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“The world is grown so bad that wrens make prey where eagles dare not perch,” wrote Shakespeare in *Richard III*. The line now echoes a hopeful development: the iconic golden eagle could once again soar over England after more than a century and a half of absence. The golden eagle, a bird with a wingspan of roughly 2 metres, was a common sight in Shakespeare’s England, yet it has been effectively extinct in the country since the death of the last native individual in 2015. Centuries of persecution by gamekeepers and farmers, who feared predation on lambs and game birds, drove the species to the brink. A feasibility study commissioned by Forestry England and released on Sunday pinpoints eight potential “recovery zones”—predominantly in northern England—where the habitat could sustain a viable eagle population. The report cautions that establishing breeding pairs may take **more than a decade**. In response, Environment Secretary Emma Reynolds announced an additional £1 million in species‑recovery funding. The money will underwrite a programme that could see juvenile eagles, aged six to eight weeks, released into the wild as early as next year. Reynolds said, “This government is committed to protecting and restoring our most threatened native wildlife – and that includes bringing back iconic species like the golden eagle. Backed by £1 million of government funding, we will work alongside partners and communities to make the golden eagle a feature of English landscapes once again.” Across the border, golden eagle numbers in southern Scotland have surged to record levels thanks to a major restoration project. Satellite tracking shows that some translocated Scottish birds are already venturing into northern England, offering a natural source of future colonisers. The new funding will support these cross‑border movements and enable targeted reintroductions. While experts anticipate that golden eagles could be regularly observed across northern England within 10 years, establishing a self‑sustaining breeding population will require a longer horizon. Mike Seddon, chief executive of Forestry England, explained, “The detailed findings of our feasibility study will guide us, with our partners at Restoring Upland Nature, to take the next steps toward recovering golden eagles in northern England. This DEFRA funding means we can build on the good work we have begun, engaging local communities, landowners and conservation organisations.” The £1 million allocation forms part of a broader £60 million species‑recovery fund announced by DEFRA. It aligns with the UK’s legally binding commitment to halt the decline in species abundance by 2030 and to reduce extinction risk by 2042 relative to 2022 levels.

Celtic overtook rivals Rangers to sit second in the Scottish Premiership after a narrow 1‑0 win against St Mirren, while Hearts preserved their lead at the top with a late‑filled 3‑1 triumph over Motherwell.At Celtic Park, Alex Oxlade‑Chamberlain broke the deadlock in the 15th minute. After a blocked attempt from Benjamin Nygren, Kieran Tierney delivered a precise cross that Oxlade‑Chamberlain struck into the bottom corner, giving Celtic a comfortable first‑half advantage.St Mirren dominated possession in the second half but failed to create clear chances, allowing Celtic to hold onto the solitary goal.The encounter marked the first meeting between the sides since St Mirren’s surprise 3‑1 cup win over Celtic in December, a result that proved difficult to repeat.For the first time since November, the Green Brigade were welcomed back to Celtic Park, adding a vibrant backdrop to what many view as a dress rehearsal for next week’s Scottish Cup semi‑final.At Tynecastle, Motherwell took an early lead through Emmanuel Longelo. Hearts responded quickly when Cláudio Braga equalised with an overhead kick. The match seemed poised for a draw until Lawrence Shankland converted a penalty after Stephen Welsh was judged to have fouled Landry Kaboré. Kaboré then added a third in stoppage time, sealing the three‑point win for Hearts.In the north, Stephen Robinson ended his winless streak since moving from St Mirren to Aberdeen, guiding his side to a 2‑0 victory over Hibernian at Pittodrie, with Kevin Nisbet scoring in each half.At Tannadice, Zac Sapsford rescued Dundee United with a late penalty, completing a dramatic 3‑2 comeback against Livingston. The hosts had led through a first‑half goal by Will Ferry, but Livingston responded with a quickfire double from Lewis Smith before United equalised via substitute Krisztian Keresztes.Meanwhile, Kelle Roos produced a crucial stoppage‑time penalty save against Dundee striker Joe Westley, earning Kilmarnock a vital point in their relegation battle. The decision followed a lengthy VAR check that delayed the penalty by six minutes.Kilmarnock’s earlier clash with Dundee saw a roller‑coaster finish: Joe Hugill opened the scoring, Simon Murray equalised for Dundee, Michael Schjønning‑Larsen restored the lead for Kilmarnock before Scott Wright’s late goal forced extra‑time drama.

