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General Compute, a new inference neocloud, raised a $15 million seed round at a $60 million post‑money valuation and booked a $300 million order for SambaNova’s upcoming SN50 chips. The company promises 600‑700 tokens per second per chip and a deployment model that fits into existing, air‑cooled data‑center infrastructure. General Compute’s Funding and Strategic Partnerships Seed round led by FUSE VC with participation from Carya Venture Partners and Village Global Ventures. Co‑founders Finn Puklowski (CEO) and Jason Goodison (CTO) partnered with SambaNova, an Intel‑backed chipmaker focused on inference. General Compute will be the first neocloud to deploy SambaNova’s SN50 chips, ordering $300 million worth of hardware. Colocation strategy includes traditional data‑center providers and repurposed crypto‑miner facilities. Financial Snapshot: $15 Million Seed and $300 Million Chip Order Seed funding: $15 million raised, valuing the company at $60 million post‑money. Chip commitment: $300 million of SN50 chips on order, enough to power a large inference fleet. Comparable market moves: Nvidia’s $20 billion acquisition of Groq (Dec 2025) and Cerebras’ $57 billion IPO (May 2026) illustrate the scale of inference‑focused investments. Implications for the AI Inference Landscape The shift from GPU‑centric training to specialized inference hardware is accelerating. SambaNova’s memory‑rich, flexible architecture claims to outperform GPUs, Groq, and Cerebras on token‑throughput, delivering 600‑700 tokens/sec versus ~250 tokens/sec for GPUs. Air‑cooled, low‑power chips lower the barrier to entry for colocation, enabling rapid deployment in existing facilities and even in repurposed crypto‑mining sites. This could democratize high‑speed inference, pressure pricing, and spur a wave of niche cloud providers focused on agent‑to‑agent workloads. What the Next Year May Hold for Inference‑First Cloud Providers When SambaNova releases its next‑gen chips later in 2026, General Compute’s early access positions it to capture a sizable share of the fast‑inference market. Expect: Increased competition among inference‑only clouds (e.g., CoreWeave, OpenRouter) to offer multi‑model routing and token‑cost optimization. More venture capital flowing into inference‑focused startups, mirroring the recent $113 million Series B for OpenRouter. Potential consolidation as larger players (Nvidia, Intel) seek partnerships or acquisitions to secure the most efficient inference stacks. Speed and cost efficiency will become the primary differentiators, shaping the architecture choices that dominate the AI future.

Ring 5 Redefines the Smart Ring Form FactorOura introduced the Ring 5, a 40% smaller iteration of its flagship device, measuring just 2.28 mm in thickness. The ring packs the health‑tracking capabilities of a smartwatch—sleep, stress, readiness and heart health—into a jewellery‑like profile while extending battery life. It will ship on 4 June with a retail price of £399 (€399/$399) and a mandatory $5.99 monthly subscription.40% reduction in size versus Ring 4Battery life increased (exact hours not disclosed)Subscription‑based model adds recurring revenueFinancial Outlook: $1 bn Revenue Target and $11 bn ValuationOura reports roughly 5 million paying subscribers and a four‑fold revenue growth over the past two years, projecting $1 bn in revenue for 2025. The company is currently valued at about $11 bn ahead of an IPO slated for later this year.Market Implications: Accelerating Smart‑Ring Adoption and Competitive LandscapeAnalyst firm FDM CCS Insight estimates 4 million smart rings shipped in 2025, a figure that has more than doubled each year for the past two. While still dwarfed by the 175 million smartwatches shipped in the same period, rings are gaining traction among both traditional smartwatch users and those who prefer a less conspicuous device. Oura’s focus on sleep‑first tracking and a “female‑first” design philosophy differentiates it from larger players such as Apple.What’s Next: IPO Timing and Expansion of Proactive Health ServicesWith a global footprint that now includes offices in Helsinki, London, Los Angeles, San Diego and dual headquarters in San Francisco and Oulu, Oura is positioning the Ring 5 as a gateway to broader health‑care services. Upcoming software features—such as a health radar for early detection of blood‑pressure spikes and GLP‑1 weight‑loss monitoring—signal a shift toward proactive health management. Investors will be watching the IPO filing later in 2026 for clues on how the company plans to monetize these new services and sustain its growth trajectory.

