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The Lebaudy manuscript, one of the earliest illustrated copies of the Old French Lancelot‑Grail cycle, is set to be auctioned by Christie’s on 8 July with an estimated hammer price of £1.5m‑£2m, offering institutions a rare chance to acquire a piece of Arthurian heritage that has never been publicly exhibited. Rare Arthurian Manuscript Set for Christie’s Auction Dating from c1290‑1310, the vellum‑bound tome contains 126 miniature illustrations, including a unique depiction of Merlin transformed into a talking stag. Produced by the anonymous Master of the Liège Apocalypse, the manuscript’s gold‑leafed miniatures were aggressively polished to achieve a dazzling shine. Its provenance traces back to a 15th‑century knight, a young jouster, the bibliophile Sir Thomas Phillipps, and 20th‑century French industrialist Jean Lebaudy, who survived two world wars and earned the croix de guerre. Estimated £1.5‑£2 Million Valuation and Market Context Current auction estimate: £1.5m‑£2m. Only three similar Arthurian manuscripts are known to reside in private collections, making this the earliest and most richly illustrated of the trio, according to Dr Eugenio Donadoni, Christie’s director of medieval and renaissance manuscripts. The manuscript will be featured in Christie’s “valuable books and manuscripts” sale, a marquee event for high‑value cultural assets. Scholarly Significance and Public Access Implications Experts such as Dr Irene Fabry‑Tehranchi of Cambridge University Library stress that the manuscript’s private ownership has limited comprehensive academic study. The work’s unique ending to the Suite Vulgate du Merlin, which emphasizes Arthur’s battles and questions of kingship, offers fresh insight into medieval narrative adaptation. Its potential transfer to a public institution could break a centuries‑long pattern of elite exclusivity, enabling digitisation and broader scholarly engagement. Future Prospects: Ownership and Research Opportunities Should a museum or university secure the manuscript, it would likely become a cornerstone for exhibitions on medieval literature and art, as well as a catalyst for new research on Arthurian myth‑making. Conversely, acquisition by a private collector could preserve the work but maintain current access barriers. Market observers anticipate strong competition, given the manuscript’s rarity, condition, and cultural cachet, which may drive the final price toward the upper end of the estimate.

The Legacy of a Groundbreaking PerformerWhen Michael Patrick became the first actor in Ireland's theatrical history to portray Richard III as a wheelchair user, he was determined that neither his nor his character's disability be seen as part of the play's inherent tragedy. Instead, as he explained in an interview with the Guardian at the time, he used his still recent diagnosis of motor neurone disease to inform a new understanding of one of the greatest plays in the canon. "It's less about the disability being the tragedy, and it's more about people's reaction to the disability being a tragedy, if that makes sense. Because, you know, in an ideal world, Richard could be in a wheelchair and he could still do all the things he wants to do," he told me ahead of opening night.A Revolutionary Theatrical VisionThe adaptation, staged in 2024 at the Lyric theatre, Belfast, was a huge success and earned Patrick the judges' award at the Stage awards in 2025. The production came about thanks to a half-joking comment Patrick made on social media in July 2023 when he first shared his MND diagnosis: he listed parts he wanted to be cast for, now that "my limp is really authentic", and one was Richard (another more sarcastic suggestion was Dickens' Tiny Tim).A Career Forged in CollaborationPatrick, who has died aged 35, was a well-known figure in the Irish drama world, having had roles with the Royal Shakespeare Company in productions of The Taming of the Shrew and Measure for Measure in the 2019-20 season, as well as several BBC shows including Blue Lights (2023) and This Town (2024), and others for the Irish broadcaster RTÉ. He also appeared in an episode of the sixth season of Game of Thrones in 2016.The Creative Partnership That Defined His WorkHis career was shaped by his long-term creative partnership with the writer and director Oisín Kearney. They were also great friends. The two met at Cambridge University, where Patrick was in the middle of a physics degree at Churchill College when he realised he wanted to be an actor; he later went to drama school at the Mountview Academy of Theatre Arts in London.Political Theatre and Personal StorytellingTogether they put on several plays at Cambridge, including Frank McGuinness's Someone Who'll Watch Over Me and Samuel Beckett's Play, and jointly led the university's Irish society. Working together, Patrick and Kearney would go on to write, direct and act in many productions for stage and screen. The Alternative, a play that reimagined the Irish Republic as part of the United Kingdom and dramatised a fictitious referendum on breaking up the country, was selected over hundreds of scripts to win Fishamble theatre company's competition looking for "a play for Ireland", with an acclaimed touring production in 2019.From Personal Health to Artistic TriumphFor one of their first projects together, the pair wrote a one-man show, My Left Nut, about a testicular condition Patrick developed as a teenager, in which Patrick played himself and other characters. They premiered it at the Dublin fringe festival in 2017 and took it to Edinburgh the following year. Although it dealt with heavy themes, such as shame and the grief a young Patrick experienced when he lost his father, the Guardian described it as "wincingly funny", and it was later adapted for the screen by the BBC.A Final Performance of Profound ResonanceOne-man plays about body parts would prove the bookends of his acting career. Last year, he and Kearney wrote My Right Foot, a deeply personal production about living with a progressive, terminal condition. Patrick, by then using a powerchair, performed it at the Dublin theatre festival. The Stage called the show "funny, warm and incredibly moving".A Life Shaped by Loss and LovePatrick's off-stage name was Michael Campbell, and he was known to friends and family as Mick. Born in Belfast, the son of Mickey, a computer engineer, and Pauline (nee Hughes), a priest's housekeeper, he went to Rathmore grammar school in the south of the city. He was introduced to Shakespeare by a drama teacher, Gwyneth Murdock, as a teenager, and developed a lifelong love of the playwright's work.The Impact of Motor Neurone Disease on His ArtWhen Michael was eight his father also died of MND at the age of 47. Later, he credited his mum with bringing up him and his three siblings while raising £100,000 for an MND charity. When My Left Nut was broadcast, he told the BBC it had been good to have the opportunity to talk about his dad, saying: "He's been a lot more present in our lives recently, which has been really nice."A Legacy of Determination and HumorSpeaking after his friend's death, Kearney said: "His diagnosis didn't stop him from working. He performed onstage six months before his passing and he was still writing up to the moment he went into a hospice. He was as determined as ever to make work with honesty and a sense of humour."Remembering a Life Cut ShortPatrick is survived by his wife, Naomi (nee Sheehan), whom he married in 2023, and by Pauline and his siblings, Kate, Hannah and Maurice.

