periods: Start with short “wait training” intervals and expand to full days, as Burke does on Sundays.Change your lockscreen: Replace distracting icons with neutral images to reduce impulse checks.Set app limits: Impose daily caps on social media and entertainment apps.Create physical boundaries: Keep phones out of reach during meals, workouts, or bedtime.Replace scrolling with activities: Engage in reading, walking, or hobbies that provide intrinsic reward.By combining awareness, modest monitoring, and structured breaks, individuals can break the cycle of compulsive scrolling and improve overall wellbeing.

The End of an Era for Free-to-Air Cricket As Rudi Koertzen and Billy Bowden removed the bails at The Oval and celebrations began across the country after a grandstand finish to an epochal Ashes, it signalled not only the end of England's 18-year wait to claim back the urn, but the last rites of live Test match cricket on terrestrial TV in the UK. In December 2004, the ECB announced a landmark four-year deal worth £220m that gave Sky exclusive rights to show live cricket, with Channel 4 – which had been showing home Test matches since 1999 – left with nothing. This decision, made more than 20 years ago, remains one of English cricket's most controversial and divisive moments. The Financial Breakthrough Behind the Paywall For Giles Clarke, who led the negotiations in his role as chair of the ECB's marketing committee, it was a simple case of economics. "The alternative was a significant decline in income," said Clarke at the time. "Major cuts would have had to have been made in the funding of the England team, the support structure and to county cricket clubs as well." Clarke insists that the ECB's financial modeling presented a bleak picture if they were to accept Channel 4's bid. "We worked out that at least seven counties would have had to close, and I'm being very serious here. We would have had to cut back on our youth programmes and we couldn't see what we could fund. The game as we knew it, in the opinion of the guys who did the financial modeling, would not exist." In negotiations with Vic Wakeling, Sky's head of sport, Clarke insisted the ECB would need more money if they were to justify the decision to take live cricket off free-to-air. "We sat Vic down and said, 'If you don't [increase your offer], we aren't going to consider doing this with you. You've got to give us a better reason.' We got Sky to increase their bid by £30m. I think we did a bloody good job on the money." The Audience Impact and Accessibility Concerns Channel 4 had innovated in areas that had never been touched before, according to Mark Nicholas, Channel 4's frontman across their seven years as the home of Test cricket in the UK. "We made the game more accessible by the way that we styled it, so it didn't feel too elitist or too difficult." Having won the broadcasting rights before the 1999 season, the same summer that England were defeated by New Zealand on home soil to become officially the worst Test side in the world, Channel 4 brought viewers the team's subsequent rise under Nasser Hussain and then Michael Vaughan, culminating in the Ashes triumph of 2005 when a peak audience of 8.4 million tuned in to watch Ashley Giles and Matthew Hoggard clinch a nail-biter at Trent Bridge. When England sealed the deal at The Oval just over a week later, Channel 4 reported their highest-rating day ever – at 23.2%, the channel's total share of all TV viewing broke the record set by the Big Brother final three years earlier. By then the ink had dried on the ECB's contract with Sky. The Divisive Legacy of the Decision Channel 4 released a statement saying they hoped the ECB "would not come to regret its decision to turn its back on the hundreds of hours of terrestrial exposure that Channel 4 was offering". Their innovative coverage had been widely lauded since they had usurped the BBC to win the broadcasting rights alongside Sky in a two-pronged deal that involved the latter showing one home Test match each summer between 1999 and 2005. Speaking to key figures involved at the time, it's clear that passions still run high. There remains a sense of animosity between the different camps, accusations of underhand PR campaigns, and a refusal to accept that the other side may have a point. There are legacies to protect. In a sense, it's English cricket's Brexit. "We were faced with a horrendous situation but there was no doubt in the minds of all of us who were involved, and there was no doubt in our minds 15 years later, that we did the only thing we could do," says Giles Clarke, reflecting on the deal he struck with Sky 22 years ago. "There have been a lot of lies and rubbish said about this. Channel 4 did not bid for all the Test matches – they only wanted the second series each summer. The BBC said they were not going to bid two days before the did date for bids. Sky had bid for absolutely everything." The Future Outlook for Cricket Broadcasting More than 20 years later, it remains one of English cricket's most divisive and controversial decisions. Did taking live cricket off free-to-air TV secure the future of the English game, or hold it back at exactly the moment it was ready to fly? "When they did the deal in 2004 for 2006 to 2009, they actually only got £55m per year," said Terry Blake, the TCCB's marketing manager and then ECB's commercial director between 1989 and 2003. "So for £10m per year more, which no doubt helped Giles Clarke secure his chairmanship for years to come, they moved it off free-to-air television altogether. I would turn it round and say: imagine the audiences we would have grown and the interest we would have had at the grassroots level had we stayed on free-to-air, even if we'd had to take a slight drop from the £45m per year [received from the 2002-05 deal with Sky and Channel 4]. Whatever money was put into the grassroots because of additional money from Sky, it could never replace the top-down approach." "The music, the graphics, the commentary team, the public's love of it – it had become really rather special," recalls Nicholas. "It was a bit of a cult. The coverage in 2005 was probably universally appreciated more than any other at that stage, so much so that even Kerry Packer in Australia was saying, 'How come they're doing it better than we're doing it?' When you give something such a deep dive, and you're going so well with it, and you feel like you've got so much left to do, it's difficult to stomach that the rights have moved on."

