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The World Cup 2026 Player GuideThe Guardian has released an impressive comprehensive guide featuring all 1,248 players for the upcoming World Cup 2026. This remarkable piece of work acknowledges the dedication of colleagues who worked tirelessly to prepare this extensive resource. The guide offers various ways to explore the player database, with notable mentions including Luka Modric's age and Spain's Mikel Oyarzabal, who is predicted to win the Golden Boot.Final Countdown to World Cup KickoffWith less than a week remaining before the World Cup begins, excitement is building for the Group A opening match between co-hosts Mexico and South Africa. The tournament is set to commence in six days and 11 hours, marking the start of what promises to be an exciting international football showcase.Transfer News and AppointmentsIn transfer news, Andoni Iraola has been appointed at Liverpool, bringing fresh leadership to the club. This development comes amid the flurry of activity as teams finalize their preparations for the upcoming season and international tournaments.England Lionesses Face Crucial QualifierOne of the most significant matches in women's international football is set to take place as England's Lionesses face Spain. This match carries added significance as England will qualify for the 2027 World Cup finals in Brazil with a victory or draw, making it a pivotal moment in their campaign.England Men's Team PreparationsEngland's men's team is preparing for a friendly match against New Zealand, led by Chris Woods. The match, scheduled for Saturday night, represents another step in the team's preparations as they build momentum toward the upcoming international competitions.Tournament Resources AvailableFor fans eager to track the tournament progress, comprehensive resources including wallcharts and online brackets are available. These tools will help supporters map out potential matchups, including the anticipated encounter between England and Spain, enhancing the viewing experience throughout the competition.

The LeadThis week's top picks for TV include a mix of classic films and recent releases. From Pixar's latest to classic Hammer horrors, there's something for everyone. Pick of the Week: Hoppers“We’re all in this together.” It may seem an obvious eco message to be pushing at the kids who will flock to watch the latest Pixar animation. But when it’s done as charmingly as in Daniel Chong’s sci-fi comedy adventure, you’d be hard-pressed not to cheer along with the film’s endangered animals. Mabel (voiced by Piper Curda) is our teenage human guide to a biodiverse nook of woods and water near Beaverton. But when a proposed freeway causes the wildlife to scatter, she “hops” her mind into a robotic beaver (invented by her biology teacher) so she can track them down and save their glade. Crammed with neat gags, relatable villains and a shark assassin named Diane, it’s cute propaganda. Out now, Disney+ The Curse of FrankensteinThe first in what would be a distinguished line of colourful “Hammer horrors”, Terence Fisher’s 1957 adaptation of Mary Shelley’s novel still packs a punch. Unable to copy the pathos-tinged Boris Karloff look, the film-makers fashioned a creature with a grey, clammy pallor and irredeembly violent tendencies. He doesn’t even turn up until halfway, but luckily Peter Cushing – in his first movie starring role – commands the screen as the hubristic Baron Frankenstein, a monomaniac diving gleefully off the ethical deep end. Saturday 6 June, 9.05pm, Talking Pictures TV VermiglioThe simple, traditional life of an Italian mountain community butts up against the frictions exposed by the second world war in Maura Delpero’s sensitive, beautiful drama. Tommaso Ragno wields his forbidding white moustache well as local teacher, and father of eight, Cesare. He is harbouring two army deserters: his nephew and the lad’s Sicilian friend Pietro. But then his eldest daughter Lucia falls for Pietro, disturbing the family’s balance of power and stress-testing parental and gender norms to the brink of collapse. Saturday 6 June, 9.20pm, BBC Four The Beautiful GameFor better or worse, out come the footie films for the World Cup. Thea Sharrock’s quirky comedy is one of the niftier ones. Based on a true story, it revolves round the Homeless World Cup. Bill Nighy is his usual wryly comic self as Mal, the manager of the England squad – young men all with tragic backstories – as they head to the tournament in Rome. Mal’s secret weapon is Vinny (Micheal Ward), who nearly made it as a pro but is now a bundle of resentment. The social issues are only touched on, but the “no I in team” moral is loud and clear. Sunday 7 June, 3.35pm, Channel 4 NomadlandChloé Zhao’s moving 2020 drama is one of those rare Oscar winners that feels like an instant classic. It is a portrait of America’s “nomads” – mostly middle-aged loners whose home is their RVs, as they seek out seasonal work and form temporary communities. Acting among an array of real-life travellers, Frances McDormand is a case study in less is more as widow Fern, who heads out into the wide vistas of her nation to discover if this is a meaningful life or merely existing. Sunday 7 June, 1am, Channel 4 The ChoralTODO

