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The Deadly Hotel Fire At least 21 people have been killed, including 18 foreign nationals, as a fire ripped through a hotel in New Delhi, police said, in one of the deadliest blazes in the Indian capital in years. Foreign Nationals Among Victims The dead included people from Bangladesh, Nigeria, Mozambique, and Liberia, CNN-News18 said. Many of them had come to the city for medical treatment, the Indian Express and other local media reported. Fire Details and Rescue Efforts The fire took place on Wednesday in a building in the Malviya Nagar neighborhood in the southern part of the city, which has a restaurant on the ground floor and a hotel above. The blaze was extinguished with the help of eight fire engines, and more than 40 people were rescued and taken to nearby hospitals, Delhi police said in a statement. Cause of the Blaze and Aftermath The cause of the blaze was not immediately known, but building fires are relatively common in India due to a lack of firefighting equipment and frequent disregard for safety regulations. Prime Minister Narendra Modi said the loss of lives was tragic and extended his heartfelt condolences to those who have lost their loved ones and wished a speedy recovery to the injured.

At least five Mozambican citizens were killed during xenophobic attacks in the South African coastal town of Mossel Bay over the weekend, marking the first confirmed deaths linked to the country‑wide anti‑immigrant protests.Fatalities Among Mozambican Nationals in Mossel BayThe Mozambican government confirmed that seven of its nationals died in the period: five directly from the attacks and two in a separate road accident while returning home.Victims were part of a larger group of roughly 800 Mozambicans caught up in the unrest.The incident occurred on Friday, 1 June 2026 in Mossel Bay, about 380 km east of Cape Town.Numbers Behind the Violence: 800 Affected, 500 Sheltered, 300 ReturnedKey figures released by the Mozambican press office:300 citizens returned to Mozambique on Saturday, 2 June.Approximately 500 remain sheltered in a safe location in the Western Cape, with repatriation already underway.South African police are investigating the deaths of two men at an informal settlement; their nationalities have not been confirmed.Political Ripples: Election Year Tensions and Regional InstabilityThe spike in anti‑immigrant violence coincides with South Africa’s upcoming local government elections in November, prompting political parties to court voter sentiment on immigration.Historical context: similar xenophobic waves erupted in 2008, 2015, and 2021.Mayor Dirk Kotze of Mossel Bay expressed “deep concern and dismay” over murders, arson, and displacement.What Comes Next: Prospects for Repatriation and Policy ResponseAuthorities in both countries face pressure to:Accelerate the safe return of the remaining 500+ Mozambican nationals.Address the root causes of xenophobia ahead of the November elections.Enhance coordination between South African police and Mozambican diplomatic channels.

