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The risograph printer, a Japanese innovation from the 1980s, has captured the hearts of artists and creatives globally. This compact machine, produced by Riso Kagaku, allows for small print runs with a distinctive, handmade feel.Gabriella Marcella, a Scottish-Italian designer, fell in love with the risograph while studying at New York's Pratt Institute. She now curates Riso Club, a non-profit program promoting artists who use risographs. The club sends postcards featuring work from international cities, showcasing the riso community's global reach.The exhibition at Glasgow's Glue Factory Galleries celebrates the Riso Club's 100th issue with works from design heroes like Nathalie Du Pasquier and Peter Shire. Marcella hopes to demonstrate that design can be accessible, social, and connect people through print.Artists like Mari Kinovych and Kinda Ghannoum have used the risograph to showcase their cities, Kyiv and Damascus, in a unique and personal way. The risograph's political roots and ability to produce affordable prints have made it a staple in the art world.

Rangers seized a 4-2 win against Dundee United, lifting them to the summit of the Scottish Premiership for the first time in more than two years. Goals from Ryan Naderi, Dujon Sterling, Thelo Aasgaard and substitute Bojan Miovski proved decisive, while Dundee United replied through Amar Fatah and Zac Sapsford. Manager Danny Rohl, who took charge in October when Rangers were 13 points adrift of Hearts, praised his squad’s mindset, urging them to stay "on the front foot" as the season enters its final stretch. With six games remaining, Rangers now lead Hearts on goal difference, though the Jambos can reclaim the lead when they travel to Livingston on Sunday. Celtic, five points behind, face Dundee later the same day. Rohl emphasized that the club must remain "the hunter" despite the newfound top‑spot, insisting that a consistent run of six wins will secure a trophy. He also warned that the upcoming away match at Falkirk will be "very, very difficult" and that the team must take the season "step by step". In a parallel storyline, Hibernian thumped Kilmarnock 3-0 at Easter Road, moving within three points of fourth‑placed Motherwell. Early strikes from Owen Elding and Felix Passlack set the tone, with substitute Ante Suto adding a late goal. Meanwhile, St Mirren secured a 2-0 victory over Aberdeen, with Jonah Ayunga opening the scoring and Alex Gogic heading home the winner, keeping the Dons three points clear of the relegation‑playoff zone. At Fir Park, Falkirk earned a historic top‑six finish by beating Motherwell 3-2. Early header by Barney Stewart set the pace, and despite a volley from Elliot Watt that levelled the match, Falkirk restored their lead before halftime and held on for the win, marking their first top‑half finish in 31 years. These results tighten a fiercely contested title race and underline the volatility of the Scottish top flight as the campaign heads into its decisive phase.

The weekend's sports action kicks off with FA Cup quarter-final matches and the start of the county cricket season. In the FA Cup, Manchester City hosts Liverpool at the Etihad, with both teams seeking to advance to the semi-finals. Chelsea takes on Port Vale at Stamford Bridge, while Southampton faces Arsenal at St Mary's. In county cricket, Nottinghamshire begins their title defense against Somerset at Taunton. The season's early rounds will also see Surrey, the 2022, 2023, and 2024 champions, in action with a strong lineup including Alec Stewart, Ollie Pope, and Jamie Smith. Additionally, the 197-year-old Boat Races on the Thames between Oxford and Cambridge will take place, with the women's race followed by the men's. This event has moved to a new TV home on Channel 4 as part of a five-year broadcast deal. On Sunday, a bumper Easter Sunday schedule features multiple FA Cup matches, including West Ham vs Leeds and Livingston vs Hearts in the Scottish Premiership.