The Encounter with the 'Queen of Trees' I breathe in the bluebells as a blackcap sings. At the crescendo, a flash of yellow breaks up the blue – a brimstone butterfly flies up to my face, then moves back, approaches, then draws back, repeating the fluttered action until I follow. A Moment of Connection in the Forest Together, we weave through fresh-scented firs before my companion flits away and I realise that I have come further into the forest than intended. My feet start to throb and the wind, as the sky grows overcast, brings a chill. I see the leaves of a vaulted canopy stir overhead and feel the softest carpet of fallen catkins underfoot. Although the threat of rain urges me forwards, a tree, an imposing common beech, makes me stay. The Majesty of the Common Beech Looking up through the domed crown, I think of the beech’s moniker as the queen of British trees. The long-living, high‑growing beech can grow over 40 metres tall and – with age, perhaps spanning multiple centuries – provide habitats for deadwood specialists like wood‑boring insects and hole‑nesting birds. This tree’s girth speaks of a long life that I find myself imagining; how many winds have run through the leaves, how many birds have been held in the branches, how many foot‑sore humans have found relief sinking into fallen catkins? A Shared Moment with a Tawny Owlet Thinking myself alone, it takes a confused moment to disentangle my eyes from another’s, to realise that – deep in the tree’s crevice – a tawny owlet is watching me. My eyes take small circuits around the white patches of the bird’s face: first the beak, then over the left eye, the right, then back again. I blink. It blinks. I blink. It blinks. We are reaching some kind of accord. A Peaceful Goodbye I move back a little and wait. Every now and then, its eyes meet mine. It blinks. I blink. It would be easy to fall asleep, as no doubt it was before my approach. But I know that I cannot stay. As I edge away, I mutter thanks to the brimstone for taking me on a different route, for leading me to this sheltering beech and the secrets that it keeps.

The Ancient Art of Altamira The aurochs, the mammoth, and the steppe bison are long extinct, but their painted likenesses still look relatively fresh across the walls and roofs of Altamira. Or so said Diego Garate Maidagan, who is one of the very few humans allowed to enter that exalted cave in northern Spain. The Technique of Prehistoric Painters Garate's specialism requires close attention to the etching or “pecking” technique whereby the artists used flint blades to outline figures on the rock before applying their ochre and charcoal. Altamira is rare and precious, he told me, because those reds and blacks are still so solid and vivid. The colours were preserved in the near-quarantine conditions imposed by that long-ago landslide. The Impact of Human Presence on Cave Art The site was opened to the public in 1917, partly closed in the 1970s, then shut for good in 2002, as a century or so of gaping admiration revealed the paint-stripping effects of moisture and carbon monoxide from the breath of too many beholders. A replica cave, with replica artwork, was created on an adjacent site. Today, only Garate and other select scholars have access to the original sanctuary. The Future of Cave Art Research In the far north of the Basque Country, the recent search for such apparitions has stirred “a little revolution”, by Garate’s reckoning. He and his colleagues in Santander planned a campaign to test a working theory: that the caves of northern Spain and south-western France were once lavishly decorated with pictograms and petroglyphs, now barely visible to the untrained eye. Unlocking the Secrets of Prehistoric Image-Making The general idea, Garate told me, was to reverse-engineer the processes of prehistoric image-making: to unpack the practical, mechanical decisions of the artists, and thus to better understand their skill set, their knowledge base, their means and modes of communication. One project gauged the “luminous intensity” and “radius of action” achieved by burning different woods and fats to light the cave.

The Concept of 'On the Edge'The garden, named 'On the Edge', is a celebration of the often-overlooked urban edgelands, those unprotected and modest places that exist on the fringes of towns and cities. Designed by Sarah Eberle, it marks the centenary of the Campaign to Protect Rural England and the launch of the first interactive map of England's countryside edges.The Design and FeaturesThe garden features a naturalistic design with a variety of plants, including herb robert, plantain, bramble, and nettle. A drystone wall is woven with dog roses and willow, representing the hair of Gaia, a giant sleeping figure carved from fallen redwoods. The garden also includes a concrete farm trough, which has been transformed into a beautiful and serene feature with leaf shadows moving over its surface.The Significance of the GardenThe garden's design and features are meant to evoke a sense of wildness and neglect, highlighting the beauty of these often-overlooked areas. The garden's creator, Sarah Eberle, aims to raise awareness about the importance of preserving these urban edgelands and the role they play in supporting local wildlife. The garden's success is evident in its gold and best in show awards at the Chelsea Flower Show.The Future of Urban EdgelandsThe 'On the Edge' garden serves as a reminder of the importance of preserving and protecting urban edgelands. As urban areas continue to grow and expand, these areas are often threatened with development, making it crucial to raise awareness about their value and significance. The garden's message is clear: these areas are not just neglected spaces, but vibrant and beautiful parts of our urban landscapes that deserve our attention and protection.

