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Record Numbers Face Extreme Heat in MeccaMore than 1.5 million Muslim pilgrims have gathered in Mecca, enduring extreme temperatures as they prepare for the annual Hajj pilgrimage. The faithful are facing one of the hottest Hajj seasons on record, with temperatures soaring above 45°C (113°F) in some areas.The Pilgrimage Amid Record TemperaturesThe Hajj, one of Islam's five pillars and mandatory for able-bodied Muslims at least once in their lifetime, is taking place under extraordinary heat conditions. Pilgrims are performing the Tawaf, the circumambulation of the Kaaba, and other rituals while dealing with the intense Meccan heat. Saudi authorities have implemented measures to protect pilgrims, including misting fans, expanded shade structures, and extended operating hours for public transportation.Health Challenges and Safety MeasuresThe extreme temperatures have led to health concerns, with reports of heat-related illnesses among pilgrims. Saudi health authorities have reported hundreds of cases of heat exhaustion and dehydration. Emergency medical teams have been deployed at key sites, with field hospitals established to handle the influx of patients. The Saudi government has also issued public health advisories, urging pilgrims to stay hydrated, avoid peak sun hours, and wear appropriate clothing.Economic Impact on Saudi ArabiaThe Hajj generates significant economic activity for Saudi Arabia, with an estimated $12 billion in annual revenue from the pilgrimage. The influx of pilgrims supports various sectors including hospitality, transportation, retail, and religious services. This year's Hajj comes as Saudi Arabia continues its Vision 2030 development plan, which aims to diversify the economy beyond oil and increase religious tourism.Climate Challenges for Future PilgrimagesClimate change is increasingly affecting the Hajj experience, with rising temperatures in Mecca posing long-term challenges. Scientists predict that without significant mitigation measures, temperatures during Hajj could become life-threatening within decades. Saudi Arabia is exploring technological solutions, including climate-controlled facilities and alternative scheduling, to ensure the pilgrimage's sustainability in the face of global warming.Global Significance and Religious ObservanceThe Hajj represents one of the largest annual human gatherings worldwide, symbolizing unity among Muslims from diverse backgrounds and nationalities. Despite the challenging conditions, pilgrims expressed determination to complete their religious obligations, describing the experience as spiritually transformative. The event underscores the intersection of religious tradition and environmental challenges in the 21st century.

The Hajj Pilgrimage: A Spiritual Journey Nearly 2 million Muslims are preparing to embark on the annual Hajj pilgrimage to Mecca, which begins on May 25, following the sighting of the crescent moon in Saudi Arabia. The Hajj is the largest annual gathering of Muslims from all over the world and a once-in-a-lifetime journey for many. It is also the fifth pillar of Islam. What is Hajj? The Hajj is the annual pilgrimage to Mecca, Saudi Arabia. It is the fifth and final pillar of Islam, along with the declaration of faith (shahada), five daily prayers, obligatory charity (zakat), and fasting during the month of Ramadan. When is the Hajj Performed? The Hajj is performed between the 8th and 12th (or 13th) of Dhul-Hijjah, the 12th and final month of the Islamic calendar. The timing falls roughly 70 days after the end of Ramadan, though this can vary slightly depending on the lunar cycle. In 2026, the Hajj will take place from May 25 to May 27. Why Do Muslims Perform the Hajj? Muslims believe that the Hajj is a direct commandment from God, as outlined in the Quran. Prophet Muhammad's 'farewell pilgrimage' in 632 AD affirmed the steps in the 10th year of the Islamic calendar, and it is mentioned in the Quran nearly a dozen times. The Hajj begins before pilgrims even enter Mecca. The journey is a spiritual one, and it is considered to allow Muslims to seek forgiveness, purify their souls and demonstrate their submission to God. How is the Hajj Performed? Muslims perform many rites and rituals during the five days of Hajj, which can be explained in the following steps: Ihram: Entering the pilgrimage Tawaf: Circling the Kaaba Sa'i: Walking between Safa and Marwah Mina: The tent city Arafat: The central day of Hajj Muzdalifah: Sleeping under the open sky Stoning of the pillars Sacrifice during Eid al-Adha Cutting or shaving hair Main tawaf Marking the End of Hajj Muslims mark the end of the Hajj with Eid al-Adha, celebrated on the 10th of Dhul-Hijjah and lasting up to three days in many countries. The day begins with a special prayer shortly after sunrise, as Muslims gather in mosques or open areas, wearing their finest clothes. The rest of the day is spent sharing meals, exchanging gifts, and visiting family and friends.