Timeforshowcasing delivered a stunning victory in the Burradon Stakes at Newcastle on Friday, defying odds that drifted to 25‑1. Trainer‑owner Charlie Johnston, who also collected a share of the prize money, said the win could fast‑track the filly into Classic company at either Newmarket or the Curragh next month.The Listed mile race featured a strong field of colts and geldings, but the filly settled comfortably before accelerating at the furlong pole and holding off a late surge from Padraig Dawn by a neck.“All day I’ve been thinking, ‘what do people know that I don’t?’ because this filly worked last Thursday and I thought she was in phenomenal order,” Johnston explained. “She started at 6‑1, drifted to 10‑1, then 16‑1 and finally won at 25‑1. I backed her twice – I couldn’t believe how much she drifted.”Timeforshowcasing now has entries for both the English and Irish 1,000 Guineas. Johnston added, “She won’t be out of place in a Guineas, albeit she’d have a bit to find. If the big guns clash at Newmarket, the Irish Guineas might be an option – she won with a bit of dig in the ground at Goodwood last year.”The article also referenced the rapid rise of American Affair, who moved from a Scottish Sprint Cup win to the King Charles III Stakes at Royal Ascot within three months, underscoring the potential for a similar breakthrough. Meanwhile, Jer Batt (3.42) emerges as a strong contender at around 6‑1, having been a close runner‑up to American Affair a year earlier and now carrying a 7‑lb lower mark after a winter wind operation.Other notable horses highlighted for upcoming meetings include Strength Of Spirit (Musselburgh 1.25), freshly gelded and poised for further progress, and the lightly‑raced Midnight Gun (Musselburgh 1.55), who remains fairly weighted on the pick of his best form from last season.Additional betting tips note that Al Qareem (Musselburgh 2.30) is a warm favourite for a 13th career win, while We’re Red And Blue (Haydock 2.12) offers a good chance to confirm recent improvement, and Walden (Haydock 2.46) appears overpriced despite a strong Ascot performance earlier in the year.

Alan Cumming’s latest theatrical venture – The High Life: The Musical, Still Living It! – bursts onto the stage as a gleeful, pantomime‑style extension of the cult 1994 TV sitcom. Co‑written by series creator Johnny McKnight alongside Alan Cumming and Forbes Masson, the production is deliberately overloaded with jokes, ranging from references to Andrew Mountbatten‑Windsor to a tongue‑in‑cheek nod to Sheena Easton. The show’s panto DNA runs deep. Audiences are addressed directly, invited to sing along, and treated to an underwater neon‑tube dance. The set, a whimsical take on a Brigadoon‑style hotel, features tartan wallpaper designed by Colin Richmond, a life‑size dog, and multiple costume changes that heighten the spectacle. Returning to the stage, Cumming reprises the role of flight attendant Sebastian Flight, while Masson appears as his counterpart Steve McCracken. They are joined by a “legacy cast” that includes Siobhan Redmond as the exacting supervisor Shona Spurtle and Patrick Ryecart delivering a delightfully unhinged performance as Captain Hilary Duff. Supporting them are high‑energy performers Rachael Kendall Brown, Louise McCarthy and Kyle Gardiner, who navigate Masson’s clever, rhyming songs that swing from Broadway flair to Eurovision sparkle. Beyond the slapstick plot – a cartoonish battle over the fictional airline Air Scotia and a detour to the “Lower Largo Triangle” – the musical hints at deeper questions about ageing, national identity and the need for cultural renewal, echoing themes raised in earlier Scottish adaptations. Directed by Andrew Panton, the production is a joint effort between Dundee Rep and the National Theatre of Scotland. It runs at Dundee Rep until 4 April before embarking on a UK tour that concludes on 23 May. In the end, the show is less a philosophical treatise and more a big, joyous laugh‑fest that celebrates the spirit of pantomime.

Former Labour adviser Polly Billington – who served under Gordon Brown – has urged Prime Minister Keir Starmer to organise a global energy summit of the scale and urgency that marked the UK’s 2008 financial‑crisis intervention. She argues that the fallout from the US‑Israeli war on Iran is creating an energy shock “as big as the financial crash”, demanding a response of equal magnitude. Billington warned that the economic pain from soaring energy prices is “hurtling down the tracks”, threatening living standards and providing fertile ground for extremist politics. She stresses that the price surge will be neither temporary nor confined to a single region. While she praised the government’s initiative to bring together 35 nations to discuss reopening the Strait of Hormuz, Billington insists that a broader, coordinated effort is required to stabilise energy markets, protect supply chains, and accelerate the transition away from fossil fuels. “We could be bringing together allies to agree emergency cooperation to stabilise energy markets, protect supply chains, coordinate strategic reserves, and accelerate the global transition away from fossil fuels,” she told The Guardian. “Energy security is inseparable from global security; otherwise we face a ‘Hunger Games’ world of resource conflict, scarcity and coercion.” Her call comes amid growing unease among Labour MPs who fear the government is under‑reacting to the domestic impact of the war. Rising petrol prices, higher energy bills and inflation are already prompting concerns about electoral repercussions. At a recent press conference, the Prime Minister announced that the Treasury is drafting targeted support for households most affected by energy costs, should the conflict persist. Yet opposition parties are pushing divergent solutions: Reform UK and the Conservatives advocate increased domestic drilling, the Liberal Democrats propose a 10p fuel‑duty cut and VAT relief for electric‑vehicle charging, while the Greens call for universal energy‑bill support. The Scottish National Party demanded an emergency parliamentary recall, accusing the government of “sleepwalking into a crisis”. Billington argues that a true “war‑footing” approach must focus on reducing Britain’s reliance on fossil fuels. She praises the Treasury’s decision to avoid a blanket bailout, suggesting instead that households install plug‑in solar panels on balconies and gardens – likening them to Anderson shelters in the Second World War – to bolster collective resilience and lower bills. She adds that no policy option should be dismissed as “too radical”, urging the government to consider all measures that could cut exposure to gas and oil. Another Labour MP echoed the sentiment, stating that merely highlighting bill reductions is insufficient when headlines indicate that prices are set to rise sharply due to the Iran conflict. “I want to hear a concrete Labour plan,” he said. On Thursday, Liberal Democrat leader Ed Davey branded the rising fuel costs a “Trump‑Farage‑Badenoch tax”, calling for immediate action to mitigate the economic fallout of the war and keep Britain moving.

