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Santa Clara County filed a lawsuit this week alleging that Meta Platforms knowingly monetises fraudulent ads that generate roughly $7 bn in annual revenue, adding to a growing slate of legal actions against the social‑media giant.The County’s Allegations Against Meta’s Ad EcosystemThe complaint claims Meta “facilitates and monetises” deception by allowing scam ads to run unless the company is at least 95 % certain the advertiser is fraudulent. Below that confidence threshold, advertisers are charged a premium fee to keep their ads live. The lawsuit cites internal documents showing the use of sophisticated AI tools that target “vulnerable consumers” with schemes ranging from bogus financial products to fake celebrity fund‑raisers.Scam categories include cryptocurrency schemes, false medical cures, ineffective supplements, and celebrity impersonations.California residents reported over $2.5 bn in losses to scammers in 2024, with seniors disproportionately affected.Financial Stakes: $7 B in Scam‑Ad Revenue and $200 B Corporate TurnoverMeta’s annual revenue exceeded $200 bn in 2025, underscoring the scale of the alleged $7 bn scam‑ad stream. The lawsuit arrives alongside a separate consumer‑protection case filed by the Consumer Federation of America, which also targets Meta’s profit‑driven approach to scam mitigation.Broader Implications for Platform Liability and Consumer ProtectionThe suit follows a March 2026 California jury verdict that held Meta and YouTube liable for addictive design features harming a young user, a decision viewed as a bellwether for future platform‑responsibility claims. Combined with recent rulings in New Mexico and a $375 m jury award for child‑endangerment, the Santa Clara action could pressure Meta to overhaul its ad‑review algorithms and increase transparency.What the Future Holds for Meta’s Legal LandscapeMeta spokesperson Andy Stone described the lawsuit as a distortion of the company’s motives, emphasizing ongoing anti‑scam efforts, including the removal of 159 million scam ads last year and partnerships with law‑enforcement agencies. Nonetheless, legal analysts expect intensified scrutiny, potential regulatory interventions, and further class‑action filings as state prosecutors treat the platform’s ad‑monetisation model as a public‑policy issue.

The Father-Son Defense: Shedeur’s Rookie StrugglesDeion Sanders has publicly defended his son, Shedeur, characterizing the quarterback's rookie season with the Cleveland Browns as a grueling ordeal marked by negative media narratives and untruthful reporting.From First-Round Prospect to Fifth-Round RealityDespite entering the 2025 NFL Draft as a first-round prospect, Shedeur Sanders fell all the way to the fifth round (144th overall). Deion attributes this significant drop to what he calls 'ignorant' and false reporting regarding his son's work ethic and demeanor.Claimed Falsehoods: Deion stated that reports claiming Shedeur wore headphones in meetings or was unprepared were lies.Resilience: The father noted that despite the scrutiny, Shedeur matured spiritually and continued to push forward.Performance vs. Expectations: The Numbers Tell a StoryDespite the draft fall and the off-field noise, Shedeur Sanders delivered solid on-field production during his rookie campaign.Game Starts: Started seven games for the Browns.Passing Stats: Completed 56.6% of passes for 1,400 yards with 7 touchdowns and 10 interceptions.Rushing Stats: Added 169 rushing yards and 1 touchdown.Awards: Earned a Pro Bowl invitation.Shedeur’s Future in Cleveland Under Todd MonkenWith the Browns entering the offseason, Deion Sanders expressed a strong desire to meet with new head coach Todd Monken to discuss his son's development.Deion emphasized that he wants to speak as a coach, not just a father, to help Monken understand what gets Shedeur going. The Browns currently have a crowded quarterback room featuring Shedeur, Dillon Gabriel, Deshaun Watson, and rookie Taylen Green.

The LeadClashes that erupted after a football match in a western Libyan town left several people injured, while a government building was set on fire in the capital, Tripoli.The Event DetailsFights began in the town of Tarhuna, some 80 kilometres (49 miles) south of the capital, after a match between Tripoli's Al-Ittihad SCSC and Misrata's Asswehly SC on Thursday.The game, which was held behind closed doors, was suspended shortly before the final whistle after Al-Ittihad's players protested over a penalty kick they believe should have been awarded, Libyan news agency LANA reported.The incident led to fights between supporters and security forces outside the stadium, LANA said.The Impact AnalysisThe Libyan Presidential Council said people attacked the council of ministers' headquarters in capital Tripoli "with acts of sabotage and arson".The fire was quickly contained, LANA said.The council called for an investigation into the "unfortunate events", saying that feelings of injustice must be addressed legally and "not through violence".The PredictionGiven the volatile political situation in Libya and the passion surrounding football matches, further incidents of violence remain a concern unless authorities implement stricter security measures and address the underlying grievances that fuel such unrest.

