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The Alleged Settlement There is growing concern that Donald Trump’s massive $10bn lawsuit against the Internal Revenue Service may soon be settled by his own administration – an unprecedented, self-dealing maneuver for a US president, in which billions of taxpayer dollars could be transferred to the president or his allies. The Terms of the Settlement Trump may agree to drop his lawsuit in exchange for the launch of a $1.7bn fund to compensate people he says were wrongfully targeted by the Biden administration, according to reports by ABC News and the New York Times. Among those eligible to receive compensation from the fund are more than 1,500 January 6 rioters. The treasury department’s Judgment Fund, a pool of taxpayer funds reserved to pay out court judgments and settlements, would allegedly become the vehicle for Trump’s self-styled victim compensation fund. The Lawsuit's Background Trump’s January lawsuit, in which he, along with two of his sons and the Trump family business, sued the government’s tax arm for $10bn dollars in damages for the leak of his personal tax returns to the New York Times and ProPublica during his first term. The Data Analysis If the case is settled for the full amount Trump is requesting, a $10bn payment would more than double his family’s net worth. The sum is equivalent to about two-thirds of the IRS’s total budget for the 2026 fiscal year, and would be five times greater than any other award paid by the treasury’s Judgment Fund from January 2020 to September 2025. The Impact Analysis The case is the latest example of how Trump has taken over the justice department – which typically operates at arm’s length from the White House – and deployed it for his own ends. He has used the agency to prosecute political rivals, and the acting attorney general, Todd Blanche, has shown a willingness to carry out Trump’s wishes. The Prediction Legal advocates say there’s a risk of a collusive settlement with the president, even though similar lawsuits have failed. “There’s no difference between Trump directing the IRS to pay his family billions of dollars to settle the case, versus telling the treasury secretary that he deserves a $10bn bonus because he claims to be the smartest president ever,” said Andrew Warren, the deputy legal director at the Democracy Defenders Fund.

City’s narrow victory and Semenyo’s match‑winning ratingManchester City secured a 1-0 triumph over Chelsea at Wembley, thanks to a back‑heeled winner from Antoine Semenyo. The Guardian’s player‑rating panel awarded Semenyo an 8, the highest score of the match, underscoring his decisive impact.Player‑by‑player rating breakdown reveals Chelsea’s defensive frailtiesRatings expose a clear split between the two sides. Chelsea’s back line struggled to contain City’s attacks, while several midfielders failed to influence the game.Robert Sánchez – Rating 6Wesley Fofana – Rating 5Levi Colwill – Rating 5Jorrel Hato – Rating 5Malo Gusto – Rating 5Reece James – Rating 4Moisés Caicedo – Rating 4Marc Cucurella – Rating 5Cole Palmer – Rating 5Enzo Fernández – Rating 5João Pedro – Rating 6Pedro Neto (sub) – Rating 6Liam Delap (sub) – Rating n/aAlejandro Garnacho (sub) – Rating n/aStatistical snapshot shows City’s higher average ratingCity’s eleven received consistently stronger scores, with three players earning a rating of 7 or higher.James Trafford – Rating 6Matheus Nunes – Rating 6Abdukodir Khusanov – Rating 5Marc Guéhi – Rating 7Nico O’Reilly – Rating 7Bernardo Silva – Rating 7Rodri – Rating 6Antoine Semenyo – Rating 8Omar Marmoush – Rating 4Jérémy Doku – Rating 5Erling Haaland – Rating 7Mateo Kovacic (sub) – Rating 6Rayan Cherki (sub) – Rating 7The collective average for City sits at roughly 6.4 versus Chelsea’s 5.0, reflecting a broader performance gap.What the ratings mean for both clubs heading into the new seasonFor Chelsea, the low scores for key defenders (James at 4, Caicedo at 4) signal a need to reinforce the back line before the Premier League campaign begins. Midfield creativity also appeared muted, with no player breaking the 6‑point ceiling.Manchester City can draw confidence from a balanced rating spread, especially the solid contributions from Guéhi, O’Reilly and Silva. However, the absence of a goal from Haaland (rating 7) suggests a potential reliance on other attackers, a factor to monitor in upcoming league fixtures.Future outlook: key players to watch after WembleyAntoine Semenyo – His 8‑point performance puts him on the radar for both club and England selection.Erling Haaland – Despite not scoring, his assist and overall rating indicate he remains a decisive threat.Reece James – A sub‑4 rating highlights a possible leadership and form issue that Chelsea must address.Marc Guéhi – Consistent 7‑point displays suggest he could be a defensive mainstay for City.

