David Hockney: A Tribute to the Artist Who Changed the World with His Visual Pleasures

The Enduring Legacy of David Hockney

David Hockney's art was a feast of unabashed visual pleasure, one long orgy of the gaze, the delighted lifelong epiphany of someone who cherished flowers in a vase and freeways in the sun and thought endlessly about new ways of making pictures of such passing treasures. He changed the world just by looking at it.

Hockney's Vision of Paradise

The most revealing fact about Hockney is that he loved LA. Where some might see a moronic inferno, he saw freedom and possibility under an unjudging blue sky. Low-lying houses with patio doors glinting vacantly, tall thin palm trees with tiny heads, the white spume of a diver's splash – Hockney's California is a vision of paradise.

The Intersection of Art and Life

Pop art had a miserable streak a Chevrolet wide. Most of its great exponents – Richard Hamilton, Andy Warhol, Gerhard Richter – were not fans but cold critics of the new western consumer society that was taking shape by 1960. Then along came Hockney. A childhood in the smoke-blackened industrial landscape of Bradford produced a young artist as free from nostalgia as he was from snobbery.

A Master of Observation

By the end of the 1960s, an eerie stillness dominated his paintings as he became more openly the observer, the looker-on. The loneliness of looking is the theme of what may be his greatest painting, Portrait of an Artist (Pool with Two Figures). It's certainly his most expensive, selling in 2018 for $90.3m.

A Celebration of Life and Art

Hockney once took me around a Caravaggio exhibition at the National Gallery to demonstrate why he believed the painter must have used some kind of early camera. Then at his London residence, he produced a Japanese scroll to show how eastern landscape art uses shifting, unfurling viewpoints that are much more embracing of the world's scale than the single-point perspective that has obsessed western art.