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Tottenham Hotspur have completed the free‑transfer signing of Scotland captain Andy Robertson from Liverpool, while an American investment group says it is close to acquiring a 24.99% stake in the club’s parent company, Enic Sports.Tottenham Secure Andy Robertson on a Free TransferRoberto De Zerbi, who guided Spurs to survival on the final day of the season, announced the arrival of Robertson as the first major addition to address the leadership vacuum that plagued last year’s campaign. The left‑back arrives after his Liverpool contract expired following nine highly successful seasons, and De Zerbi praised his “outstanding technical qualities, experience, leadership and mentality”.Financial Details of the Transfer and Stake TransactionTransfer fee: None – Robertson joined on a free transfer after his contract expired.Contract length: Not disclosed, but expected to be a multi‑year deal.Stake sale: Eight Sports Capital claims to have agreed to purchase 24.99% of Enic Sports from former chairman Daniel Levy.Levy’s remaining holding: 29.88% of Enic Sports.Buyer profile: Eight Sports Capital is owned by Triller and led by tech entrepreneur and former DJ Brooklyn Earick.Strategic Impact on Spurs' Rebuilding EffortsThe Robertson signing plugs a key gap in experience and on‑field leadership, allowing De Zerbi to focus on bolstering the back line with targets such as Bournemouth’s Marcos Senesi and Brighton’s Jan Paul van Hecke. With captain Cristian Romero likely to depart and central‑defender Micky Van de Ven attracting suitors, the club’s defensive overhaul is set to accelerate. Off the pitch, the potential stake sale could inject fresh capital, but also introduces uncertainty about future governance.Future Outlook: Squad Evolution and Ownership DynamicsIn the short term, Robertson’s arrival should stabilize the left flank and provide mentorship to younger players ahead of the World Cup. Over the longer term, if Eight Sports Capital finalises the stake purchase, Tottenham may see increased investment in player acquisitions and commercial projects, though a possible power struggle with existing shareholders could affect strategic decisions. Fans can expect a busy summer transfer window as De Zerbi seeks to solidify a squad capable of moving beyond relegation‑avoidance mode.

Executive Summary: Unveiling the Source of Coastal Nighttime Rumbles For the first time, researchers have recorded low‑frequency thrums that have haunted Alaskan shorelines for centuries and traced them directly to humpback whales. The discovery expands the known vocal repertoire of these giants and opens new avenues for marine safety and astrobiology. Land‑Based Microphones Capture Unheard Humpback Rumbles Fred Sharpe of the Alaska Whale Foundation and his team deployed shore‑side microphones after receiving tip‑offs from local fishers, lighthouse keepers and kayakers. The recordings revealed familiar whale sounds—trumpets, blows, shrieks—as well as novel low‑frequency rumbles, “pizzle”, howls and hooting noises. Key Metrics from the Field Study Detection range: up to 6 miles (10 km) from the source. Presentation date: 18 May 2026 at the Astrobiology Science Conference in Madison, Wisconsin. Number of new sound types identified: four (rumbles, pizzle, howl, hooting). Implications for Whale Conservation and Maritime Safety The low‑frequency thrums likely originate from specialized structures in the whale’s blowhole that prevent water ingress during dives. Understanding these signals could improve ship‑whale collision avoidance systems and inform acoustic monitoring protocols. Broader Significance for Astrobiology and Signal Detection Sharpe suggests that studying such complex, low‑frequency biosignatures may help refine methods for detecting intelligent life beyond Earth, highlighting a surprising link between marine biology and the search for extraterrestrial intelligence. Future Research Trajectories Ongoing work will map thrum propagation across different coastal topographies, integrate acoustic data with satellite tracking, and explore whether similar vocal mechanisms exist in other cetacean species.