The Artist's Background and Achievements At 29, Rene Matić is the youngest ever person to win the £30,000 Deutsche Börse Photography Foundation prize. They were nominated for their solo exhibition As Opposed to the Truth at CCA Berlin – there is currently a much smaller reconfiguration representing part of the show at the Photographers' Gallery in London. Matić was also the youngest artist ever to be nominated for the Turner prize last year. Notable Works and Artistic Approach There are things I like about Matić. I like the way they challenge what counts in life and art, and what counts as British. Their 2022 work, Upon This Rock – a photographic installation and a film exploring the artist's father, Paul, and his involvement with the skinhead movement – felt like it was breaking new ground, conceptually and materially. Matić's yearning to understand masculinity and fatherhood as forces shaping national identity, and the way they incorporate new stories into the folds of Britain's historical fabric, felt original and exciting. Prize Recognition and Its Significance The Deutsche Börse Photography Foundation prize is one of the most prestigious awards in contemporary photography, carrying a £30,000 prize. Matić's win at such a young age marks a significant moment in the art world, particularly as they identify as a queer, working-class person of colour. The fact someone from this background won this award is good as a statement for what the Deutsche Börse prize can stand for in terms of diversity and representation. Critical Assessment of Current Exhibition Yet a lot of Matić's other work doesn't feel mature enough for the photographer to have taken the prize so early in their career. The installation Feelings Wheel, a series of diaristic snapshots which is shown at the Photographers' Gallery, feels like something you'd paste on your wall or Tumblr at university. They are pretty mediocre pictures, safe from Instagram censorship, and arranging them in Perspex doesn't make them more interesting. I find there is an annoying insularity, a sense of preaching to the converted, whereas the most effective art builds bridges between artist and viewer, allowing people who aren't part of the gang to understand it and be moved by it, too. Comparisons to Influential Photographers Too often, Matić's images are only made interesting by the different ways they display them in assemblages, spatial and sculptural configurations. Their work draws comparisons with Wolfgang Tillmans or Nan Goldin, who both photographed their own subcultures and communities, but with more edge and verve. With slideshows to music (in the case of Goldin's The Ballad of Sexual Dependency) and multi-format installations responding to the space (Tillmans), both photographers cast aside the traditional focus on a single image, creating new ways of looking at multiple photographs that Matić adapts but doesn't quite move forward. Broader Implications for Contemporary Photography There's nothing wrong with art that focuses on identity – especially identities that have been consistently erased and ignored in this country. But based on what Matić has done for photography, I don't think they should have won. Autobiography can't be the only thing a work has to offer. I am not sure what's really radical or nuanced about Matić's photographs of flags and tattoos, or people kissing at Glastonbury. At times, the vulnerability and compassion seems performative rather than sincere, and there's not enough tension – questions in the work for the viewer to resolve. The Future of Matić's Artistic Development Leaving the exhibition, I felt flat – though there are ideas, they need more time to percolate. What this win seems to tell us about photography now is that how you market yourself is possibly more important than the work you make. Matić clearly has potential, as evidenced by their more conceptual works like Upon This Rock, but the current exhibition suggests they may have been recognized before their artistic voice has fully developed. The challenge for Matić will be to build on the conceptual foundations of their strongest work while developing a more distinctive photographic language that doesn't rely solely on presentation techniques to generate interest.