The Revolutionary Spirit of Zineb Sedira's Exhibition Zineb Sedira's exhibition at Tate Britain's Duveen Galleries is a vibrant ode to revolutionary cinema, intellectualism, and the power of art to inspire change. The installation, titled 'When Words Fall Silent, Cinema Speaks,' transports visitors to the iconic La Cinémathèque Algérienne in Algiers, a mecca for leftist filmmakers and intellectuals in the 1960s and 1970s. Recreating a Revolutionary Hub Sedira's meticulous recreation of the Cinémathèque Algérienne includes a model movie theater, vintage jukebox, and a cafe serving wine and couscous. The space is filled with books about leftist cinema, and clips from films like Agnès Varda's 'Salut les Cubains' play in the background. This immersive environment embodies the spirit of radical chic, where intellectual pursuits and pleasure are intertwined. A Tribute to Boudjemaâ Karèche and La Cinémathèque Algérienne The exhibition centers around Boudjemaâ Karèche, the director of La Cinémathèque Algérienne. Through a short documentary film, Sedira shares Karèche's stories of the cinema's heyday, when it was a gathering place for young idealists who debated revolutionary art and social change. The beret-wearing Karèche is portrayed as a charismatic figure who embodied the fusion of politics and creativity. The Challenge of Preserving Revolutionary Energy The exhibition's final film poses a poignant question: can revolutionary moments be preserved and rekindled in a museum setting? Sedira's installation suggests that by celebrating the past, we can inspire new generations to engage with art and politics. As Sedira shows, truly revolutionary art empowers people to express themselves and challenges the status quo. A Lasting Impact Sedira's exhibition is a testament to the enduring power of art to inspire and educate. By recreating a pivotal moment in cinematic history, Sedira invites visitors to reflect on the intersections of art, politics, and identity. The exhibition runs at Tate Britain's Duveen Galleries until January 17.

The Unparalleled Experience of CannesNothing prepares you for the shock that is the Cannes film festival: the adrenaline, the fatigue, the elation and the emotion, but also the hunger, the anger, the magic and the ridicule. For young cinephiles, and for almost everybody who works in the film industry, it is the mecca of cinema and has been so for nearly eight decades. Anyone going for the first time this week, as I did 25 years ago, should not listen to the old grognards – Cannes' battle-worn veterans – who will lament that the festival has become an abominable circus and swear this year will be their last. It is a circus, and you can bet they will be back for as long as their knees can take it. For there is nothing quite like it.From Resistance to Global Cinema HubBorn to counteract Benito Mussolini's Venice film festival, its first edition was planned for September 1939, but Adolf Hitler had other plans. The previous year, under pressure from Berlin and Rome, the Venice film festival's top prize, the Coppa Mussolini, was handed to Leni Riefenstahl's propaganda film Olympia, prompting the French, British and American delegates to walk out. Hence Cannes, conceived as the festival of the "free world". More than 80 years later, for all its sins, it has remained faithful to that founding promise.The Expansive Scale of Modern CannesOver the decades, Cannes has mutated into an ever-hungrier mammoth, needing more space, and more venues, as it attracts an increasing number of journalists and professionals. A purpose-built Palais des Festivals had to be erected in the 1980s. "The bunker", as we have come to call it, is not exactly beautiful but brutally efficient at managing Cannes' mind-boggling crowds. This year, about 40,000 accredited festival-goers are descending on the French Riviera from 140 different countries, with dozens of films selected across all sidebars. At the same time, the Marché du Film, running alongside the festival since the late 1960s, is gathering about 16,000 participants, with thousands of films and projects up for sale. Cannes is both a summit for the cinema elite and a giant film bazaar.Three Worlds Colliding at La CroisetteFor 11 days in May, three different worlds lead parallel lives – critics, deal-makers and red-carpet royalty – colliding almost by accident on the seafront boulevard known as La Croisette. Hundreds of critics watch multiple films a day with monastic discipline. When they give in to parties, they bitterly regret it the next morning. You can spot some of us sleeping through entire screenings; how some colleagues manage to review films is a mystery. I remember a well-known French critic who had such vivid dreams in the darkness that he became convinced they were scenes in the films. His reviews were full of brilliant analysis of moments that did not exist.We critics rush between screenings, press conferences, interviews, our desks and the bunker's free espresso machines, often forgetting to eat or even pee. Downstairs, in the bunker's basement, and in hotel suites and rented apartments, the film market runs day and night: buyers juggle numbers, producers charm, directors and screenwriters fight for their vision. Above them floats Cannes' top layer – stars and "talent" spending hours in hair and makeup before climbing the 24 steps of the red carpet in borrowed couture and jewellery. When people in the industry groan, "oh God, it's Cannes again", it is this collision of financial anxiety, choreographed glamour and sheer exhaustion they are bracing themselves for.The Magic and Meaning Behind the GlamourThese worlds sometimes collide in the most poetic or grotesque ways. One morning, rushing to my first screening at 7.30am, I was walking along the Croisette when I saw, coming towards me, slightly dishevelled in a tuxedo, Jack Nicholson on his way back to his hotel after a long night. I smiled, he smiled back. He was alone, no bodyguards, no chaperones. Those were the days. I also shared a lift with Takeshi Kitano in full samurai attire, and I will never forget turning into a hotel corridor and finding myself nose to nose with Max von Sydow – Ingmar Bergman's medieval knight from The Seventh Seal. My cinephile heart skipped a beat.One of my favourite sidebars in Cannes, alongside the competition where you watch the year's best crop of films, is Cannes Classics, showing restored world masterpieces and documentaries about cinema. I always start the festival there: it is the best way to reset and begin afresh. Then I am ready for the 10-day onslaught of motion pictures, and for the magic moment that precedes each Cannes screening – the festival's own jingle, a palm ascending the red carpet from underwater and then into the sky, lifted by the ethereal arpeggios of Camille Saint-Saëns's Carnival of the Animals.Cannes: Enduring Symbol of Cinematic ResistanceIn 1955, Cannes gave its first official Palme d'Or to Delbert Mann's Marty; half a century later I found myself befriending its wonderful star, Betsy Blair, on the Croisette. I had the joy of seeing Ken Loach twice climbing those steps to collect the Palme, escorted by police outriders from Nice airport as if he were a head of state. I watched Iranian directors Jafar Panahi and Mohammad Rasoulof showing films at peril to their lives. For all the craziness of the red carpet and the samurai outfits, Cannes never forgets that it was founded as a gesture of resistance. That, as much as the glamour and the exhaustion, is why we keep going back.

