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The Lead Taiba Akhuetie is redefining the boundaries of art and fashion through her unique medium of hair. Her upcoming exhibition at the Sarabande Foundation in London promises to blur the lines between the living and the inanimate, showcasing her ability to transform mundane objects into hauntingly beautiful taxidermy-like sculptures. The Medium of Hair: From Salon to Sculpture Akhuetie’s artistic breakthrough occurred during the 2020 lockdown, when she was forced to pivot from traditional braiding to a new medium. By wrapping a simple metal stool in braids and embellishing it with flowers and a bee, she realized she could use hair "off the head." Signature Works: Handbags, mirrors, rocking chairs, and umbrellas adorned with long, chunky braids. Viral Moment: Her large umbrella covered in dirty-blond hair garnered 100,000 views on TikTok. Current Exhibition: "The Tone: Taiba’s World of Hair" at the Sarabande Foundation in London. Bridging the Gap Between Street Style and Couture Akhuetie’s work has successfully infiltrated the high-fashion world, validating her unconventional approach. Her clients include global icons who appreciate the intricate detail and "super textural" quality of her creations. Rihanna: Commissioned a bespoke braided Louis Vuitton handbag. Cate Blanchett: Wore Akhuetie’s creations for a Met Gala afterparty. Tems: The Nigerian singer has also been a wearer of her avant-garde pieces. Reclaiming Identity Through Textile Art Beyond the celebrity endorsements, Akhuetie’s work holds deep cultural significance. Having grown up in a white, middle-class area, she initially felt "gaslit" by her Blackness. Her art serves as a therapeutic reclamation of her identity, turning a source of insecurity into a medium of power. She emphasizes that her work is not exclusive to the Black community but is "for everyone," challenging viewers to find beauty in the unfamiliar. The Future of Avant-Garde Textiles As the fashion industry continues to explore sustainability and unconventional materials, Akhuetie represents a growing trend of artists using organic, often discarded, materials to create high-value art. Her success suggests a future where hair and textile art are recognized as legitimate fine art forms rather than just beauty services.

Harvey Fierstein’s Return to the Spotlight Through Quilting and Kinky BootsHarvey Fierstein, 73, welcomes visitors to a Connecticut quilt shop where he spends 10‑hour days stitching panels that blend LGBTQ+ symbols, Jewish motifs, and personal humor. In a candid conversation he links his new hobby to the revival of Kinky Boots in London and his ongoing fight for queer rights. From Broadway to the Quilt Store: How Fierstein Found a New Creative OutletFierstein took up quilting in 2009 after being inspired by the TV series *Simply Quilts* and the Names Project AIDS Memorial Quilt. He creates pieces such as:an LGBTQ+ rights quilt featuring pink triangles and yellow Stars of Davida humorous “horny” tree seriespersonal portraits of his two dogsHe donates the quilts, refusing to sell them, and even jokes about turning a casting director’s request into a job interview. Numbers Behind the Narrative: Age, Awards, and the Longevity of Kinky BootsAge: 73 years oldTony Awards: 5 wins, including for *La Cage aux Folles* and *Kinky Boots*Kinky Boots debut: 2012 (Chicago), 6 Tony Awards, still touring worldwide in 2026Sobriety milestone: 5 years to “get your marbles back” Why Fierstein’s Story Resonates in Today’s LGBTQ+ and Theatre LandscapeHis reflections on Kinky Boots highlight the show’s cross‑gender appeal: “women love it, but it’s for men,” he says, noting the musical’s focus on father‑son dynamics and acceptance. Fierstein also connects his personal healing to broader cultural battles, recalling his activism against recent anti‑LGBTQ+ rhetoric and emphasizing that self‑judgment, not just queer shame, hampers many. What Lies Ahead: Future Projects and the Ongoing Fight for Queer VisibilityFierstein is drafting a book about quilting while awaiting the off‑Broadway revival of La Cage aux Folles (June) and watching the London run of Kinky Boots starring Johannes Radebe. He predicts that “as long as there are stories about fathers, sons, and the courage to be yourself, the stage will keep echoing our struggles,” and he remains committed to using both theatre and textile art as platforms for queer advocacy.

Why O’Brien’s Review Resonates in a Privatized BritainThe Guardian’s critique of Hettie O’Brien's book The Asset Class arrives at a moment when London’s creative quarters, like Deptford, are being squeezed by soaring rents and the quiet sale of railway lands to opaque investors. By framing the narrative through a textile artist’s forced relocation, O’Brien illustrates the human cost of a financial system that treats public utilities as tradable assets.The Book’s Core Argument: Private Equity’s Hidden HandO’Brien traces the post‑Reagan, post‑Thatcher deregulation wave that birthed today’s private‑equity behemoths. She shows how firms such as Blackstone, the Qatar Investment Authority, Macquarie and KKR acquire undervalued infrastructure with leveraged buyouts, then slash wages, maintenance and long‑term investment to maximise returns.Financial Snapshot: Pricing, Market Players, and Debt MechanicsBook price: £25 (hardcover, W&N).Typical leverage ratios in recent UK deals exceed 70% debt‑to‑equity.Top five global private‑equity firms now control assets worth over $1.5 trillion.Regulatory fines for environmental breaches average £200,000 per incident, yet are often absorbed by parent companies.Societal Fallout: From Sewage to Care HomesThe review catalogues concrete examples:Privatised water companies dumping sewage into rivers across England.Care homes treating residents as “human ATMs,” siphoning equity to cover debt service.A Kenyan hospital where staff were pressured to admit patients and imprison non‑paying families.Urban housing markets in Copenhagen, Barcelona and San Francisco reshaped by speculative PE ownership.These cases illustrate a pattern where profit motives eclipse public health, safety and environmental standards.Looking Ahead: Regulatory Paths and Investor StrategiesO’Brien argues that without decisive government action—such as stricter transparency rules, higher capital‑adequacy requirements for essential services, and the removal of tax incentives for PE‑driven acquisitions—the cycle will intensify. Analysts predict a potential “private‑equity backlash” that could spur new legislation akin to the EU’s recent “Asset Transparency Directive.”