The Artist's Monument to Forgotten WorkersAn air of civilisational wipeout hangs over the Gehrenseestrasse complex, an abandoned housing estate on the north-eastern outskirts of Berlin, where the city still looks shabby without the chic. The insides of the nine prefabricated blocks have long been gutted; six floors of empty window frames stare hollow-eyed over multi-lane carriageways. In the courtyard, paintballers have left behind wooden barricades from when they played at World War III.Yet in one of the second-floor rooms of Berlin's largest ruin, artist Sung Tieu is waltzing across the concrete floor and reliving scenes from her childhood. "Here was the single bed I shared with my mother for three years," she says, pointing into a corner of the small room. "Two metres by 90cm, can you believe it?" There in the corridor is where her neighbours used to make bánh bao dumplings on camping stoves, for lack of private kitchens. "I still remember the smell." Here was the door through which she used to entertain her best friend when his mother locked him in during working hours. "We played cards through the gaps," she recalls with glee.But she also still remembers where neo-Nazis tried to throw molotov cocktails into the building: "They eventually set up a net because the windows kept on getting smashed".The Mosaic Recreation of a Lost CommunityThese days, few people have heard of the Gehrenseestrasse complex, whose last tenants left in 2002. But if Tieu had her say, it would be as essential a stop on the tourist trail as the Brandenburg Gate, the Reichstag or Checkpoint Charlie. There is, in her view, no place that better tells the story of the Vertragsarbeiter generation – the oft-forgotten workers who were hired on fixed-term contracts from socialist "brother states" in Vietnam, Mozambique, Angola or Cuba to boost the East German economy. "To me, this place is a monument," says Tieu.By the end of this summer, many more people in Germany – and art enthusiasts around the globe – will know about her childhood home. For this year's Venice Biennale, Tieu has clad the German pavilion with a like-for-like replica of the complex's facade, recreating the grey concrete and smudges of graffiti with three million mosaic stones made in Ravenna. She conceived the pavilion in tandem with the artist Henrike Naumann, who died in February from cancer aged only 41.Bureaucracy as Artistic MediumThe woman I meet at a Vietnamese restaurant in Berlin's Lichtenberg district is the antithesis of that exoticised cliche: modest, dressed all in black, analytical in her answers to my questions. She talks me dispassionately through the more experimental food options on the menu, but comes alive when explaining bilateral treaties and labour regulation."I really try to avoid the pure post-migrant diaspora narratives. By focusing on individual experience you can lose sight of the bigger picture. Contracts, state treaties, floorplans – that's what I am interested in. There has to be a certain formal toughness."Looking through her catalogue raisonné you are reminded of Marcel Duchamp. You see an artist dedicating her career to seeking ever more minimalist ways to express the same idea, from Cubist painting to readymade to annotations of chess moves. And in Tieu's case, that big idea is bureaucracy. In 2015, she reprogrammed the scrolling LED displays at a shop inside the Dong Xuan Centre, Berlin's largest Asian market, to display the texts of immigration treaties. For a group show at Berlin's Haus der Kulturen der Welt in 2024, she transcribed by hand documents from the national archives on the East German porcelain industry, authenticating them with her own ornamental stamp. Her website, fittingly, is just a long index of file names and a deadpan biography section: "Sung Tieu is an artist."Childhood Trauma and Artistic Vision"I think it's also a childhood trauma," she says when I ask her where her interest in bureaucracy comes from. "I've had to fill out forms for my mother since I was five, since she didn't speak any German. And by the time I was seven my German was better than hers. Bureaucracy was part of my childhood – I studied politics and administration because I wanted to understand it."Born in 1987 in Hai Duong, northern Vietnam, Tieu moved with her mother to what was by then the formerly socialist East German regions in 1992. They were joining up with her father, who had moved to the GDR five years earlier via a bilateral agreement for factory workers from the socialist republic.Initially announced in the romantic spirit of ideological solidarity, the treaty between the two states soon became a more hard-nosed deal, addressing ongoing labour shortages in East Germany while helping to rebuild a war-ravaged Vietnam, which took a...The Legacy of Forgotten WorkersTechnically there was no racism in the GDR, because it wasn't documented. But of course it always existed. This is the uncomfortable truth that Tieu's installation confronts – the erasure of immigrant experiences in official narratives, even as these workers were essential to East Germany's economy.Through her art, Tieu transforms personal memory into collective history, giving voice to the thousands of contract workers who built East Germany but were never fully acknowledged as part of its society. The Venice Biennale installation, with its meticulous recreation of a housing complex that many would prefer to forget, serves as both memorial and critique – a reminder that the stories of immigrants are integral to understanding modern Germany.The Future of Migration Narratives in ArtAs Europe continues to grapple with questions of migration and identity, artists like Sung Tieu are pioneering new forms of expression that move beyond personal stories to examine the structures and systems that shape immigrant experiences. By focusing on bureaucracy, architecture, and official documents, Tieu creates art that is both deeply personal and universally relevant.The Venice Biennale platform ensures that these often-overlooked histories reach a global audience, challenging visitors to reconsider their understanding of migration, labor, and belonging. As Tieu continues her exploration of these themes, we can expect more installations that transform bureaucratic systems into powerful artistic statements, creating spaces where the voices of the marginalized can be heard and remembered.

