Breaking AI & Tech News Analyzed

In a shocking escalation of violence, civilians in Gaza's Maghazi camp were caught in the crossfire as rival armed groups clashed, leaving 10 people dead and 44 injured. The incident occurred on Monday, with eyewitnesses describing scenes of panic and chaos as armed men stormed homes and a school run by the United Nations Relief and Works Agency for Palestine Refugees (UNRWA).The violence began when armed groups approached from the direction of the "yellow line" that separates Palestinian and Israeli-controlled areas of Gaza. The groups, allegedly backed by Israeli forces, moved towards civilian homes and the Al-Maghazi Preparatory Boys School, which is sheltering large numbers of displaced people.Residents reported that the armed men, who identified themselves as the "Popular Forces combating terrorism", a rival group to Hamas, broke into homes, detained family members, and used the houses as cover during the battle. The family of Asaad Nteel, who was caught up in the violence, described being ordered to gather in one room and not move, fearing harm to themselves and their children.The clashes, which lasted for over an hour and a half, caused extreme distress to residents, who do not support these groups. Local people claim the armed men were provided with cover and support by Israeli forces, with some eyewitnesses reporting the use of armed drones to aid the armed men's withdrawal.The Palestinian Centre for Human Rights has documented previous violence by these groups, including looting of aid convoys, kidnappings, torture, and killings, with cover or support from the Israeli army. The centre has called for an urgent independent investigation, accountability for those responsible, and effective protection for civilians.The incident has sparked widespread outrage on social media, with activists sharing videos documenting victims being transported to hospitals. The violence has also raised concerns about the emerging armed groups in Gaza, which appear to operate near areas along the "yellow line".Since the ceasefire between Israel and Hamas supposedly began on October 11, 733 Palestinians have been killed in Gaza, and 2,034 injured, in addition to 759 bodies recovered. The situation remains dire, with civilians continuing to bear the brunt of the conflict.

Lonely lives, falling between the gaps, are at the heart of this 1935 psychological thriller by Rodney Ackland, adapted from Hugh Walpole's novel. It's an atmospheric period piece, but isn't entirely a stretch to reflect on our own concerns about solitude in an ageing population.The three ladies in an English cathedral town are without partners, families or much of an income. They eke out their genteel poverty in a rickety boarding house. They weren't raised to work; Miss Beringer, in desperate need of a job, can only imagine becoming a paid companion or, possibly, flower arranging.In Brigid Larmour's finely etched production, irritable passions ferment beneath the frowsty knits and beads. The characters are prey to spite and greed, nerves and night terrors. Voices are tremulous; eyes glance at a fearful future.Beringer is the new lodger: Catherine Cusack, whittled by anxiety, timidly nibbles on a scallop-edged biscuit. She is welcomed by Julia Watson's Mrs Amorest, flustered but keeping up appearances. Down to her last £10, she writes into the void to a long-absent son.The third lady is Agatha. Fruitily overblown in the novel, that's how Edith Evans played her in 1935. Abigail Thaw makes her disconcertingly eccentric: forbidding in jet black, she mocks and snaps at quivering Miss Beringer. She covets Beringer's one cherished possession – a translucent chunk of amber from a beloved female friend.It's a play of cross-hatched conversations and melodramatic plotting. Larmour's design team help turn the screw: the dank-toned house and clothes in tones of moth and cobweb, a bitter wind blowing.Ackland's plays about rackety lives are increasingly revived. He, Walpole and John Gielgud, the play's original director, were all queer artists, and it's tempting to imagine them drawn to these lives on the margins of British society. Though these ladies don't so much rage against the dying of the light as wait, fearfully, to be snuffed out.