A Sensuous Slice of Opulence: Monteverdi's *Il Ritorno d'Ulisse* at Garsington Opera
The Renaissance of Monteverdi on the Chiltern Stage
Lightning strikes twice in the Chiltern Hills as director John Caird and conductor Laurence Cummings reunite for a highly anticipated revival of Monteverdi's *Il Ritorno d'Ulisse*. This production, running until 25 July at Garsington Opera, serves as a testament to the enduring power of baroque music theatre, successfully translating the 17th-century masterpiece into a contemporary sensory experience.
Visual Opulence and Musical Ingenuity
The production distinguishes itself through a striking visual narrative. Robert Jones has repurposed elements of the set design from the 2022 *Orfeo*, creating a verdant terrace environment surrounded by crumbling frescoes. The aesthetic is a unique fusion of Elizabethan ruffs and shimmering robes for the gods, juxtaposed with the Edwardian elegance of the mortal characters. This creates a "golden aura" that enhances the magical realism of the performance.
- Set Design: Repurposed terraces and frescoed walls.
- Atmosphere: Opulent costumes and golden lighting.
- Ensemble: The English Concert provides a polished performance using period instruments like the lirone, harp, and sackbuts.
Cast Dynamics and Performance Metrics
The success of the production rests heavily on its vocal performances. Ed Lyon delivers a rugged and flexible tenor as Ulysses, effectively capturing the character's journey from shipwrecked mariner to triumphant king. Cecelia Hall offers a sympathetic portrayal of Penelope, balancing political pragmatism with emotional depth. The supporting cast, including James Gilchrist as the shepherd Eumete and Benjamin Hulett as Anfinomo, adds layers of character nuance to the narrative.
Looking Ahead to 2028
While the first half of the performance is noted for being dramatically sluggish, the overall pacing is assured. The production concludes with a promise of future artistic endeavors, setting the stage for a 2028 revival of Monteverdi's *L'incoronazione di Poppea*, further cementing Garsington Opera's commitment to baroque excellence.