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On the outskirts of Kismayo, cattle lie dead in open graves, a stark symbol of a livelihood that has collapsed under three consecutive failed rainy seasons. 6.5 million Somalis now skip meals daily, while displacement, rising costs and dwindling aid push the country toward a full‑scale famine. Failed Rainy Seasons and Livestock Collapse Humanitarian director Francesca Sangiorgi explains that repeated climate shocks have left rains uneven and too late to revive pastures. Pastoral families, once dependent on herds for milk, meat and income, now watch their livestock numbers plummet—from hundreds to just a handful—leaving them without food or cash. Humanitarian Funding Gap: $1.42 bn Needed, $288 m Received $1.42 bn is the total funding required for the UN’s Somalia response plan. $288 m has been secured so far, roughly 20 % of the target. Assistance coverage has been slashed from 6 million to 1.3 million people. Transport costs for aid have risen by up to 50 % in parts of the country. More than 3.8 million Somalis (≈22 % of the population) are displaced. Regional Ripple Effects: Health, Displacement, and Market Strain Children are hit hardest: an estimated 1.8 million under‑fives face acute malnutrition, while over 2 million people are in IPC Phase 4, on the brink of famine. MSF reports the closure of 200 health and nutrition facilities since early 2025, and fuel price spikes are limiting access to the remaining services. Ongoing conflict with al‑Shabab further hampers aid delivery, forcing secondary displacement and inflating food, fuel and water prices. Outlook: Aid Shortfalls and Potential Escalation Toward Famine With humanitarian funding at only a fifth of what is required, the UN warns that the “perfect storm” of climate, conflict and global supply‑chain disruptions could push Somalia into full famine within months. Tom Fletcher, UN humanitarian chief, cautions that without a rapid funding boost, millions will remain without assistance, health systems will continue to collapse, and regional instability could spread.

The LeadThe $2 billion weekly spent on the Iran war could have funded a UN humanitarian plan to save 87 million lives, according to Tom Fletcher, head of the UN's humanitarian agency. Fletcher warned that the normalization of violent language from world leaders encourages "wannabe autocrats" worldwide to use similar threats and tactics.The Humanitarian Funding CrisisFletcher, the undersecretary-general for humanitarian affairs and emergency relief coordinator, described a catastrophic humanitarian aid funding crisis amounting to a 50% cut in his budget. His entire target for a hyper-prioritised plan to save 87 million lives is $23 billion, yet he's about $10 billion short of this target.The Financial Trade-Off"For every day of this conflict, $2bn is being spent," Fletcher stated. "We could have funded that [humanitarian plan] in less than a fortnight of this reckless war. Now, of course, we cannot." The war in Iran is having ripple effects globally, with food and fuel inflation reaching close to 20%, which will push more people into poverty in sub-Saharan Africa and east Africa for years to come.Global Political ImplicationsFletcher criticized the normalization of violent language from leaders like Trump, who threatened to "bomb Iran back to the stone ages." He warned this gives freedom to other autocrats worldwide to use similar language and tactics targeting civilian infrastructure, breaching international law. Fletcher described UN relations with the Trump administration as "an absolute rollercoaster ride" and noted the administration's "real-estatecraft" approach differs significantly from traditional statecraft.The Future of Humanitarian AidFletcher revealed he's struggling with whether to accept US aid funding that comes with new conditions on issues like abortion or transgender rights. "The question is do we take that money under those conditions, knowing that it will save millions of lives or not?" He also criticized the UK for forming a "circular firing squad" for over a decade, leaving the country in a "defensive crouch" and undermining its historical leadership in humanitarian aid.