Marine Atlan’s Debut ‘La Gradiva’ Shines at CannesFormer cinematographer Marine Atlan makes a confident entrance into directing with La Gradiva, a debut film that follows a group of French teenagers on a school trip to Pompeii and Naples. The narrative intertwines youthful desire, class dynamics, and a mythic reference to Wilhelm Jensen’s 1902 novella, which fascinated Sigmund Freud.Critical Reception and Festival ExposureThe Guardian’s review highlights the film’s strong visual style, the intelligent performance of Antonia Buresi as teacher Mercier, and the raw chemistry among the newcomer cast. While no box‑office numbers are available yet, the Cannes screening positions the film for international sales and potential awards consideration.Why ‘La Gradiva’ Resonates with Modern AudiencesAuthentic teen voice: The script, co‑written by Atlan and Anne Brouillet, captures the awkwardness and intensity of adolescent relationships.Historical metaphor: The backdrop of Pompeii and the 1980 Irpinia earthquake mirrors the characters’ personal upheavals.Diverse perspectives: Characters like Toni, Suzanne, and Mercier explore themes of sexuality, class, and identity.What Lies Ahead for Atlan and French Teen CinemaIf La Gradiva’s festival momentum continues, Atlan could become a notable new voice in European arthouse cinema, encouraging more stories that blend historical allegory with contemporary teen experiences. Distributors may seek the film for streaming platforms, and the cast’s breakout performances could open doors for further projects.

The Photo London 2026 Student Award Winners The Photo London 2026 Student Award is a prestigious recognition of emerging photographers. The award aims to support and celebrate the work of students in the field of photography. The Award's Significance This award provides a platform for students to showcase their skills and creativity, offering them valuable exposure and opportunities for growth in their careers. The Winners' Showcase The winners of the Photo London 2026 Student Award have been announced, and their work can be seen in an exclusive exhibition. The award ceremony took place on [date], highlighting the best in student photography. The Future of Photography The Photo London 2026 Student Award serves as a testament to the vibrant and evolving world of photography. It not only acknowledges the talent of young photographers but also inspires future generations to pursue their passion for the art form.

The Grand Final Decider: City’s Clinical Finish Secures Fifth TitleIn front of a packed Melbourne crowd, Melbourne City delivered a dominant performance to defeat newcomers Wellington Phoenix 3‑1 and claim a record‑equalling fifth A‑League Women Championship. The victory was sealed by two rapid goals from Holly McNamara in the 41st and 43rd minutes, followed by a spectacular long‑range effort from Leticia McKenna in the second half.Key Moments and Player Performances That Shaped the MatchMcNamara, fresh off her Golden Boot award, opened the scoring with a spin‑and‑strike from outside the box before doubling the lead two minutes later. McKenna’s curling strike in the 49th minute gave City a comfortable cushion, while Wellington’s Makala Woods pulled one back in the 52nd minute. The match also featured the league’s first VAR intervention, which upheld a non‑penalty call on Bryleeh Henry after a contentious challenge.Statistical Snapshot: What the Numbers RevealFinal Score: Melbourne City 3 – 1 Wellington PhoenixGoal Scorers: Holly McNamara (2), Leticia McKenna (1), Makala Woods (1)Championships Won: Melbourne City now holds five titles, equal to Sydney FCPremierships: Five all‑time, matching their championship tallyUpcoming Fixture: AFC Women’s Champions League semi‑final vs. Tokyo Verdy BelezaImplications for Australian Women’s Football LandscapeThe win solidifies City’s emergence as the pre‑eminent force in Australian women’s football, matching Sydney FC’s historic record and underscoring the growing competitiveness of the A‑League Women. Coach Bev Priestman, voted Coach of the Season, highlighted the squad’s depth and tactical flexibility, while the introduction of VAR marks a new era of officiating standards in the league.Looking Ahead: Potential Treble and Regional DominanceCity’s focus now shifts to the AFC Women’s Champions League, where a semi‑final clash against Japanese side Tokyo Verdy Beleza offers a chance to become the first A‑League Women club to secure a treble of domestic league, domestic cup, and continental titles in a single season. Success would not only elevate City’s brand internationally but also boost the profile of Australian women’s football on the Asian stage.