The Gentleman's Legacy: Celebrating Brian Wakefield's Unique Footballing CareerMy friend Brian Wakefield, who has died aged 91, was one of the best amateur goalkeepers in England during the early 1960s. His life was a testament to the values of the 'Gentleman's Game,' balancing a successful career in education with a dedication to amateur football that spanned over half a century.From Oxford Blues to Olympic Reserves: A Career of DistinctionBrian made his name at Corinthian Casuals, where he eventually served as first team manager for two seasons. His talent was recognized nationally when he was selected as the reserve goalkeeper for the Great Britain side at the 1960 Rome Olympics. His footballing journey also included stints with Pegasus, Kingstonian AFC, Dulwich Hamlet, and a brief period with Leyton Orient.His academic and athletic prowess was equally impressive at Oxford University. He won three Blues in matches against Cambridge University at Wembley. He captained Oxford in a 4-1 victory over Cambridge and was invited to stay on for another term to continue his leadership role.A Record of Perfection: The Clean Sheet of SportsmanshipThroughout his footballing career, as player or manager, Brian never received a yellow card. This remarkable statistic underscores a level of discipline and sportsmanship that is rare in modern football. Beyond his playing days, he dedicated 40 years to the Corinthian Casuals Schools XI, a team of experienced players who travel the country playing against independent schools. His commitment to the amateur spirit was further cemented by his role as honorary secretary from 1993 to 2004.Shaping the Next Generation: The Teacher and AdministratorBrian’s influence extended far beyond the pitch. He served as a history and politics teacher, and later head of physical education, at the Sir William Herschel grammar school in Slough until his early retirement in 1992. His dual career as an educator and a football administrator allowed him to mentor young athletes, instilling the values of fair play and dedication that defined his own life.Enduring Influence on Amateur FootballThe passing of Brian Wakefield marks the end of an era for traditional amateur football. His life serves as a blueprint for the 'Gentleman's Game,' demonstrating that success can be achieved through integrity and dedication rather than professionalization. His legacy will likely continue to inspire amateur clubs and school programs that value the ethos of Corinthian Casuals, ensuring that the spirit of fair play remains alive in the sport.

China has emerged as a leader in global AI governance, contrasting with the US, which is pursuing AI development in a 'wild west' manner, according to Prof Dame Wendy Hall, a former UN and UK government adviser. Hall told the House of Commons business and trade committee that China is backing multinational attempts to introduce global governance of AI, while the US has set up a race between profit-hungry companies that rely on hype.Hall, who is director of the Web Science Institute at the University of Southampton, said Chinese AI researchers are efficient, innovative, and willing to release their models on an open-source basis. However, she noted that it has become increasingly difficult for UK experts to collaborate with China on research, limiting her academic freedom.The UK's reliance on US tech companies, including Google, Microsoft, OpenAI, and Amazon, risks a repeat of the Post Office Horizon scandal, warned Neil Lawrence, Cambridge University's DeepMind professor of machine learning. He expressed concerns that the UK is outsourcing AI model development to private billionaires with zero loyalty to the British state and consumer.Hall and Lawrence also highlighted that promises from US-backed tech companies may not be delivered as planned. For example, OpenAI has put a UK datacentre project on hold, and a government plan to open a large UK sovereign AI datacentre is behind schedule.The tech industry has identified a lack of power as a key problem, with Microsoft saying a planned datacentre in the north of England will not come online until at least 2033 due to a shortage of power from the grid.

Cambridge University is launching a four-week summer course in botany, inspired by a course taught by Prof John Stevens Henslow to Charles Darwin in the 1820s. The course will use original teaching materials, including plant specimens and illustrations, to teach students about botany.The course aims to address the gap in botany education in the UK, where the subject has largely disappeared as a standalone degree. Dr Raphaella Hull, acting head of learning for Cambridge University Botanic Garden, said that the course will teach students about botany using hands-on techniques and field excursions.The course is based on Henslow's pioneering approach to teaching botany, which emphasized the importance of observing and understanding plant diversity. Henslow's use of illustrations on his course was groundbreaking, and he is credited with influencing Darwin's later theory of evolution.Prof Sam Brockington, curator of Cambridge University Botanic Garden, said that the course is designed to be an immersive program in botany, and that Henslow's approach to teaching botany is still relevant today.