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The LeadEleven weeks after the start of the Iran war, the Strait of Hormuz has remained closed to naval traffic, bleeding the global economy far beyond the Gulf. Iran's Islamic Revolutionary Guard Corps (IRGC) maintains an iron grip over this narrow, strategic waterway, while a corresponding United States naval blockade on Iranian ports has failed to reopen it.Before the war began, between 120 and 140 ships travelled through the strait each day, about half of them oil tankers carrying some 20 million barrels of oil between them. Now, only a few vessels whose owners have negotiated with the IRGC are permitted to pass.The Strategic Control of HormuzOn Wednesday, Iran said it coordinated the transit of 26 vessels through the Strait of Hormuz in 24 hours, two days after announcing the formation of the Persian Gulf Strait Authority (PGSA), a new body to provide "real-time updates" on operations in the strait.Since the announcement of a temporary ceasefire between the US and Iran in April, Iran has been working on formalising a mechanism to charge a transit fee from ships crossing the critical chokepoint, through which 20 percent of the world's oil and liquefied natural gas (LNG) are shipped during peacetime.Tehran has reportedly already charged fees as high as $2m per ship for transit since the war started. Even though countries opposing Tehran say this is illegal, it may still be less expensive than the overall cost of the closure of the strait each day.The Economic Cost of BlockadeNearly one-fifth of global oil and LNG exports were shipped by Gulf producers through the Strait of Hormuz before the US and Israel bombed Iran on February 28, triggering the Iranian closure of the waterway. The strait is the only waterway linking Gulf producers to the open ocean – there is no other route through which they can ship exports.About 20.3 million barrels per day of oil passed through the Strait of Hormuz in peacetime – nearly 27 percent of global maritime oil trade. The lion's share of that crude went to Asian markets.Global LNG trade has been similarly hard hit. On the day before the war broke out, Brent crude – the global benchmark for oil prices – closed at $72.48 per barrel. After Iran closed the waterway on March 4 and began attacks on vessels attempting to sail through, traffic came to a standstill, stranding about 2,000 ships on either side of the strait.In terms of lost oil revenues, this amounts to $114.8bn of losses per day. About 10 billion cubic feet of LNG per day also used to pass through the strait, worth a further $7.8bn.The Cost-Benefit Analysis of Transit FeesFor hundreds of ships stranded in the Gulf with thousands of sailors on board, the cost of remaining anchored is steep, including crew wages, loan repayments, repair and management, coupled with inflated war risk premiums.In turn, Iran has reportedly been charging up to $2m for authorisation to pass. Experts say many will see this as worthwhile purely in terms of monetary cost."There is no doubt that paying Iran is cheaper than a continuous blockade because a sitting tanker bleeds money," said Nader Habibi, an Iranian American economist."It makes sense from an economic point of view, but it is not politically feasible," he added. "The companies are under pressure from the US sanctions and not to make arrangements with Iran. This is not just a purely economic cost-benefit analysis, but long-term considerations that are taken into account."International Legal PerspectivesInternational law protects free transit through strategic waters such as natural straits like Hormuz, barring countries from imposing passage tolls even where the waterways fall entirely into territorial waters, like in the case of Hormuz.However, services such as security controls, inspections and insurance regimes can be charged for. Chargeable fees also partly depend on whether a waterway is a man-made passageway or a natural one.These are three different precedents in maritime traffic flow:Panama Canal: An artificial waterway connecting the Atlantic and Pacific oceans. Vessels pass through a unique system of locks that raise and lower vessels across elevated terrain. Since Panama built, maintains and operates the canal, it can charge transit fees based on vessel size, cargo capacity and booking priority. These range from several hundred thousand dollars per transit to some