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The weekend's sporting calendar features major events across Formula 1, football, and the Women's Super League, with fans treated to a diverse range of high-profile competitions.On Saturday, the action begins early with Formula One's Japanese Grand Prix qualifying at 6am GMT. Mercedes and Ferrari have emerged as the early favorites after adapting best to Formula One's most radical changes in power and chassis in over a decade. George Russell and Kimi Antonelli have won the first two races, while Ferrari's Lewis Hamilton and Charles Leclerc have consistently finished third and fourth. The Suzuka circuit presents a different challenge with its figure-eight layout, narrow twisting sections, and limited passing opportunities. Philip Cornwall will provide live coverage of qualifying, with Giles Richards reporting from Suzuka.Football fans can follow Matchday live from 8am-12.15pm as Billy Munday brings updates on international and domestic action. The coverage will include follow-up from Friday's England international against Uruguay at Wembley, managed by former Leeds boss Marcelo Bielsa, and Scotland's World Cup warm-up against Japan. The day also features three significant Women's Super League derby matches.The first WSL derby kicks off at 1.30pm with Manchester United facing Manchester City. Andrée Jeglertz's pacesetters enter the match on a high after a 5-2 victory over Spurs, featuring Khadija Shaw's record-setting quickest hat-trick in WSL history. Manchester United, meanwhile, secured three points against Everton but suffered a 3-2 defeat to Bayern Munich in their Champions League quarter-final first leg. Xaymaca Awoyungbo will host the live blog, with Tom Garry reporting from Old Trafford.At 5pm, Scotland hosts Japan in an international friendly. This match provides Steve Clarke's side with an opportunity to fine-tune their squad before their World Cup campaign in North America, where they will face Brazil, Morocco, and Haiti in Group C. With only club games remaining before the squad announcement in May, numerous players are eager to impress. Scott Murray will host the live blog, with Ewan Murray reporting from Glasgow.The second WSL derby of the day follows at 5.30pm with Arsenal taking on Tottenham. Renée Slegers' Arsenal side sits fourth in the table, unbeaten in the league since October, and coming off victories over Chelsea and West Ham. Tottenham, managed by Martin Ho, have lost their last two matches and have beaten Arsenal just once in their previous encounter. Rob Smyth will manage the live blog for this north London derby, with Sophie Downey reporting from the Emirates.Sunday's action begins with the Japanese Grand Prix live coverage at 6am BST. Oscar Piastri has raised hopes of a non-Mercedes victory after setting the fastest time in Friday's practice. McLaren has struggled since winning last season's drivers' championship, failing to even start the Chinese Grand Prix due to technical issues. This race is particularly significant as it will be followed by a five-week break before the next F1 event in Miami on May 3rd. Joey Lynch will provide lap-by-lap coverage, with Giles Richards again reporting from Suzuka.Football coverage continues with Matchday live from 8am-12pm as Emillia Hawkins brings updates on Sunday's action and previews England's upcoming World Cup warm-up against Japan. The blog will also cover buildup to three WSL fixtures, with breaking news and match reports. Fans can email [email protected] with their views.The weekend's WSL action concludes at 12pm with Chelsea facing Aston Villa. This match between third-placed Chelsea and an Aston Villa side that recently beat Leicester promises to be particularly compelling. Chelsea has struggled in the title race and suffered Champions League defeat to Arsenal, while also dealing with injuries including Aggie Beever-Jones. There is the possibility of Sam Kerr's return after the Asian Cup. Daniel Harris will host the blog for this fixture.

The Royal Opera's new production of Britten's 'The Turn of the Screw' begins with an eerie effect: the tenor's voice emerges from absolute blackout, setting the tone for an evasive ghost story that will keep audiences on edge. Director Natalie Abrahami and designer Michael Levine have crafted a staging that masterfully builds tension, using water as a recurring motif to underscore the themes of innocence and corruption.The set design features a traditional country house with doors, beds, and the Governess's haunted desk, while Duncan McLean's videos project images onto an invisible screen, adding to the sense of unease. The ghosts and their silent doppelgangers move through the space, creating skilful misdirections and emphasizing the Governess's desperation.The cast delivers richly woven performances, with Isabelle Peters shining as the intense Governess, Claire Barnett-Jones warm as Mrs Grose, and Elgan Llŷr Thomas persuasive as the volatile Peter Quint. The children, played by Phoenix Matthews and Emilia Blossom Ostroumoff, bring extraordinary detail and presence to their roles.Conductor Bassem Akiki draws a compelling performance from the 13 players in the pit, and the tension only loosens its grip when the cast and production team take their bows. This production of 'The Turn of the Screw' runs at the Linbury theatre, London, until 6 April.

