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The Making of an Iconic PhotographPhotographer Greg Brennan shares the untold story behind his famous photograph of Kate Moss that became known as the "Party girl Kate Moss" shot. Despite tabloid interpretations suggesting Moss was drunk or it was the early hours of the morning, Brennan reveals the truth behind this iconic image that captured the supermodel at a pivotal moment in her career.Capturing the Moment at the Donmar WarehouseIn 2007, Brennan was assigned to cover Moss's 33rd birthday party at the Dorchester hotel. When he learned she was also attending a matinee performance at the Donmar Warehouse theatre, he rushed over to capture her arrival. Finding himself surrounded by 200-250 photographers at the front entrance, Brennan made a strategic decision.Recalling that Nicole Kidman always used the back door when performing at the venue, Brennan investigated and discovered Moss sitting on the stairs at the back entrance. With Pete Doherty standing nearby, Moss recognized Brennan and allowed him to take the photograph without reaction. As she entered the waiting car, the photographers realized they had been tricked, allowing Moss to depart unbothered.The Cultural Phenomenon of the ImageThe photograph, taken at 6:30pm in the evening, became an overnight sensation. Despite Brennan's preference for a different shot from that night—Moss standing with her hair blowing in the wind—the iconic image of her on the stairs appeared on every newspaper front page the following day.What makes this image particularly fascinating is its enduring appeal. Limited edition prints have been purchased primarily by women aged 16 to 50, many of whom cite Moss as their icon. A Vogue photographer once described the image as "a cross between a ballerina and Janis Joplin," capturing what Brennan calls "a certain fallen angel quality."The Evolution of Celebrity PhotographyBrennan, who has been photographing celebrities for 37 years, reflects on how the industry has transformed. He prefers the 1990s when there were fewer photographers and the process involved developing his own pictures and delivering them to newspaper desks at 6am.Today, social media has changed the landscape, allowing celebrities to promote themselves directly. "In the 90s, we were that social media for them," Brennan explains. Despite these changes, he maintains professional boundaries, focusing on red carpet events rather than intrusive personal photography. "It becomes harassment at that point," he states.

The ChairMadonna's new video is called Confessions II because it’s the follow-up to her album Confessions on a Dance Floor, released in 2005. The chair, however, is a complicating factor; she isn’t bestride it in a coquettish, Christine Keeler way, nor upright like a woman in control.The LasersThe Confessions II film is already going by the shorthand “the vagina laser video”. These green lights shooting out of everyone’s vulvas and sometimes butts are there to signify life force and unstoppable orgone energy.The AirbagDue to some complicated edits between a car interior and a table, it’s never completely clear whether Madonna is the driver, the passenger or is on top of the car, menacing its inhabitants, but one way or another, this leads the car to crash, whereupon somebody – indicated by a beautiful, slightly 80s, red lipstick bow – snogs the airbag.Sabrina CarpenterThe absolute poppet of bubblegum modernity, Carpenter appears giving off very much her own vibe. The choreography and camera angles create a lot of strategic ambiguity.Kate MossDoing her lipstick, looking definitively like herself, the supermodel’s arrival coincides with the line “Hide the cocaine”, although it’s unclear whether she is hiding it or an unseen narrator is hiding it from her.Odessa A’ZionOdessa A’Zion with her hair falling over her face, wearing a back top.