The Met Exhibition: 'Musical Bodies' Connects Human Identity with Instruments

The Concept of Musical Bodies

The Metropolitan Museum of Art's new exhibition, Musical Bodies, delves into the intricate relationships between human bodies and musical instruments across 4,000 years of history. Curated by Bradley Strauchen-Scherer, the show presents over 600 instruments from six continents, showcasing the evolution of music-making and its role in human identity.

The Exhibition's Scope

The exhibition spans a vast array of instruments, from African drums and ancient Egyptian clappers to Prince's androgynous guitars and cutting-edge MiMu Midi gloves. This diverse collection highlights the creative expressions of human beings through music and their instruments.

Instruments as Extensions of Human Identity

Strauchen-Scherer emphasizes that musical instruments are not just tools for making music but are deeply connected to human identity and expression. The exhibition illustrates how instruments absorb our creative spirit, allowing our humanity to take shape in their form, decoration, and distinctive sounds.

Case Study: Prince's Symbol Guitar

A highlight of the exhibition is Prince's 'symbol guitar,' commissioned in 1993. This iconic instrument reflects Prince's personal exploration of gender and creative expression. Strauchen-Scherer notes that the guitar symbolizes Prince's fusion of male and female energies, echoing his lyrics from 'I Would Die 4 U': 'I'm not a woman / I'm not a man / I am something that you'll never understand.'

The Primacy of the Human Voice

The exhibition also underscores the fundamental role of the human voice in music-making. Strauchen-Scherer likens the human voice to the musical instrument par excellence, noting that it is the first sound we make in the world and a benchmark that all instruments aspire to.