Highland cows, a hardy breed known for their shaggy coats and upturned horns, have been a part of Hothfield Heathlands nature reserve in Kent. They were introduced to restore and maintain the reserve through wild grazing. However, their presence led to an unexpected consequence. The cows became an unlikely sensation on social media, particularly on TikTok, with videos of them going viral. This sudden fame attracted a large number of visitors to the reserve, who were eager to take selfies with the cows and even stroke them. Despite warnings from Kent Wildlife Trust to keep at least 10 meters away, the situation became unmanageable. The trust eventually made the decision to remove the cows from the reserve, at least temporarily, to protect them from the stress and potential harm caused by the influx of visitors. The cows, which have survived the harsh climate of the Scottish Highlands for over 1,000 years, were becoming distressed and could have reacted out of fear if the situation continued. This incident is not an isolated case. The popularity of Highland cows has caused trouble before, such as in January when three people had to be rescued after getting lost while searching for viral Highland cattle on Butser Hill in Hampshire. The hashtag #highlandcow has reportedly reached millions of people on social media, highlighting the significant public interest in these animals. The removal of the Highland cows from Hothfield Heathlands serves as a reminder of the impact of social media on wildlife and the importance of respecting the personal space of animals, even those as adorable and charismatic as Highland cows.

James McAvoy, a renowned British actor, has spoken out about the challenges of being typecast due to his Scottish accent. In an interview, McAvoy discussed his directorial debut, 'California Schemin', a film based on the true story of two Scottish men who posed as Los Angeles rappers.McAvoy emphasized the importance of authenticity in storytelling, particularly when it comes to regional accents and cultural representation. He shared his own experiences of being reduced to a "noise" due to his accent, highlighting the need for more nuanced portrayals of Scottish characters in film.The film, which stars Séamus McLean Ross and Samuel Bottomley as the two Scottish protagonists, explores themes of friendship, circumstance, and the limits of authenticity. McAvoy expressed his desire to make films that showcase working-class Scottish stories, saying, "I don’t think we make enough to satisfy the cultural needs of the 6 million people that live in this country."McAvoy also touched on the issue of limited opportunities for Scottish actors, citing the lack of greenlit projects and the dominance of a few established stars. He praised Screen Scotland for its efforts to boost the country's film industry, which aims to be worth £1 billion within five years.'California Schemin'' is set to release in UK and Irish cinemas on April 10, offering a fresh perspective on Scottish storytelling and the complexities of cultural identity.

The world of unofficial World Cup songs has come a long way since 'Vindaloo' by Fat Les became a surprise hit in 1998. The song, which was co-written by Keith Allen and Guy Pratt, was a quirky tribute to the England team's participation in the tournament. Despite its lack of musical sophistication, 'Vindaloo' captured the hearts of football fans and became a cultural phenomenon.Since then, unofficial World Cup songs have become a staple of the tournament. Some have been created organically by fans, while others have been produced by celebrities and music executives looking to capitalize on the excitement. However, not all of these songs have been well-received. The article cites Will Grigg's song as a notable exception, while also mentioning Freddie Flintoff's cover of Rasputin as a low point.The current trend in unofficial World Cup songs is the use of AI-generated music. One song in particular, 'Imbattables' by French artist Crystalo, has gained millions of streams on YouTube. While it may be catchy, the song has been criticized for not promoting actual French musicians.In contrast, JJ Bull's unofficial anthem for the Scottish team, The Tartan Army, has been praised for its substance and musical quality. The article concludes that while AI-generated songs may be the future of unofficial World Cup music, there is still room for creativity and authenticity in the tradition.