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Melanie C Opens Up About Her Spice Girls Days Melanie C, also known as Mel C, has spoken about her experiences as part of the iconic Spice Girls and her solo career. In a recent interview, she shared stories about her early days as a raver, her time with the Spice Girls, and her encounters with other celebrities. Raving and the Spice Girls Melanie C revealed that she was a hardcore raver in her early 20s, discovering the scene on a holiday without her parents. She attended clubs like Berwick Manor and The Cross in London, where she felt a sense of freedom and self-expression. However, her life took a dramatic turn with the rise of the Spice Girls, leaving little time for socializing or raving. Tattoos and Public Image Melanie C also discussed her famous tattoos, which she got during her time with the Spice Girls. She recalled getting her first tattoo at a shop called Tattoomania in LA, along with her bandmates. While she initially felt that her tattoos made her look less ordinary, she now loves them and sees them as a part of her identity. A Date with Anthony Kiedis One of the most surprising revelations was Melanie C's date with Red Hot Chili Peppers frontman Anthony Kiedis. She shared that she was working with Rick Rubin in LA, who produced some tracks for her solo debut album Northern Star. Rubin played her the song 'Emit Remmus,' which Kiedis had written about her. While they did go on a date, Melanie C described it as a brief encounter rather than a fully formed relationship. Reflections on Her Career Throughout the interview, Melanie C showed a sense of pride and accomplishment in her career, from her early days as a Spice Girl to her solo work and collaborations. When asked which spice she would be, she jokingly suggested she might be a 'five spice,' reflecting her versatility as an artist.

Lindsey Vonn is still grappling with the physical and emotional fallout from her crash in the women’s downhill at the 2026 Winter Olympics in Cortina d’Ampezzo. While she has made strides in rehab, the decision to race again remains on hold as she faces additional surgery and a lengthy recovery timeline. Olympic Crash Leaves Vonn Facing a Prolonged Recovery On February 8, 2026, Vonn crashed just 13 seconds into the downhill run, sustaining a complex left tibia fracture that nearly required amputation. The injury forced her out of a season where she led the World Cup downhill standings and had never finished worse than fourth. Recovery Numbers: Surgeries, Timeline, and Physical Setbacks Eight surgeries already performed since the crash, covering fracture fixation and soft‑tissue repair. One additional surgery needed to remove metal hardware and reconstruct the ACL. Estimated 6‑9 months post‑ACL surgery before she can train at full capacity. Overall, Vonn projects a minimum of 18 months before she could consider competitive skiing again. She has progressed from a wheelchair to crutches and expects to begin short walks within a week, but full mobility remains months away. Implications for U.S. Alpine Skiing and Athlete Health Management Vonn’s situation underscores the high‑risk nature of downhill skiing and raises questions about long‑term athlete health protocols. Her experience may prompt U.S. Ski & Snowboard to revisit injury‑prevention strategies, especially for veteran athletes returning after extended absences. Additionally, Vonn’s partnership with biopharma firm Invivyd highlights a growing trend of elite athletes endorsing medical‑technology campaigns, potentially influencing public perception of advanced treatment options. What Lies Ahead: Possible Return Timeline and Retirement Scenarios Vonn has not spoken to her medical team about a definitive comeback plan, preferring to focus on the current recovery phase. She indicated that any competitive return would not be realistic until the 2027‑2028 season at the earliest. Possible outcomes include: Full comeback: Completing the remaining surgery, rehabilitating the ACL, and returning to training for a 2028 Olympic bid. Retirement: Choosing to end her racing career, which would add to her legacy of 84 World Cup wins, second only to Mikaela Shiffrin. Extended hiatus: Remaining involved in the sport through mentorship or commentary while focusing on health. Vonn’s own words capture her mindset: “Tell me I can’t, and I’ll prove you wrong,” reflecting both her competitive spirit and the uncertainty that lies ahead.