Egil Johansen, the landlord of the Kenton pub in Hackney, east London, describes recent incidents involving children as "like the wild west." He has now banned children entirely after a three-year-old fell down a cellar hatch while parents sat elsewhere, a five-year-old crashed into staff carrying drinks, and six parents brought 10 hyperactive children after a birthday party while ignoring their behavior."In every case, the parents blame us when something goes wrong or get really angry when we ask them to control their children," says Johansen, who has run the pub for 17 years. "I'm legally obliged to keep children safe on my premises and if the parents let their children run riot, the only answer is to not allow them in at all."Johansen initially tried banning children only after 5pm, but this interim measure failed to address the underlying issues. Despite online criticism framing him as the "baddie," he expresses sadness about the situation: "I'm a publican; I'm a people-person. It gives me no joy to ban anyone, but it's just not safe: parents don't control their children and our other customers were beginning to go elsewhere. I had no choice."The Kenton's decision reflects a growing trend among UK pubs seeking to differentiate themselves from establishments that "resemble soft play centres without the ball pit." While some welcome this shift, others view it as unwelcoming to families, creating a culture war in the pub industry.Lee Jones, landlord of the Brewers Arms in West Malvern, Worcestershire, reversed a previous child ban: "We're dog-friendly, child-friendly, adult-friendly. We're just friendly – we don't distinguish. Pubs are for the community and I don't see bans in the spirit of what we're here for." Jones reports that when children become rowdy, staff can address the issue with parents, though this is rarely needed.Stephen Boyd, who runs the Alma in south London, took a different approach after attempting to attract young families. He found families with children consumed disproportionate time and resources with special requests for diluted drinks, heated beverages, and customized meals, while adult customers waited longer for their orders."You just need a couple screaming, banging on a table or running up and down, and it dictates the whole atmosphere of the pub," Boyd says. "Parents would take massive umbrage if staff asked them to stop their children doing something." After implementing a child ban, he describes the change as "a fucking revelation" with staff retention improving and takings doubling.Despite the positive results, Boyd faced significant backlash: "I got a lot of online hate. Mainly from people who had never been to the pub but felt I was doing something morally hateful."Tom Stainer, chief executive of the Campaign for Real Ale, acknowledges the debate is "very live" but emphasizes: "But you do have to look at the responsibility of the parents in these situations, not just at the pubs. They're the ones responsible for making sure that their children behave."Financial considerations also drive some decisions. Mandy Keefe, landlady of the Wheel Inn in Ashford, banned children partly for behavioral reasons but also financial ones: "If a third of my Sunday customers were children eating from a reduced-rate child's menu and not drinking any alcohol, that wouldn't be financially viable."Across the UK, pubs are making individual decisions based on their specific circumstances, but as Johansen's experience demonstrates, it only takes one serious incident to settle the question for good.

Dario Fo, born 100 years ago, was a multifaceted genius who seamlessly blended politics and comedy in his works. As a dramatist, actor, director, and designer, he brought satire to the masses, achieving a global reach with plays like Accidental Death of an Anarchist and Can't Pay? Won't Pay!, which justly earned him the Nobel Prize in Literature in 1997.Fo's background was marked by his involvement in wartime resistance against the Nazis in northern Italy, where he helped smuggle Allied soldiers across the border to Switzerland. His career in entertainment began with a weekly TV variety show that attracted huge audiences, but was abruptly ended due to his refusal to accept censorship.Fo's theatre company, Nuova Scena, gave the first performance of Mistero Buffo, his one-man show that satirized the Catholic Church. The show was condemned by the Vatican as 'the most blasphemous show in the history of television.'Fo's plays injected new life into political theatre, with Accidental Death of an Anarchist being a notable example. The play derived from a real-life case of a railway worker falsely accused of planting bombs and who 'fell' out of a police HQ window. The play's 2023 revival at the Sheffield Crucible, which transferred to the West End, showcased its timeless relevance, with Daniel Rigby's performance being 'breathlessly funny.'Fo's works provided actors with memorable roles, such as Griff Rhys Jones' virtuoso performance in Trumpets and Raspberries. His approach to comedy was rooted in tragedy, using laughter as a means to make audiences confront problems like cruelty, injustice, and oppression.Throughout his career, Fo faced significant harassment, including 45 prosecutions from the Italian police, and physical intimidation from both the Catholic Church and the Communist Party. Despite this, his legacy as a master of merging politics and comedy endures.