The Lead: Parkinson's Praise for Female PerspectiveThe Bafta-winning actor Katherine Parkinson has lauded the television series Rivals for its "radical" depiction of sex from a woman's perspective. Speaking at a preview screening in Bristol, Parkinson emphasized the importance of showing a woman's view of sex on television.The Series: A New Take on Jilly Cooper's Rutshire ChroniclesThe award-winning Disney+ show follows the high-stakes world of British television with the backdrop of the Cotswolds countryside in the fictional county of Rutshire. Based on Jilly Cooper's Rutshire Chronicles, the series has become renowned for its frequent, racy sex scenes featuring a diverse cast of characters. The first three episodes of the second series landed on the streaming platform on Friday, continuing the show's reputation for bold content.The Regional Impact: Bristol's Role in Television ProductionThe series was filmed at Bristol's Bottle Yard Studios, which are owned by the city council, with many locations featured within a 30-mile radius around Bristol. The screening celebrated the role the region had played in creating the popular series and as a champion for moving film-making outside London's orbit. Mayor of the West of England, Helen Godwin, stated that "Rivals being made here has directly and indirectly helped add millions of pounds to the country's fastest-growing regional economy."The Industry Shift: Female Perspectives in Mainstream MediaParkinson, who won a Bafta last week for her role in Here We Go, highlighted the lack of female perspectives on sex in television. "The great thing that Rivals does is … there are truths being told that I don't feel that I've necessarily seen … there's a sort of bravery to that. And it sort of feels quite radical," she said. Parkinson noted that while Jilly Cooper wrote brilliantly from the female perspective about sex, "we still haven't seen a lot of that on television."The Future: Honoring Jilly Cooper's LegacyThe filming of the second series was overshadowed by the death of Jilly Cooper, who suffered a fatal head injury in a fall at her Gloucestershire home in October. The Bristol audience was asked to raise a glass in Cooper's memory before the screening of the first episode. As the series continues to gain popularity, it stands as a tribute to Cooper's work and a milestone for female representation in television storytelling.

The Transformative Night in Blackpool Bronzed, with winged tips and doused in Le Male, I clamped the baby pink GHDs to my hair until they sizzled and singed it. Emerging from a cloud of cheap hairspray, I was ready for the dancefloor. I was 18 and had grown up in Blackpool, a place synonymous with hedonism and fun. I came out in high school at the age of 14 and from 16 I studied performing arts at a local college. Underage, I was smuggled into clubs and in my spare time I watched shows in our many beautiful theatres. The bright lights of the illuminations, the showgirls, the feathers, sequins and rhinestones were intoxicating. Blackpool really was – and still is – extraordinary. When the bar closed, a new adventure would begin. One night, as the sun was coming up (and as was I), a drag queen took me back to her place. I didn't know the significance of what I was about to experience, but I was to receive an education no university course could ever match. The drag queen was a Liza Minnelli tribute act. She knew every beat of every Liza film, every concert, every move of choreography. She performed as Liza in all the bars around town. Now I was ordained by being welcomed into her home. This moment could be the plot of a movie with Blackpool as a beautiful backdrop to my coming out/coming-of-age fantasy The Muppet Show That Changed Everything Was I ready to be indoctrinated? Very. She led me to the living room for a VHS screening of what I was told was one of Liza's finest performances. I was expecting Cabaret, the winner of eight Academy Awards, but not on this occasion. She sat me on the sofa and played Episode 414 of The Muppet Show from 1979, with special guest the one and only Liza Minnelli. The premise works so beautifully for exactly the same reason that The Muppet Christmas Carol is so beloved. In that film, Michael Caine gives the performance of his life in a movie almost entirely populated by felt characters, and in her guest episode Liza matches him in commitment. Take the musical number Copacabana she performs: the curtain goes up and Liza is smoking. She is the narrator, the storyteller, in a Funny Face-esque black polo neck that gives a real sense of gravitas to those Barry Manilow lyrics. Moments later, she is Lola, dancing with human-sized muppets. Or in another scene Liza holds Kermit while they sing A Quiet Thing together. Their connection is pure and tender, a thing of simplicity and gentleness. A Career Born from Inspiration As I reflect on this story nearly 20 years later, I am now 10 years sober and while life might well be a cabaret, the decadence of my early youth is firmly in the past. But I think back to this moment, which could be the plot of a movie with Blackpool as a beautiful cinematic backdrop to my coming out/coming-of-age Technicolor fantasy. I didn't know at the time, but this incident set me on the path to my current profession. Four years later, in 2011, I started making cabaret performances in south London at the famed Royal Vauxhall Tavern at nights such as Duckie, where my turns were packed full of wigs and jockstraps, fake blood and mascot costumes. In 2015, I joined the international circuit when I became part of big touring pieces of variety and circus spectacle, showing off in the US, Australia, New Zealand and London's glittering West End. I once performed a 107-hour durational piece in drag at Glastonbury and at the Adelaide fringe, as a teenage girl who wouldn't leave her bedroom. A Lifelong Dedication to Liza's Legacy Ever since that fateful night back in Blackpool in the 2000s, Liza has been a hero of mine. I saw her live in concert at the Royal Festival Hall in London in 2013. I have a Liza tattoo on my right thigh. Back in 2019, I did an eight-hour performance in an old deconsecrated church in Brighton, dressed as Liza Minnelli, performing her album Results in full, emulating through endurance art Liza's beautiful commitment to performance. Pet Shop Boys, who produced Liza's Results album, even heard about what I was up to and said my performance sounded great. The Enduring Impact of a Single Performance And if you ever see one of my shows, please understand that the technical foundation of my performances isn't drama school training or Stanislavski; it's Liza on The Muppets. Truth be told, I don't know where the drag queen in the story is now. I hope she's OK, but if I did see her I'd say: "Thank you for changing my life." Harry Clayton-Wright's show Mr Blackpool is at the Grand theatre, Blackpool, 20 May.