The LeadDespite US Secretary of Defense boasting of rapid military success against Iran, the Pentagon has suffered significant losses with military equipment worth between $2.3bn and $2.8bn destroyed in the ongoing conflict. The most notable incidents include the destruction of a $700m radar aircraft and multiple missile defense systems.The Event DetailsThe conflict began on February 28, with US officials initially claiming rapid success. However, Iran's response has been more effective than anticipated. On March 26, US Secretary of Defense Pete Hegseth made a bold claim at a televised Cabinet meeting: "Never in recorded history has a nation's military been so quickly and so effectively neutralised."The very next day, Iran retaliated by firing missiles and drones that struck a US base in Saudi Arabia, wounding several US soldiers and destroying a $700m E-3 AWACS/E7 radar surveillance aircraft. This airborne command center, capable of detecting aircraft and missiles hundreds of kilometers away, was destroyed at Prince Sultan airbase in eastern Saudi Arabia.Additional losses include at least one THAAD missile defense radar system worth between $485m and $970m, and three F-15 jets lost to friendly fire in Kuwait in early March.The Data AnalysisThe Washington, DC-based Center for Strategic and International Studies (CSIS) has conducted the first detailed tabulation of US military losses in the conflict. Senior adviser Mark Cancian, a retired US Marine colonel with over three decades of military experience, calculated the losses at between $2.3bn and $2.8bn.Notably, this estimate does not include losses incurred at US bases in the region or specialized equipment and naval assets. Cancian noted that assessing damages to bases has been challenging due to US government restrictions on satellite imagery from Planet Labs since February 28.The CSIS analysis reveals that while the US has achieved some operational victories, the financial cost has been substantial. The most expensive single loss was the E-3 AWACS/E7 aircraft at $700m, followed by the THAAD radar systems.The Impact AnalysisThe losses have significant strategic implications for US military posture in the Middle East. Omar Ashour, professor of security and military studies at the Doha Institute for Graduate Studies, suggests that while the US has disclosed some figures, it cannot afford full transparency for political reasons."At this point, I don't think the Trump administration would want to be looking like losing equipment [and] personnel," Ashour told Al Jazeera, adding that there might be a "price" to pay "at the [midterm] elections in November."The conflict has also affected US relations with Gulf nations. Iran's decision to strike Gulf nations, not just US bases, backfired by driving them closer to the United States, according to Cancian. Additionally, the US failure to keep the Strait of Hormuz open has been a humbling reminder of naval unpreparedness.Despite these losses, Ashour notes that Iran has also suffered severe damage to its military. The US-Israeli operation has degraded Iran's conventional military architecture but has not eliminated its missiles, munitions, and drones.The PredictionLooking ahead, experts suggest that the US may need to reassess its strategy in the region. The current US troop deployment constitutes less than a tenth of the force used to invade Iraq in 2003, and the US lacks the number of aircraft carriers previously deployed.Cancian, reflecting on his military experience, noted that the US has been planning for potential conflicts with Iran for 45 years, including amphibious operations to capture Qeshm Island. However, "when the US launched the current war, they didn't have the forces in place."The conflict may ultimately follow historical patterns where operational victories do not translate to strategic success. As Ashour points out, "In Vietnam, they did a series of operational victories. In Afghanistan, they did. But then [they suffered] the strategic loss in the end."With midterm elections approaching, the Trump administration faces pressure to demonstrate progress toward its proclaimed goals of regime change and denuclearizing Iran, even as the financial and strategic costs continue to mount.

