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The Challenge of Translating ShakespeareThe great Argentine writer Jorge Luis Borges, who translated William Faulkner, André Gide, Franz Kafka and Virginia Woolf into Spanish, drew the line at Shakespeare. Speaking of the moment when Hamlet asks the ghost why it returns to haunt "the glimpses of the moon", Borges commented: "I don't think it can be translated. Perhaps the words can be translated. Certainly Shakespeare cannot be translated. 'The glimpses of the moon' means exactly 'the glimpses of the moon'."All, however, is not lost. "It has been said that Shakespeare cannot be translated into any other language," Borges added. "But Shakespeare cannot be translated into English, either, since he wrote what [Robert Louis] Stevenson called 'that amazing dialect, the Shakespeare-ese'." This might not be entirely true, as the translator Daniel Hahn points out in this superbly diverting book. Recalling a hip-hop production of Romeo and Juliet he once saw, he persuades us instantly that "the phrase 'Do you kiss your teeth at me, fam?' proved to be a perfect translation of 'Do you bite your thumb at us, sir?'"Shakespeare Across LanguagesAnd if into English, then why not into Portuguese, or French, or Māori? Hahn's project is to argue that "Shakespeare with every word changed can still be great, and can remain Shakespeare", and to that end he reproduces chunks of Dutch, Russian, Welsh, Thai, Arabic, Japanese, and a dozen other languages, betting that by simply counting syllables or observing alliteration in a language one doesn't understand (as he cheerfully admits, he doesn't understand Danish), one can learn something about the quality of a translation. I wasn't convinced that wager worked much of the time, but the typesetters, as you can imagine, were certainly getting a decent workout, and the gambit does finally pay off when a long passage from Twelfth Night is annotated by boxes mentioning dozens of different translators' choices.Cultural Adaptations in TranslationWhat really illuminates the book are Hahn's conversations with his fellow translators, who can explain their choices directly. In Māori, we learn, Lady Macbeth's question to her husband, "Are you a man?", makes no sense at all, so the translator Te Haumihiata Mason renders it as something roughly meaning "Have you got balls?" – "which is," Hahn notes contentedly, "exactly what Lady M is asking." Meanwhile, Prince Hal's name means "fish" in Hungarian, which would be unhelpfully distracting, so it gets changed to Riki, short for Henrik.Hahn also offers many asides about the annoyances and pleasures of translation in general. "The word 'literal' is annoyingly overused to suggest a sort of 'neutral' translation, which cannot exist," he complains; and he shows that, in many cases, a non-literal choice would be better. When Mark Antony imagines Caesar's spirit to "cry 'Havoc'", for example, the closest Portuguese word is the rather weak-sounding "devastação"; a better choice, Hahn shows, is "matança" (killing), because it's shorter and more easily shoutable.Translating Verse and JokesEach chapter addresses a different question translators face, for example whether to translate into verse (careful: as one French translator observes, you risk making "a genius into a talented versifier"), or how to translate jokes: it's usually best, everyone agrees, to create an entirely new joke – "being faithful to the laugh", as Hahn calls it. In a German Midsummer Night's Dream, to preserve the doggerel rhymes, we are promised not that Thisbe will be in "mulberry shade" but that she will be "hiding like a newt". Translators might even embrace the possibility of a joke where none previously existed – which Hahn illustrates brightly by mentioning that the "sorting hat" in Harry Potter has become, in French, le choixpeau (the chapeau that chooses).Poetic Elements and Title AdaptationsCan you even preserve alliteration? Sometimes, if you're lucky: Love's Labour's Lost received the surely unimprovable Greek title of "Agapēs Agōnas Agonos" ("the struggles of love are barren"). But when no such fortunate tricks are available, you can simply replace one idiom with another: so, in Spanish, Much Ado About Nothing is often called "A lot of noise, not many nuts".There are quibbles to be made here and there. Hahn calls a line from Richard III "irregular" after counting syllables, but it's a perfectly regular line that begins with an anapest (da-da-dum). And when Juliet says to Romeo "You kiss by th'book", Hahn glosses this as her approvingly noting his "formal courtship", but she is surely issuing a flirtatious challenge. And – this being the publisher's rather than the author's fault – the book has been produced, inexplicably, without an index.The Value of TranslationAll may be forgiven, though, for the delight and endless curiosity displayed in these pages. "In Shakespeare, people get sad with precision," Hahn enthuses. And he is cherishably bitchy about certain literary "translators" who somehow produce new English versions of Chekhov or Ibsen without speaking the source language – the process being, as he surmises, "a sort of high-status prettying up of a so-called 'literal' translation". By the end of the book, Hahn has amply demonstrated not only the treasures of other languages, but also the rich and strange inexhaustibility of Shakespeare himself.

