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The Mischief Theatre Company's Thespians Review The Mischief theatre company has been making fun of actors' foibles for years, especially in their deliriously amusing Goes Wrong series. Their first musical, Thespians, asks if the rampaging egos, heated rivalries, creative differences, and hammy activities of actors can be dated back to the world's very first acting troupe. The World of Thespians Little is known about the real Thespis, father of tragedy in the sixth century BC. Co-writers and lyricists Jonathan Sayer and Ed Zanders introduce him on the drought-plighted island of Ikaria and chart his odyssey to Athens, where he competes in a Eurovision-style prayer competition at the whim of a merciless tyrant and ends up founding the art of acting with his pals. The Musical Elements The musical elements of Thespians are a highlight, with songs that grow stronger over the evening. The show includes a Kander and Ebb spoofing Old Man Tango, with a geriatric chorus line prone to back pain. The sound, from Ben Smith's band, is more Sondheim than Rydell High in a show subtitled Greece the Musical (But Not That One). The Performances The cast, including James Spence as Thespis, Luke Latchman as Atlas, and Marc Pickering as Adonis, deliver strong performances. The show is directed by Robyn Grant and features a panto-esque adventure with a mix of physical comedy and witty wordplay. The Verdict While the show could benefit from zippier physical set pieces and a faster-paced ending, it distinguishes itself with an abundance of heart and soul. Thespians is a sweetly affecting paean to keeping good company – in life as much as in theatre.