The Connection to Nature As a recent study revealed almost half of UK adults now spend less than three hours a week in natural settings such as gardens, parks, fields or woods, we asked readers to tell us about what being outside means to them. Personal Stories of Healing The replies – heartfelt and passionate – came flooding in, with some admitting they just did not have the words to say how important it is. “It’s my happy place, my therapy and a reason to slow down and pause during my busy week,” wrote Hannah Powell from Perrywood garden centres. “I HAVE to look at plants every day. I notice every change in the garden. I sit facing the garden for my breakfast. I look out for nature on the way to work (recently seeing a little owl, red kites, foxes, hares, and more). It helped me get better when I had burnout and FND in London. I wouldn’t (couldn’t) be without it.” The Science Behind Nature's Benefits David Lynch esaid about his love of being outside. “Anxiety levels drop, all worldly concerns are put in perspective and [I] feel younger.” He agreed with others that there was plenty of recent science explaining the health benefits, but added: “I also read about ancient wisdom of Buddhism, which advocates solitary time in nature. All sources uphold the truth that better connection with nature brings better self-awareness and increased sensitivity to the needs of our ecosystem, plus better connection with each other.” The Impact on Mental Health Isabel Romaniw, who is working towards becoming a forest bathing guide, wrote passionately about the basic human need to be outside and to connect with nature. “We are animal, a simultaneously ordinary and yet utterly remarkable part of the great, miraculous tapestry of life on Earth. We have done much to shape our world and influence the fates of almost all other species we share our world with, but we must remember that we are but a tiny chapter, perhaps a footnote, in the ongoing story of the universe, in order to start to heal the damage and repair our relationships with ourselves, with each other, with our other-than-human kin, and with our one precious home.” For Romaniw, as for many others, our disconnection with nature is closely linked to “the worsening physical, mental and spiritual health crises that seem to be going on”. Cherished Memories of Nature Many of you had wonderful memories of times outside. “I was a sickly, pasty, shy, anxious kid,” wrote Mat Jordan. “In the early 70s my parents couldn’t afford to take us to the seaside one year so we went camping in the Peak District instead. It was a revelation. I absolutely loved it. The landscape and dry-stone walls of the white peak are still a favourite, although I spent some years in my 20s living in the Lake District too. One of my favourite memories is driving out of Sheffield into the Peaks with my then baby son to get him to fall asleep and still being awe-struck at the beauty on our doorstep.”

The Lead: Sudden Dismissal of BP Chair Creates Leadership VacuumThe ousted chair of BP, Albert Manifold, has accused the oil company of firing him without warning and disputed reports about his conduct, amid the latest boardroom turmoil to rock the company. In an emailed statement, Manifold said he was "removed without warning and without explanation" by the FTSE 100 company, adding that he "disputes entirely the characterisation of my conduct and I will not allow a false narrative to go unchallenged."The Event Details: Abrupt Exit After Less Than a YearBP announced Manifold's departure with immediate effect on Tuesday after less than a year in the role, expressing serious concerns about his governance standards, oversight and conduct. Manifold was appointed as BP's chair in October 2025, after serving as chief executive of the Irish building materials company CRH. He was tasked with overseeing the continued change in the oil company's strategy, to refocus on fossil fuel extraction and ditch renewable energy investments after the company's abandoned attempt to reinvent itself as a net zero energy company under the former chair Helge Lund.The Corporate Governance Crisis: Pattern of Unacceptable Behavior?Manifold's behavior with different colleagues across the company was described as aggressive, according to reports. Reuters reported that the board received enough information after a whistleblower report to determine a pattern of unacceptable behavior, according to a source. The Financial Times reported that senior colleagues felt belittled by Manifold, while he was also seen as trying to exert control as if he were an executive rather than a chair. In his statement, Manifold said he "worked to drive genuine change at BP – cutting costs, challenging excess, and holding the organisation to higher standards" and added the board had "acknowledged the focus and pace" he brought.The Strategic Shift at BP: Return to Fossil FuelsManifold wasted little time on arrival at BP in ousting the chief executive, Murray Auchincloss, after less than two years in the role, and hired a former ExxonMobil executive, Meg O'Neill in December. O'Neill, who most recently served as the head of the Australian oil company Woodside Energy, joined BP at the start of April. O'Neill is BP's fifth chief executive since 2020 and is expected to accelerate the company's shift away from renewables. BP signalled on Tuesday it would continue the strategy after Manifold's departure, as it begins its search for its third chair in two years.The Market Reaction: Shares Slide on Leadership UncertaintyBP's share price slid further on Wednesday morning, after closing down 4% on Tuesday after the announcement of Manifold's departure. Rich McDonald, a financial markets presenter at the investing and trading platform IG, said Manifold's firing represented "another leadership shock at one of Britain's most important companies", prompting the question "whether BP is becoming increasingly ungovernable". The market reaction reflects investor concerns about the stability of BP's leadership during a critical strategic transition.The Future Outlook: Search for Permanent Chair Amid TurmoilThe board member Ian Tyler, a former chief executive of the FTSE 250 infrastructure group Balfour Beatty, has been appointed as the interim chair while a search for a permanent replacement takes place. BP now faces the challenge of finding a stable leadership team to execute its strategic shift away from renewables while maintaining investor confidence. The company's third chair in two years will inherit a company in transition, with questions about governance culture and strategic direction remaining unresolved.

