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The Failure of Economic Growth We live in an age of manufactured scarcity. In a world richer than ever before, roughly one 10th of the world’s population still lives in extreme destitution. Millions of people cannot afford enough food, proper housing or basic healthcare, while a tiny minority accumulates unprecedented wealth and power. A New Economic Model These are not separate crises. They are symptoms of an economic model that has reached the end of the road. Poverty and inequality are not accidents; they are predictable outcomes of policy choices: how we design tax systems, regulate labour markets, value care, structure public services and decide whose needs and whose voices matter. The Data Analysis For decades, the recipe was simple: grow the economy, and poverty would gradually disappear. But the promise that economic growth would “lift all boats” has not been kept. While national incomes expanded, wages stagnated, work became more precarious and public services were cut. At the top, fortunes ballooned; at the bottom, families turned to food banks. The Impact Analysis It has also become ecologically unsustainable. We are edging towards a “hothouse Earth”, where rising emissions and biodiversity loss are destabilising the conditions that support human life. Around 92% of excess global carbon emissions can be attributed to the global north, and the wealthiest 10% of individuals are responsible for nearly half of global emissions. The Prediction That is why we have come together to develop and support the “roadmap for eradicating poverty beyond growth”. The roadmap provides a range of alternatives on how to move beyond the narrow “grow-tax-transfer” approach that has shaped policy for decades. We call on political leaders at all levels to use them, to listen to those most affected, and to treat the end of poverty, the reduction of inequalities and the effective realisation of human rights as the measure by which economic policy should be judged.

The Unbreakable Bond of Brotherly Love In a heartwarming display of sibling support, Guéla and Desiré Doué, brothers from Côte d'Ivoire and France respectively, are making headlines at the World Cup. The brothers, born to a French mother and an Ivorian father, have always been inseparable. A Family Rooted in Football The Doué brothers' love for football runs deep. Guéla, who plays for Côte d'Ivoire, and Desiré, who plays for France, have been involved in football since they were young. They were both signed by Rennes' youth academy after Guéla's trial, with Desiré doing keepy-ups on the sidelines at just five years old. Sibling Rivalry Takes a Backseat Despite playing for different teams, the brothers are showing immense support for each other. In a recent match, when Guéla scored for Côte d'Ivoire, the camera immediately panned to Desiré on the opposition bench, who wore a wry smile. The brothers even embraced at the end of the match, with Desiré happy for his older brother's achievement. The World Cup's Sibling Phenomenon The Doué brothers are not the only siblings at the World Cup. There are six other pairs of brothers playing in the tournament, with some playing for the same team and others for different nations. The brothers' bond is a testament to the power of family and support in the world of football. A Potential Reunion on the Horizon With Côte d'Ivoire and France potentially facing off in the knockout stage, Guéla and Desiré Doué could become the next pair of brothers to play against each other at the World Cup. Only once before have brothers played each other in the tournament's history, with Jérôme and Kevin-Prince Boateng facing off in 2010 and 2014.

The Leadership Survival and Rebuild ImperativeIn the aftermath of a disastrous Ashes campaign in Australia, England cricket finds itself at a critical juncture. Brendon McCullum, the head coach in all formats, and Rob Key, the managing director of men's cricket, remarkably retained their positions despite the team's comprehensive failure. This survival, while providing continuity, places immense pressure on both leaders to deliver meaningful change in England's cricketing approach and culture.As the team sets about its post-Ashes reset, the core challenge becomes transforming a philosophy that was brutally exposed during Australia's tour. The question now is whether McCullum and Key can evolve their approach while maintaining the attacking mindset that initially defined their tenure.The Cultural Reset After Ashes FailureEngland's winter in Australia revealed deep issues both on and off the field, necessitating a fundamental reassessment of team culture. The positive emerging from this failure is a recognized opportunity and appetite for change. McCullum, who established the current culture after his appointment in 2022, is now paradoxically tasked with changing it.Notably, the cultural reset extends beyond the squad to include the relationship with county cricket. After previous comments from Key and McCullum about domestic cricket were deemed crass and condescending, the creation of a County Insight Group—comprising head coaches who will regularly meet England's leadership—signals a tangible shift in approach.Performance Analysis and Coaching EvolutionMcCullum's coaching philosophy has come under intense scrutiny following the Ashes defeat. While he admits he is not a hugely technical coach, questions remain about whether he has surrounded himself with experienced specialists who can support players in the technical foundations of cricket.The dismissals of players like Zak Crawley and Ollie Pope highlighted technical deficiencies that cannot be ignored. England's coaching appointments since the winter will be crucial in determining whether the environment can become one where technical excellence complements the aggressive playing style.Shifting the Narrative and ExpectationsEngland's cricket landscape is undergoing significant transformation. The relationship between leadership and players, between international and domestic cricket, and between aggressive intent and smart execution all require recalibration.McCullum's messaging must evolve from simply 'running towards the danger' to a more nuanced approach that emphasizes winning key moments while maintaining an attacking identity. This represents a delicate balance that will test his adaptability as a coach.Summer Tests and the Road AheadWith England no longer considered a young, evolving side but rather an experienced unit approaching its peak, the upcoming series against New Zealand and Pakistan serve as critical litmus tests. Expectations will be high, with comprehensive victory against Pakistan anticipated and the New Zealand series viewed as a more significant challenge.Success in these series could restore positivity and move England beyond the winter's failures, positioning the team favorably for bigger tests against India and Australia—the true measures of whether McCullum and Key's rebuild has been successful.

