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A24 marketed Kristoffer Borgli’s second English‑language film as a darkly comic romance, pairing Zendaya and Robert Pattinson as a seemingly picture‑perfect couple on the brink of marriage. The studio’s teaser, a faux wedding announcement in the Boston Globe, amplified the buzz that began with the trailer’s release and even earlier Reddit speculation. The narrative follows Charlie (Pattinson) and Emma (Zendaya) through a series of sun‑lit flashbacks that culminate in a tense pre‑wedding dinner. During a “worst‑thing‑you’ve‑done” game, Emma confesses that, as a depressed teenager in Louisiana, she once planned a mass shooting and even practiced with her father’s rifle, though she never pulled the trigger. This revelation serves as the film’s central twist and propels the story into a moral quandary about forgiveness and trust. Critics note that the film’s premise is deliberately provocative. Borgli, known for his satirical take on cancel culture in Dream Scenario, uses Emma’s confession to interrogate America’s obsession with gun violence. By placing the “thought crime” in the hands of a Black woman—contrasting with statistics that over 95% of mass shooters are male and more than half are white—the director forces a reversal of the usual gendered narrative surrounding firearms. The twist has provoked strong reactions from survivors and advocacy groups. Tom Mauser, who lost his son in the 1999 Columbine shooting, called the plot “awful” in a TMZ interview, while 2019 school‑shooting survivor Mia Tretta told USA Today that such a storyline “shouldn’t be joked about.” Parkland survivor Jackie Corin offered a more measured view, urging the film’s stars to use their platforms responsibly and questioning whether the project rises to the ethical standards their influence demands. Beyond the controversy, the film boasts technical strengths. Arseni Khachaturan’s cinematography creates a lush visual palette, and the editing maintains a brisk pace as the wedding day approaches. The climactic ceremony—described by many reviewers as the film’s “pièce de résistance”—forces Charlie and Emma to confront the fallout of Emma’s secret amid a chaotic, alcohol‑fueled toast that lays bare the fragility of their relationship. In the final scene, the couple reconvenes at a diner, echoing the opening “can we start over?” motif. The ambiguous resolution suggests that exposing one’s darkest thoughts may either deepen intimacy or foreshadow further turmoil. Overall, ‘The Drama’ is both a compelling watch and a flashpoint for debate about how cinema engages with the United States’ endemic gun‑culture. Whether the film succeeds as a thought‑experiment or merely courts outrage remains a divisive question that will likely fuel discussions well beyond its theatrical run.

Keith Altham, a trailblazing music journalist and publicist, has passed away at the age of 84 after battling Parkinson's disease. He was a key figure in shaping the careers of some of the most influential musicians of all time.Altham began his career as a music journalist, writing for publications like The New Musical Express and Fabulous. However, it was his work as a publicist that earned him the most recognition. In 1971, he founded KA Publicity, which became a go-to agency for many of the biggest names in rock music.His impressive client list included The Rolling Stones, The Who, Marc Bolan, The Beach Boys, Slade, Status Quo, and Van Morrison. Altham's ability to understand the needs of both artists and journalists made him a natural at PR.One of Altham's most notable contributions to music history was suggesting the stage name Reg Presley for Reg Ball, the lead singer of The Troggs. He also famously advised Jimi Hendrix to set fire to his guitar during a concert, a stunt that became an iconic moment in rock music.Altham's relationships with musicians were built on trust and respect. He was known for his wit and candor, often providing Sting with candid advice during some of the most turbulent years of his career.Throughout his life, Altham was celebrated for his contributions to the music industry. He will be remembered as a pioneer in rock music PR and a true legend in British music history.