2014 Hwange Incident Sparks a Shift Toward Community‑Centric Conservation While tracking lion movements for her PhD in Hwange National Park, Mbizah received a GPS alert that a lion had wandered into a nearby village. The animal killed a seven‑year‑old boy before wildlife authorities shot it. The tragedy made Mbizah realise that protecting lions required protecting the people living on the park’s edge. Lion Population Decline and Economic Stakes for Rural Households 90% of the historic lion range across Africa has been lost. Fewer than 20,000 lions remain in the wild. In Zimbabwe’s mid‑Zambezi valley a cow is worth up to $300 and a goat $30. Average household income is about $108 per month. When predators kill livestock, families lose a vital source of income, prompting retaliatory killings that further endanger the remaining lion population. Human‑Wildlife Conflict Undermines Livelihoods and Biodiversity in the Mid‑Zambezi Livestock represents the primary wealth for communities in the corridor linking Zimbabwe, Zambia and Mozambique. Losses on both sides—people losing cattle, wildlife losing individuals—create a vicious cycle that threatens both biodiversity and rural economies. Scaling Community Guardians Could Redefine Conservation Across Africa Mbizah’s organisation, Wildlife Conservation Action (WCA), trains local "community guardians" to monitor GPS signals and raise alarms when predators approach. Early warning systems allow herders to protect their herds, reducing retaliatory killings and giving lions a safer corridor. If the model expands, it could provide a replicable blueprint for other regions where human‑wildlife conflict erodes both conservation goals and livelihoods.

Uncovering the Trauma of Mozambique's Civil War Lasting from 1977 to 1992, the Mozambique civil war left deep scars on the psyche of the whole nation. In his second feature, Inadelso Cossa attempts to grapple with the psychological wreckage of this harrowing period by combing through his own family history; returning to the village where he grew up, the film-maker conducts a series of interviews with his grandmother, whose testimony is rendered unreliable by her worsening dementia. The Blurred Lines Between Reality and Memory The film wavers between real and imagined truths, a liminal state echoed by the evocative cinematography. Nocturnal sequences, in which wooden sheds, grassy fields, and even Cossa’s grandmother, are wrapped in a cloak of darkness inspire a deceptive sense of calm. In the dead of night, though, the spectres of the past linger. Voices of the Past Cossa also speaks to other historical witnesses: Macuacua and Zalina, an older couple, spend much of their screen time bickering but these domestic moments are underlined with unease. A former soldier, Macuacua was once a participant in the violence against civilians but his life now, however, is marred by poverty. In a striking scene, Macuacua holds up a tree branch shaped like a rifle and reenacts a patrol route from his youth with astonishing matter-of-factness. A New Perspective on History For Cossa, history is distilled in these kinds of gestures, moving beyond linear time. Although the film is bookended by archival footage, the director prioritises non-traditional forms of documentation, such as monologues, songs, and reenactments. While this approach embodies the slipperiness of memory, it also renders the film difficult to follow on occasion. The Film's Impact But across these streams of oral history, what we find are not merely facts and figures, but feelings, in which pain and healing entwine. Where to Watch The Nights Still Smell of Gunpowder is on True Story from 1 May.