The Leap: Conversational Access to Quantitative Drug‑Discovery ModelsIn a bold move to democratize high‑performance chemistry, SandboxAQ has integrated its proprietary large quantitative models (LQMs) into Anthropic’s conversational AI, Claude. The partnership eliminates the need for users to provision costly computing resources, allowing scientists to query complex quantum‑chemistry simulations in natural language.SandboxAQ Teams with Anthropic to Embed LQMs in ClaudeThe five‑year‑old Alphabet spin‑out, chaired by Eric Schmidt, announced the integration after raising $950 million from investors. The LQMs are “physics‑grounded,” meaning they are built on scientific equations and real‑world lab data rather than purely on text patterns. They can perform quantum chemistry calculations, molecular‑dynamics runs, and micro‑kinetics simulations, delivering predictions about candidate molecules before any wet‑lab work begins.Financial and Market Scale of the Quantitative Economy$950 million raised to date by SandboxAQ.The company positions its LQMs within a $50+ trillion quantitative economy spanning biopharma, finance, energy, and advanced materials.Traditional drug‑discovery projects can cost billions of dollars and take a decade to yield a viable molecule.Why a Conversational Interface Could Disrupt Pharma R&D;Historically, only computationally sophisticated teams could leverage large‑scale chemistry models, requiring on‑premise GPUs or cloud clusters. By surfacing these capabilities through natural‑language chat, SandboxAQ lowers the barrier for:Computational scientists seeking rapid hypothesis testing.Experimentalists who lack deep AI‑infrastructure expertise.Large pharmaceutical and industrial firms aiming to accelerate material discovery.Customers have reported that existing software failed to translate complex problems into actionable results, a gap SandboxAQ hopes to fill.Future Outlook: Scaling AI‑Driven Chemistry Across IndustriesWith the Claude integration, SandboxAQ expects broader adoption beyond pharma, extending into energy, finance, and advanced materials where quantitative simulations are critical. As more firms adopt conversational AI for scientific workflows, the competitive advantage will shift from model performance to usability and integration speed. The next wave may see LQMs embedded in other enterprise assistants, further blurring the line between AI chat and high‑performance scientific computing.

The Lead: Somaliland's New Era BeginsSomaliland has marked its first year of independence following recognition by Israel, the first country to acknowledge its sovereignty since autonomy from Somalia was declared in 1991. Thousands gathered in the capital Hargeisa for a military parade and traditional dances, with heightened excitement after Israel's decision in December to recognize Somaliland's independence.The Event Details: Celebrating Sovereignty Amid ControversyPresident Abdirahman Mohamed Abdullahi addressed the crowd, stating: Somaliland has fulfilled all the requirements of a responsible, peaceful, law-abiding and democratic nation. The president emphasized that the question Somaliland asks the world is no longer whether we deserve recognition, but when. Despite the celebrations, the event takes place against a backdrop of internal division and international controversy over the breakaway region's status.The Strategic Importance: A Valuable LocationSomaliland's leaders highlight the territory's stability, relative democracy, and strategic location on the Gulf of Aden – close to key shipping lanes and conflict-torn Yemen – as making it a valuable military and trading hub. They had hoped other partners, including the United States, United Arab Emirates, and Ethiopia, would follow Israel's lead, but recognition has not yet broadened beyond the Middle Eastern nation.The International Response: A Diplomatic IsolationThe African Union and many international partners oppose formal recognition of Somaliland, fearing it could embolden other separatist movements across the continent. Despite Somaliland's claims of meeting all requirements for statehood, the international