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Manchester City delivered a resounding statement of intent in their latest Women's Super League fixture, dismantling Manchester United 3-0 at Old Trafford in a derby that showcased the vast gulf between the two teams. The victory propelled City closer to securing their first league title in a decade, while simultaneously damaging United's hopes of European qualification next season.Vivianne Miedema was the star of the show, scoring twice with headers in the first half, while Kerstin Casparij added a third goal early in the second period. Lauren Hemp also hit the crossbar as City dominated throughout, with the home side fortunate not to concede more goals in a match that highlighted the disparity between the teams.Manchester United head coach Marc Skinner attributed his team's performance to fatigue following their Champions League encounter with Bayern Munich three days prior. In contrast, City has benefited from not competing in European competitions this season, allowing for crucial rest between matches. Skinner acknowledged the advantage enjoyed by City manager Andrée Jeglertz, who described his team's first-half display as "one of the best we've done this season."The result has effectively ended United's title ambitions, with Skinner's side now trailing by 11 points with only three games remaining. Chelsea's hopes of retaining their crown have also been extinguished, as they sit 12 points behind with an inferior goal difference. Arsenal remains the only mathematical challenger, though they would need City to falter significantly in their remaining fixtures.City's dominance was evident from the opening minutes, with Miedema opening the scoring from a corner just 21 seconds into the match. She doubled her tally before the break, finding herself unmarked in the penalty area as United's defense failed to deal with a cross from Casparij. Hemp struck the woodwork before a Rebecca Knaak goal was controversially disallowed, and Casparij sealed the victory with a clinical finish after the interval.With City now requiring just five points from their remaining three matches—all against bottom-four teams—the WSL title appears destined to return to the Etihad Stadium. Meanwhile, United faces an uphill battle to secure European qualification, with challenging fixtures against Tottenham and Chelsea still to come this season.

Senegal's national football team took to the pitch at the Stade de France with the Africa Cup of Nations (Afcon) trophy, defiantly displaying their claim to the title despite being stripped of it earlier this month. The team, led by coach Pape Thiaw, paraded the trophy before their World Cup warm-up game against Peru, which they won 2-0.Nicolas Jackson scored four minutes before half-time and Ismaïla Sarr added a second in the 54th minute as Senegal secured their first win since January's Cup of Nations final. The team's captain, Kalidou Koulibaly, and his teammates came out on to the pitch with the Afcon trophy for a lap of honour after a pre-match concert by the Senegalese singer Youssou N'Dour.Senegal have launched a legal battle against the decision to strip them of the trophy and award it to Morocco. The Caf appeal board awarded Morocco a 3-0 victory on 17 March because Senegal staged a 14-minute walk-off during January's final in Rabat in protest against the award of a penalty to the hosts in added time immediately after Senegal had had a goal ruled out.Coach Pape Thiaw emphasized that his team considers themselves African champions, stating, 'We know we're African champions. We're going to keep working to win more trophies. It's clear in our minds that competitions and trophies are won on the pitch.'Thiaw also highlighted the importance of not getting distracted by the controversy, saying, 'The most important thing is not to get distracted.' Senegal lodged an appeal this week with the Swiss-based court of arbitration for sport.In a related development, Morocco drew 1-1 against Ecuador on Friday in a friendly in Madrid, their first match since the final and the controversial decision to punish Senegal. Morocco's coach, Mohamed Ouahbi, expressed satisfaction with the draw against the 'African champions,' highlighting the strength of his team.

Manchester United has named their starting lineup for the crucial Women's Super League derby against city rivals Manchester City, with Tullis-Joyce in goal and an attacking lineup featuring Hinata and Schüller. The substitutes include Middleton-Patel, Rendell, George, Anderson, Rolfo, and Drury. Manchester City, currently sitting at the top of the league table, has also announced their team, with Yamashita between the sticks and a formidable attacking lineup featuring Hemp, Miedema, and Shaw. Their bench includes Keating, Combs, Fowler, Kerolin, Ouahabi, and several other options. The match, scheduled for 1:30pm GMT, represents a significant opportunity for both teams in the title race. Manchester City head coach Andree Jeglertz emphasized the unique intensity of derby matches: These games live their own lives. Because a derby in this city is always going to get 100% energised players from both teams at the beginning. It almost doesn't matter what tempo you start as your opponent will be ready. These games aren't determined by 15, 20 minutes. Definitely the longer the game goes, it can be a challenge but it's how the game turns out and what happens. City secured a convincing 3-0 victory in the previous derby in November, with goals from Rebecca Knaak, Khadija Shaw, and Lauren Hemp. Meanwhile, Manchester United is looking to bounce back from a 3-2 first-leg defeat against Bayern Munich in the Champions League. United's head coach, Marc Skinner, acknowledged the challenge posed by the league leaders: City are top of the league for a reason but we will take that challenge on. Once you accept that challenge, you can rise to a new level. This derby comes during a busy period for WSL teams, with multiple high-profile clashes across the league that could significantly impact the title race.