The Escalation of Violence in Southern Lebanon At least 16 people have been killed and 58 wounded in Israeli attacks in southern Lebanon, according to Lebanese health authorities, as Israel intensifies its assault and issues mass displacement orders across the region. Details of the Attacks Lebanon’s state-run National News Agency reported on Thursday that six of the victims belonged to the same family. They were killed in an Israeli drone strike while trying to flee at dawn along the Adloun Highway, a key route linking Sidon and Tyre, it said. 6 victims belonged to the same family Killed in an Israeli drone strike Incident occurred along the Adloun Highway The Humanitarian Crisis The attack came as Israel expanded its bombardment across southern Lebanon, hitting residential areas, roads and civilian infrastructure. The Lebanese army said one of its soldiers was killed in an Israeli strike in the Nabatieh area, the latest in a string of attacks targeting military personnel. Displacement Orders Israel has also issued sweeping displacement orders covering large parts of the south, including Tyre and surrounding areas. Residents were told to evacuate immediately and move north of the Zahrani River, roughly 40km (25 miles) from the Lebanon-Israel border. The Impact on Civilians The International Committee of the Red Cross has warned that Israel’s large-scale forced displacements and continued strikes on urban centres are placing civilians at severe risk and deepening a humanitarian crisis. The Future Outlook The escalation came as United States-mediated talks between Israel and Lebanon are due to resume on Thursday, beginning with technical discussions before moving to broader negotiations in early June. However, Israel has significantly intensified its military operations in the past two days, casting doubt over the prospects for diplomacy.

The LeadA novel featuring a protagonist whose job is taken by AI has won the Climate fiction prize. Hum by Helen Phillips, the American writer's third novel, explores themes of technological displacement and the commodification of nature in a dystopian future.The Disneyfication of Nature in LiteratureHum is about a woman, May, who loses her job to a "hum" of the title – a humanoid robot. Struggling to find work, she becomes a guinea pig for an experimental injection that alters her face so it can't be recognised by surveillance. When she gets paid for it, she splashes out on family passes to the Botanical Garden, the last remaining green space in her city. There, things take a turn for the worse.The Climate Fiction Prize RecognitionThe prize, worth £10,000, was first awarded last year to Abi Daré for And So I Roar, the follow-up to her bestselling debut The Girl with the Louding Voice. This year's judging panel was chaired by Guardian theatre critic and former literary editor of the Independent, Arifa Akbar. Alongside Kit de Waal and Friederike Otto on the panel were author Jessie Greengrass and book influencer Simon Savidge.Judges' Perspectives on the NovelJudge and writer Kit de Waal described Phillips's book as being about the "Disneyfication of nature … turning nature into a rare place that we have to pay to see". Fellow judge and climate scientist Friederike Otto added that it "tackles the central reason that nothing is done about the climate crisis – privilege", while writer Daisy Hildyard described it as "mesmerising and scary".The Author's InspirationPhillips was inspired to write the book after walking home from work one day and having the thought that she needed to buy dishcloths, before opening her computer at home and finding that dishcloths were being advertised to her. "That eerie feeling stuck with me, and I started to think about what worst-case scenarios might arise from surveillance by an algorithm."Impact on Climate AwarenessHum "helps us connect with what really matters and stops us from sleepwalking into an inevitable dystopia", said Lucy Stone, CEO of Climate Spring, which funds the prize. "In the novel, the machines themselves start to question the insane volume of advertising and the consumer treadmill, and then show the family that there are multiple different futures lying ahead of them."Future RecognitionPhillips will appear at Hay festival to discuss the book on Saturday 30 May. Alongside Phillips on this year's shortlist were Madeleine Thien for The Book of Records, Robbie Arnott for Dusk, Keshava Guha for The Tiger's Share, Susanna Kwan for Awake in the Floating City and Maria Reva for Endling.