community remains largely unwilling to endorse its independence, creating a complex diplomatic landscape for the unrecognized nation.The Internal Divide: Celebrating vs. ProtestingIsrael's move has divided opinion inside Somaliland, which has an almost entirely Muslim population. Some in the heartland have embraced the new relationship, with Israeli flags appearing in homes and businesses. Others view the alliance with deep suspicion, especially as Israel continues its war on Gaza. Local activists report that dozens of people – including religious scholars and young men carrying Palestinian flags – have been arrested during protests against the new ties.The Territorial Challenges: Unresolved ConflictsSomaliland does not fully control the territory it claims. The newly formed North East State of Somalia asserts that some eastern areas fall under its authority. In 2023, Somaliland forces fought with local clans there, shelling hospitals, schools, mosques, and residential areas. Amnesty International reports that hundreds or even thousands were killed or wounded, with about 200,000 people displaced. The conflict will reignite, warned Ahmed Ali Shire, a North East State member of parliament from Las Anod, suggesting Israel's involvement risks repeating foreign interference that fueled Somalia's civil war in the 1980s.The Security Concerns: External Threats and ReprisalsMany in Somaliland worry about potential reprisals from Yemen's Houthi rebels, who are backed by Iran and have threatened to strike Somaliland if Israel establishes an expected military presence there. The Houthi threats have many people scared, said resident Dahir Omar Bile, 42, who also expressed distrust toward Israeli Prime Minister Benjamin Netanyahu, stating: Somaliland fought hard for its independence but I can't trust Netanyahu. He's killed children the same age as my own. These concerns highlight the complex security challenges facing Somaliland as it seeks international recognition while navigating regional conflicts.

Lead: A Ouija‑Board Dialogue with the CanvasSanya Kantarovsky describes his process as “like a Ouija board, I listen to the painting,” a sentiment that permeates his latest exhibition, Basic Failure, which opened in May 2026 at Venice’s Institute of Sciences, Letters and Arts. The show, timed with the 2026 Biennale, confronts viewers with dishevelled figures, uncanny transformations and a lingering sense of alienation. Basic Failure Opens in a Historic Venetian PalazzoSet within a palazzo of high ceilings, dark terrazzo‑marbled floors and walls lined with antique books, the exhibition begins with the diminutive portrait Boy With Cigarette. The painting’s pallid, down‑turned youth, rendered in thick blue brushstrokes, “feels both familiar and kind of alien at the same time,” according to the artist. Nearby, a child spins carefree, creating a visual tension between innocence and menace. Quantifying the Exhibition: Scale and ReachOpening date: May 2026Artist age: 44Venue capacity: approximately 200 visitors per hour during peak Biennale daysNumber of works displayed: over 30 paintings and installations Impact: Re‑defining the Supernatural in Contemporary ArtKantarovsky’s work draws on Russian literary darkness while echoing the metaphysical concerns of Pablo Picasso, Giorgio de Chirico and Milton Avery. By rendering subjects from memory rather than direct observation, he creates “narrative fragments” that challenge conventional storytelling in visual art. The exhibition’s dialogue with religious iconography—referencing Masaccio’s expulsion of Adam and Eve—adds a layer of cultural critique that resonates with the Biennale’s broader exploration of identity and displacement. Looking Ahead: The Future of Narrative FragmentationKantarovsky predicts that his “basic failure” methodology—embracing the inability to fully translate internal visions—will inspire a new wave of artists to explore the unconscious through fragmented, non‑linear imagery. As the Biennale draws global attention, the show is poised to cement his reputation as a provocateur who bridges psycho‑analysis and contemporary painting.

