Entertainment
Jun 08, 2026
Antoni Porowski’s ‘Best of the World’ Review: A Lavish Yet Pointless Travel Show
The Guardian’s review finds the Disney+ travel series starring **Antoni Porowski** visually sumptuo…
Quick Take: A Glamorous Yet Vacuous Travel Series
The new four‑part series Best of the World With Antoni Porowski lands on Disney+ with high‑budget visuals, but the Guardian argues it sacrifices substance for style, leaving viewers with a string of pretty shots and no clear narrative.
‘Best of the World With Antoni Porowski’ – Concept and Execution
Produced by National Geographic, the show follows former Queer Eye food‑and‑wine expert as he hops between London, Paris, Mexico City and New York, sampling “the best” of each city’s sights, sounds and flavors. The format is deliberately loose: each episode strings together rapid‑fire montages of landmarks, local characters and quirky encounters, with Porowski delivering catch‑phrase‑laden soundbites rather than deep analysis.
Episodes cover four cities, each framed as a quest for “the best” experiences.
Host **Antoni Porowski**, age 42, adopts a breezy, unscripted persona.
Production leans heavily on drone footage, split‑screen edits and stylised captions.
Cost Highlights and Production Scale
The series flaunts extravagant price tags that underline its luxury positioning:
Afternoon tea for two at the Shard is billed at $200.
A night in the Shard’s hotel suite runs about £14,000.
The bagel shop featured in London boasts a 50‑year heritage.
These figures reinforce the show’s “destination‑marketing” vibe, positioning the series as a high‑end travel brochure rather than an investigative travelogue.
What the Show Signals for Travel‑TV and Streaming Platforms
By marrying celebrity hosting with glossy production, the series reflects a broader trend on streaming services: leveraging star power to attract niche audiences while filling content libraries with visually appealing, low‑risk formats. The Guardian notes that the show’s lack of depth may limit its appeal to casual viewers but could resonate with fans of Porowski and those seeking aspirational travel content.
Strengthens Disney+’s portfolio of lifestyle‑focused originals.
Highlights National Geographic’s shift toward entertainment‑driven travel programming.
Signals continued investment in celebrity‑led, short‑form travel series.
Future Prospects for Destination‑Driven Content on Disney+
If audience metrics favor visual spectacle over narrative depth, we can expect more high‑budget, star‑fronted travel shows from Disney+. However, the mixed critical reception suggests a potential pivot toward formats that blend aesthetic appeal with richer storytelling to retain discerning viewers.
Possible integration of interactive travel guides within the platform.
Greater emphasis on local voices and cultural context in upcoming series.
Continued experimentation with hybrid documentary‑reality structures.
#Antoni Porowski
#Queer Eye
#Disney+
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