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The Massive Deal Cloud data storage giant Snowflake has signed a new $6 billion five-year agreement with Amazon Web Services, the companies announced on Wednesday. This deal is significant, as Snowflake has sold $7 billion worth of its services via AWS Marketplace since its founding in 2012. Driving Growth with AI The growth is driven by AI, with Snowflake offering its AI building tool, Cortex AI, which provides features like text interfaces for database queries and summary reports. The increasing demand for AI processing power has led to a surge in CPU usage, with CPUs handling most tasks associated with AI. The Role of Graviton Chips Snowflake is signing this contract for more access to AWS's home-grown ARM-based CPU chip, Graviton. Amazon CEO Andy Jassy boasted that Amazon's own homegrown AI chips offer "better price-performance" than Nvidia's offerings. The Data Analysis Snowflake has sold $7 billion worth of its services via AWS Marketplace since 2012. The new deal is worth $6 billion over five years. Snowflake's customers are accelerating their spending on AWS, doubling to $2 billion in 2025. The Impact Analysis The deal highlights the growing demand for AI processing power and the increasing competition in the cloud computing market. Cloud providers like AWS are deploying chips as fast as they can to meet the demand. The Prediction The multibillion-dollar deals signed by AWS, including the one with Snowflake, show how AI is lifting the boat for cloud providers. As AI continues to grow, cloud providers will need to invest in more AI processing power to meet the demand.

Rapid Growth Trajectory Database provider ClickHouse has crossed $250 million in annualized revenue run rate, tripling its business from last year, Yury Izrailevsky, co-founder and president of product and technology, told TechCrunch. Izrailevsky expects the revenue figure to reach the high-nine digits by the end of the year. Valuation and Funding ClickHouse was valued at $15 billion in January following a $400 million Series D funding round led by Dragoneer Investment Group. The latest valuation implies a steep multiple of over 60x annualized revenue. IPO Ambitions The fast revenue growth and premium valuation position the less-than-five-year-old company for an IPO within the next few years, according to Izrailevsky. ClickHouse joins a small but growing list of tech startups signaling plans to go public as the IPO window is expected to be flung wide open by SpaceX’s historic June debut, followed by highly anticipated listings from OpenAI and Anthropic later this year. Strategic Moves Last fall, the startup hired Jimmy Sexton, who previously ran investor relations at Snowflake, one of ClickHouse’s main competitors, as chief financial officer. Bringing on a CFO is often viewed as a signal that a company is preparing for public markets. Acquisition Strategy The company has already acquired six startups, including Langfuse, which helps developers track and evaluate AI agent performance. Izrailevsky indicated that ClickHouse plans to remain acquisitive, looking to scoop up “relatively young, but showing very promising technology” startups, typically open source, that complement its core product suite. Product and Customer Base The technology behind ClickHouse was originally developed inside Russian search giant Yandex 17 years ago, but spun out as an independent startup in 2021. ClickHouse has over 4,000 customers, including Anthropic, Meta, Capital One, and Decagon. Business Model The startup’s open source database is designed to process the massive datasets required by AI agents. ClickHouse generates revenue by selling managed cloud services. Izrailevsky claimed that this commercial offering ultimately costs clients less than self-managing the open source version. It “is something that’s a little counterintuitive, but it also has been a big tailwind for us,” he said.

The Lead: ClickHouse's Meteoric RiseDatabase provider ClickHouse has crossed $250 million in annualized revenue run rate, tripling its business from last year, signaling strong momentum as it prepares for a potential IPO. The company, which spun out from Russian tech giant Yandex in 2021, is positioning itself for public markets within the next few years.The Event Details: Revenue Milestone and Growth TrajectoryAccording to Yury Izrailevsky, co-founder and president of product and technology at ClickHouse, the company has achieved significant financial growth with its annualized revenue reaching $250 million. Izrailevsky expects this figure to reach the high nine digits by the end of the year. The company's open-source database is specifically designed to process the massive datasets required by AI agents, with revenue generated through managed cloud services.The Data Analysis: Premium Valuation and Market PositionClickHouse was valued at $15 billion in January following a $400 million Series D funding round led by Dragoneer Investment Group. This valuation implies a steep forward multiple of over 60 times annualized revenue, indicating strong investor confidence in the company's growth prospects. The company has attracted over 4,000 customers, including major players like Anthropic, Meta, Capital One, and Decagon.The Impact Analysis: Shifting Database Landscape for AIClickHouse's rapid growth reflects the increasing demand for specialized database solutions that can handle AI workloads. The company's strategy of combining open-source technology with premium managed services has proven effective, with Izrailevsky noting that their commercial offering ultimately costs clients less than self-managing the open-source version. This approach has positioned ClickHouse as a key player in the database market, particularly for AI applications.The Prediction: IPO Path and Future ExpansionWith its strong revenue growth and premium valuation, ClickHouse is well-positioned for an IPO within the next few years. The company has already taken steps toward public markets by hiring Jimmy Sexton, former head of investor relations at Snowflake, as chief financial officer. Additionally, ClickHouse has acquired six startups, including Langfuse, and plans to remain acquisitive, targeting "relatively young, but showing very promising technology" startups that complement its core product suite. The company joins a growing list of tech startups preparing for public offerings, potentially benefiting from an expected IPO window opened by SpaceX's historic debut and anticipated listings from OpenAI and Anthropic.