slots sold for millions of dollars.Suez Canal: Another artificial canal, linking the Mediterranean and Red seas. Egypt charges transit fees for the use of canal infrastructure, maintenance and traffic management services through the narrow waterway. Container ships and oil tankers pay from several hundred thousand dollars to more than one million dollars per voyage.Turkiye's Bosporus Strait and Dardanelles: These are different because they are natural straits, rather than man-made canals. Turkiye charges for navigation-related services such as lighthouse operations, rescue readiness, medical support and traffic management – and tightly controls ship scheduling and navigation.Regional Cooperation PossibilitiesIran's newly-formed PGSA published a new map of Hormuz, stretching from Kuh-e Mubarak in Iran to south of Fujairah, in the UAE, at the eastern entrance of the strait, and from the tip of Qeshm Island to Umm al-Quwain at the western entrance.Given how the Iran war has spilled over into the Gulf region – with the UAE taking the brunt of Iranian strikes – economist Mohammad Reza Farzanegan said "regional cooperation with Iran is the most realistic path to stable transit through the Strait of Hormuz."The UAE, Oman, Qatar and Iran will have to work together because their economies require it, he argued. A workable arrangement could include a joint maritime authority, shared monitoring, emergency coordination, environmental protection and service-based contributions for maintaining safe passage."This would give Iran a recognised role in the security of the waterway while giving Persian Gulf economies more predictability," Farzanegan added. "Such a framework is also more realistic than relying on external military enforcement, which has been more a source of trouble for these states."The Future OutlookWhile it may seem that the economics of the closure of the strait are currently skewed towards Iran, Aniseh Tabrizi, an associate fellow on the Middle East and North Africa Programme at think tank Chatham House, noted that "the economics by itself is not going to be the driver to change calculation or move from the current standpoint."She emphasized that Iran and the US need to reach a "diplomatic compromise, with other calculations linked in to the economic factor", before there can be an end to the energy supply crisis.Farzanegan added that if the world expects stable access to the Strait of Hormuz, then paying Iran could well be accepted as the price of keeping the vital waterway predictable. "From an economic perspective, a negotiated transit arrangement [with Iran] now makes more sense than continued closure," he concluded.

Mayor Mamdani Unveils Affordable $50 Ticket Lottery Zohran Mamdani will announce on Thursday a new tranche of 2026 World Cup tickets priced at $50 each for residents of New York City’s five boroughs. The tickets will be distributed via a random draw and will include bus transportation to and from MetLife Stadium. Lottery Mechanics and Game Schedule Lottery opens: 25 May 10:00 ET Lottery closes: 30 May 17:00 ET Maximum daily entries: 50,000 Each winner may purchase up to two tickets Eligible matches include five group‑stage games (Brazil v Morocco, France v Senegal, Norway v Senegal, Ecuador v Germany, Panama v England), a Round of 32 on 30 June and a Round of 16 on 5 July. Financial Snapshot: Ticket Allocation and Pricing Total tickets available: 1,000 (approximately 150 per game) Seating: Upper bowl of the 82,000‑capacity MetLife Stadium Transportation subsidy: Bus service included; round‑trip train tickets reduced from $150 to $105, bus tickets priced at $80 Implications for NYC Residents and Ticket Market The initiative marks the first time a World Cup host city offers a dedicated, low‑cost ticket pool to its residents, echoing the discounted access granted to Qatar locals in 2022. By partnering with the NY/NJ host committee led by CEO Alex Lasry rather than FIFA, the program sidesteps the federation’s controversial dynamic‑pricing model that has pushed many tickets into the hundreds of dollars. Future Outlook: Accessibility and FIFA Pricing Debate Mayor Mamdani, who campaigned on affordability, criticises FIFA for prioritising revenue over fan inclusion. If the lottery proves popular, it could pressure FIFA to expand low‑price allocations for future tournaments and inspire other host cities to adopt similar resident‑focused schemes.