Kimi Antonelli secured pole position for the Japanese Grand Prix, continuing Mercedes' dominant start to the new Formula One season. Antonelli's impressive lap time of 1 minute 28.778 seconds edged out his teammate George Russell by just under three-tenths of a second.The result marks Mercedes' third consecutive front-row lockout, with their nearest competitor, McLaren's Oscar Piastri, over three-tenths of a second behind. Charles Leclerc took fourth for Ferrari, while Lewis Hamilton qualified in sixth.The performance is a significant boost for Antonelli, who currently trails Russell by just four points in the drivers' championship. His consistent pace and confidence in the car have made him a strong contender in the title fight this season.In a surprising turn of events, Max Verstappen was knocked out in Q2, managing only 11th place with his teammate Isack Hadjar qualifying in eighth. Verstappen's struggles with the Red Bull car were evident, with him describing it as 'completely undriveable' during qualifying.Antonelli's pole position sets him up for a strong challenge in the Japanese Grand Prix, but he can expect competition from the fast-starting Ferraris of Hamilton and Leclerc.

Manila, Philippines, is experiencing a rare phenomenon - empty streets. For years, the city's transport congestion has been notorious, ranking worst globally in 2024, according to the TomTom traffic index. However, a 26km drive from the Manila airport to the Quezon City Hall now takes just 45 minutes, instead of the typical two hours, according to Google Maps.The reason behind this sudden change is the surge in fuel prices following the United States and Israel's joint military operation against Iran almost a month ago. This has resulted in a significant decrease in vehicular traffic, with fewer buses, jeepneys, and ride-hailing vehicles plying the streets.The impact is being felt by vendors and transport workers, such as Ruben, a 27-year-old parking attendant, who earned less than half his usual collection on a typical Wednesday. Emily Ruado, a 59-year-old paper napkin vendor, also reported a decline in her daily income from $10 to $5.The financial difficulties faced by individuals like Ruben and Emily reflect a bigger headache for the Philippines, as worries of a sharp increase in prices of basic goods and sudden loss of employment for thousands of people could quickly lead to a stagnating economy. The country's GDP growth rate of 5 percent is now becoming more unlikely.The surge in fuel prices has also exposed the acute insufficiency of Manila's limited railway network, with commuters swelling during rush hour at metro stations. This highlights the need for improved infrastructure and the multibillion-dollar infrastructure corruption scandal still roiling the country.

France forward Kylian Mbappe showed no signs of his recent knee injury as he scored in a 2-1 friendly victory over Brazil on Thursday. The match, a World Cup warm-up, was played at Gillette Stadium in Foxborough, Massachusetts, with a crowd of 66,215.Mbappe broke free to score in the 32nd minute, giving France an early lead. Hugo Ekitike doubled the lead in the 65th minute. Brazil reduced the deficit to 2-1 in the 78th minute through Bremer.The match was notable for Mbappe's return to action after a knee injury. He had sprained his left knee in December but played through January before missing almost a month. Mbappe confirmed on Monday that his injury was 'truly behind' him.The game also featured a mid-half 'cooling break' to allow players to rest and hydrate, a FIFA innovation for the 2026 World Cup. This break was included regardless of the temperature, which was in the mid-60s (15 degrees Celsius) on the day of the match.The victory for France came despite Dayot Upamecano being sent off in the 55th minute for a clear foul on a player with a path to the goal. The card was upgraded from yellow to red on video review.If France and Brazil both win their groups at the World Cup, they could potentially meet again in the final.