The United Nations’ Under‑Secretary‑General for Humanitarian Affairs, Tom Fletcher, warned the Security Council on Friday that South Sudan is at a dangerous crossroads, facing the prospect of a full‑scale famine and national collapse.Fletcher stressed that “hunger across South Sudan is tightening its grip,” noting that emergency‑level food insecurity is projected for all ten states during the lean season, which runs until the end of July.After a week‑long visit, he reported that humanitarian compounds have been looted and nutrition centres destroyed around Akobo in Jonglei State, where more than 140,000 people are in “dire need of help.” He warned that his next briefing could be dominated by famine warnings.According to the UN official, over 7.5 million South Sudanese will require food assistance this year. The situation is compounded by expected floods that will further isolate communities and damage livelihoods.Escalating violence fuels the crisisUNMISS head Anita Kiki Gbeho told the council that civilians continue to bear the brunt of intensifying clashes between the South Sudan People’s Defence Forces and the Sudan People’s Liberation Movement/Army in Opposition (SPLM/A‑IO), especially in Jonglei.Fighting surged late last year after a 2018 peace deal ended a five‑year civil war. In December, opposition forces seized government outposts in Jonglei, prompting a retaliatory operation in January that forced more than 280,000 civilians to flee.Fletcher urged the Security Council to secure unhindered humanitarian access, increase flexible funding, and demand that all parties fully respect humanitarian law and protect civilians and infrastructure.As the council deliberates the renewal of the UNMISS mandate—currently set to expire on 30 April—Gbeho warned that “the scale and urgency of needs on the ground are not yet matched by the type of sustained commitment and investment required to fully meet the shared ambition of a sustainable path to peace.”

The humanitarian situation in Sudan has taken a devastating turn as the country prepares to mark the third anniversary of the brutal conflict between the army and paramilitaries. Nearly 700 civilians have been killed in drone strikes in Sudan since the beginning of 2026, according to the United Nations.The increasing use of drones in the conflict has been noted by the UN's humanitarian chief Tom Fletcher, who warned that the world has "failed to meet the test of Sudan". The conflict has disrupted life across Sudan, particularly in the southern Kordofan region and areas of the west controlled by the paramilitary Rapid Support Forces (RSF).Doctors Without Borders reported two more deaths following drone strikes launched by the Sudanese army in the Darfur region, and treated 56 people wounded in the attack. The UN Children's Fund (UNICEF) said that drones were "responsible for nearly 80 percent" of the at least 245 children reported killed or injured during the first three months of the year.The UN's World Food Programme (WFP) warned that the situation is being "dangerously compounded" by the war in the Middle East, which has disrupted supply chains for aid groups. The US-Israeli war on Iran has forced aid groups to use costlier, more time-consuming routes, driving up the cost of food, fuel, and fertilizer.Nearly 34 million people, almost two-thirds of the population, need humanitarian support, making Sudan "the world's largest humanitarian crisis". The situation is dire, with hundreds of thousands of children acutely malnourished, and millions being deprived of an education. Women and girls are facing systemic and brutal sexual violence.

Paddington: The Musical was the big winner at the Olivier Awards, taking home seven prizes, including Best New Musical. The show, which features music and lyrics by Tom Fletcher and a book by Jessica Swale, dominated the ceremony at the Royal Albert Hall in London.The duo who play Paddington, James Hameed and Arti Shah, won Best Actor in a Musical for their performances. The show's baddies, Tom Edden and Victoria Hamilton-Barritt, also won awards for Best Supporting Actor and Best Supporting Actress in a musical, respectively. Luke Sheppard was named Best Director for the production, which also picked up awards for Costume Design and Set Design.The ceremony was hosted by Nick Mohammed, who joked about being asked how he got the gig. Performances on stage included stars like Rachel Zegler, who won Best Actress in a Musical for Evita, and Fabian Aloise, who won Best Theatre Choreographer for Evita.Rosamund Pike won Best Actress for her performance in Inter Alia, while Paapa Essiedu won Best Supporting Actor for All My Sons. The awards also recognized regional theatre triumphs, including Kenrex and Punch.The Olivier Awards, overseen by the Society of London Theatre, celebrate the best in London theatre productions. This year's ceremony marked the 50th anniversary of the awards.