A Surrealist Masterpiece Emerges from the Depths of Psychiatric ConfinementA recently discovered painting by the surrealist artist Leonora Carrington, made during her confinement in a Spanish psychiatric hospital during the second world war, will go on public display for the first time in London this summer. Known as Villa Pilar, the work was painted in 1940 while Carrington was a patient at sanatorium Morales in Santander, after fleeing Nazi-occupied France following the arrest of her partner, the German artist Max Ernst.The Unveiling of a Hidden Masterpiece from a Turbulent PeriodCarrington suffered a psychological breakdown in Madrid and was admitted to the institution, where she underwent traumatic psychiatric treatments that she later described in her memoir Down Below. But encouraged by her psychiatrist, Dr Luis Morales, Carrington sketched each day, and created two paintings, Down Below and Villa Pilar, which depict the psychiatric hospital as a symbolic underworld. Carrington described her "down below" period as an experience akin to "being dead."A Life Marked by Rebellion and Artistic InnovationBorn into a wealthy Lancashire family in 1917, Carrington rebelled early against the expectations placed on upper-class women. She studied at the Chelsea School of Art before meeting Ernst at a dinner party in London in 1937, when she was 20 and he was 46. The two began a relationship that scandalised their respective social circles and moved together to Saint-Martin-d'Ardèche in the south of France, where they lived and worked until the German invasion.She found kindred artistic spirits in renowned surrealists like André Breton, Salvador Dalí, and Man Ray, who, like her, were fascinated by dreams, the subconscious and the occult. When she eventually settled in Mexico in the 1940s, she became one of the country's most celebrated artists and part of an influential community of women creatives working outside the male-dominated European surrealist movement – alongside figures including the Spanish painter Remedios Varo and the photographer Kati Horna.Carrington was later embraced as a feminist icon, and she always resisted attempts to reduce her to her gender, once remarking: "I didn't have time to be anyone's muse ... I was too busy rebelling against my family and learning to be an artist." She died in Mexico City in 2011, aged 94.The Rediscovery and Symbolic Meaning of Villa PilarCarrington gave Villa Pilar to Dr Morales when she left the sanatorium, and it remained in his family for decades. It was only rediscovered during research for the exhibition by the Faro Santander team, who persuaded the Morales family to loan it publicly for the first time.Vanessa Boni, curator of the exhibition, said Carrington created the work as "a parting gift" to thank Morales for helping her recovery, despite the "brutal" treatments she endured, including cardiazol injections. "As we know from her memoir, it was really traumatic," she said. "Dr Morales kept the painting his entire life, and when he passed away, it was handed down to his daughter."The work depicts the hospital as being populated by hybrid human-animal figures moving through vivid green gardens – imagery that would become central to Carrington's later practice. "It speaks to ideas of inner transformation, metamorphosis and otherness," Boni said. "Both paintings are set in a verdant green landscape, including a green sky, which was a symbolic colour for her."A Transatlantic Exhibition JourneyVilla Pilar will join the exhibition Leonora Carrington – the Symptomatic Surreal at the Freud museum, where Sigmund Freud spent the final year of his life after escaping Nazi-occupied Vienna. To mark the unveiling, the exhibition has been extended until 10 August before travelling to Faro Santander, a new arts centre in the northern Spanish city, in September.Daniel Vega Pérez de Arlucea, director of Faro Santander, said: "This is not simply a matter of showcasing the work of one of the most important surrealist artists, but of recognising and revisiting a chapter of her life deeply rooted in this city."After leaving Santander, Carrington travelled through Lisbon and New York before settling in Mexico, where she became one of the leading figures of surrealism. In 2024, one of her paintings was auctioned for £22.5m, a record for a UK-born female artist.While in New York, Carrington gave her Santander sketchbooks to the surrealist collector Julien Levy, whose collection was sold at auction and dispersed into private collections in 2004. This exhibition marks the first attempts since then to bring the contents together for a major public display.