The music of Bluey, the beloved Australian TV show, has captured the hearts of both children and adults worldwide. With over 4.8 billion minutes watched in Australia alone and 126 million streams of its theme song, the show's soundtrack has proven to be a crucial element in its success. Composer Joff Bush shares the secret to creating music that 'hits you in the feels.' According to Bush, it's all about seeding elements of music throughout an episode to create a powerful emotional payoff. For example, in the episode 'Sleepytime,' Bush used Gustav Holst's Jupiter from The Planets to convey the idea that a child's parents will always be there to love and support them. The new album, Up Here, features a chamber orchestra and marks a significant milestone in the show's music journey. Bush notes that the use of a chamber orchestra was initially met with skepticism but has ultimately resulted in something truly special. 'It's really ambitious, but having that many adults dedicate their craft to make this music as beautiful as it can be, for children? It was just wonderful.' The music of Bluey is not just emotionally devastating; it's also incredibly joyful. Children who spoke to the Guardian described the opening song as 'making them happy' and perfect for games like musical statues. For adults, the music often evokes strong emotions, with many confessing to watching the show after their kids have gone to bed. Bush's approach to scoring Bluey is rooted in his understanding of the show's themes and his own experiences as a father. 'Watching it now, I get it – why a certain episode hits you in the feels more.' His daughter even got to conduct the orchestra during a recording session, leaving her 'enamoured' by the experience.

When Hugh Bonneville was first asked to reprise his role as Ian Fletcher in John Morton's workplace satires, his emotions were conflicted. The actor described being 'absolutely delighted' yet 'terrified' at the prospect, calling the experience 'the most painful and horrible' of his television career.Bonneville, now widely recognized for his roles in Downton Abbey and Paddington, first portrayed Fletcher as 'Head of Deliverance of the Olympic Deliverance Commission' in Twenty Twelve. In W1A, he played 'Head of Values' at the BBC. Nine years later, the weary character returns as 'Director of Integrity' at an international football organization hosting a tournament, with its real-world basis deliberately obscured by the production.Despite the seemingly mundane setting of boardroom meetings and PowerPoints, the series stands out for its meticulously constructed naturalism and intricate dialogue. The scripts are twice as long as typical 30-minute sitcoms, featuring stammered half-sentences where the difference between phrases like 'yes well but' and 'but well yes' is profoundly significant.'It's the most impossible thing to learn because sometimes the sentences don't make sense,' Bonneville explains. 'The difference between 'yes well but' and 'but well yes' is profound', he adds, noting that he frequently struggles with the complex dialogue while his co-stars excel.Twenty Twenty Six shifts the setting to Miami, transforming Fletcher from a captain of British politeness into a mediator in American corporate culture. He's reunited with Will Humphries (Hugh Skinner), his hapless intern from BBC days, whose social uncertainty remains unrivalled. 'I'm now describing Will as the Paddington of the office world - he means well, but he's going to bump into everything and set the photocopier on fire,' Bonneville says.The series expands the ensemble with international characters including Belgian chief coordinating attaché Eric Van Dupuytrens, American sustainability head Sarah Campbell, and Mexican 'VP Optics and Narrative' Gabriela De La Rosa. If previous shows examined unspoken British social etiquette, this installment presents more of a culture clash comedy, with Fletcher navigating a world where people express themselves directly rather than through British subtlety.John Morton, the creator, chose the World Cup backdrop not for its football significance but because its unwieldy scale across 16 cities presents fertile ground for comedic mishaps. 'As a writer, you think: hmm, that smells like things could go wrong,' Morton explains. The show addresses contemporary issues including Trump references and environmental concerns, though Morton maintains it's not about football controversies.The filming itself presented unique challenges, with production in a Wembley school transformed to resemble a Miami arts center. Despite the artificial setting, the cast found the UK heat surprisingly authentic to Florida's climate. 'The irony being had we filmed it in Miami, it would have been air-conditioned,' Bonneville laments, capturing the production's British approach to discomfort.

Wales and Ireland's hopes of qualifying for the World Cup were dashed on Friday as both teams suffered defeats in their playoff semi-finals. Wales lost to Bosnia and Herzegovina, while Ireland was beaten by the Czech Republic. The losses mean both teams will not feature in the upcoming World Cup, with Ireland facing a minimum of 28 years between appearances.The double-screening pain was palpable for fans, with both matches featuring penalty shootouts that ended in heartbreak. Dan James gave Wales the lead against Bosnia and Herzegovina, but they ultimately lost in a shootout. Ireland, on the other hand, went 2-0 up inside 23 minutes against the Czech Republic but also ended in defeat.The losses have left both teams facing a long wait for their next World Cup appearance. For Ireland, it will be a minimum of 28 years, while Wales' wait continues after their last appearance in 2022. The teams will now face friendlies, with Wales set to host Northern Ireland.In other news, Roy Hodgson's return to management with Bristol City has been hailed as 'sensational'. The 78-year-old former England manager has decided to have another crack at it after leaving Crystal Palace.Meanwhile, Iran's men's team paid tribute before their friendly against Nigeria by holding school bags in memory of the victims of a school bombing in Minab, southern Iran, which killed between 175 and 180 people, most of them girls between the ages of seven and 12.