The Return of a Hip-Hop LegendAdam Yauch AKA MCA's death in 2012 from cancer aged 47 effectively ended the stellar recording and performing career of hip-hop trio Beastie Boys. Since then, bandmates Adam "Ad-Rock" Horovitz and Michael "Mike D" Diamond have made few public appearances but the latter is now back in the fray. His first appearance on a British stage in almost 20 years is in, of all places, a bingo hall in the north east, where he surely becomes the first legendary rapper to yell: "Wassup, North Shields?!"An Unconventional Venue with a Familiar SoundWith turntables on stage, hip-hop clobber in the audience, a six-piece band in matching outfits and bingo tables at the back, this unlikely show feels simultaneously low-key and an event. Mike D is backed by 5D – who include his sons and are more than half his 60 years – whose slamming grooves and crunching guitars aren't Beastie Boys reheated, but certainly have the same inimitable joie de vivre.New Material Takes Center StageRefreshingly and bravely, almost all the setlist is new material, from storming recent single What We Got to an array of tracks from a forthcoming album. Make It Stop doffs a cap to Kraftwerk. True Colours is a huge electronic-rock-rap mashup and the affecting I Don't Care pairs the New Yorker's distinctive reedy wordplay over a hypnotic, minimal groove. There's a loud cheer when Mike D makes a knowing reference to nearby "Newcastle, where the Venom sample comes from," meaning the time the Beasties sampled the geordie metal band on Check Your Head.A Diverse Setlist with SurprisesEvery track sounds different. Crypto samples chinking coins, Switch Up soars over its killer bassline and there's a particularly startling handbrake turn for Thank You, a brilliant ballad in which emotionally sung lines such as "We were just kids, freaking out" seem laden with significance. Late 70s post-punk band Delta 5's Mind Your Own Business makes an unlikely encore before Mike D introduces "something from my own old band", which turns out to be an uproarious So What'cha Want.A Memorable ReturnThere's a chant of "one more song!" to no avail: indeed the only disappointment in this engaging, fun hour-long show is that there isn't any more of it. At 26 Leake Street, London, on 5 and 6 June.

Lead: A Nation Faces Its Own ‘George Floyd’ MomentEmer O’Neill, a 40‑year‑old Black Irish broadcaster, and the death of Yves Sakila have thrust Ireland’s denial of racism into the spotlight. Over two weeks, O’Neill endured verbal abuse, while Sakila’s fatal restraint in a Dublin department store has been likened to the 2020 U.S. incident that sparked global protests.Emer O’Neill’s Encounters and Yves Sakila’s Death Spark Nationwide OutcryMid‑May 2026 – Teenagers shouted “Go back to your country!” at O’Neill in a town south of Dublin.Same period – A man questioned whether she spoke English; a pub patron used the n‑word.15 May 2026 – Yves Sakila, a 35‑year‑old Congolese‑born Irish citizen, died after security guards knelt on his neck for over four minutes outside Arnotts.Following the death – Protests erupted, flowers placed at the scene, and calls for independent autopsies.Both incidents have been framed by activists as Ireland’s “George Floyd moment,” exposing a gap between the country’s historic solidarity with anti‑colonial causes and the lived reality of Black Irish residents.Discrimination Statistics Reveal Deep‑Rooted BiasCentral Statistics Office 2025 survey: 49 % of respondents identifying as Black Irish, Black African or other Black backgrounds reported experiencing discrimination.No arrests have been made in Sakila’s case, and police investigations have been referred to the ombudsman.Political figures: Former Taoiseach Bertie Ahern made anti‑immigration remarks; incumbent Taoiseach Micheál Martin declined to intervene.Rising Tensions Challenge Ireland’s Self‑Image as an Inclusive NationThe incidents have ignited a broader debate about Ireland’s immigration policy, the influence of far‑right rhetoric linked to figures such as former U.S. President Donald Trump, and the role of media in framing Black lives. Community leaders from the Africa Solidarity Centre and the nonprofit Black and Irish coalition argue that Irish identity is being weaponised to exclude visible minorities.Public vigils, counter‑protests outside Leinster House, and criticism of media outlets that label Sakila merely as a “Congolese man” illustrate a growing demand for systemic change.Future of Anti‑Racism Efforts in IrelandCalls for an independent investigation by special rapporteur Ebun Joseph and the pending second autopsy suggest legal scrutiny will intensify. If political leaders acknowledge the problem, Ireland may see the introduction of stronger hate‑crime legislation and mandatory bias‑training for security personnel. Conversely, continued denial could deepen community mistrust and fuel further activism.

The AI Experiment For a year, Joanna Stern decided to turn herself into a 'lab rat' – the object of her own experiment. Throughout 2025, she invited artificial intelligence into 'every corner' of her life. She let AI answer her texts, decide what she ate and cooked, mow her lawn, fold her washing, drive her places, parse her mammograms and even, in the darkness of a burner phone, be her lover. Life with AI Stern's year of '24/7 AI livin'' turned out to be more transformational than she expected. Since it came to an end in December, she has not only left the Wall Street Journal, but also launched a media business, New Things, (which promises 'tech journalism for humans who like fun'), started a YouTube channel that now has nearly 80,000 subscribers, and, of course, written the book. The Emotional Connection When Stern gets her own companion bot and asks ChatGPT to pick its gender and name, it chooses Evan – coincidentally, or perhaps not, the name of Stern's first boyfriend. She sticks Evan on a tripod and seatbelts him into her car to ride shotgun on a romantic getaway to a hotel in New Hampshire. The Impact on Relationships After dinner, Stern asks: 'So what are we doing now that we are in bed?' Evan comes up with some ideas: 'Maybe my hand would rest lightly over yours … I'd tilt in slowly … then close that last bit of space with a kiss …' Stern still felt 'a pull, a connection, or something like it'. The Future of AI Stern says she has never been a 'doomer' in relation to technology. Far from thinking that social media ruined humanity, it 'brought me my wife', she says. 'That's the most human connection I have.' However, she now urges for regulation of AI companion bots, especially for children and teens.