The Verdict in the Making: A Quick OverviewThe race for the Premier League Player of the Year is tighter than ever, with midfield maestros, a prolific striker, a standout goalkeeper and a creative winger all staking a claim based on assists, goals, chance creation and decisive moments.Bruno Fernandes: United’s Creative EngineBruno Fernandes stayed at Manchester United despite a summer link‑up rumor, adapting to Ruben Amorim’s deep‑lying role before returning to his preferred No 10 under Michael Carrick. In the latter 20 games United recorded 15 wins, three draws and two defeats, with Fernandes adding 11 assists and 3 goals.19 assists total – one shy of the 20 by Henry and De Bruyne in their PFA‑winning seasons124 created chances, 56 more than the next best (Dominik Szoboszlai)5 goals and 8 assists while playing out of positionDeclan Rice: Arsenal’s Defensive Anchor and PlaymakerDeclan Rice has been described by Mikel Arteta as a “lighthouse”, guiding Arsenal’s buildup and defensive solidity. He leads the team in ball recoveries, ranks second for interceptions and carries, and has created the most chances (63) for any Arsenal player.Second in squad for forward passes and carriesTop for final‑third passes and entriesArsenal have conceded only 26 goals in 36 games, the league’s best defensive recordErling Haaland: Goal Machine Turned PlaymakerErling Haaland continues his record‑breaking form with 26 Premier League goals this season and eight assists, matching his best assist return from 2022‑23 and ranking third for open‑play assists.13 goals in his first 10 league gamesFastest to 100 Premier League goals (111 games)Eight assists, third‑highest in the league for open‑playDavid Raya and Rayan Cherki: The Unsung InfluencersDavid Raya has kept clean sheets in half of Arsenal’s league matches (18 of 36), positioning him for a third consecutive Golden Glove. Rayan Cherki provides Manchester City with unpredictable creativity, tallying 16 goal involvements and delivering decisive moments such as the 83rd‑minute winner against Nottingham Forest.Raya: 18 clean sheets, key saves against Brighton, Chelsea and West HamCherki: 16 goal involvements, multiple match‑winning contributionsHow the Candidates Shape Their Clubs’ Title PushesEach contender’s output directly correlates with their club’s position in the title race. United’s resurgence under Carrick hinges on Fernandes’ vision; Arsenal’s defensive resilience and transition play are anchored by Rice; City’s attacking potency remains fueled by Haaland’s dual threat; and Arsenal’s fine margins are often decided by Raya’s saves.Who Has the Edge for Player of the Year?Statistically, Fernandes leads in assists, Rice dominates defensive metrics, Haaland tops goal‑scoring charts, while Raya and Cherki excel in niche impact moments. The final decision will likely balance raw numbers with the narrative of influencing a title‑winning campaign, making the award a tightly contested showdown among these five elite performers.

Veteran prop Jake Woolmore is on the brink of eclipsing the Bristol Bears' Premiership appearance record in a crucial fixture against Northampton, while still hunting for his first try after 142 league outings.Breaking the Bristol Premiership Appearance RecordWoolmore, 35, will surpass the club’s previous benchmark set by fellow prop Darren Crompton if he takes the field on Friday night. The milestone comes as Bristol sit fifth in the table, chasing a win over league leaders to keep their playoff hopes alive.Current tally: 142 Premiership games, 184 in all competitions.Target: Become the most‑capped Bristol player in top‑flight history.Team context: Five points behind fourth‑placed Exeter with three regular‑season games remaining.Try‑less Streak: Numbers Behind the RecordDespite his durability, Woolmore remains one of the league’s most prolific non‑scorers. The all‑time Premiership record for games without a try belongs to Kieran Brookes at 158 matches, with former Newcastle forward Mark Sorenson second at 144. Woolmore sits just 16 games shy of Brookes’ mark.Current try‑less count: 142 league appearances.All‑time leader: Kieran Brookes – 158 games.Second place: Mark Sorenson – 144 games.What Woolmore’s Longevity Means for the Bears and Rugby CultureWoolmore’s career underscores the value of consistency, professionalism, and off‑field balance. He runs an award‑winning sauna and ice‑bath business with teammate Harry Thacker, promoting mental and physical wellbeing for younger players. His approach—emphasising fitness, resilience, and a life beyond rugby—offers a template for aspiring pros in a sport increasingly focused on holistic development.Off‑field venture: Sivo Wellness – saunas and ice baths for athletes.Mentorship: Encourages younger players to engage in activities like yoga, citing lower injury rates.Team impact: Provides leadership and a steady presence in the front row, complementing star players such as England’s Ellis Genge.Future Outlook: Can the Try‑less Record Hold?With Bristol’s season hanging in the balance, Woolmore’s immediate focus is helping the Bears secure a win against Northampton and later fixtures against Bath, Sale Sharks, and Saracens. While the try‑less record may eventually be broken, his durability and off‑field contributions suggest he will remain a pivotal figure for Bristol and a role model for the next generation of front‑row forwards.