Thunder Even Series Behind MVP's Strong PerformanceShai Gilgeous-Alexander bounced back from a subpar series opener to score 30 points, Alex Caruso added 17 off the bench and the host Oklahoma City Thunder beat the San Antonio Spurs 122-113 on Wednesday night in Game 2 of the Western Conference finals. The victory evens the series at 1-1 as it shifts to San Antonio for Game 3 on Friday.Thunder's Adjusted Defense Contains WembanyamaThe Thunder playbook in Game 2 was about making life as difficult as possible for Victor Wembanyama, hoping to prevent outbursts like the 41-point, 24-rebound gem he put together in San Antonio's 122-115 win in Game 1. Coach Mark Daigneault adjusted his defensive strategy after the first game, implementing a more varied approach to contain the Spurs' star."Every good player, they have to feel the defense," Gilgeous-Alexander said. "It's tough. He's very different to scout. You've got to try to mix things up, you've got try different things. And that's just what we did. Coach tried something in the first game, didn't like it, tried something else. That's what it's about."Bench Depth and Turnovers Prove DecisiveThe Thunder finished with a 57-25 edge in bench scoring, plus a 27-10 advantage in points off turnovers. Chet Holmgren scored 13 points and reserves Jared McCain and Cason Wallace each had 12 for Oklahoma City, demonstrating the team's depth beyond their star players."I thought we all played better," Thunder coach Mark Daigneault said. "I had a quiet confidence about that. I didn't know if we'd win or lose the game, but I was pretty sure after watching Game 1 and knowing our team that we were going to come out and play better tonight."Injuries Mount as Series Shifts to San AntonioThe win was not without cost for the Thunder, who lost guard Jalen Williams in the first half with a recurrence of a hamstring issue. He had already missed six games in these playoffs with a left hamstring strain, putting his availability for Friday into doubt.The Spurs also got banged up. Already without All-Star guard De'Aaron Fox because of ankle soreness, San Antonio lost his replacement in the starting lineup, Dylan Harper, to a right leg injury after he took a couple of awkward falls in the third quarter."Obviously this team is as good as anybody at turning you over, so when you're down some of your primary creators and initiators it causes a little bit of an extra strain, whether that's who to play, what to play, what to run, etc, etc," Spurs coach Mitch Johnson said. "We'll just have to be sharper in that area because it's tough fully loaded against these guys."Series Outlook Shifts After Thunder's ResponseWith the series now tied and heading to San Antonio, both teams face questions about health and adjustments. The Thunder showed their ability to respond after a poor Game 1 performance, while the Spurs must determine how to compensate for their growing list of injuries."The guys brought it tonight," said Gilgeous-Alexander, who was recently named the league MVP for the second straight season. "Knowing what it would have meant if we lost this one, we brought the energy from the jump." The series now becomes a best-of-three with Game 3 set for Friday in San Antonio.

The LeadLast week came the news that Gen Z are big fans of going to the cinema. Now here's a Gen Z romcom from Working Title, the company behind Bridget Jones's Diary and Notting Hill. Directed by Alicia MacDonald from a script by Rachel Hirons, Finding Emily shares DNA with Richard Curtis's comedies – the same warm heart and charm, plus levels of cheesiness that some may find cringe. In the end, I found it impossible to hate, though one or two performances felt a bit lacking in comic flair.The Campus Romance UnfoldsIt's set in Manchester, where indie singer-songwriter Owen (Spike Fearn) meets undergraduate Emily (Sadie Soverall) at the student union. They click, but when Emily taps her number into his phone, she misses out a digit. Is it a drunken error, or has she wrong-numbered him? Owen is convinced it's a mistake and sticks up posters around campus to find her. After a tipoff, he waits outside a lecture hall for psychology student Emily (Angourie Rice). She's American, and not his Emily, but she offers to help, suggesting Owen emails every Emily enrolled at the university – all 318 of them. Owen accidentally sends the email to all rather than BCCing, creating an email group of Emilies who are divided in their reactions. Is he some kind of creepy virgin "incel"? Or a diehard romantic? Owen becomes a meme: "email guy".Social Media SatireSome of the funniest scenes are the reactions on social media after Owen appears on a college YouTube channel with a guitar playing a song he wrote for Emily. "It's like Ed Sheeran on Crimewatch," someone writes. Another coins the hashtag #ratboysummer. This is a very gentle, light-touch send-up of campus culture wars and social media pile-ons. In fact, psychology student Emily has an ulterior motive for helping Owen: she wants to use him as a case study for her thesis that being in love is temporary insanity. "He is just data," she says, protesting too much.Supporting Characters and PerformancesBut, like in Curtis's films, the supporting characters are the most fun. Prasanna Puwanarajah is very funny as Emily's professor, a celebrity psychologist with a rampant ego. Distractingly, Owen is the spitting image of the young Liam Gallagher and at certain angles, Rice's Emily is a dead ringer for Taylor Swift. In a couple of scenes of them together, the effect is plain weird.Release TimelineFinding Emily is out on 21 May in Australia, on 22 May in the UK and on 28 August in the US. The film's release strategy appears to be targeting international markets sequentially, with the UK release following closely after Australia but before the US market.