The Rediscovery of a Forgotten VisionaryGordon Stevenson, a multifaceted artist who made significant contributions to New York's late-70s no wave scene, is about to experience a posthumous renaissance. Four decades after his death, Stevenson has been largely remembered as merely a footnote in other people's stories. However, this is about to change dramatically with the discovery of a storage unit filled with his lost work, including jewelry, collaborations with mail-art pioneer Ray Johnson, and even clues to the whereabouts of a surviving print of his notorious film, Ecstatic Stigmatic.The Early Life and InfluencesStevenson's story begins not in the gritty streets of New York, but 900 miles south in the small town of Dublin, Georgia. Born into a family of "emotionally repressed stoics," he was a maths prodigy with a taste for Flannery O'Connor, Nietzsche, and Sartre. His intellectual pursuits and unconventional lifestyle created a rift with his parents, who expected him to follow a more traditional path. Offered a maths scholarship at Georgia Tech, Stevenson instead chose the liberal arts campus of Eckerd College in St. Petersburg, Florida, further widening the divide with his family.The New York YearsIn 1977, Stevenson and his partner Mirielle Cervenka relocated to New York, a city that photographer Julia Gorton described as "a nihilistic playground for people with trauma." The city was "very destroyed by the drugs and violence," according to Maripol, a European émigré designer and filmmaker who later worked with Grace Jones and Madonna. "But there was freedom. That the city was bankrupt meant low rents. Creative people could afford to live there," Maripol recalls.The Artistic LegacyStevenson's artistic contributions were multifaceted. He and Cervenka founded the jewelry brand LHOOQ, which "repositioned the jewellery for the punk market" by upcycling vintage trinkets. His "memento mori" series focused on crosses and skulls, anticipating gothic fashion and showcasing a macabre sensibility. In music, he joined Lydia Lunch's Teenage Jesus and the Jerks, a band that was, according to Gorton, "really intense, abrasive, not friendly – just a perfect band." Jim Sclavunos, who later drummed for Sonic Youth and Nick Cave and the Bad Seeds, remembers Stevenson as "a very striking presence, depraved in the right ways." His most ambitious work was the film Ecstatic Stigmatic, a $5,000 production inspired by Catholic mysticism and the Jonestown massacre, which Sclavunos found "surprised by how good it was. A lot of no wave cinema looked juvenile. But Ecstatic Stigmatic was very shadowy, sleazy and sexual."The Impact on Contemporary CultureThe rediscovery of Stevenson's work comes at a time when there is renewed interest in the no wave movement and its influence on contemporary art and music. His story offers insight into the creative ferment of late-70s New York, a time when the city's financial struggles paradoxically created space for artistic experimentation. The letters Stevenson wrote to his parents, which his family has recovered, provide a personal window into this period, chronicling life in the downtown demimonde and his experiences as one of New York's first Aids patients. As his sister Barbara Stevenson notes, "Gordon always belonged in New York," and with this rediscovery, his rightful place in the city's artistic pantheon is finally being secured.

The Hajj Pilgrimage: A Spiritual Journey Nearly 2 million Muslims are preparing to embark on the annual Hajj pilgrimage to Mecca, which begins on May 25, following the sighting of the crescent moon in Saudi Arabia. The Hajj is the largest annual gathering of Muslims from all over the world and a once-in-a-lifetime journey for many. It is also the fifth pillar of Islam. What is Hajj? The Hajj is the annual pilgrimage to Mecca, Saudi Arabia. It is the fifth and final pillar of Islam, along with the declaration of faith (shahada), five daily prayers, obligatory charity (zakat), and fasting during the month of Ramadan. When is the Hajj Performed? The Hajj is performed between the 8th and 12th (or 13th) of Dhul-Hijjah, the 12th and final month of the Islamic calendar. The timing falls roughly 70 days after the end of Ramadan, though this can vary slightly depending on the lunar cycle. In 2026, the Hajj will take place from May 25 to May 27. Why Do Muslims Perform the Hajj? Muslims believe that the Hajj is a direct commandment from God, as outlined in the Quran. Prophet Muhammad's 'farewell pilgrimage' in 632 AD affirmed the steps in the 10th year of the Islamic calendar, and it is mentioned in the Quran nearly a dozen times. The Hajj begins before pilgrims even enter Mecca. The journey is a spiritual one, and it is considered to allow Muslims to seek forgiveness, purify their souls and demonstrate their submission to God. How is the Hajj Performed? Muslims perform many rites and rituals during the five days of Hajj, which can be explained in the following steps: Ihram: Entering the pilgrimage Tawaf: Circling the Kaaba Sa'i: Walking between Safa and Marwah Mina: The tent city Arafat: The central day of Hajj Muzdalifah: Sleeping under the open sky Stoning of the pillars Sacrifice during Eid al-Adha Cutting or shaving hair Main tawaf Marking the End of Hajj Muslims mark the end of the Hajj with Eid al-Adha, celebrated on the 10th of Dhul-Hijjah and lasting up to three days in many countries. The day begins with a special prayer shortly after sunrise, as Muslims gather in mosques or open areas, wearing their finest clothes. The rest of the day is spent sharing meals, exchanging gifts, and visiting family and friends.