A Critical Portrait of George MichaelIn 1998, George Michael was arrested for public lewdness in an LA lavatory, an incident that finally led the singer to publicly come out. The following day, Sathnam Sanghera found himself unable to leave his room at university: the doorway had been mockingly plastered with tabloid newspaper headlines – "ZIP ME UP BEFORE YOU GO-GO!" – by fellow students aware of his longstanding fandom. As a writer, Sanghera is best known for a series of award-winning books on the British empire, which he calls his "specialist subject". Judging by Tonight the Music Seems So Loud – not a biography so much as a miscellany, a set of themed essays that tend to digress in all kinds of intriguing directions – the life and work of one Georgios Panayiotou runs imperialism and its legacy a very close second.The Complex Legacy of a Pop IconIt is an unashamedly partisan book, although not an uncritical one. Sanghera is as alive to Michael's personal and professional failings (whether the naffness of some of his early work as one half of Wham! or his high-handed treatment of the duo's other half, Andrew Ridgeley) as he is in love with his artistic triumphs. These, of course, range from Careless Whisper and Wham!'s annually inescapable Last Christmas to the 1996 solo masterpiece Older, a peculiar and peculiarly effective cocktail of raw grief at the Aids-related death of his lover Anselmo Feleppa and unrepentant horniness.The Evolution of Critical ReceptionSanghera's love for his subject is evidently sharpened by the opprobrium of others. Indeed if the book has a flaw, it's that the author is old enough to remember an era when George Michael was deemed insufferably uncool by some arbiters of taste (incredibly, when Wham! performed at a 1984 benefit show for striking miners, the only mainstream pop act to show support for the cause, they were received stone-faced by the audience and savaged by the music press for their trouble), and thus has a tendency to underestimate how much both he and his music have been critically re-evaluated in the 21st century.The Artistic Journey of George MichaelHe says one of the spurs to write the book was his belief that "most truly popular music is not generally deemed worthy of serious analysis and George Michael's music most certainly is not". That might have been true once, but certainly not of late: when he died, this newspaper alone ran six features by critics analysing different aspects of his music. "He sang so exquisitely about the marrow of life, about the vital, corporeal things", wrote one, which definitely doesn't amount to taking George Michael insufficiently seriously.double quotation markEven as he skinned up in front of journalists and discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed himFamily Background and Cultural IdentitySanghera is very good on the climate of homophobia in the 80s, which might have given any gay public figure serious qualms about coming out, and fascinating on Michael's family background: how growing up embedded in north London's Greek Cypriot community impacted on everything from Wham!'s image – not camp, Sanghera suggests, but "the vision of two children of immigrants imagining a kind of glamour they had not actually experienced before" – to his work ethic and control freakery. His dad made good in England by working exceptionally hard, running such a tight ship at his restaurant that he summarily fired his only son for messing up the drinks orders. The fact that the same son went on to hire 12 different saxophonists before finding one that could play the solo on Careless Whisper to his satisfaction doesn't come as a huge surprise.The Perfectionist and Contradictory ArtistThis my-way-or-the-highway perfectionism could yield hugely impressive results – Careless Whisper's sax hook may well be the most famous in pop history – but it could equally lead to intransigence and self-sabotage. Michael worked incredibly hard to transform himself from a member of a teen pop band into a more adult-facing solo artist, but having sold a staggering 25m copies of his 1987 solo debut Faith, he refused to promote its follow-up Listen Without Prejudice Vol. 1, or even make videos for its singles: a better album than its predecessor, it achieved only a fraction of its sales as a result. It was evidence of a deeply contradictory nature that occasionally has Sanghera throwing up his hands in bewilderment.The Public and Private Faces of George MichaelMichael was a polymath, keen to be duly credited as the sole singer, writer, producer and musician on a succession of tracks, but also had a weird habit of talking down his abilities, claiming he couldn't play instruments he was perfectly capable of playing. He was a Stakhanovite who increasingly worked at an agonisingly glacial pace, endlessly fussing over details, a state of affairs not much helped by his gargantuan appetite for marijuana: coupled with bouts of writers' block, it meant he released only six albums of original material in a career that lasted 34 years. He was a Labour voter, booster of the NHS and famously generous philanthropist who also engaged in tax avoidance. After being publicly outed, he became a notoriously frank interviewee ("as if nothing can embarrass him anymore" the Guardian's Simon Hattenstone suggested when he met him in 2009). But even as he skinned up in front of journalists and freely discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed him.The Decline and Final YearsMichael emerges as a messy, unpredictable but