Entertainment
Jun 07, 2026
Rufus Norris Finds Freedom After Leaving the National Theatre, Tackles Death of a Salesman in Istanbul
After a decade at the helm of the National Theatre, Rufus Norris steps into a new phase, directing …
A Fresh Chapter for Rufus NorrisRufus Norris reflects on the relief of stepping away from the National Theatre, describing his post‑NT life as “irrelevant” in a liberating sense. Following his mother’s death and his 60th birthday, he embraced DIY projects, kayaking, and a house move before returning to directing.Directing Death of a Salesman in Istanbul’s Zorlu PACNorris was invited by Filiz Ova, general manager of Istanbul’s Zorlu Performing Arts Centre (PAC), to helm a Turkish‑language version of Arthur Miller’s classic. The production assembles a hybrid team:Es Devlin – celebrated set designerJavier de Frutos – Olivier‑award‑winning choreographerOğuz Kaplangı – renowned Turkish composerLerzan Pamir – Turkish associate directorThe cast features Turkish mega‑stars Halit Ergenç (Willy Loman), Zerrin Tekindor (Linda Loman), Fatih Artman and Kerem Arslanoğlu as the Loman sons.Numbers That Shape the ProductionVenue capacity: 2,300 seats, unusually large for the intimate drama.Departure from the National Theatre: 1 April 2025.Norris’s age at the time of the new project: 60.Time between invitation and rehearsals: roughly six weeks.Impact on British Theatre and International CollaborationThe move signals a shift for established UK directors toward global stages, highlighting the growing appetite for cross‑cultural reinterpretations of canonical works. Norris’s informal, “collegiate” style resonates with Turkish artists, suggesting a model where personal freedom fuels artistic exchange.Looking Ahead: Norris’s Future TrajectoryHaving settled in Fife with partner Tanya Ronder, Norris emphasizes a desire to read, create without institutional pressure, and choose projects that feel personally alive. His success in Istanbul may open doors for further collaborations across Europe and the Middle East, reinforcing a post‑institutional era for veteran theatre makers.
#Rufus Norris
#National Theatre
#Death of a Salesman
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