The Counter‑suit: A JPMorgan Banker Fights BackIn a New York state court filing on Tuesday night, Lorna Hajdini—an executive director at JPMorgan Chase—sought damages against former colleague Chirayu Rana, alleging that his sexual‑assault allegations were false and malicious. Hajdini Accuses Rana of Fabricating Sexual‑Assault ClaimsThe countersuit contends that Rana invented accusations that he was raped and drugged by Hajdini to generate press coverage, cause personal pain, and extract millions of dollars from both her and the bank. It states that Hajdini has been "mocked, ridiculed, and harassed around the clock" and that the false statements have "wreaked havoc" on her life. Rana’s original complaint, filed 27 April, described alleged non‑consensual activity and threats using racial epithets. Hajdini denies any supervisory role, use of racial slurs, or coercion. JPMorgan is also a defendant in Rana’s lawsuit. Financial Stakes and Settlement Offers Highlight Corporate RiskThe bank disclosed that on May 6 2026 it attempted to settle the dispute by offering $1 million to Rana, a figure reported by the Wall Street Journal. No monetary amount is specified in Hajdini’s countersuit, which seeks unspecified damages for defamation and emotional distress. Reputational Fallout Extends Beyond the Two PartiesBoth parties have faced intense public scrutiny, with memes and jokes circulating online. JPMorgan issued a statement supporting Hajdini’s right to defend her reputation and reiterated its belief that the allegations lack merit. Potential Legal Trajectory and Implications for Wall‑Street CultureWith no comment from Rana’s legal team and the case still early in the litigation process, outcomes remain uncertain. The dispute underscores heightened sensitivity around workplace harassment claims in the financial sector and may prompt firms to reassess internal reporting and settlement strategies.

The Historic Europa League TriumphIn the early hours of morning in Istanbul, Aston Villa's players began making their way back to their hotel near Besiktas Park, celebrating a Europa League victory that will be etched in history. The club secured their first trophy in three decades, with Matty Cash toasting the achievement while acknowledging manager Unai Emery's gameplan that led them to success. The victory marked the culmination of an eight-year journey under the club's ownership, with co-owner Nassef Sawiris expressing that "the sky's the limit" for the team's future ambitions.Post-Match Celebrations in IstanbulThe celebrations continued long after the final whistle, with Villa's players reveling in their achievement until after 7am. Prince William joined the players for beers in the dressing room, while billionaire co-owners Nassef Sawiris and Wes Edens watched on proudly. Morgan Rogers, scorer of the third goal in the final, led teammates out of the stadium wearing ski goggles in a conga-like procession. Jadon Sancho blasted music from a speaker as teammates including Leon Bailey, Amadou Onana, Lamare Bogarde and Ian Maatsen followed, determined to savor the historic occasion.Emery's Legacy and Building on SuccessManager Unai Emery, who has now won his fifth Europa League, has achieved god-like status among Villa fans. The Spanish manager had spent the previous three and a half years walking past the 1982 European Cup trophy at the club's training ground, and his persistence has finally brought silverware back to Villa Park. Emery has already urged the team to set their sights on Europe's elite, indicating that the Europa League victory is just the beginning of their ambitions. With Champions League qualification secured, Villa is expected to pursue elite talent this summer to elevate the squad further.The Journey to GloryThe victory represents a remarkable turnaround for a club that was close to collapse seven years ago. Villa dodged relegation by just one point in 2020 after averting a financial crisis by clinching promotion via the playoffs. Ollie Watkins, who has scored in double figures for six consecutive seasons, finally received his first winner's medal, while John McGinn reflected on the pride he felt knowing they were about to become champions. Eleven players from Emery's first Villa squad in November 2022 were celebrating in Istanbul, demonstrating the stability and growth the manager has brought to the club.Future Outlook and Squad EvolutionWith Champions League football secured, Aston Villa is positioned to attract higher-caliber players this summer. The club has been unafraid to trade in the past and may look to sign talent previously deemed out of reach, though financial regulations remain a consideration. The future of goalkeeper Emiliano Martínez, who suffered a finger injury in the warmup, remains unclear as the squad evolves. Despite these uncertainties, the core group that has built Villa's recent success remains intact, providing a foundation for continued growth and potential further European success.

