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Centenary Celebration as a Manifesto, Not a Museum PieceThe Guardian’s review frames Rambert’s 100th‑birthday tour as a clear statement of intent: a mission‑driven showcase that looks squarely at the present. Artistic director Benoit Swan Pouffer rejects a retrospective approach, opting instead for fresh commissions that prove a century‑old company can still feel youthful.Triple‑Bill Programme Pushes Digital‑Era ChoreographyHop(e)storm by (La)Horde – transforms a 1930s lindy hop into a rave‑filtered, hardcore‑beat spectacle, blending social‑media aesthetics with live performance.In Crimson – starring Bobbi Jene Smith, Or Schraiber, Dipesh Verma, Naya Lovell and Sungmin Kim, merges chamber‑piece intimacy with high‑energy vocal and piano interludes.Gallery of Consequence by Dutch choreographer Emma Evelein – an airport‑set tableau that captures fleeting human moments through rapid, freeze‑frame movement.Tour Schedule and Box‑Office OutlookThe run begins at Sadler’s Wells, London until 13 June 2026 and then tours nationally until 16 September 2026. Early ticket sales suggest strong demand for innovative contemporary dance, a sector that traditionally relies on niche audiences.Implications for British Contemporary DanceBy embracing digital culture, collaborative collectives, and stripped‑down venues, Rambert sets a template for other legacy companies. The review notes that the risk of “new work” may not always thrill, but it sustains a forward momentum essential for the art form’s relevance.Looking Ahead: A Century More of Motion?If the current trajectory holds, Rambert’s blend of experimental choreography and accessible staging could keep it on major UK stages for another hundred years. The review ends on a hopeful note: “Let’s hope they’re still dancing in another 100 years.”

The Legacy of Marie Rambert Rambert Dance Company, founded by Marie Rambert in 1926, has been a driving force in British dance for 100 years. Rambert, a Polish émigré who performed with Diaghilev's Ballets Russes, was a pioneer in British dance, nurturing the talents of influential choreographers like Frederick Ashton and Antony Tudor. A New Era for Rambert Under the artistic direction of Benoit Swan Pouffer, Rambert is embracing a new era with a focus on pushing boundaries and democratizing dance. Pouffer, who arrived at Rambert in 2018, has implemented changes in staffing, dancers, and culture, with a vision to take the company forward for the next 100 years. Expanding the Dance Landscape Ramberts four-day takeover of Londons Southbank Centre last September was a highlight of this new direction. A collaboration with choreography group (La)Horde, We Should Never Have Walked on the Moon had 80 dancers all over the building and spilling outside, and audiences roaming the halls in their midst, filming and posting clips while it happened. Commercial Productions and New Audiences One major change that Pouffer has overseen at Rambert is a shift towards more commercial productions, including a dance version of the TV hit Peaky Blinders, which has now been seen by 250,000 people, 65% of them new to Rambert and 21% new to dance. The Future of Dance Pouffer believes that dance should be accessible to everyone, and that someone who has never seen dance has as valid an opinion as a seasoned dance-goer. With its bold new direction, Rambert Dance Company is well-positioned to continue pushing the boundaries of dance and inspiring new audiences for the next 100 years.