ultimately hugely likable figure, which makes the essay about his demise particularly tough reading. Listed starkly on the page, the facts of his final 10 years make it obvious that he was a deeply unwell man whose life had spun wildly out of control: drug busts, medical emergencies, visits to rehab, rumours of breakdowns and suicide bids and seven incidents in which he either crashed his car or was found comatose at the wheel.The Professional Mask of Personal StruggleThat it somehow didn't appear obvious at the time – that his death at 53 felt like a shock rather than a grim inevitability – seems remarkable, but as Sanghera points out, Michael's professionalism did a lot to paper over the cracks. He was always available to the media and always smart, funny and self-effacing: to use a modern turn of phrase, he controlled the narrative. He was punctilious about his appearance – the star certainly never looked like an ailing drug addict – and unfailingly superb onstage.The Hidden Realities Behind the FameBehind the scenes, it was a different story. He struggled to make new music: at one juncture he booked six months of recording sessions but never turned up to the studio once. His once-acute commercial instincts seemed to desert him: even Sanghera can't muster much enthusiasm for the handful of still-unreleased songs he completed in his final years. He cut off close friends and family who tried to intervene. No one who knew him seems to have been particularly surprised by his death: the list of adjectives used to describe him on his official website now includes not just "icon" "legend" "soul singer" and "philanthropist" but "addict" "repeat offender" and "depressive".An Imagined Alternative LegacyAs the book draws to a close, Sanghera offers a heartbreaking alternative history. He imagines Michael conquering his addictions, coming to a complete accommodation with his musical past (to the end of his life, he was dismissive of Wham!, describing their oeuvre as an exercise in "ignoring my own intelligence" and declining to play most of their hits live) and headlining Glastonbury, "getting pleasure from the audience reaction to Club Tropicana".The Enduring Power of George Michael's MusicIt's affecting because you can imagine it so vividly: the endless succession of hits that anyone with even a passing interest in pop music knows, the pandemonium in the crowd when he breaks out Careless Whisper, the encore of Freedom '90. You don't have to be a fan on Sanghera's level to understand what a triumph it would have been. Tonight the Music Seems So Loud: The Meaning of George Michael by Sathnam Sanghera is published by Picador (£22). To support the Guardian, buy a copy at guardianbookshop.com. Delivery charges may apply.

The Schreiber family, presiding over a nationwide commercial portfolio via the Midos Group, is at the center of a growing controversy involving two distinct business models: aggressive tax avoidance and the profiteering from the UK's housing crisis. The Dual Nature of the Schreiber Business Empire The investigation reveals a complex web of family-owned entities that appear to operate on opposite ends of the social spectrum. On one side, the Midos Group is accused of exploiting a controversial tax scheme to avoid business rates on empty commercial properties. On the other, a similarly named but ostensibly separate entity, Midos Management Co, is profiting from the UK's chronic shortage of social housing by arranging temporary accommodation for homeless residents. Midos Group: Accused of using the 'faith room' scheme to avoid rates on empty units. Midos Management Co: Collecting fees for arranging temporary accommodation for councils. Key Figures: David Schreiber (Midos Group) and Elizabeth Endzweig (Midos Management Co). Financial Impact of the 'Faith Room' Tax Loophole The core of the tax avoidance allegations centers on a provision that exempts property owners from paying business rates if the space is made available for religious worship. The 'faith room' scheme, marketed by Verity, allegedly involves minimal activity—such as placing a notice and a staff member reading scripture—to create the appearance of worship. Total Savings: Landlords have saved at least £18m through this scheme. Specific Case: Dover District Council is suing for £1.7m of unpaid tax. Properties Involved: Discovery Park in Kent and a disused pub in Clapham, London. Profiting from the Homelessness Crisis While the family allegedly avoids taxes on empty buildings, they are simultaneously capitalizing on the housing emergency. Midos Management Co acts as an intermediary, matching councils with private landlords to house homeless residents. Despite claims of separation, evidence suggests significant overlap between the two entities. Revenue Collected: At least £43m collected on behalf of landlords since 2019. Client Base: Lambeth council and at least four other councils. Directorship Overlap: Elizabeth Endzweig, daughter of David Schreiber, is a co-director of multiple companies sharing the same address as Midos Group. The Future of UK Property Tax Compliance The revelations highlight a growing tension between private profit and public service obligations. With MPs and councils increasingly scrutinizing these arrangements, the 'faith room' exemption is likely to face tighter regulatory oversight. The case sets a precedent for how closely connected family businesses can be without violating anti-avoidance rules, potentially leading to stricter audits of corporate structures in the property sector.