Mint, the new drama from Charlotte Regan, is a bold reimagining of the classic love story, Romeo and Juliet. This electrifying drama tells the tale of impossible love between two people from bitter crime rival families.The series stars Emma Laird as Shannon, the daughter of a Scottish crime family, and Benjamin Coyle-Larner, also known as Loyle Carner, as Arran, the prodigal son of a different crime family. Their eyes meet across a down-at-heel train station, and they are incompatible and irresistible to one another.Charlotte Regan drew inspiration from her own experiences and those of her cast and crew. The drama features a unique visual style, with sparse dialogue and a focus on visual storytelling. The show's use of Super 8 fragments and VHS-style footage adds to its distinctive aesthetic.The cast, including Laura Fraser and Lindsay Duncan, deliver powerful performances that bring depth and nuance to the story. Emma Laird praises Regan for keeping her acne in the show, saying it's a huge part of her character's authenticity.Mint is available on BBC iPlayer from Monday, April 20th, with the series airing on BBC One from 9 pm that night.

Liverpool has confirmed that Andy Robertson will be leaving the club at the end of the season. The 32-year-old Scottish defender has been an integral part of the team since joining from Hull in 2017 for £8m.Robertson has made 373 appearances for Liverpool, winning two Premier League titles, the Champions League, the FA Cup, two League Cups, the Club World Cup, and the UEFA Super Cup. He has been a key player under Jürgen Klopp and has established himself as one of the club's greatest full-backs.The Scotland captain has lost his regular starting role to Milos Kerkez this season but remains a popular figure in the dressing room. Robertson has expressed his gratitude to the club, stating, “It’s never easy leaving a club like Liverpool. It has been a huge part of mine and my family’s life for the last nine years.”Liverpool has hailed Robertson as “a genuine Liverpool legend, having played a fundamental role in the successes of recent years.” The club has announced that celebrations of Robertson's legacy will be held after the conclusion of the campaign, with the defender fully focused on helping the team end the season successfully.

Double 30th‑anniversary celebrations saw Scottish indie‑pop veterans Belle & Sebastian take the stage at London’s Royal Albert Hall on 9 April 2026, performing their debut LPs Tigermilk and If You’re Feeling Sinister in their entirety. Both records originally arrived in 1996, with Tigermilk limited to just 1,000 copies until a 1999 reissue gave it wider exposure.The challenge of translating these lo‑fi classics to a live setting was turned into an advantage. Backed by a nine‑piece ensemble—four of the original six members plus seasoned newcomers—the band expanded the sonic palette, brightening tracks like “You’re Just a Baby” and weaving in subtle nods to Nick Drake, Felt, mariachi brass on “Expectations”, and Stereolab‑style synths on “Electronic Renaissance”.Each song was paired with a brief film that referenced the band’s aesthetic touchstones—second‑hand vinyl, indie comics, 1960s Paris—creating a multimedia experience that reinforced the private universe Stuart Murdoch has cultivated since the mid‑90s.The concert’s second half turned into a “shaggier ramble” through the catalogue, featuring highlights such as the wistful “Lord Anthony” and the propulsive “Lazy Line Painter Jane”. Murdoch, now a more extroverted, Chris Martinesque‑style front‑man, interspersed witty anecdotes, playful digressions, and brief stage invasions that lasted for three songs, showcasing his growth from enigmatic bedsit maestro to confident people‑pleaser.Following the London shows, the duo will continue the two‑concert anniversary tour across Manchester, Mexico, and North America, reaffirming that their early DIY spirit remains as compelling as ever.

It's been 20 years since the passing of Muriel Spark, a celebrated Scottish novelist, short story writer, poet, and essayist. With a career spanning over two decades, Spark left an indelible mark on literature with her 22 novels, which are characterized by their uncanny, astute, and witty storytelling. James Bailey, author of the biography Like a Cat Loves a Bird: The Nine Lives of Muriel Spark, provides a guide to Spark's oeuvre, highlighting her unique narrative style. A typical Spark novel begins by introducing an enclosed community, such as nuns, schoolgirls, or desert island castaways, filled with gossip, deceptions, and conflicts. This setup is then disrupted by a dramatic event, like a murder or scandal, allowing Spark to explore the consequences. For readers new to Spark's work, Memento Mori (1959) is a great starting point. This darkly comic novel follows a cast of bickering pensioners who receive anonymous phone calls with the ominous message: 'Remember you must die.' The novel raises questions about mortality, fear, and the human condition. Spark's debut novel, The Comforters (1957), is a remarkable example of her innovative storytelling. The protagonist, Caroline Rose, believes she can hear the clanking typewriter keys of an entity she calls the Typing Ghost, which dictates the events of her life. This novel showcases Spark's ability to blend diabolism, diamond-smuggling, and supernatural elements. One of Spark's most famous novels, The Prime of Miss Jean Brodie, is known for its quotable lines, such as 'Give me a girl at an impressionable age and she is mine for life.' This novel explores themes of favouritism, fascism, and the seductive power of belonging. Spark considered The Driver's Seat (1970) her finest achievement, describing it as her creepiest work. This novel follows Lise, a protagonist whose holiday romance takes a dark and unexpected turn. Spark's works often explored the contrast between public personas and private lives. Her 1968 novel, The Public Image, is a prime example, delving into the world of a film star struggling to maintain her reputation amidst paparazzi and self-absorbed relationships. Spark's short stories, collected in her Complete Short Stories, offer a glimpse into her versatility as a writer. These tales often feature unquiet spirits and explore themes of mortality, guilt, and redemption.