The New Era at Chelsea Begins Chelsea FC has officially announced the appointment of Xabi Alonso as their new manager. The Spanish footballer has signed a four-year contract and will commence his duties during the pre-season. Alonso's Background and Appointment Alonso, previously the head coach at Real Madrid, becomes the sixth permanent manager of Chelsea's BlueCo era. He will take charge of the team from July 1st, marking his first managerial role in the Premier League. Alonso was sacked by Real Madrid in January after a brief tenure. The Impact on Chelsea This appointment is considered a significant coup for Chelsea, as Alonso has been on their radar for at least three years. The club's shortlist for the managerial position also included Filipe Luís, Andoni Iraola, Oliver Glasner, and Marco Silva. Upon his appointment, Alonso expressed his pride, stating, 'Chelsea is one of the biggest clubs in world football and it fills me with immense pride to become manager of this great club.' The Transition and Future Outlook Callum McFarlane has been serving as interim manager since the departure of Liam Rosenior last month. McFarlane was present on the touchline during Chelsea's FA Cup final loss to Manchester City on Saturday. With Alonso at the helm, Chelsea is expected to undergo significant changes as they prepare for the upcoming season.

The Return of Quirky Detective DuoDeath Valley returns to BBC One at 8.15pm, bringing back the enjoyably quirky murder mystery comedy featuring retired actor John Chapel (Timothy Spall) and Welsh detective Janie Mallowan (Gwyneth Keyworth). This season, John has a new goatee and girlfriend, which doesn't sit well with Janie, especially since he's now dating her mother. Despite this family complication, they reunite as an unlikely detective duo when a man doing community service is found dead at an outdoor rave site.Adventure in Russia's Far EastAt 7.15pm on BBC Two, Expedition With Steve Backshall begins its second thrilling series at the Kronotsky River in Russia's far-east Kamchatka Peninsula. The explorer and his team of top kayakers attempt a descent that's never been done before, facing additional challenges from active volcanoes and brown bears in this remote wilderness.Documentary on Justice for Rape VictimsBelieve Me airs on ITV1 at 9pm, offering an unrelenting look at the gaslighting and retraumatisation of rape victims as they seek justice. The show continues to follow the case of John Worboys as he continues his attacks while police make glacial progress. Viewers witness the ongoing effects on victims such as Sarah, who has given birth to her second child while navigating the justice system.Amateur Singing Competition Reaches Grand FinalYour Song: The Grand Final on Channel 4 at 9pm brings the amateur singing competition hosted by Alison Hammond to its climax with a sold-out concert at London's Hackney Empire. After heartstring-tugging public heats in Liverpool, Edinburgh, London and Birmingham, five finalists compete for the title. Supportive mentors Sam Ryder and Paloma Faith face the difficult task of deciding the winner.Jools Holland Marks Milestone with New SeriesThe eternal live music show Later … With Jools Holland begins its 68th series on BBC Two at 10pm, coinciding with host Jools Holland turning 68. Despite his age, his passion for new sounds that can be decorated with boogie-woogie piano remains undimmed. The opening episode welcomes Niall Horan, Tomora, Aja Monet, Getdown Services and Jools's old muckers Squeeze to the Ally Pally theatre.Australian Thriller Explores Neighborhood SecretsAt 10.20pm on ITV1, The Family Next Door presents an aesthetically pleasing Australian thriller about secrets hidden in an otherwise idyllic suburb. When Isabelle (Teresa Palmer) rents a home on Pleasant Court cul-de-sac in a seaside town, she becomes obsessed with her neighbors and discovers a mystery to solve.Film Choices Explore Complex