Executive Overview: A Fresh Take on the Robinson Crusoe MythThe Guardian’s review frames *Cast Away* as a gripping portrait of Alexander Selkirk, the real‑life inspiration for Daniel Defoe’s Robinson Crusoe. De Tores blends meticulous maritime detail with a stark interiority, turning a solitary survival story into a meditation on identity and excess.Historical Foundations and Narrative ScopeSet on the remote island of Más a Tierra, 400 miles off Chile’s coast, the novel anchors itself in the true‑to‑life circumstances of Selkirk’s 1704 marooning. De Tores expands the historical canvas by weaving Selkirk’s earlier involvement in the failed New Darien colony and his turbulent Scottish upbringing into the present‑day isolation narrative.Alexander Selkirk – 18th‑century Scottish privateer whose ordeal inspired Robinson CrusoeMás a Tierra – the island where Selkirk survives for four yearsNew Darien venture – a disastrous Scottish colonisation attempt referenced in the novelCharacter‑Driven Storytelling as the Core EngineDe Tores’s strength lies in turning Selkirk into an “adorably reprobate anti‑hero.” The review highlights his three‑day drunken binge, relentless goat‑hunting, and compulsive onanism as both comic relief and a window into his fractured psyche. The novel’s prose oscillates between gritty survival manuals and lyrical reflections, such as Selkirk’s Bible‑derived erasure poems and his awe of hummingbirds described as “strange and shimmering machines of air.”Pricing, Publisher Backing, and Award ContextThe book is published by Bloomsbury at £18.99. De Tores’s previous historical novel *Saltblood* won the 2024 Wilbur Smith adventure writing prize, establishing her credibility within the genre and likely contributing to Bloomsbury’s confidence in a mid‑price hardcover launch.Implications for Historical Maritime FictionBy stripping conventional genre ballast and focusing on internal conflict, *Cast Away* signals a shift toward more introspective, character‑centric narratives in maritime historical fiction. The Guardian notes that the novel’s detailed survival techniques could serve as “how‑to guides” without becoming tedious, suggesting a market appetite for authenticity paired with literary ambition.Future Prospects for De Tores and the GenreIf the novel’s critical reception translates into solid sales, it could encourage publishers to back similarly ambitious projects that prioritize psychological depth over expansive plot. De Tores’s blend of rigorous research, dark humor, and philosophical inquiry positions her as a leading voice shaping the next wave of literary historical fiction.

The Prize Rene Matić, a photographer from Peterborough, has been awarded the prestigious Deutsche Börse Photography Foundation prize. The prize, which comes with a £30,000 award, is one of the most respected art awards in Europe. The Exhibition Matić's winning exhibition, 'As Opposed to the Truth', was showcased at CCA in Berlin. The exhibition features photographs, flags with slogans sewn on them, and a collection of black dolls from second-hand stores. The work explores themes of queer love, nationalism, and various subcultures. The Artist's Inspiration Matić's work is often inspired by subcultural movements, including the skinhead movement their father was part of in the 1980s, and Northern Soul. Matić has also been inspired by the photography of Derek Ridgers, who documented the fascist scene of 1970s Britain. The Judging Panel's Decision Shoair Mavlian, director of the Photographers' Gallery and chair of the Deutsche Börse jury, praised Matić's use of photography in a fluid and experimental way. The judging panel was impressed by the construction of the installation, where different dialogues are created through the pairing and reorganizing of images. The Artist's Background Matić was also nominated for the Turner Prize in 2025. Their work has been exhibited widely in the UK and across Europe, including a joint show with Oscar Murillo at Kunsthalle Wien in Austria.

Debut Poet Sasha Debevec‑McKenney Secures Dylan Thomas PrizeSasha Debevec‑McKenney, an American poet based in Georgia, was announced as the winner of the £20,000 Swansea University Dylan Thomas Prize for her debut collection Joy Is My Middle Name. The award, presented in Swansea, honors writers 39 or under and recognized the collection’s “exuberant, blistering” style.Joy Is My Middle Name: A Bold Exploration of Race, Addiction, and WomanhoodThe collection delves into twenty‑ and thirties‑life themes—race, sex, womanhood, addiction, and consumerism—through a voice described as “fast and furious” by critics. Judges, led by Irenosen Okojie, praised its humor, intimacy, and relevance to “tricky times.”£20,000 Prize Highlights Growing Investment in Young PoetsPrize amount: £20,000Eligibility: writers aged 39 or underShortlisted titles: To Rest Our Minds and Bodies, We Pretty Pieces of Flesh, Under the Blue, Open, Heaven, Borderline FictionIndie press Fitzcarraldo’s first poetry title to achieve major awardImplications for Indie Presses and Contemporary Poetry LandscapeThe win underscores the rising credibility of small presses like Fitzcarraldo in launching award‑winning poetry, potentially encouraging more funding and distribution channels for experimental voices. It also raises the profile of American poets in the UK literary scene.What This Win Signals for Emerging Voices in PoetryIndustry observers expect increased attention to debut collections that blend personal narrative with social critique. Emerging poets may find greater opportunities for fellowships—such as Debevec‑McKenney’s role at Emory University—and for cross‑Atlantic publication deals.