The UK's reliance on glyphosate, a widely used herbicide, has come under fire from campaigners who argue that its use has spiralled out of control. Glyphosate, known for its effectiveness in killing weeds, has been linked to various health risks, including cancer, and environmental damage.Originally pioneered by Scottish farmers in the 1980s to dry crops before harvest, the use of glyphosate has expanded globally. In the UK, over 2,200 tonnes of glyphosate were applied in 2024, with more than half used on wheat and other cereals. This represents a 10-fold increase in usage over the past three decades.Despite the World Health Organization classifying glyphosate as 'probably carcinogenic to humans' in 2015, its use has remained high. Bayer, the manufacturer, maintains that its herbicides do not cause cancer, but this stance is contested by many health and environmental organizations.Campaigners, including Nick Mole of Pesticide Action Network UK, are urging the government to phase out and ultimately ban glyphosate, citing its links to a range of cancers and other life-threatening diseases, as well as its impact on the environment. They argue that safer, more sustainable alternatives are available and should be adopted by farmers and local councils.However, some agricultural experts, like Helen Metcalfe of Rothamsted Research, suggest that glyphosate is used differently in the UK compared to the US, where genetically modified crops are involved. The shift towards 'regenerative' farming practices has contributed to the increased use of glyphosate, as it helps protect soil health and prevent erosion.The debate over glyphosate's safety and environmental impact continues, with the EU banning its use in pre-harvest desiccation in 2023 due to concerns about food accumulation. In the US, Bayer has offered $7.25bn to settle lawsuits alleging that Roundup, which contains glyphosate, can cause cancer. The UK government maintains that pesticide use is strictly regulated and only approved if it does not harm human or animal health or the environment.

Kanye West, legally known as Ye, has been criticized for his antisemitic remarks, including voicing admiration for Adolf Hitler. UK Jewish groups have threatened to organize mass protests outside the Wireless festival if West's appearances go ahead. The Campaign Against Antisemitism (CAA) said that if West was genuinely contrite, he should cancel the gigs. A CAA spokesperson stated that the festival's organizers should be ashamed of themselves for booking West. West has offered to meet and listen to members of the UK's Jewish community after a backlash over his planned appearance at the festival in July. However, some Jewish organizations have condemned his appearance and urged the government to ban him from the country. The health secretary, Wes Streeting, said West should not be headlining the festival. Meanwhile, John Swinney, the leader of the Scottish National party, argued that West should be able to perform, citing freedom of expression. Pepsi and Diageo withdrew their sponsorship of the festival after West was announced as the headline act. The festival's managing director, Melvin Benn, called for forgiveness and giving West a second chance.

Aaron Ramsey has confirmed his retirement from professional football at the age of 35, ending a career that saw him feature for Arsenal, Juventus, Nice, Cardiff City and Rangers before becoming a free agent after leaving Mexican side Pumas last year.Ramsey earned 86 caps for Wales, with his final appearance coming in 2024. A string of injuries and reduced minutes saw him omitted from Wales' World Cup qualifying playoff against Bosnia and Herzegovina, a defeat that effectively closed the door on any chance of a major tournament finale.In an emotional Instagram post, the midfielder wrote, "This has not been an easy decision to make. It has been my privilege to wear the Welsh shirt and experience so many incredible moments in it. I owe a debt of gratitude to the managers and staff who helped me along the way." He also thanked the "Red Wall" – Wales' passionate supporters – for their unwavering backing.Ramsey further expressed appreciation for the clubs that shaped his journey, stating, "Thank you to all the clubs I’ve been lucky enough to play for, and to the managers and staff who made it possible for me to live my dream at the highest level."His trophy cabinet includes three FA Cup medals with Arsenal, a Serie A title (2020) and Coppa Italia (2021) with Juventus, and a Scottish Cup with Rangers in 2022, underscoring a decorated career across England, Italy and Scotland.