Prime Minister Keir Starmer seized the launch of a new package of workers’ rights, due to take effect on Monday, to launch a direct attack on the Green Party and Reform UK. He warned that supporting any rival would place recent gains in sick pay, parental leave and the curbing of zero‑hours contracts in jeopardy. Speaking ahead of the May 7 local elections, Starmer framed Labour’s agenda as the only one offering a "serious, credible economic strategy" capable of delivering the reforms. He dismissed business critics as "vested interests" who had warned against the measures. The reforms include several headline‑making changes: the two‑child benefit cap is lifted – a demand long championed by child‑poverty advocates – and the government touts this as one of its proudest achievements. A 4.8% rise in the state pension will raise weekly payments to £241.30, while the standard allowance for Universal Credit climbs by 2.3%. Under the Employment Rights Act 2025, statutory sick pay becomes a right from the first day of illness, and workers will be entitled to paternity and unpaid parental leave immediately upon starting a job. These "day‑one rights" are presented as the most significant strengthening of workers’ protections in a generation. Labour is positioning these policies as a bulwark against potential losses in English council and mayoral contests, where it faces challenges from Reform on the right and the Greens on the left. Recent YouGov data placed the Greens and Reform each at 21%** of voting intention, with Labour trailing at **17%**. Starmer’s rhetoric signals a leftward shift within Labour, amid pressure from potential leadership rivals such as Angela Rayner and Andy Burnham. He acknowledged past opposition from business leaders who warned of costs and disruption, but asserted that Labour chose to stand with "working people". Not all left‑wing allies are satisfied. Unite’s General Secretary Sharon Graham criticised the Employment Rights Act as "a shell of its former self," while the union recently slashed its membership fees to Labour over disputes like the Birmingham bin strike. The Conservative Party, represented by Kemi Badenoch, condemned the removal of the two‑child benefit cap, claiming it would cost billions and "reward worklessness". Government analysis estimates the change will channel at least £1 billion annually to 186,000 work‑less households, with a typical family of two unemployed adults and three children seeing a **£6,400** income boost. The bulk of the benefit is projected to flow to a handful of cities – Leeds, Manchester, Birmingham, Bradford and Glasgow – each set to receive over **£200 million** per year. Starmer likened the current reforms to the Blair government’s introduction of the minimum wage 27 years ago, positioning them as a historic step forward for the UK labour market.

Michigan overpowered Arizona from the start, turning their highly anticipated Final Four matchup into a 91-73 rout in Indianapolis. Junior center Aday Mara scored a career-high 26 points and grabbed nine rebounds, leading the Wolverines to their fifth straight March Madness victory by double digits.The Wolverines (36-3) became the first team to break 90 points five times in a single tournament. Michigan will face UConn in the championship game after the Huskies defeated Illinois 71-62 in the earlier semi-final.UConn is seeking its third championship in four seasons under Dan Hurley, who would become the only active coach with more than two titles if they win. The Huskies have not lost a tournament game past the opening weekend since 2009.Arizona, led by Koa Peat's 16 points and 11 rebounds, struggled with poor shooting, including just 6 for 17 from three-point range. Michigan's victory marked a significant upset given the Wildcats' strong defensive reputation entering the game.In the championship game, UConn will look to break a tie with North Carolina and move into third place alone in national titles, trailing only UCLA (11) and Kentucky (eight).

In a thrilling 130-year-old derby, St Helens pulled off an unlikely comeback against Wigan, the league leaders, thanks to a heroic performance from loan player Bill Leyland. Trailing by 14 points with just 20 minutes left, St Helens seemed doomed to defeat.However, Leyland, who had only joined the club on a one-match loan from Hull KR due to an injury crisis, scored two crucial tries, including the decisive one with just three minutes remaining. This gave St Helens the lead for the first time and sparked jubilation among the home crowd.The match was marked by significant adversity for St Helens, who were without a dozen first-team regulars, including prop Agnatius Paasi who limped off after just four minutes. Despite this, and with Wigan dominating for much of the game, St Helens showed remarkable resilience.Wigan, who had won their first five games, now face questions about their form after suffering back-to-back losses. Their coach, Matt Peet, acknowledged that his team must improve, stating, 'I can accept it was an intense game and finished in an exciting manner, but we’ve got to be better than that.'The victory was hailed by St Helens' coach, Paul Rowley, as a testament to his team's belief and character, saying, 'You know the saying, never write off the Saints. The belief and the character has never been questioned within this group.'

The latest Supergirl trailer has generated significant buzz, hinting at a fresh take on the iconic DC character. Director Craig Gillespie has revealed that the film will feature a nine-world structure and a considerable amount of planet-hopping, setting it apart from previous superhero films.Building on the success of James Gunn's Superman, which offered a unique twist on the Man of Steel, Milly Alcock's Kara Zor-El is poised to bring a new level of excitement to the DC Universe. The trailer showcases Alcock's character navigating alien landscapes and battling foes with a swagger reminiscent of a cosmic gunslinger.What sets this film apart is its exploration of Kara's vulnerabilities when she's away from Earth's yellow sun. In the comic book series Supergirl: Woman of Tomorrow, Kara encounters a world under a green sun that drains her powers, making her physically ill. This element could add a layer of complexity to the story, as Kara searches for an antidote across multiple planets.The film's setup has a video-game-like quality, with Kara's power levels potentially fluctuating as she navigates different environments. This mechanic could sharpen the drama and create a sense of tension, as Kara faces challenges that test her abilities.While there are risks involved in this bold new direction, the prospect of seeing a more vulnerable and dynamic Supergirl on the big screen is an intriguing one. As the DC Universe continues to evolve, fans are eager to see how this new take on a classic character will unfold.