The Road to the Title Decider Edinburgh, a festival city, is preparing for a different kind of carnival this weekend. Roads will be closed, buses rerouted and trams will stop running down Princes Street. Civic leaders are preparing a reception at the city chambers. The Event Details It all depends on the result of a football match in Glasgow on Saturday. One of Edinburgh’s biggest teams, Heart of Midlothian, are on the brink of a historic moment in European football, if only they can avoid defeat at Celtic, the biggest team in the Scottish game. The Data Analysis Celtic have largely dominated Scottish football’s top tier for 40 years. Hearts have not won it since 1960. The decider will take place in the cauldron of Celtic Park in Glasgow, home to 60,000 partisan Celtic supporters. Hearts just need a draw to take the title. Second-placed Celtic must win to prevent them. The Impact Analysis If Hearts are crowned champions, central Edinburgh will host their raucous victory parade on Sunday. It seems that millions of neutrals in Scotland and worldwide will be celebrating with them. Even fans of Hearts’ bitterest local rivals Hibernian, such as Andy Murray and Irvine Welsh, reluctantly agree. The Prediction For many Scottish football fans, there is a wider resentment about Celtic and Rangers’ dominance. Not only does the Old Firm’s financial power significantly influence the league’s policies and politics, they feel referees are intimidated by their power, subconsciously awarding marginal decisions to the Glasgow giants.

The Scottish FA's Scathing Response to a Safety CrisisThe Scottish Football Association (Scottish FA) has launched a vehement attack on what it describes as a "hysterical media narrative," directly targeting Derek McInnes and the broader football community. The association revealed that match official John Beaton and his family spent Thursday night under police protection after personal details were leaked online following a series of controversial decisions.Controversy and Consequences: The Beaton IncidentThe safety crisis stems from a cluster of high-stakes refereeing decisions that have dominated the conclusion of the Scottish Premiership season. The incidents occurred during the Motherwell vs Celtic match and the Hearts vs Falkirk fixture.Wednesday's Match: Beaton awarded a penalty to Celtic in stoppage time, which McInnes described as "disgusting."Earlier Incident: A penalty appeal for Hearts was denied during the same stadium fixture days earlier.Security Response: Following the intense backlash, Beaton's personal details were leaked, necessitating police surveillance to ensure the safety of his family.The "Inconvenient Truth" of a Toxic EnvironmentIn a lengthy statement, the Scottish FA condemned "vigilantism" and argued that the current environment is a direct result of heightened criticism from media pundits, supporters, and clubs. The association stated that apportioning blame to officials to deflect from defeats has created a "scourge on our national game."The FA emphasized that this is not an isolated incident, warning that officials are now adopting coping strategies like staying home with locked doors. The association called on those responsible for "incendiary statements" to reflect on their contribution to an atmosphere of intimidation.Title Race Intensifies Amidst Safety ConcernsAs the season finale approaches, the focus remains on the title race, where Hearts visit Celtic on Saturday needing a draw to become the first non-Old Firm winner in 41 years. While McInnes continues to voice frustration, Celtic manager Martin O'Neill dismissed the noise, suggesting that neutral support for Hearts is simply a reflection of the nation's desire for a new champion.