The Concept Behind the Show The small print tells us this show has no connection to the fashion house of McQueen, nor does it feature any of Alexander McQueen's designs. You could think it's a cynical attempt to get bums on seats for classical music, but it is created by McQueen's longtime musical director, John Gosling, alongside Robert Ames, conductor of the London Contemporary Orchestra. The LCO plays music that inspired the designer, all run together like a DJ mix with theatrical lighting and multi-genre guest performers. The Music and Performance Far from “unnatural”, most of the harmonies here are as concordant as Classic FM, mostly film soundtracks (The Hours, The Piano, a couple of John Williams') and tearjerkers (Dido's Lament, Barber's Adagio for Strings). The friction, however, is all in the combinations. For example: two dancers posturing in nude body stockings – one has hooves instead of hands and tights over her face – and then behind them, the cello section in formal white tie and tails. Hearing Handel cut with the Rolling Stones in a jaunty string arrangement, or a blast of Nirvana, feels like your GCSE music teacher trying to be cool, although the blaring siren of Armand Van Helden's Witch Doktor is genuinely unsettling. The Impact of the Performance Cabaret singer Le Gateau Chocolat always has presence and fabulous costumes – one here resembles a green Quality Street-wrapper – but like the rest of this show seems under-rehearsed. The two dancers, choreographed by Holly Blakey, appear in superfluous layers that exaggerate the messy world of the choreography and it is hard to tell whether it's being serious or sarcastic when the dancers shake their heads comically in time with a piano trill. The Legacy of Lee Alexander McQueen There's a superficiality to this genre clash; are these art forms really speaking to each other or is it provocation for the sake of it? But there are genuinely illuminating moments in a film choreographed by Michael Clark, a friend of McQueen's, both men steeped in classical craft and punk spirit. We see dancer Jules Cunningham in a very Isabella Blow hat, and Simon Williams dancing to Barber's Adagio, one of the most loved/hackneyed pieces of music. And yet the shocking starkness of Clark's ironed-out angles cuts through the familiarity to bring a laser focus to the music. It's a show full of contradictions, wrestling between sweet and edgy, but ending up quite middle of the road. The Show's Details At Royal Festival Hall, London, until 30 April

The Champions League Semi-Final SpectacleFootball's role as a leading hot-take commodity was taken to the nth degree after Tuesday's nine-goal slugfest between Paris Saint-Germain and Bayern Munich in Paris. The debate over whether this was the competition's best ever semi-final will continue until next Wednesday's second leg in Munich, with PSG coach Luis Enrique calling it "the best match I have ever coached," though he omitted to mention previous contenders like Barcelona's La Remontada of 2017 or last season's 7-6 semi-final double-header between Inter and Barcelona.As widely predicted, a 1-1 draw between Atlético Madrid and Arsenal on Wednesday night in Madrid did not match the previous evening for entertainment. Those who value defence over attack got their fill until Antoine Griezmann and Julián Alvarez grew in influence in the second half. The night was marked by penalty decisions and video assistant referee interventions, with Arsenal supporters raging over a decision that changed the course of the game.Tactical Approaches and Managerial ChessThe PSG-Bayern Munich encounter showcased the attacking luxury that France and Germany's dominant clubs enjoy, not being challenged in their domestic leagues so they can keep their powder dry for the latter stages of the Champions League. Bayern's approach, even when 5-2 down, revealed Vincent Kompany's philosophy as a coach – a stark contrast to his reputation as one of the finest defenders of his era.Atlético Madrid's Diego Simeone demonstrated his tactical acumen by shifting his team's formation at half-time, lifting what had previously been a moribund contest. His involvement extended to the touchline, where he orchestrated both the crowd and the officials according to some observers, including former Arsenal player Martin Keown. Simeone's approach represents one way to navigate the Champions League, contrasting with Arteta's more measured style.Statistical Highlights and Individual PerformancesThe PSG-Bayern match set records with the most goals of any 90-minute match in the Champions League last-four, reaching an incredible nine goals. This offensive showcase featured attackers at their absolute best, with Bayern Munich's Luis Díaz completing the scoring to make it 5-4. His coolness and perfectly timed run capped off a night that may prove to be the most crucial goal of the nine in Paris.Atlético Madrid's Antoine Griezmann, potentially playing his last Champions League home game, showcased the class that has many wondering if his move to MLS is premature. Meanwhile, Arsenal's attack struggled for verve, with their starting front three of Gyökeres, Gabriel Martinelli and Noni Madueke not creating enough danger against Atléti, despite Gyökeres at least making a pest of himself and taking his penalty well.Defensive Philosophies and Refereeing ImpactThe contrasting approaches to defending were highlighted by former Birmingham City player Kenny Cunningham, who led the defensive puritans in criticizing the high-scoring match. Speaking on Irish channel Premier Sports, he compared Tuesday's thriller unfavourably to the Juventus v Milan European Cup final at Old Trafford in 2003, widely regarded as the dullest of the Champions League era.Refereeing decisions became a central talking point, particularly in the Atlético Madrid-Arsenal match. The award – and rescinding – of what initially seemed a penalty when Dávid Hancko caught Eberechi Eze in the 78th minute had Arsenal supporters raging. Manager Mikel Arteta expressed his frustration, stating: "No clear and obvious error [on the initial decision], and this changes the course of the game. And at this level, I'm sorry but this cannot happen."Looking Ahead to the Second LegsAchraf Hakimi, arguably the best attacking full-back in world football, will miss the second leg due to a hamstring injury, meaning PSG's right flank will be manned by Lucas Hernández, who won the Champions League with Bayern when they beat PSG in the 2020 final. This absence could prove crucial in determining which French side advances to the final.Arsenal's attacking concerns continue, with Bukayo Saka able to play only some part and substitute Eze lifting those around him. The unfortunate Kai Havertz is unlikely to feature in the second leg. Atlético's Julián Alvarez, recently linked with Arsenal, would be an upgrade should the Gunners fall short. Questions would then be raised about the recruitment policy of their sporting director, Andrea Berta, who once held the same role at Atlético.Bayern's Vincent Kompany has set expectations high for the second leg, declaring: "More. Even more. We're at home. We'll have 75,000 people in that stadium. The city will live it for an entire week." His refusal to apologize for his team's approach, even when 5-2 down, reveals the confidence he has in his team's ability to overturn the deficit.