During an emergency session of the United Nations Security Council, humanitarian chief Tom Fletcher pressed members to outline concrete measures for safeguarding Lebanese civilians as Israel intensifies its ground offensive and aerial bombardment.Fletcher highlighted the stark parallel between Israel’s stated objectives in Lebanon and the ongoing genocidal war in Gaza, asking the council how it intends to prevent a repeat of the humanitarian catastrophe witnessed there.Since the escalation on 2 March, more than 1.1 million people have been forced from their homes across Lebanon, a displacement surge linked to Israel’s retaliatory strikes after Hezbollah fired missiles into northern Israel.In a video address, Israeli Defence Minister Israel Katz announced that, once the current operation concludes, the Israeli army will establish a security zone extending to the Litani River and maintain control over the area, effectively creating a new occupied territory.Israeli forces have pushed deeper into the south this week, claiming the moves are necessary to shield northern Israeli communities from missile attacks. Human‑rights organisations have condemned the expansion, warning that targeting civilian infrastructure and preventing residents from returning would exacerbate the crisis.The heightened conflict has also claimed the lives of three UN peacekeepers. Two Indonesian soldiers were killed on Monday when an unexplained explosion destroyed their vehicle near the village of Bani Haiyyan, while a third Indonesian peacekeeper died the previous day after a projectile detonated at a UNIFIL post near Aadshit al‑Qusayr.UN Under‑Secretary‑General for Peace Operations Jean‑Pierre Lacroix said early investigations suggest a roadside blast was responsible for the Monday deaths, emphasizing that such incidents must not occur and that peacekeepers should never be targeted.A spokesperson for Secretary‑General Antonio Guterres condemned the attacks, stating they breach international law and could constitute war crimes. The statement called for accountability and urged all parties to uphold their legal obligations to protect UN personnel and property at all times.

Brendan Gleeson has been named best actor at the Critics' Circle theatre awards for his West End debut in Conor McPherson's pub drama The Weir. He beat fellow nominees including Bryan Cranston and Paapa Essiedu, both recognised for All My Sons, and James Hameed and Arti Shah, the duo who together portray Paddington in the new musical about Michael Bond's bear.The Weir, directed by McPherson, was entirely omitted from the nominations for this year's Olivier awards and is being turned into a film with Gleeson and the rest of the West End cast.All My Sons, a critically adored production of Arthur Miller's 1946 classic at Wyndham's theatre, won in two categories at the Critics' Circle awards: best revival of a play or musical and best director for Ivo van Hove. A new production of Stephen Sondheim and James Lapine's Into the Woods, directed by Jordan Fein at the Bridge theatre, also won two prizes – best designer (Tom Scutt) and the inaugural award for best ensemble or cast.The winners, voted for by professional theatre critics, were revealed at a ceremony at the National Theatre in London on Thursday. Paddington: The Musical, with music and lyrics by Tom Fletcher and book by Jessica Swale, won best new musical. James Graham's Punch, based on the real story of a fatal blow, received the Michael Billington award for best new play (named in 2019 in honour of the Guardian's theatre critic after he stepped down from reviewing). Ava Pickett won most promising playwright for her Tudor drama 1536, which was staged at the Almeida theatre in London in 2025, transfers to the West End in May and is being turned into a BBC drama series.Rosamund Pike saw off competition from Kate Fleetwood (Into the Woods), Marianne Jean-Baptiste (All My Sons) and Rachel Zegler (Evita) to win best actress for her acclaimed performance as a judge in Suzie Miller's Inter Alia. Ruby Ashbourne Serkis was named most promising newcomer for her performance in a revival of Tom Stoppard's Indian Ink which opened at Hampstead theatre days after the revered playwright's death. The award for best Shakespearean performance went to Hayley Atwell for her Beatrice (alongside Tom Hiddleston, nominated for the same prize, as Benedick) in Much Ado About Nothing at Theatre Royal Drury Lane.