Turning Empty Space into a Physical Presence: Christo’s “Air” InstallationThe new show at Gagosian, Grosvenor Hill, London re‑imagines a vacant gallery as a sculptural object. By suspending a colossal polyethylene bag across the room, Christo makes the intangible—air—visible, heavy and almost flesh‑like, compelling viewers to negotiate the space physically.The Installation’s Core Concept: Enveloping Air in PolyethyleneChristo’s original 1960s idea to “contain air” was limited by the technology of the time. Fifty years later, a horizontal sack, anchored by white ropes, sags into the centre of the room, creating a bulge that feels like a body pressing against a garment. The work is a direct continuation of his earlier wrapped‑bubble experiments and the infamous 1968 Documenta tube, now realised with modern materials.Visitor Experience and Spatial DynamicsGuests must crouch beneath the sagging sack, turning a passive viewing into an embodied encounter. The installation’s dimensions—roughly a 4‑metre‑high room split by a 3‑metre‑wide bag—are not disclosed in the review, but the visual weight is emphasized through the bag’s droop and the tension of the ropes. The exhibition runs until 21 August 2026, giving ample time for audiences to experience the shift from empty void to tactile mass.Why the Work Resonates in Contemporary Art DiscourseBeyond its visual novelty, “Air” interrogates themes of memory, preservation and the body’s relationship to space. A wrapped Volvo, rescued from a dealer’s garage, serves as a “monument to its own past,” linking personal history to the broader gesture of containment. Critics note the paradoxical blend of the profound and the ridiculous, positioning the piece as a commentary on how simple materials can evoke deep emotional responses.Future Implications for Site‑Specific and Conceptual ArtThe successful materialisation of an abstract element suggests new pathways for artists seeking to make the invisible visible. As museums and galleries explore immersive, sensor‑driven experiences, Christo’s “Air” demonstrates that minimal intervention—rope, sheet and plastic—can still generate powerful discourse about presence, weight and the limits of perception.Exhibition dates: Opening 2026 – 21 August 2026Location: Gagosian, Grosvenor Hill, London

Hull KR's Golden Era and Championship MentalityHull Kingston Rovers are experiencing a remarkable period in their history, transitioning from a club that won nothing for a generation to treble winners and world club champions. After a slow start in Super League, the team is climbing up the table and could go second if they beat Wigan at Craven Park on Thursday night. The teams meet again in the Challenge Cup final at Wembley next Saturday, with Rovers seemingly peaking at the right time."We're aware that teams definitely have windows of opportunity," says Rovers captain Elliot Minchella. "That comes with continuity as well. Look at the spine of our team: we've played together for a long time and, with those connections, sometimes you don't have to say anything, you just know what they're going to do. That comes through playing 150 games together. Those days don't last for ever. In five years' time, some might still be at the club, some will be in different places around the world. So we need to take advantage of it now."The Wigan Double Header and Championship DefenseThe Robins are preparing for two crucial games against Wigan, with the first at Craven Park on Thursday night and the second being the Challenge Cup final at Wembley next Saturday. This comes after a tough win at Leigh, demonstrating the team's ability to perform under pressure. Despite coach Willie Peters revealing that players already knew when he intended to give them rest, the team has chosen to field a strong side against Wigan at Craven Park, even as Wigan sends their reserves."You've got to practise with different players, because anything could happen," says Minchella. "Obviously, there's not another Mikey Lewis around the corner, so if someone has to come in to do that job, they might have a different skill set. But we've got a framework and someone comes in and out of the framework. No matter who's in those positions, it should look the same."Building a Dynasty: The Hull KR ModelAfter winning nothing for a generation, Hull KR have been battling intensely with Wigan for the last few years, with the two teams winning or finishing as runners-up 13 times in the last nine domestic competitions. The question now is how to build a dynasty rather than being a one-season wonder."It probably starts with the very top from the owners then filters down," explains