The LeadGame of Thrones actress Hannah Murray shares her experience of being sectioned in a psychiatric hospital in her new memoir "The Make-Believe: A Memoir of Magic and Madness." The actress describes her mental health journey and the experience of being involuntarily admitted under the Mental Health Act.The Hospital ExperienceThe door to the room opens. A man enters the room. He is a Black man, bald and overweight. He is dressed in uniform. Blue uniform, a blue lanyard that reads "NHS". But I know Steve, the leader of the organisation that introduced me to magic, is a magician. I know he can appear in disguise.I approach the man and try to kiss him.He does not let me kiss him. Then no. It is not Steve.The man has brought me a plate of toast. He has brought me a cup of tea. I add sugar to the tea, which I would never have done in my former life, but a spoonful of sugar helps the medicine go down!I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive … I will never need to eat again. I survive on liquids and air and lightI do not eat the toast. I drink the tea. I am alone in the room again and I urinate into the cup and drink that too.I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive. It is the most potent of potions I can drink. I am a self-contained, utterly self-sufficient being. I will never need to eat again. I survive on liquids and air and light.I decide to explore outside the room. Outside my sanctuary. He has not come. So maybe I need to go searching for him …The Phone CallTime jumps. I am in a corridor lit by overhead strip lights. The electric light is pale yellow in tone. I am sat on one of three chairs in a row against the wall. The chairs are purple, curved plastic. I am still waiting for him to appear.There are two doors in front of me. One is the door to the blue room with the blue sofa and chair. Behind the other door is an office of some kind, and there is a woman in there, shuffling papers and talking on the phone.The woman comes out of the office. She is holding out my phone. My only possession now – the one artefact from my previous life. There is someone she wants me to speak to.Him.When I hold the phone to my ear, I hear a voice I recognise.But the voice belongs to my mother."Hannah?" she says. "Where are you? What's going on?"There is distress in her voice. Her voice is trembling with pain and anxiety.I do not want to hear it.This is a test. A horrible test, certainly, but one that I can pass. They are trying to tempt me back into the human. They are trying to lure me back into the past.I hang up the phone.But, after a moment, it starts to ring. The word Mum lights up the screen."Talk to her," says the woman.I answer the call.My mother sounds different now. Calmer. She asks again what's going on but gently, even cheerfully. I tell her everything's OK. That I'm fine. I tell her not to worry. I'm in a good place.This is the last time I will ever hear her voice, I think. This is the way I say goodbye.The DiagnosisThey tell me I am being sectioned.The words jar with my beliefs."Section 2 … the Mental Health Act … 28 days … right to appeal … "I cock my head.This does not fit at all. It does not fit in the world of Steve, of Ritual Master, of Shambhala and the invention of magic.I am not concerned. I am concerned only with the energy I can feel spiralling up through my body and the voices I can hear in my head.I pace the hospital corridors, delivering a tearful monologue, delivering the greatest performance of my life. A phrase comes to me. The Girl With All the Gifts. The title of a post-apocalyptic horror film released in 2016, starring Gemma Arterton.I am a magician. I am an actress. I am a writer. I have superhuman strength. I can fly. Anything that can be imagined, I can perform it. Every skill and every ability is mine.The film came out as a warning, and a prophecy.And because of me, the apocalypse has been averted.I am the saviour of the planet. I am the girl with all the gifts.The Journey to RecoveryIt was very hard, the journey to get here. It took 27 years. The path was twisting and full of setbacks, there were challenges and so much pain. There were times I wanted to give up. It was very hard. Everyone will have to make their own journey, and their journeys will be their own, unique as snowflakes or fingerprints. That is the beauty of it, the joy of it. Everyone has to figure it out for themselves.But I have laid the groundwork. I have walked the path. It starts with the energy healing, and it goes on and on through the seven dimensions, through increasingly magical planes. It goes on and on until you meet your soulmate, like I met mine.I was in a TV show called Game of Thrones, hidden in plain sight in the midst of a cultural phenomenon. I, the key to the world's salvation, wore the face of a character called Gilly, but really I played every role. Then I worked on a film called Detroit in Boston. David Benioff and Dan Weiss and Kathryn Bigelow were the four horsemen of the apocalypse. Numbers are irrelevant. Three counts as four. David and Dan and Kathryn cast me in the roles that brought about my destiny. The end and beginning of the world.I am the Ur-actress. I am every actress. Every performance ever given has been animated by my energy, my talent, by the gestures and facial expressions I am performing here and now.The Memoir and BeyondThis is an edited extract from The Make-Believe: A Memoir of Magic and Madness by Hannah Murray, published by Cornerstone (£18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.Hannah Murray will be in conversation with Jessie Cave at Kings Place in London on 5 June.