The Bizarre Premise Behind One Night Only For the most part, the trailer for the upcoming film One Night Only looks like the sweetest possible version of a romcom. A handsome, sensitive-looking man (played by Callum Turner) flirts relentlessly with a big-eyed oddball in a sexy dress (played by Monica Barbaro). They bump into each other, nudge each other, roll their eyes at each other. As a YouTube comment underneath the trailer (that has been liked more than 3,000 times) says: "Romantic comedies are back." A Government-Mandated Night of Passion However, tucked away in this adorable little trailer is a premise that might just be the most confusing in living memory. As Turner's character walks lovelorn through the streets of New York City, his voiceover says: "Finding love is hard enough. Try doing it on the one night of the year single people are legally allowed to have sex." The trailer then hurries along to another procession of meet-cutes and prolonged eye contact. But that doesn't really matter, because you're left thinking: "Wait, the one night of the year where single people are legally allowed to have sex? What the hell?" This, apparently, is the movie. Two cuties meet by chance, and are separated, and have to race across the city to find each other before the sun comes up so that they can enjoy a bout of government-mandated sexual intercourse. It's a tale as old as time. The Practical Implications of a Legal Sex Night Clearly, this raises far more questions than it answers. Is One Night Only basically The Purge, but with all the terror of violence replaced by an increased risk of contracting chlamydia? More importantly, if there really is only one night a year where single people can have sex with impunity, how the hell is this even governed? Judging by the state of the trailer, it seems to mean that everyone just claps eyes on someone and then starts banging them wherever they happen to be, whether that's a restaurant or just in the street like a pair of horny rats. Why is this? Why don't people just go back to their houses and then have sex? Does Sex Night also happen to fall upon a citywide taxi strike? Also, how is this even enforced? Is there a government department that spends its days working out, with precise clarity, the point at which someone stops becoming single, and is therefore allowed to have as much sex as they want on any day of the year? Is it marriage? Is it the first time someone declares their love? If you wanted to be particularly Scandinavian about it, you might argue that sex itself is an act of union, and therefore any moment of penetration instantaneously suspends the notion of singledom. And if that's the case, then surely everyone can just have sex whenever and there's nothing illegal about it. And what about all the unexpected pregnancies this will cause. Should there be a sequel set nine months to the day after One Night Only, full of people mournfully staring into the eyes of all the newborn infants whose sheer existence causes a permanent sense of regret to weigh down their souls? Will this even be addressed in One Night Only? Is anyone going to answer me? Possible Metaphors in Contemporary Society Clearly this has to be a metaphor for something, but clearly the current level of evidence isn't giving much away. Through one lens, you could suppose that it's possible that One Night Only is a clever satire on the US right's crackdown on reproductive rights, and the whole thing is an important and timely statement about the looming threat of a post-Roe worldview that may soon devour the country. But at the same time, maybe this is about Covid? There's something quite pandemicky about the notion that people would have to keep their primal urges at bay in a wholly unnatural way for an extended period of time. Remember how giddily we threw ourselves at each other once restrictions were lifted? Perhaps this is all just an allegory for that. Or both. Or more. Maybe One Night Only is really about capitalism, or ChatGPT or the climate crisis. Maybe it's none of them. Maybe it's just the manifestation of a screenwriter who wished that, just once a year, people would be slightly more inclined to have sex with them. It's honestly hard to say. The Future of "The Purge, but X" Movies Nevertheless, if One Night Only is successful, then it's bound to start an avalanche of "The Purge, but X" movies. What if there was only one night a year when you could have surgery? What if there was only one night a year where you could get a haircut? What if there was only one night a year where you could eat spaghetti with your bare hands? Because, if we're already doing sex, then clearly there are no limits to the Purgiverse's silliness. One Night Only is out in Australian cinemas on 6 August, US cinemas on 7 August and in the UK on 28 August