A writer decided to hand over his dating life to AI for six weeks, using it to write his dating profile and generate conversation prompts. He matched with a woman, A, who was fine with his experiment, and they arranged a daytime cinema trip. The AI advised him to wear a turtleneck, dark jeans, and boots or minimal trainers, and helped him craft messages, including "Morning! Still on for Marty Supreme? Are you more of a trailers-lover or a trailers-hater?". However, A ignored the question and simply confirmed she was coming. During the date, the writer used AI-generated lines, such as "That hair has pure A24 energy", which A found confusing. The AI also suggested complimenting her hair, which he did, but A seemed unimpressed. As the date progressed, A began to notice that the writer's messages sounded "emotionally intelligent, yet something's off about them". She eventually discovered that he was using AI to generate his lines and told him that if someone had sent those messages without her knowing about the experiment, she wouldn't have come on the date. The writer concluded that "AI is great at choosing date ideas. Relying on it for conversation, though, comes at a price of not trusting yourself – your own curiosity, ability to listen, and what you have to offer". He realized that the artificial confidence of AI-generated lines can make them worse than someone who is honestly nervous.

A recent investigation has exposed a vast illegal casino network targeting UK gamblers, operating with impunity in jurisdictions like Curaçao. The network, linked to Santeda International, includes brands such as MyStake, Velobet, and Goldenbet, which have attracted an average of 2.3 million monthly unique visitors from the UK.The investigation reveals that these illegal casinos are not licensed by the UK's Gambling Commission, a legal requirement for serving UK customers. They offer a range of games, from football betting to classic casino games and slot machines, and have been linked to fraud, financial harm, and even suicide.The network's digital trail leads to Santeda International BV, a company with a licence from Curaçao, and Upgaming AG, a Swiss-based business. Georgian businessmen, including Tornike Tvauri, Alexander Makashvili, and Mikheil Merebashvili, appear to be involved in the operation.The UK's Gambling Commission has been criticized for its limited success in stopping these illegal casinos. The regulator has targeted affiliates recommending these sites and sent takedown requests to Google. However, the vast majority of these sites remain easily accessible from the UK.The Labour MP Alex Ballinger has called on the Gambling Commission to take urgent action, stating that these sites deliberately target vulnerable people trying to stop gambling. The Conservative MP Iain Duncan Smith has also urged the regulator to liaise with authorities in countries where these operators are based.The investigation highlights the significant economic costs of gambling harm in the UK, estimated to be between £1bn and £2bn. The chancellor has allocated an extra £26m over three years to tackle illicit gambling sites.

Tiger Woods has withdrawn from the opportunity to lead the United States team as captain at the 2027 Ryder Cup. The PGA of America announced this decision after Woods announced he would be stepping away from golf to focus on his health and wellbeing. The 15-time major winner was the favourite to take on the role for the US at the Irish resort of Adare Manor. However, following a recent car accident and a DUI charge, Woods has decided to prioritize his health. Woods was involved in a car accident last week where he clipped a trailer and rolled his Land Rover. Police reported that he showed signs of impairment, and investigators found two white pills identified as hydrocodone during a search of his vehicle. A statement from the PGA of America read: “We commend Tiger for prioritising his long-term health and deeply respect the courage it takes to make such a personal decision.” The organization will share further updates regarding the Ryder Cup captaincy when appropriate. Woods has undergone numerous surgeries throughout his career, particularly to his leg and ankle, after suffering multiple injuries in a serious crash in 2021. He was granted permission by a Florida judge to leave the US to enter a comprehensive inpatient treatment facility as he faces misdemeanor driving under the influence charges. The Martin County court judge, Darren Steele, granted the motion to travel submitted by Woods’ attorney, citing the golf superstar’s need for an “intensive, highly individualized and medically integrated program” away from media and public scrutiny.