The Rise of Heated Rivalry: From Canadian TV to NYC StageWalking into the Culture Club in West Chelsea, New York, for a performance of Heated Rivalry: The Unauthorized Musical Parody last week, I was met by three ghosts left over from when the space was called the McKittrick hotel and it hosted the immersive spookfest, Sleep No More. The first was the phantom of clever detail: cans of Athletic IPAs for sale, a cute, non-alcoholic nod to the mega-popular series' hockey setting. The second was of unnerving fright, as I realized there would be no booze at this singing satire. Would I be able to make it through 90 minutes of jokes about an overexposed Canadian gay sports romance, with zero quality guarantee and an even lower blood alcohol concentration? At least at the downtown premiere of the popular parody Titanique, long before it proved itself worthy of a handful of Tony nominations, you could stand up and order a bucket of White Claws.But then the third specter materialized, the ghost of immersion and surrender, as this very funny production completely won me over. (I've since learned that a liquor license is forthcoming.) Heated Rivalry, for the uninitiated, is a television show adapted from a series of gay romance novels by Rachel Reid, a straight woman who unwittingly launched a thousand discussions about who gets to be horny over whom, how and when. Fans of the books petitioned for a wider release of the show produced for the Canadian streamer Crave, last November and, some six months later, its formerly unknown stars Connor Storrie and Hudson Williams are in easy contention for the most photographed people alive. Heated Rivalry: The Unauthorized Musical Parody is the latest addition to New York City's musical parody cottage industry, which has led me to a theater lobby where a woman in a branded hockey jersey is telling the stranger next to her that she's seen the series "probably not as many times as you think, but still a lot".The Unauthorized Musical: A Masterclass in ParodyThere was a communal giddiness as everyone filed into the unassuming performance space, where less than 200 folding chairs were arranged around a small stage. Super-fans were giddy that their dreams were coming true, and the more reserved types, perhaps blushing at what they deemed beneath them, were still clearly enjoying themselves. I liked the TV show just fine, a bit underwhelmed at what was broadly discussed as "softcore smut" but felt more in line with the twee "naughtiness" of the romance world. I had worried a musical parody put together in a few months would be a cash-grab; plain fan service for those who can't get enough of those six novels or episodes, not jabbing at the culture so much as stroking its ego. Impressively, as written by Dylan MarcAurele and directed by Alan Kliffer, it satisfies all three camps.Framing is everything, and this romp begins with a faux earnest number, à la Waitress, where three suburban Susans detail their newfound pastime: putting their husbands to bed with some iPad time, knocking back an "Ambien margarita" and reveling in their favorite televised "boy aquarium". From there, "Main Susan" (Ryann Redmond, glorious) recaps the years-long flirtation between the feuding players, innocent Japanese-Canadian "Shane Hollander" (Jimin Moon) and brusque Russian "Ilya Rozanov" (Jay Armstrong Johnson).The obligatory double entendres (a song titled Shane Hollander, Slap that Stick! or a line, by Shane's mom, about the "heavy load" her obviously gay son carries) are expertly delivered right between earnestness and tongue-in-cheek, but it's MarcAurele's ability to mock the story's sillier elements that clinched it for me. Shane, whose thumb-twiddling submissiveness often grated me in the TV show, is played by Moon as a dopey bottom with a hopeless romantic complex. What the series plays out as a forbidden romance writ epic across timelines and borders, MarcAurele presents as Shane's borderline delusion in dealing with an uncaring dom for years on end. "I keep replaying things he said," Shane beams after a hookup, "like, 'Ass up, little whore.'" The score's best number, certainly the one best primed for cabaret nights anywhere, is Liza Minnelli's Maybe This Time send-up where Shane croons, "This fuck felt different from the last fuck. This fuck, he asked if I would stay."If reading that inspires eyerolls – totally – Moon (and the rest of the cast, which includes Cherry Torres and Ryan Duncan) are so winning in their deliveries, so in on the joke without reducing their project into one, that it's impossible to resist. As the icy-hot Ilya, Johnson has the less showy role and plays it mostly straight, which makes his song about an outcast childhood made tragic by his impossibly "big ass, cold heart" that much funnier. And, well, let's face it: Johnson and Moon are sexy as hell, and charming to boot. Kliffer's inventive staging, with choreography by Brooke and Tiffany Engen on a resourceful set by Sully Ross, goes long on bunny-hopping glee.The Off-Broadway Parody Boom: A New RenaissanceThe Canadian Kliffer, previously artistic director of famed improv spots like Second City and Asylum NYC, where he helped launch Titanique's improbable boom, later told me that these parodies rarely come together with such speed, let alone quality. He'd loved MarcAurele's Pop Off, Michelangelo! in London and M3gan spoof stateside, and had just bought into Heated Rivalry, courtesy of its amorously optimistic fifth episode, when the writer texted him with the idea. The resulting work fits attractively between the out-and-out bawdiness of the Titanic send-up and the relentless Millennial nostalgia of Ginger Twinsies, which parodied the 