Minchella. "In years gone by, there would have been a big celebration about getting to Wembley. Well, you don't win anything for getting there. You win at Wembley. That's the mentality shift. Willie's as driven as anyone. He's moving on at the end of the year, but nothing's changed. If anything, he's dialled in even more. It's such a high when you win and affects so many people. It becomes infectious, addictive. The message is: chase that feeling again."The Changing Landscape of Rugby League's Power StructureHull KR's emergence represents a significant shift in rugby league's power dynamics. The club's transformation from perennial underachievers to champions challenges the traditional hierarchy of the sport. Their success has created a new narrative in Super League, proving that sustained excellence can be built outside of the traditional powerhouse clubs."Everybody wanted us to win for a period, but now everybody wants to stop us," Minchella acknowledges. "Everyone wants to see the champions lose. You've got to embrace that because it's not going to go away." This new status as champions has changed how opponents approach games against Hull KR, with teams now specifically targeting their key players and strategies.The Future of Hull KR Beyond Willie PetersWith coach Willie Peters set to leave in October to take over the new NRL franchise PNG Chiefs, Hull KR faces a transition period while maintaining their championship-winning core. Most of the club's important players will stay, but the team must adapt to life without their long-term leader who has guided them through their most successful period."We've spoken about not wanting to be one-season wonders," Minchella states. "It was unbelievable to do what we did last year, but it's in the past. People have left, new people have come in, and we want to do it again as a new group." The team's ability to maintain their winning culture through this transition will be crucial to their long-term success and their attempt to establish a lasting dynasty in rugby league.

Why “Hen” Stands Out in Contemporary Animal‑Centric CinemaThe Guardian’s review frames Hen as a rare mainstream entry from director György Pálfi, whose oeuvre usually leans toward avant‑garde pastiche. In a market saturated with CGI‑heavy animal protagonists, the film’s reliance on real poultry and a trained fox gives it an authentic, almost documentary texture while delivering a surprisingly uplifting survival narrative.György Pálfi’s Unconventional Storytelling in “Hen”Pálfi, known for works like Final Cut: Ladies and Gentlemen and Taxidermia, applies his surrealist‑formalism to a plot that follows a hen from a Greek battery farm to a rundown seaside restaurant. Key storytelling beats include:Escape from a battery farm where the hen is a lone black speck among yellow chicks.Near‑death encounter with a trucker planning to turn her into dinner.Chase by a real trained fox that ends in a classic “cross‑the‑road” moment.Co‑habitation with an elderly restaurateur (Yannis Kokiasmenos) and exposure to human trafficking subplot.The film balances dark themes—human trafficking, animal cruelty—with a light tonal touch, avoiding overt anthropomorphism.Box‑Office and Distribution SnapshotWhile specific revenue figures are not disclosed, the review notes the film’s release schedule:UK and Irish cinemas from 22 May 2026.Limited theatrical run, typical for art‑house European titles.Given the niche appeal and festival‑circuit pedigree, expectations center on critical acclaim rather than blockbuster returns.What the Film Says About Human Exploitation and Animal AgencyBeyond its quirky premise, Hen mirrors human suffering through animal experience. The hen’s survival instincts parallel the plight of refugees hidden in the restaurant’s dark rooms, underscoring a thematic link between animal and human exploitation. The film’s disclaimer—no animals were harmed—reinforces a humane production ethic that resonates with contemporary audience sensitivities.Future Prospects for Animal‑Led Narratives in European FilmThe positive critical response suggests a growing appetite for stories that place animals at the narrative core without resorting to CGI. Pálfi’s success may encourage more European directors to explore:Real‑animal training techniques to achieve authentic performances.Hybrid storytelling that blends social commentary with animal perspectives.Distribution strategies targeting art‑house circuits and streaming platforms seeking distinctive content.If the trend continues, we can anticipate a richer, more diverse slate of animal‑centric films that challenge both cinematic form and ethical storytelling.