The Aftermath of Tragedy: A Powerful Theatrical EncounterFran Kranz's 2021 film Mass, featuring two sets of parents whose sons have died in a high-school massacre, was originally written as a play. Restored as such, in Carrie Cracknell's production, it takes place in the backroom of a church where their across-the-table encounter encapsulates a pained instance of restorative justice.Character Portrayals: Navigating Complex EmotionsGail (Lyndsey Marshal) and Jay (Adeel Akhtar) are the parents of Evan, one of 10 children murdered by the teenage shooter, Hayden, the son of Richard (Paul Hilton) and Linda (Monica Dolan), who then killed himself. Evan's parents want to understand why Hayden committed such violence but there is also an unspoken sense of blame buzzing around them. Hayden's parents address this first: we blame ourselves, they say, again and again, yet in one dangerous moment, they posit the notion of separating who their son was, and what he did.Stage Design and Emotional ImpactThe stark, unflinching treatment of this subject matter is well realised on Anna Yates's set, where two office-style storeys stretch across the stage, and it does not sugarcoat the emotionally messy nature of the process. Both sides are explored. One terrible instance of maternal anguish comes from Linda when she speaks about a threatening memory of her son and for this charged moment, the play enters the emotional territory of Lionel Shriver's We Need To Talk About Kevin.Performances: A Masterclass in Emotional DepthIt is hard to beat the force and sensitive performances of Kranz's film but Hilton is masterfully brittle, his entire being sunken with apology, while Dolan is whey-faced and shaky. The always brilliant Akhtar is angrier and edgier than his film counterpart and Marshal brings a moving softness.Theatrical vs. Cinematic ExperienceLike the film, it takes time to build in intensity, with the awkward arrangements of the opening and the small talk. There is not the same reflective space of the film, which pulls away from the claustobia and pain in the room at key moments. Here, there is no looking away.Forgiveness and Polarization: Dual ThemesThe play works on two levels: as a drama of forgiveness and of polarisation. What would happen if any of us sat down with those at the furthest ideological extreme from our own, however unpalatable their views? Listening is the pathway towards empathy for these characters, even if there is desire for vengeance or vindication along the way. By the end, they are all parents who have lost sons, grieving over this tragedy in different ways.Where to Experience This Powerful ProductionAt Donmar Warehouse, London, until 6 June

A Landmark Summit Sets the Stage for a Global Fossil‑Fuel Phase‑outGovernments in a coalition of 59 countries gathered in Santa Marta, Colombia, to draft voluntary 'roadmaps' that detail how each nation will end production and use of coal, oil and gas. The talks, co‑hosted by Colombia and the Netherlands, aim to move climate ambition from slogans to concrete policy.Voluntary National Roadmaps Proposed at Colombia’s Climate CoalitionThe summit asked participants to develop national plans that map out the transition away from fossil fuels, with the first draft released by Colombia during the meeting. France became the first developed country to publish a full roadmap, signalling broader uptake.Scale of the “Coalition of the Willing”: GDP, Energy Demand and Fossil SupplyRepresents > 50 % of global GDP.Accounts for nearly 33 % of worldwide energy demand.Controls roughly 20 % of global fossil‑fuel supply.Why This Shift Challenges the Traditional UN Climate ProcessUnlike the three‑decade‑old UN negotiations, the Colombian talks focus on export‑related emissions and the role of fossil‑fuel producers, gaps that the Paris‑agreement NDCs have left open. Irene Vélez Torres, Colombia’s environment minister, warned that existing NDCs allow producers to sidestep the climate impact of their exports.What Comes Next: Roadmap Adoption, Financing and Global ExpansionCountries will receive technical assistance to flesh out their plans, while a new scientific panel will advise on feasibility. Future meetings, including a second conference slated for early next year in the Pacific, will aim to broaden participation and lock in financing for debt‑strapped nations.