90s Parent Trap remake last summer, and Kliffer notes that this very queer, very funny moment downtown – which also includes Cole Escola's Oh, Mary! – points to "a little bit of an Off-Broadway renaissance."This particular renaissance seems to be defined by parodies that are loving but not saccharine, willing to mock their source material while still celebrating what made it appealing in the first place. The success of these shows suggests a hunger for theater that doesn't take itself too seriously but still delivers genuine theatrical craft. In a city where Broadway ticket prices can be prohibitive, these intimate, affordable productions offer a different kind of theatrical experience – one that feels more accessible and immediate.Cultural Impact: Beyond the ParodyHeated Rivalry exists at the intersection of several cultural conversations. The original series, based on novels by Rachel Reid, sparked discussions about who gets to tell LGBTQ+ stories and how those stories should be represented. The parody doesn't shy away from these questions but instead uses humor to explore them. By exaggerating certain elements of the original series, the musical actually highlights what made it compelling in the first place.The show also represents the growing visibility of LGBTQ+ stories in mainstream entertainment. What began as niche content has become a cultural phenomenon, with the original series gaining international attention and its stars becoming unlikely celebrities. The musical parody capitalizes on this popularity while simultaneously commenting on it, creating a meta-narrative that appeals to both fans and newcomers.Moreover, the success of Heated Rivalry reflects a broader trend in entertainment where audiences are increasingly drawn to content that acknowledges and plays with its own artificiality. In an era of heightened awareness about media consumption, audiences seem to appreciate works that don't pretend to be anything other than what they are – crafted, performed, and enjoyed.The Future of Parody Theater: What's Next?As the Off-Broadway scene continues to evolve with these clever parodies, we can expect to see more adaptations of popular TV shows and movies hitting the small stage. The success of Heated Rivalry, following in the footsteps of Titanique and other parody hits, suggests that there's a sustainable market for this type of entertainment.What's particularly interesting is how these parodies are pushing the boundaries of traditional musical theater. They're more immediate, more self-aware, and more willing to break the fourth wall than many conventional productions. This approach seems to resonate with younger audiences who are accustomed to interactive media and meta-commentary.Looking ahead, we might see parodies of other recent cultural phenomena – perhaps streaming hits, viral social media trends, or even political events. The key to success, as demonstrated by Heated Rivalry, will be balancing genuine affection for the source material with sharp, intelligent humor that offers something new to the conversation.

Interviewing Mouse on Mars: A Conversation Like No Other Interviewing Mouse on Mars is no easy feat. Not because the duo are hard to find, even though their current studio is hidden in a courtyard deep in Berlin’s Kreuzberg district. Nor because they continue to be notoriously busy, particularly since one half of the band, Jan St Werner (born Jan Stephan Werner), is now a professor in pop music, at the Folkwang University of the Arts in the western German city of Essen. The Collaboration with Lee 'Scratch' Perry After a five-year silence, they are about to release Spatial, No Problem, a collaboration with Lee “Scratch” Perry recorded during the late dub and reggae legend’s whirlwind visit to their former Berlin studio in 2019, two years before his death aged 85. The meeting had been set up by mutual friends, though it was not clear whether it would really happen until Perry arrived at Berlin’s airport – the former Bob Marley producer had a reputation for unpredictability, and dates kept shifting. The Making of Spatial, No Problem The result is a collage-esque fever dream of a record, marrying Perry’s signature free-flowing vocals with a strange, yet warm mix of countless instruments played by friends, all held together by glitchy electronics. They had the idea to record the session as spatial audio, a technology used to mimic a more “natural” hearing experience in 3D. Asking about his familiarity with the technique, Perry answered with a wide grin, and the sentence “Spatial? No problem”. The title to the album was born, which includes recordings that are said to be some of Perry’s last. The Impact of the Collaboration Their reverence for Perry is obvious, every attempt to steer the conversation towards other topics brings the trio back to their time with him. They paint a picture of a creative frenzy: technicians installing microphones whichever corner Perry ended up standing and performing in, friends popping in and out of the sessions, NKishi being proclaimed “God” by Perry in a graffito on the studio’s walls, a general sense of a meeting of minds between artists with a similarly anarchic approach to life and craft. The Future of Mouse on Mars At a moment when the music industry is becoming ever more algorithmic, more optimised, more relentlessly targeting fickle attention-spans on social media, Mouse on Mars remain a genuinely anomalous proposition: a band whose greatest asset is their refusal to be legible. And they have been doing this for 30 years, ending up somewhere entirely different than originally planned – and making it sound, against all odds, exactly where they meant to be.