A Journey Through Talybont's LandscapeStarting at the well-maintained cemetery in Talybont, this walk offers a unique perspective on Cors Fochno (Borth Bog) and the surrounding Dyfi Valley. The author begins with the philosophical observation that beginning a walk in a cemetery is infinitely preferable to ending one there, setting the tone for a reflective journey through Wales' natural beauty.The Expansive View of Cors FochnoAfter the early rain clears, the air becomes crisp and colors deepen. The landscape features grassland fields sloping toward the wild expanse of the bog, bounded by wooded hedgerows bright with hawthorn blossom. The first cut of silage has been secured, and cattle graze the remaining grass while red kites traverse overhead. Across the Afon Dyfi, the sand dunes of Aberdyfi are visible, with the eye drawn further to the hills defining the Llŷn peninsula.Exploring the Bog's EdgeAn old track, steep and rough underfoot, drops down to an eroded surface above the bog. Turning east toward Tre Taliesin opens up the impressive view of the Dyfi Valley, constrained by stern ranks of hills on both sides. This lane marks the boundary between well-drained pastures and marginal wetland, with patches of scrub and bands of foliage indicating where rock outcrops rise from the bog's gently domed surface—once true islands that would have provided refuge in times of unrest.Weather Patterns and Natural ObservationsAs the day becomes oppressively thundery, towers of cumulonimbus cloud build above the hills. The mosaic of fields and woods darkens as ragged cloud elements occlude the sun, while bees fumble noisily in the blossoms. The author notes these natural phenomena while trudging uphill into the village, pausing to observe the metal sign marking the former "Telegraph Office" and wondering about temporal quirks that might bring the office back into existence.The Intersection of Nature and HistoryThis walk through Talybont demonstrates how natural landscapes and human history intertwine. The cemetery, the old track, and the telegraph office sign all connect the present-day walker with past generations who inhabited this same landscape. The islands in the bog that once provided refuge in times of unrest now serve as reminders of how humans have always existed in relationship with their environment, adapting to and appreciating the natural world around them.

New research commissioned by the Wildlife Trusts reveals that while 90% of UK adults cherish memories of outdoor play, nearly 50% now spend less than three hours a week in nature, with 10% getting under an hour. The findings highlight a growing gap between childhood experiences and adult reality, prompting calls for policy action and community programmes. Survey Reveals Declining Adult Time in Nature The poll surveyed 2,000 adults across the United Kingdom. Respondents were asked about current weekly time spent in gardens, parks, fields or woods and compared it with their childhood outdoor habits. Almost half of adults (≈48%) now spend <3 hours per week outdoors. One in ten (≈10%) reports less than one hour weekly. In contrast, ≈66% of adults recalled spending more than half of their free time outside as children. Key Numbers: Hours, Memories, and Health Savings Beyond the time‑use figures, the survey touches on broader health economics: Regular green‑space access can cut GP visits by 28%. Potential NHS savings from increased nature exposure are estimated at £2 bn per year. Two‑thirds of respondents said childhood memories make them more likely to reconnect with nature. Why Reduced Outdoor Time Matters for Public Health and Equality Spending time outdoors is linked to physical and mental well‑being. The decline is especially acute in deprived areas, where one in five households lack a green space within a 15‑minute walk, despite the government’s pledge to ensure universal access. Experts such as Dom Higgins, head of health and education at the Wildlife Trusts, warn that limited access could exacerbate health inequalities and erode community cohesion. What Could Reverse the Trend? Policy and Community Initiatives Several levers may help close the gap: Accelerating funding for local parks and the 30 Days Wild challenge, which already engages 3 million participants. Implementing the government’s plan for new national forests and nine regional river walks. Ensuring councils receive sustainable financing to protect discretionary services like parks, as highlighted by Julie Jones‑Evans of the Local Government Association. By combining policy commitment with community‑driven programmes, the UK can aim to restore the childhood‑level connection to nature for adults and improve public health outcomes.