Family DynamicsOn BBC Three at 10.40pm, God's Creatures examines how far a mother's love can go when Emily Watson's Aileen faces a life-changing question after her prodigal son, Brian (Paul Mescal), returns home from Australia. When Sarah (Aisling Franciosi), her young colleague at the seafood processing factory, is raped and accuses Brian, Aileen provides him with a false alibi. The claustrophobic drama reveals how tight-knit communities often respond to challenges with denial and exclusion, with women typically bearing the consequences.Following that, at 10.50pm on BBC Two, Brother presents a heartfelt sibling drama about the long reach of trauma. Directed by Clement Virgo, the film follows Lamar Johnson's young Jamaican-Canadian Michael as he ekes out an existence with his grief-numbed single mother, Ruth (Marsha Stephanie Blake). In a parallel timeline, the teenage Michael is guided to adulthood by his older brother, Francis (Aaron Pierre), a charismatic would-be hip-hop musician struggling to rise above police racism, gang violence, and homophobia.Live Sport Action Across Multiple ChannelsSports fans have multiple options tonight, beginning with Women's Six Nations Rugby: Wales v Italy at noon on BBC Two, followed by France v England at 4.25pm on BBC One. Football enthusiasts can catch Premier League matches with Man United v Nottingham Forest at noon on Sky Sports Main Event and Newcastle v West Ham at 5pm.

City’s narrow victory and Semenyo’s match‑winning ratingManchester City secured a 1-0 triumph over Chelsea at Wembley, thanks to a back‑heeled winner from Antoine Semenyo. The Guardian’s player‑rating panel awarded Semenyo an 8, the highest score of the match, underscoring his decisive impact.Player‑by‑player rating breakdown reveals Chelsea’s defensive frailtiesRatings expose a clear split between the two sides. Chelsea’s back line struggled to contain City’s attacks, while several midfielders failed to influence the game.Robert Sánchez – Rating 6Wesley Fofana – Rating 5Levi Colwill – Rating 5Jorrel Hato – Rating 5Malo Gusto – Rating 5Reece James – Rating 4Moisés Caicedo – Rating 4Marc Cucurella – Rating 5Cole Palmer – Rating 5Enzo Fernández – Rating 5João Pedro – Rating 6Pedro Neto (sub) – Rating 6Liam Delap (sub) – Rating n/aAlejandro Garnacho (sub) – Rating n/aStatistical snapshot shows City’s higher average ratingCity’s eleven received consistently stronger scores, with three players earning a rating of 7 or higher.James Trafford – Rating 6Matheus Nunes – Rating 6Abdukodir Khusanov – Rating 5Marc Guéhi – Rating 7Nico O’Reilly – Rating 7Bernardo Silva – Rating 7Rodri – Rating 6Antoine Semenyo – Rating 8Omar Marmoush – Rating 4Jérémy Doku – Rating 5Erling Haaland – Rating 7Mateo Kovacic (sub) – Rating 6Rayan Cherki (sub) – Rating 7The collective average for City sits at roughly 6.4 versus Chelsea’s 5.0, reflecting a broader performance gap.What the ratings mean for both clubs heading into the new seasonFor Chelsea, the low scores for key defenders (James at 4, Caicedo at 4) signal a need to reinforce the back line before the Premier League campaign begins. Midfield creativity also appeared muted, with no player breaking the 6‑point ceiling.Manchester City can draw confidence from a balanced rating spread, especially the solid contributions from Guéhi, O’Reilly and Silva. However, the absence of a goal from Haaland (rating 7) suggests a potential reliance on other attackers, a factor to monitor in upcoming league fixtures.Future outlook: key players to watch after WembleyAntoine Semenyo – His 8‑point performance puts him on the radar for both club and England selection.Erling Haaland – Despite not scoring, his assist and overall rating indicate he remains a decisive threat.Reece James – A sub‑4 rating highlights a possible leadership and form issue that Chelsea must address.Marc Guéhi – Consistent 7‑point displays suggest he could be a defensive mainstay for City.