The LeadNature groups have pleaded with swimmers to give wildlife a wide berth after dozens of people swam in a nature pond on Hampstead Heath among nests of baby birds during record-breaking temperatures in London.The Wildlife Disturbance IncidentSwans and their 12-day-old cygnets were disturbed by hordes of splashing revellers in the north London park on Monday as London reached record 35C temperatures. In one video, a swan was seen poking an unhatched egg with its beak after it fell into the water during the chaos.Conservationists responded with dismay after a video was shared on social media of the scenes, which the City of London called "utterly appalling". Coots, moorhens and swans were seen guarding their eggs and young as people obliviously splashed around them.There are large signs around the pond urging people not to swim as it is a wildlife conservation area. The unseasonably hot weather has meant that people have been going into water sources en masse to cool off, coinciding with the nesting season for water birds.Conservation ConcernsThe RSPB said it was "a crucial time of year for breeding birds which just want to nest and care for their young in peace". The bird charity urged people to swim in authorised, lifeguarded spaces rather than nature reserves."Along with the dangers of swimming in unauthorised places, there is a significant risk of disturbing wildlife. Many species are already under huge pressure and disturbance can make a parent abandon their nest, putting eggs and chicks at risk. Everyone has a part to play in protecting nature so we'd urge people to be responsible and give birds and other wildlife plenty of space when outdoors this summer," it said.Swans of Hampstead Heath, the Instagram account that raised the alarm about the birds, posted: "We are currently in peak nesting season. There are still eggs waiting to hatch, ducklings and chicks only days/weeks old, and for the first time in years, swans have successfully nested on this pond, with cygnets now just 13 days old. Restricting these birds to a small section at the back of the pond makes it incredibly difficult for them to access the natural food they need to survive."When nests are disturbed, the adult birds often flee, leaving their young to be eaten by predators or die of starvation.Official Response and EnforcementThe chair of the City of London Corporation's Hampstead Heath, Highgate Wood and Queen's Park committee, alderman Gregory Jones KC, said: "The recent conduct of some visitors swimming in non-lifeguarded ponds is utterly appalling. Entering other non-lifeguarded water bodies is extremely dangerous, against our bylaws, and causes significant harm to wildlife habitats.""We always seek to engage with visitors first, but the constabulary will take enforcement action where necessary, including issuing fines or making arrests."Broader Environmental ContextThe nature campaigner and barrister Paul Powesland said: "I am not defending the people in the video, but scenes like this are an almost inevitable consequence of the destruction of outdoor lidos and the poisoning of rivers across London. It's madness for a city the size of London to have only one set of wild swimming ponds; conveniently located in one of the wealthiest areas."There have, however, been warnings of cold water shock and drownings as lakes, rivers and the sea are much colder than the air temperatures at present.

Visual Tour of U.S. Workplace Lactation Spaces The photo series walks readers through a variety of lactation rooms, from sleek corporate suites to modest community‑center setups. Each image captures the balance between privacy, comfort, and functionality that employers aim to provide. Privacy: Curtains, lockable doors, and sound‑proofing are common features. Comfort: Reclining chairs, footrests, and adjustable lighting appear in most locations. Convenience: Nearby sinks, refrigeration for milk storage, and charging outlets support daily nursing routines. Why Lactation Rooms Matter for Employee Well‑Being Beyond aesthetics, these spaces address critical health and equity concerns. Providing dedicated rooms helps reduce stress for nursing parents, supports infant nutrition, and aligns with broader diversity‑inclusion goals. Improved maternal health outcomes by facilitating continued breastfeeding. Enhanced employee retention as parents feel valued and supported. Compliance with state and federal regulations that mandate reasonable accommodations for nursing mothers. Future Outlook for Workplace Breastfeeding Support As more companies publicize their family‑friendly policies, the visual narrative suggests a trend toward standardized, high‑quality lactation environments. Continued advocacy and policy reinforcement are likely to expand access, especially in smaller firms and remote work settings.