Palantir released a controversial manifesto on X that praised American dominance, called for a US draft, and warned that autonomous AI weapons are inevitable. British MPs denounced the post as "the ramblings of a supervillain" and renewed calls to review the company’s extensive UK public‑sector contracts, which total over £500 million and include a £330 million deal with the NHS, as well as contracts with the police and the Ministry of Defence. Key Developments Palantir’s 22‑point manifesto posted on X, urging US military draft and predicting AI weapons. MPs from Labour, Liberal Democrats and others label the manifesto a "parody of a RoboCop film". Calls intensify to halt or review Palantir’s UK contracts worth > £500 million. Specific contracts under fire: £330 million NHS data platform, police analytics, Ministry of Defence data work, and FCA financial‑regulation data access. Palantir defends its work, citing benefits to NHS operations, cancer diagnosis speed, Royal Navy uptime and domestic‑violence protection. Data & Market Impact Current UK public‑sector exposure: > £500 million (approx. 0.2% of UK government IT spend). The NHS contract alone represents a £330 million commitment, roughly 0.1% of the NHS’s annual IT budget. If contracts are suspended, Palantir could lose up to 5‑7% of its 2025‑26 revenue, given that UK public contracts account for a similar share of its global earnings. Potential reputational damage may affect future bids in other allied markets (Australia, Canada, EU). Why This Matters The controversy highlights the tension between national security interests and the ideological stance of a major US tech vendor. UK citizens’ data—health records, policing information and financial‑regulation intelligence—could be processed by a firm whose leadership openly advocates US‑centric geopolitical dominance. This raises privacy, sovereignty and democratic‑accountability concerns for the UK public, while also putting pressure on the government to reassess procurement policies for high‑risk technology. Expert Insight Analysts note that Palantir’s manifesto is less about policy persuasion and more about brand positioning for future defence contracts. By framing AI weapons as inevitable, the company signals readiness to supply the underlying data‑fusion platforms that militaries will need. However, the overt political tone clashes with the UK’s public‑sector procurement rules, which require vendors to demonstrate neutrality and respect for democratic values. The backlash therefore reflects a broader pushback against “tech‑nationalism” and may accelerate the UK’s move toward home‑grown alternatives or stricter vetting of foreign suppliers. What Happens Next Parliamentary committees are likely to hold further hearings on Palantir’s contracts, potentially leading to temporary suspensions. The UK government may issue a revised code of conduct for AI and data‑analytics providers, emphasizing ethical safeguards. Palantir could either tone down its public messaging to preserve market access or double‑down on its US‑first narrative, risking further exclusion from allied markets. Other tech firms with similar government contracts (e.g., Snowflake, Microsoft) may face increased scrutiny, prompting a sector‑wide review of ethical guidelines.

Brian Cox’s latest live show, ‘Emergence’, draws its spark from Johannes Kepler’s 1609 treatise ‘The Six‑Cornered Snowflake’. Cox explains that Kepler’s wonder at the symmetry of snowflakes, written during a Prague snowstorm, embodies the modern scientific quest to understand the origins of patterns we observe.He says the show explores three realms: what we know, what we don’t know, and what may remain unknowable. This framework sets the stage for his reflections on the biggest unanswered questions in science.If he could answer any scientific mystery, Cox would choose the existence of life beyond Earth. He points to current missions—two spacecraft heading to Jupiter’s moons and the James Webb Space Telescope probing exoplanet atmospheres—as promising avenues that might soon reveal a biosignature.When asked about the future of technology, Cox warns that the trajectory of artificial intelligence is still opaque, making it both thrilling and potentially hazardous. He adds that quantum computing is another frontier with wildly divergent timelines—some experts see breakthroughs within five years, others doubt they’ll arrive in a lifetime—highlighting the revolutionary yet unpredictable nature of these tools.Cox also reflects on his shifting stance toward social media. He admits moving from early optimism about its democratizing power to a more critical view of its noise and misinformation, while acknowledging its complex impact on politics and public discourse.On personal advice, Cox stresses the importance of following one’s passion: “Do what you most enjoy,” he says, recalling his own journey from a teenage musician to a celebrated astronomer, supported by parents who encouraged his interests.He shares a memorable fan encounter: at an ELO concert, a man introduced himself as Paul McCartney after asking a question about Saturn’s moon Enceladus—an encounter that left Cox “overwhelmed” as a lifelong Beatles fan.When asked about a pop‑culture stance, Cox admits he is largely out of touch, but notes that musical innovation seems to have plateaued since the 1980s, contrasting the rapid evolution of earlier decades.One of his favorite astronomical facts is the staggering number of observable galaxies: about two trillion. He highlights how, within a century, humanity moved from debating whether other galaxies existed to quantifying an immense cosmos, also measuring its age at roughly 13.8 billion years.Brian Cox will tour ‘Emergence’ across Australia from 5 to 30 May 2026.