The Fair Chase in Niassa: A High-Stakes SafariThe article provides an intimate look into the controversial practice of trophy hunting through an expedition in Mozambique's Niassa Special Reserve. Spanning 4.2m hectares and larger than Switzerland, the reserve is home to approximately 1,000 wild lions. The narrative follows professional hunter Paul Stones and his client, an American neurosurgeon, as they track game. The hunters emphasize the concept of "fair chase"—an ethical standard where the quarry has a sporting chance of survival—distinguishing their activities from the "canned hunting" of captive animals.The High Cost of Conservation: Financial BreakdownThe economic model of trophy hunting is central to the article's argument. The revenue generated from these hunts is directly funneled into conservation efforts, specifically anti-poaching patrols. The financial breakdown reveals the high stakes involved:Buffalo Hunt: Approximately $2,150 (£1,590) per day for a minimum of 10 days.Lion Hunt: A highly choreographed and expensive affair, costing upwards of $70,000 before permits and bait are added.Game Fees: Prices vary significantly; for example, a leopard hunt costs $11,650, while a lion hunt can exceed $25,000.These fees are essential for the Luwire Conservancy, a private organization managing the hunting block, which relies on lion hunts as a primary income generator to maintain operations and protect wildlife.From Royal Parks to Anti-Poaching Units: The Historical ParadoxThe article delves into the historical roots of wildlife conservation, arguing that many of the world's protected areas were originally established for hunting by elites. It cites the Białowieża forest in Europe and South Africa's Kruger National Park as examples where hunting preserves eventually evolved into sanctuaries. This historical context is used to explain the current paradox: that one might save wildlife by killing it. The text contrasts the devastation of the Mozambican civil war, which caused animal populations to decline by 90%, with the current reality where hunting revenue helps restore and protect these populations.The Future of the Fair Chase: Survival or Extinction?The article concludes by highlighting the precarious balance of this conservation model. While trophy hunting provides the necessary funds to combat poaching and support local communities (where 80% live on less than $2 a day), it remains a divisive issue globally. The future of Niassa's wildlife depends on the continued viability of this economic model, which faces increasing pressure from international NGOs and animal rights groups advocating for a complete ban on hunting endangered species. The survival of the reserve's ecosystem, however, may ultimately depend on the revenue generated by the very hunters it seeks to protect.

Ghana has named Portuguese veteran Carlos Queiroz as head coach of the men’s national team, a move made less than two months before the kickoff of the 2026 FIFA World Cup.The Ghana Football Association (GFA) announced that Queiroz will assume immediate responsibility for the squad’s tournament preparations, working alongside key stakeholders to finalize the roster.“The Executive Council of the Ghana Football Association, working with all key stakeholders, has appointed Carlos Queiroz as head coach of the senior national team, the Black Stars,” the GFA said in an official statement.At 73, Queiroz recently departed his role as Oman’s manager after the side failed to qualify for the World Cup, but his appointment marks his fifth consecutive World Cup appearance, this time guiding Ghana.Ghana found itself without a coach 72 days before the tournament after parting ways with Otto Addo following friendly defeats to Austria and Germany in March.Queiroz’s World Cup résumé includes leading Portugal to the round of 16 in 2010 and steering Iran through three editions, recording three wins in 13 matches.Born in Mozambique, the former goalkeeper has also managed Egypt, Japan, Colombia and South Africa, and previously helmed Portugal in the early 1990s.“This is not just another job – it is a mission,” Queiroz said. “I am ready to give everything of my experience and knowledge once again, in service of the game and the happiness of people.”He was chosen from more than 600 local and foreign applications because of his extensive World Cup experience.Ghana have been drawn into Group L alongside Croatia, England and Panama.The Black Stars will fine‑tune their tactics in warm‑up matches against Mexico on May 22 and Wales on June 2.

In a stunning display at the BCA Kalahari Women’s T20 International Tournament in Botswana, the Brazil women’s cricket side secured a 189‑run win over Lesotho, highlighted by a historic bowling performance.After winning the toss, Brazil posted a formidable 202‑8, propelled by wicket‑keeper Monnike Machado’s 69 runs off just 41 balls. Lesotho’s reply collapsed to a mere 13 runs, the lowest total recorded in a women’s T20I since Mali’s six‑run innings in 2019.The centerpiece of the match was 21‑year‑old right‑arm seamer Laura Cardoso, who captured nine wickets—the best haul ever in any men’s or women’s T20 International. Her spell began with a hat‑trick on the last three balls of her first over, followed by a streak of five consecutive dismissals spanning the first two balls of her second over and the next three deliveries.Cardoso’s final figures read 3‑2‑4‑9, a performance that propelled her to the top of the Women’s T20 best‑bowling rankings, overtaking Indonesia’s Rohmalia Rohmalia. The previous record for wickets in consecutive deliveries stood at four, set by West Indies’ Shakera Selman in 2018.While Brazil’s margin of victory dwarfs many, it falls short of Argentina’s 364‑run triumph over Chile in 2023, when the South Americans posted a staggering 427‑1. Nonetheless, Brazil’s dominance in the six‑team tournament is clear—they sit unbeaten with five straight wins and face Mozambique in their next fixture.