The Stark Divide in War Cost EstimatesUnited States Defense Secretary Pete Hegseth has clashed with American lawmakers over the cost of war on Iran in his first appearance on Capitol Hill since the conflict – now into its third month – broke out. The Pentagon told a hearing of the House Armed Services Committee that the US had spent $25bn on its war on Iran, largely on munitions and equipment maintenance. But Democratic leaders and several economists believe that number to be a significant underestimate, with actual costs potentially reaching between $630bn and $1 trillion.The Pentagon's Limited Financial DisclosureThe Pentagon's acting comptroller, Jay Hurst, who testified alongside Hegseth and Joint Chiefs of Staff Chairman Dan Caine, presented the estimated figure of $25bn to the committee. "We will formulate a supplemental [on additional funding], through the White House, that will come to Congress once we have a full assessment of the cost of the conflict," Hurst said, promising to provide a cost breakdown later.The estimated figure only reflects "the costs of the war," Hurst explained, factoring in "munitions expended in that total and other operational costs." This figure is significantly smaller than the $200bn initially requested by the Trump administration for the war and the $11.3bn reported for just the first six days of fighting in March.The Economic Ripple Effects Beyond Direct Military SpendingAs the US continues with its blockade of Iranian ports and Tehran controls the Strait of Hormuz, gas prices in the US have hit a new high at $4.23 a gallon – the highest since 2022, when Russia invaded Ukraine. The Brent crude benchmark has been trading above $120, leading to a 40 percent rise in gas prices compared to pre-war levels.Representative Ro Khanna claimed the war would cost about $631bn – or some $5,000 per household – to the US economy due to increased gas and food prices. "Your $25bn number is totally off," Khanna told Hegseth, highlighting the administration's failure to account for broader economic impacts.The rising cost of living has also affected Trump's approval rating, hitting a record low in his second term with only 22 percent of Americans approving of his handling of cost of living, according to a Reuters/Ipsos poll.Hidden Costs of War: Infrastructure and Long-term ImplicationsThe US claimed earlier that it struck more than 13,000 targets over the first 39 days of fighting with Iran. For context, the US fired more Patriot missiles in the first four days of the Iran war than it supplied to Ukraine over the past four years, with each missile costing $4m.However, the economics and impact of the war extend far beyond the worth of bombs and missiles. One major expense is reconstructing and repairing damaged assets. After the US-Israeli strikes assassinated former Supreme Leader Ali Khamenei, Iranian strikes caused damage to US military camps in Kuwait, alongside other military bases in the UAE, Saudi Arabia, Jordan, and Bahrain.Earlier this month, NBC News quoted six US officials noting that Iran damaged US military bases and equipment in the Middle East far worse than publicly acknowledged. The damages alone could lead to billions of dollars in repairs, with one report estimating that repairs to the US Navy Fifth Fleet headquarters in Bahrain could cost $200m alone.Historical Precedents and Future ProjectionsHarvard economist Linda Bilmes had estimated in February 2006 that the Iraq war would cost the US $3 trillion, when the George Bush administration was telling the public that fighting would cost $50bn. Twenty years later, Bilmes ended up with among the most accurate predictions, as the Iraq war's total cost is now estimated at $2 trillion."Wars always cost more than expected. Throughout history, those who get into wars tend to be optimistic about the cost and about the length of time it will take," Bilmes noted. "It is hard to measure the exact cost. But based on what we know now, it [the current Iran war] is costing about $2bn a day in short-term, upfront costs, which is the tip of the iceberg."Beyond immediate expenses, Bilmes highlighted long-term costs including veterans' care and restocking weapons inventory. "I am certain we will reach one trillion dollars for the Iran war," she concluded. Meanwhile, the Trump administration has asked for a $1.5 trillion defense budget for next year – a 42 percent increase, or the largest expansion in military spending since World War II.