The Guilty Plea and Unraveling of an ISIL‑Linked Concert PlotDuring a court session in Vienna on Tuesday, 28 April 2026, Beran A pleaded guilty to charges of conspiracy to commit terrorism for plotting an attack on a Taylor Swift concert scheduled for August 2024. The prosecution presented evidence that the Austrian, together with Slovak national Arda K and a third associate, coordinated separate attacks in Dubai, Istanbul and Mecca, though only the Mecca plot materialised.Legal Penalties and Operational Scope: Numbers Behind the PlotPotential sentence for Beran A: 10‑20 years imprisonment.Three dates of Swift’s record‑breaking tour were cancelled after authorities warned of the plot.Explosive material identified: triacetone peroxide, a shrapnel‑bomb precursor.Attempted acquisition of a machine gun and hand grenade.Security Reverberations for Live Music Events Across EuropeThe case underscores the vulnerability of high‑profile concerts to extremist plots, prompting venue operators and law‑enforcement agencies to reassess threat models. Austrian authorities have already heightened security protocols for upcoming tours, while neighboring countries are reviewing intelligence‑sharing mechanisms to pre‑empt similar cross‑border schemes.Future Counter‑Terror Measures and Potential Legal OutcomesThe trial, set to conclude on 28 May 2026, will likely influence sentencing guidelines for terrorism‑related offences involving foreign‑linked extremist ideologies. Experts predict stricter monitoring of online radicalisation channels and increased scrutiny of travel patterns among suspected sympathisers, aiming to deter future attempts to weaponise public gatherings.