The International Media ConfrontationDuring a recent international gathering in Norway, a local journalist directly confronted Indian Prime Minister Narendra Modi regarding his pattern of avoiding media questions. The unexpected exchange has drawn international attention to issues of press freedom and transparency in diplomatic engagements.The Direct Questioning IncidentThe incident occurred when Modi was attending a high-profile international event in Norway. A Norwegian journalist approached the Indian leader and publicly questioned why he consistently avoids direct media interactions, particularly on sensitive topics. The journalist specifically referenced Modi's history of declining press conferences and avoiding unscripted questions during international visits.International Reactions and Media CoverageThe confrontation has been widely reported across international media outlets, with many highlighting the significance of a journalist directly challenging a world leader on media avoidance practices. Social media platforms have seen extensive discussion about the incident, with hashtags related to press freedom trending in several countries.Implications for India's Global ImageThis incident comes at a critical time for India's international relations, as the country seeks to maintain its position as a global leader while navigating complex diplomatic challenges. The perception of avoiding media scrutiny could potentially impact India's soft power and international standing, particularly in Western democracies where press freedom is considered a fundamental value.Future of Media-Diplomat RelationsExperts suggest that this incident may prompt other journalists worldwide to adopt similar approaches when engaging with leaders who avoid media scrutiny. The confrontation could also lead to increased pressure on diplomatic protocols to include more transparent media interactions during international visits, potentially reshaping the relationship between world leaders and the press.

South Korea’s stock market rallied sharply after Samsung Electronics and its labor union struck a tentative agreement that prevented a massive 18‑day strike, sending the KOSPI up more than 8% and boosting major tech and auto stocks.The Tentative Pay Agreement Between Samsung and Its UnionSamsung Electronics and the workers’ union announced a provisional deal on Wednesday night, ending a months‑long standoff over profit‑sharing. The agreement, pending union approval, would allocate 10.5 percent of the firm’s operating profit to its 48,000 employees, sidestepping a planned walkout that threatened global memory‑chip supplies.Market Surge Numbers: KOSPI, Samsung, SK Hynix, AutomakersKOSPI rose 8 percent on the day, extending an 80‑percent year‑to‑date gain.Samsung Electronics shares jumped 7.5 percent.SK Hynix surged 11 percent, reflecting investor confidence in the memory‑chip sector.Hyundai Motor and Kia each climbed about 13 percent, showing spill‑over into non‑tech equities.The chip division’s first‑quarter operating profit hit nearly 54 trillion won (≈$35bn), a near‑50‑fold increase year‑over‑year.Why the Deal Revitalizes South Korea’s Tech‑Driven EconomyThe settlement removes a major labor risk for the world’s largest memory‑chip maker, which commands over one‑third of the global DRAM market and more than a quarter of NAND flash capacity. With AI‑driven demand for chips accelerating, the avoidance of a strike safeguards supply chains and reinforces investor sentiment toward South Korean tech firms, while also buoying related sectors such as automotive manufacturing.Outlook: Labor Relations and AI Chip Demand in 2026‑27Analysts expect continued pressure on Samsung to share a larger slice of its soaring profits, potentially prompting further negotiations. Meanwhile, the AI boom is likely to keep memory‑chip demand high, supporting strong earnings for both Samsung Electronics and SK Hynix. Market watchers will monitor whether the tentative agreement holds, as any relapse could reignite volatility in the KOSPI and global chip supply.

