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The Emergence of Luxury Barbecues The British barbecue has historically been a humble affair, often associated with burnt sausages and undercooked chicken. However, a new trend is emerging, with luxury barbecues becoming increasingly popular in the UK. These high-end models, often priced over £1,000, offer advanced features and are changing the way Brits approach outdoor cooking. High-End Barbecue Options The market for luxury barbecues extends far beyond traditional ceramic egg-shaped grills. Brands like Bertha offer Tardis-like freestanding outdoor coal ovens in aubergine purple and racing green for £4,500. Kamado Joe's Series III charcoal barbecue, which includes a protective cover, a bag of charcoal, and a pack of fire starters, costs £2,000. The 'Konnected Joe' iteration comes with in-built wifi, while the OFYR wood-fired outdoor unit (£1,295) doubles as a fire pit. Market Growth and Consumer Trends John Lewis reports a 100% increase in sales of its premium barbecue range over the past 12 months, while Weber, the company behind the classic UFO-style barbecue, has noticed an increase in demand for its premium models. According to Alexandra Hayes, co-founder of the food consultancy Harris and Hayes, the premium trend emerged during Covid when there were restrictions on eating out. Consumers still wanted to create new and special food and drink experiences. The Evolution of the British Barbecue For Melanie Brown, the chef-restaurateur of The Laundry in Brixton, who also hosts off-grid nights in the countryside where she cooks over Big Green Eggs or an OFYR, the very idea of the British barbecue has changed. 'There's been a massive shift in the interpretation of barbecue,' she says. 'It's no longer burning the shit out of something, it's turned from charring to gastronomy.' The Future of Outdoor Cooking Beyond the cooking, there's 'definitely the statement value' to these top-notch barbecues, says Hayes. 'Handbags are a classic status symbol, but as more people value experiences over things, it's understandable that these types of tools and gadgets are increasingly in hot demand.' With the UK experiencing hotter and longer summers, it's no longer remarkable to spend more than £1,000 on a barbecue.

Wet Easter Dampens Seasonal Sales at B&QA wet and cold Easter discouraged customers from buying barbecues, garden furniture and plants, causing a dip in seasonal revenue for the home‑improvement chain B&Q, part of the Kingfisher group.Sales Figures Reveal 0.9% Group Decline, B&Q Down 4.1%Group like‑for‑like sales fell 0.9% between February and April.B&Q sales dropped 4.1% in the same period.Screwfix revenue rose 4.1%, offsetting part of the decline.Seasonal products account for roughly 20% of Kingfisher’s total revenue.Kitchen sales increased 4.5% after the launch of new ranges.Strategic Shift Toward Trade Customers and Heatwave OpportunityKingfisher is leaning more on its trade‑customer base, which grew 17% (excluding Screwfix) as professionals continue to buy essential tools and materials. The company also plans further investment in its own‑brand bathroom range later this year, aiming to capture market share despite a 2% overall decline in UK bathroom sales.Outlook: Heatwave Boost and Full‑Year Profit GuidanceThe current heatwave is expected to revive demand for outdoor and garden items, helping B&Q recover lost ground. Thierry Garnier, chief executive of Kingfisher, reaffirmed the full‑year outlook, targeting a pre‑tax profit of £565 million‑£625 million. The guidance lifted the share price by 3% and kept the stock at the top of the FTSE 100.

