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The Lead Imagine stepping into the colorful world of Something Special, a beloved children's TV show that has been entertaining and educating kids for over two decades. The show, specifically designed for children with delayed learning and communication skills, has become a staple on CBeebies and BBC iPlayer. At the heart of the show is Mr. Tumble, aka Justin Fletcher, a charismatic performer who has captured the hearts of children and parents alike. A Behind-the-Scenes Encounter We recently had the opportunity to visit Mr. Tumble's set, located in rural Oxfordshire, where we witnessed the filming of the latest series. As we arrived, we were greeted by the iconic Mr. Tumble in his signature orange shirt, stripy yellow trousers, and red nose. The set was filled with familiar props, including the Tumble Tapp and Spotty Bag. Our 11-year-old daughter, Molly, who has special educational needs and disabilities, was overjoyed to meet her hero. The Power of Makaton One of the key elements that makes Something Special so compelling is its use of Makaton, a sign language that replaces words with simple hand gestures. The show's creator, Allan Johnston, a former Send teacher, developed the show to cater to children with communication delays. Makaton has become an integral part of the show, making it accessible and enjoyable for children with special needs. The Impact on Families Raising a child with special educational needs and disabilities can be challenging, especially in the current political climate. The article highlights the struggles faced by families, including the soaring number of Send tribunals and the concerns about proposed reforms. Something Special provides a much-needed respite for these families, offering a sense of community and support. The Future of Something Special As we look to the future, Something Special continues to evolve, introducing new presenters, including Maddie Moate, Ben Cajee, and George Webster. The show's commitment to inclusivity and accessibility ensures that it will remain a beloved favorite among children and families for years to come.

The Unicorn Theatre's production of 'A Midsummer Night's Dream' is a playful and punchy adaptation of Shakespeare's romantic comedy, made accessible to a young audience. Co-directors Rachel Bagshaw and Robin Belfield have trimmed down the original language while incorporating slapstick comedy and playful captions.The production feels like the start of a brilliant venture, still finding its feet. The editing is smart, but could have been more radical. The framing story in Athens has been cut down but not excised, making it harder to understand.The magical elements are kept low-key and gently engaging, with Titania's fairies conjured up using childlike voiceovers, Holly Khan's delicate soundscape, and Will Monks' entrancing word projections. Joséphine-Fransilja Brookman's Puck is an impish schoolkid who climbs up balconies, jumps on tyre swings, and causes mischief.The standout star is Emmy Stonelake as Bottom, a natural comic and talented Shakespearean who raises big laughs without compromising the language. When Bottom is turned into a donkey, Stonelake cries out: “This is to make an ass of me!” and is met with big laughs and heavy sighs.The most lucid and enjoyable scenes are those with the rude mechanicals as they rehearse their (terrible) play. There's a whiff of the CBeebies panto to these encounters, with the actors dressed in neon costumes and delivering their gags with gusto. The hard-working ensemble jump from playing heartsick lovers to hammy actors with real aplomb.At the Unicorn theatre, London, until 10 May.