The Lead: A Disappointing Return to FormPalme d'Or winning Romanian director Cristian Mungiu presents "Fjord" at Cannes, a drama exploring child abuse allegations within a conservative Romanian-Norwegian family. The review criticizes the film as anticlimactic and underpowered, suggesting it represents a creative misstep for the acclaimed filmmaker.The Film: Cultural Collision and Moral Ambiguity"Fjord" follows Mihai (Sebastian Stan), a Romanian software engineer married to Norwegian woman Lisbet (Renate Reinsve), who relocate to her remote hometown. As fundamentalist Christians, they struggle when their parenting methods come under scrutiny from authorities after their children display bruises. The film explores themes of cultural differences, religious conservatism, and the complexities of the child protection system.Directorial Approach: Mungiu's Signature Style Under ScrutinyThe review notes that while "Fjord" bears Mungiu's signature visual style—enigmatic long shots, avoidance of closeups, and distinctive crowd scenes—it lacks the rewarding complexity and revelation that characterized his earlier work. The film fails to deliver a compelling truth about its relationships while also failing to intriguingly withhold any such truth from the audience.The Performance: Stan and Reinsve in Cultural TensionSebastian Stan portrays Mihai as an ice-cold patriarch whose conservative parenting methods clash with Norwegian social norms, while Renate Reinsve brings depth to Lisbet as she navigates the cultural and legal challenges. The supporting cast, particularly the teenage daughters played by Vanessa Ceban and Henrikke Lund-Olsen, add further layers to the family drama.Festival Context: Auteur Ambitions and International CoproductionsThe review suggests "Fjord" may represent part of an emerging trend at this year's Cannes, where established directors like Mungiu, Kantemir Balagov, and Ryusuke Hamaguchi are creating international coproductions outside their home turf with foreign stars. This phenomenon, potentially resulting from creative conversations at international festivals, may be leading to a loss of focus in their work.Critical Assessment: Moral Complexity Without ResolutionThe film attempts to balance sympathy for the children with understanding for the parents' cultural perspective, while also critiquing a system that may be biased against religious conservatives. However, the review finds the treatment of these themes unsatisfying, with the court case left unresolved and a strangely inert finale that fails to deliver meaningful closure or revelation about the relationship between the teenage girls.Legacy: A Setback for an Acclaimed FilmmakerFor Mungiu, whose 2007 Palme d'Or winning film "4 Months, 3 Weeks and 2 Days" established him as a major voice in international cinema, "Fjord" represents a creative disappointment. While his technical approach remains interesting, the film fails to deliver the depth and complexity that audiences have come to expect from the Romanian auteur.

The Lead Voidance is a British sci-fi film that, despite its ambitious aspirations, feels constrained by its limited budget and scope. The movie attempts to blend elements of action, mystery, and sci-fi, but ultimately falls short. The Event Details The film follows Alana Toro (played by Zoe Cunningham), a mumsy anti-terror agent who receives orders from a hologrammatic James Cosmo to track down a troublesome rebel group. Her mission becomes complicated when she enters a bar for interstellar truckers, where she encounters a skeleton crew of patrons and a convoluted murder mystery. The Data Analysis No specific data or statistics are provided in the review, but the film's budget limitations are noted as a significant constraint. The Impact Analysis The film's impact is largely limited by its clunky expositional dialogue and flawed time-loop concept. The review notes that the setup entails 'deeply clunky expositional dialogue' and that the time-loop conceit 'just doesn't work.' The Prediction The review concludes that Voidance is a quirky, if flawed, British sci-fi film that will be available on digital platforms from May 25. Despite some inventive elements, such as its grimy set design and costume, the film's problems ultimately detract from the viewing experience.

The Missed Glasgow Leg That Triggered a £9,000 Ticket CancellationA family booked a round‑trip from Glasgow to Mexico City for a 60th birthday celebration, using an inheritance to fund the journey. After a storm‑delayed connection at Heathrow, they opted to travel by train to London the night before, missing the outbound Glasgow flight. British Airways then declared the entire reservation invalid, including the return leg, forcing the family to purchase new tickets at roughly double the original price.The £9,000 Price Tag and the Hidden Costs of No‑Show PoliciesAdditional spend: £9,000 for replacement tickets.Original fare: Approximately £4,500 (implied by “twice the original price”).Clause impact: Automatic cancellation of all subsequent legs when a passenger is a “no‑show”.Regulatory findings: EU courts have questioned the legality; the UK Civil Aviation Authority (CAA) labelled the practice “disproportionate” in its 2019 review.Regulatory Scrutiny and Consumer Backlash on Airline No‑Show ClausesThe clause is buried in the Conditions of Carriage, rarely read by passengers, and is not highlighted in the airline’s FAQs—documents that do not form part of a binding contract. The CAA’s 2019 report recommends that tickets should only be voided if a passenger is clearly attempting to exploit discounted fares, not when a legitimate reason causes a missed leg. Consumer‑rights groups, such as the Centre for Effective Dispute Resolution (CEDR), are urged to intervene.What Future Regulations Could Mean for Travelers and AirlinesIf regulators tighten the definition of “no‑show” penalties, airlines may be required to:Offer automatic reinstatement of the remaining itinerary when a missed leg is due to genuine circumstances.Provide clear, contract‑binding disclosures of any fare‑recalculation rules.Allow passengers to amend itineraries without punitive price hikes, reducing the risk of exorbitant out‑of‑pocket costs.For travellers, heightened transparency could restore confidence and prevent costly surprises. For airlines, it may mean a shift toward more flexible pricing models and increased operational complexity, but also the avoidance of reputational damage and potential legal challenges.