The Lead: Carla Simón's Unique Approach to Family DramaFamily reunions in European arthouse cinema are almost always unhappy events, on a scale of strife that ranges from simmering resentment to spectacular score-settling. Carla Simón, however, has a rare gift: she makes you leave the cinema with renewed faith that having relatives and keeping in touch with them may actually be a wonderful thing.No film-maker working in Europe now is as capable of turning birthday gatherings, garden parties or poolside barbecues into thrillingly sprawling canvases of human virtue and vice as this 39-year-old rising star. From a riotous water fight in the Berlinale Golden Bear-winning farming drama Alcarràs to a foul-mouthed dinner table singalong in her new film Romería, Simón directs kinship meetings with the attention to detail that other film-makers may invest in action sequences or dance routines.The Event Details: Romería and the Journey to Self-DiscoveryAmong the tricks Simón employs, she explains, is to ensure her actors only read the script once before the camera starts rolling, so they have to improvise to fill the gaps. She takes her casts to parties, for walks and on shopping trips, and if there are disagreements on the way, so much the better. The ultimate secret sauce, though, is to ignore WC Fields's notorious advice and always work with children and animals."I never get bored of working with kids," she says. "When you are only working with adult actors, shooting becomes more like executing an idea that you have in your mind, and I think that is not interesting. With children, you always have this feeling that that things are going to happen in front of the camera by chance. It keeps things alive."Her new film Romería, meaning "pilgrimage" in Spanish, dives deeper into the story of the biological parents she barely got to know. Eighteen-year-old Marina travels to her relatives in Vigo, in north-western Galicia, purportedly to find the death certificate of her biological father, which she needs to study film-making in Barcelona. The initial reaction is warm, but family is a room with dark corners and locked closets.The Personal Journey: Aids, Loss and Family SecretsSimón's fascination with freewheeling scenes of family life was undoubtedly honed through her own biography. Born in Barcelona in 1986, her father died when she was three and her mother when she was six. Both of them succumbed to Aids. She was 12 when her adoptive mother told her that her parents had been infected with the autoimmune disease through their use of drugs.All of her first three films have been strongly autobiographical: Summer 1993 tells the story of a six-year-old girl who moves to an unspecified location countryside to live with her aunt after the death of her mother, while 2022's Alcarràs is specifically set in the Catalan peach-growing community of her adoptive family.In the film, a cache of letters written by her late mother opens up a portal to the time when her parents met and discovered love – for each other, the Atlantic Ocean and drugs. The letters, Simón explains, are real. "She wrote to her friends and family while she lived in Vigo. Her Catalan is full of mistakes, because teaching Catalan was banned under the Franco regime. But they are the most important thing that I have from my mother, because suddenly I can hear her talking."The Impact Analysis: Spanish Cinema and the Legacy of AidsSpanish cinema has a track record in making films where child actors take centre stage: Ana Torrent's spell-binding turn as a young girl obsessed with the Frankenstein tale in Víctor Erice's 1973 film The Spirit of the Beehive is considered an all-time great performance by a minor, and Simón describes it as "a very, very important film for me".During the transition period after Franco's rule, Madrid gave birth to la movida, a countercultural movement that celebrated lifestyles that had been banned under military rule. "All these kids who were raised under Franco and religious oppression, suddenly freedom arrived and they embraced it", Simón says. "They didn't think much about the future or the consequences of what they were experimenting with. And then the drugs came in."When we talk about this generation in Spain, people sometimes use words like shame and blame, but I feel that's really unfair: people like my parents just had bad luck.The Future Direction: Beyond Family in Simón's Next ProjectHalfway through Romería there is a stylistic shift, from the Eurorealism she favoured in her previous works toward something more magical-realist: there is a mysterious cat you might expect to encounter in a Miyazaki film, and an unforgettable dance number set to Vigo punk rocker's Siniestro Total's song Bailaré Sobre Tu Tumba ("I'll Dance on Your Grave")."These three films I've made are kind of a cycle, because they all talk about my family, adoptive and biological. But since I became a mother a few years ago, I feel that my place in the family changed. When you have kids you feel it's a new period in your life, so I feel like maybe doing something that has nothing to do with my family."Her next film, she confides, is going to be a flamenco musical.

Spring Awakening and the New Cairngorms By‑lawThe Guardian’s latest country diary captures the resurgence of birds, blossoms and buzzing insects across the Cairngorms, while noting that 1 April 2026 saw the introduction of a strict bylaw prohibiting barbecues and open fires in the park. The measure follows a series of recent wildfires that have scarred the landscape and threatened native species such as red squirrels and capercaillies.Wildfire Statistics Highlight Growing Risk241 wildfires were recorded in Scotland in 2025, the highest count in recent memory.The Dava Moor fire in 2024 burned 11,000 hectares of moorland, killing thousands of birds and mammals.A smaller blaze north of Aviemore this spring devastated 600 sq m of pinewood.These figures are echoed in the Scottish Government’s Strategic Action Plan for Wildfires, which warns that climate change is creating conditions for more frequent and intense fires.Implications for Conservation, Tourism and Local CommunitiesThe ban directly supports ongoing conservation efforts, particularly the protection of capercaillie lek sites during the annual Lek It Be campaign. By eliminating stray sparks, the park hopes to preserve the delicate balance that allows species such as pied wagtails, siskins and osprey to thrive.Tourism operators are also feeling the impact. While campfires and barbecues have long been a staple of hill‑top picnics, the new rule encourages a shift toward designated cooking facilities and low‑impact visitor practices, potentially reshaping the visitor experience in the highlands.What the Ban Means for Future Land‑Management in ScotlandExperts predict that the Cairngorms ban could become a template for other vulnerable landscapes across the UK. If compliance remains high, the policy may reduce the number of small‑scale ignitions that often act as precursors to larger conflagrations.Continued monitoring will be essential. The Scottish Government plans to publish annual wildfire reports, and local conservation groups are calling for increased funding for fire‑break maintenance and community education programmes.