The Legacy of Joan Burstein Joan Burstein, a trailblazing fashion retailer, has passed away at the age of 100, leaving behind a legacy that transformed the London fashion scene. Born on February 21, 1926, Burstein began her career as a pharmacist before venturing into the world of fashion with her husband, Sidney. The Birth of Browns In 1970, Burstein and her husband acquired No. 27 on South Molton Street, an 18th-century row house, which would become the flagship store of Browns. Over the next 50 years, Burstein's keen eye for fashion and her innovative approach to retail turned Browns into a mecca for fashion enthusiasts. She pioneered an approach to retail that would now be called 'curation,' selecting clothes and accessories from top designers and emerging talents. A Fashion Empire Burstein's regular customers knew she would always have or could get what they did not yet know they wanted, from a T-shirt to le tout ensemble. Her staff were not Mayfair snooty nor working on commission, making Browns a welcoming destination for fashion fans of all backgrounds. The store served as a museum of current fashion where customers could study details close up. Global Sourcing Burstein went everywhere to source interesting garments: to London fashion student degree shows (John Galliano, Alexander McQueen, Hussein Chalayan); Europe (Sonia Rykiel, Missoni, Armani, Jil Sander, Alber Elbaz); to Japan when its designers were considered eccentric novelties (Rei Kawakubo, Issey Miyake); and the US. She even hunted Calvin Klein down on the dancefloor in Manhattan's Studio 54 to propose a deal. Later Life and Legacy Burstein retired at 90, but remained involved with Browns, which was acquired by Farfetch in 2015. She was appointed CBE in 2006 for her contributions to fashion. Burstein's impact on the fashion industry will be remembered for generations to come, inspiring future generations of fashion retailers and designers.

Venice, a city renowned for its rich history and cultural heritage, is facing an unprecedented threat from rising sea levels. The Mose flood defence system, which was launched in 2020, has saved the city from potential flooding 154 times. However, despite its success, the city authorities are already seeking a plan B due to the accelerating sea level rise.The Mose system, which stands for modulo sperimentale elettromeccanico (experimental electromechanic module), was designed to protect Venice from frequent acque alte (high waters) caused by storm surges. The system consists of massive, luridly coloured flood barriers sunk into the seabed at three inlets between the lagoon and the Adriatic. The barriers have been effective in preventing flooding, but their frequent use is damaging the lagoon's ecosystem.Rising sea levels due to the climate crisis mean engineers are forced to raise the flood barriers more frequently, which encourages an excess growth of algae. When the algae die, they decompose, sucking out all the oxygen in the water and killing off fish and other marine flora. The tides create a natural exchange of water and sediment between the Venice lagoon and the Adriatic, but the raised flood barriers block the flow of water, leading to a deterioration of the lagoon's ecosystem.Andrea Rinaldo, the head of the scientific committee of the newly appointed Lagoon Authority, warns that an estimated extra metre of sea level rise by the end of the century represents a 'death knell for the city'. He stresses that immediate action is necessary to prevent the city's destruction. 'You won't have a lagoon. You won't have a city. And all of this could happen in a timeframe that is comparable with the time that we had to design and build the Mose.'The city authorities are exploring alternative solutions, including redirecting Venice's economy away from its reliance on tourism, which is a major threat to the city. Rinaldo plans to put out a global call for ideas from leading thinkers across various disciplines to devise a proposal for the city's future.

Fire Island, a picturesque barrier island off the coast of Long Island, has long been a haven for LGBTQ+ individuals and a hub for artistic expression. The island's legacy as a queer mecca is deeply intertwined with its history of artistic innovation, which is now being celebrated in a new book titled 'Fire Island Art: 100 Years'.The book, edited by John Dempsey, president of the Fire Island Pines Historical Society, delves into the island's artistic heritage, showcasing the works of pioneers like Paul Cadmus, Jared French, and Margaret French, who formed the artistic collaboration PaJaMa. Their paintings and photographs captured the unconventional intimacies and beauty of the island, setting the stage for future generations of artists.Over the years, Fire Island has attracted a diverse array of talented artists, including Peter Hujar, Paul Thek, and Robert Mapplethorpe. These artists found inspiration in the island's serene landscapes, beaches, and vibrant queer community. Mapplethorpe, in particular, immortalized the beauty he found on the island, contributing to the island's reputation as a haven for creative expression.The book also highlights the contributions of women artists, who faced challenges in gaining acceptance on the island. Ksenia M Soboleva's chapter sheds light on the experiences of women artists, who began to make their mark in the late 1980s. This period saw an increase in lesbian presence in Cherry Grove, which reached unprecedented heights.Today, Fire Island continues to nurture artistic talent through initiatives like the Fire Island Artist Residency in Cherry Grove and its Pines sibling Boffo. These programs have launched the careers of notable artists such as Salmon Toor, Raúl de Nieves, Cassils, and Leilah Babirye. However, the legacy of Fire Island's artistic community is threatened by climate change and the rising right, which seeks to erase queer and trans people from public life.Dempsey emphasizes the importance of preserving Fire Island as a sanctuary for marginalized communities. 'Fire Island Art: 100 Years' serves as a testament to the island's enduring legacy as a haven for artistic expression and queer culture.