The Enduring Legacy of Peter Asher Peter Asher, a name synonymous with the evolution of popular music, has led a life that reads like a fairy tale. From his early days as a child actor to his pivotal role in shaping the careers of iconic artists like James Taylor and Carole King, Asher's story is one of passion, intellect, and innovation. The Formative Years Born into a family of intellectuals and creatives, Asher's upbringing laid the foundation for his future success. His mother, an accomplished oboe player, and his father, a respected endocrinologist, instilled in him a love for music and a keen analytical mind. This unique blend of artistic and scientific inclinations would serve him well in his future endeavors. A Chance Encounter with Paul McCartney Asher's connection to the Beatles began long before he became a renowned producer. As a teenager, his sister Jane was courted by Paul McCartney, who was drawn to her intelligence and beauty. This early interaction would eventually lead to Asher's involvement in the music industry, as McCartney offered him a song, A World Without Love, which became a No 1 hit for the duo Peter and Gordon in 1964. The Rise of a Legendary Producer Asher's transition from performer to producer was marked by his work with James Taylor, whom he signed to Apple Records. His production style, which emphasized orchestration and harmony, helped shape Taylor's intimate sound. Although their collaboration was initially tumultuous, Asher's dedication to his craft earned him a reputation as a meticulous and innovative producer. A Lasting Impact on Music Asher's influence on popular music extends far beyond his work with individual artists. He played a significant role in instigating the soft revolution that allowed singer-songwriters to dominate the charts in the 1970s. His legacy continues to inspire new generations of musicians and producers, cementing his status as the 'Everywhere Man' of music.

The Timeless Allure of Boogie Nights Masculinity was never more fragile than in Paul Thomas Anderson’s picaresque porn comedy from 1997, inspired by the life and times of 70s/80s LA adult movie star John Holmes. It’s a film that delivers the era’s jukebox slams on the soundtrack, though oddly not the Heatwave classic that provides the title. But Boogie Nights gives the male-gaze world of porn a taste of its own phallocentric medicine. How does it feel for a guy to be known and valued for just one thing, and then mocked and even hated when that one thing shrivels? The Fragile Hero of Porn What happens, in fact, is that our detumescent hero symbolically turns to the more reliably priapic world of guns and crime, although not without first embarrassingly trying to make it as a singer. (David Foster Wallace, in his 1998 essay Big Red Son, about the Adult Movie awards in Las Vegas, compares the event’s musical interludes to the ghastly screeching in Boogie Nights.) Twenty-six-year-old Mark Wahlberg plays handsome young teen Eddie, or Dirk Diggler, as he is later professionally to style himself who, while working behind the bar in a nightclub in California’s San Fernando Valley in 1977 (where he supplements his income by jerking off in the kitchens at the bidding of paying voyeur customers) he meets silver-fox porn impresario Jack Horner, played with leathery assurance and style by Burt Reynolds. A World of Excess and Addiction With his industry sixth-sense for untutored talent, Jack picks up on what a later generation would call Eddie’s BDE; he offers him a job on his latest dirty movie, where Eddie morphs into “Dirk”, wowing colleagues with his size, stamina and quick turnaround time. Dirk gets to know his supportive new industry family. These include Julianne Moore, who here establishes the sexy-tragic drama queen persona that has surfaced so often in her career. She is Maggie, a divorced mother and elder stateswoman of porn, clenched with the secret anguish of not seeing her child and displacing that maternal longing on to her hardcore scenes with Dirk. Nicole Ari Parker is Becky and Heather Graham is Brandy, known as “Rollergirl”, for never removing her roller skates; her awful destiny is to be forced to play a scene with a guy who once mocked her in high school. The Influence of Cinema Legends Behind or above or within all of this is cocaine, a vast omnipresent glittering mountain of white powder, powering the rush behind the success-surge in Dirk’s career montage. Porn and coke merge into a single entity – a compulsive, addictive demon which destroys Dirk’s endowment. Then there is the industry’s great crisis. Jack is an artist of adult entertainment, a celluloid purist who resents the new world of videotape arriving like the talkies in Singin’ in the Rain; at the end, there’s a premonition of homemade gonzo content, though that was hardly more than a rumour in 1997. A Lasting Cinematic Experience As a film, Boogie Nights is clearly influenced by Scorsese: not just the epic rise-and-fall trajectory of GoodFellas but in Dirk running his lines in front of the mirror like Jake LaMotta. There is also something of Tarantino in the late-night store stick-up that leaves Buck covered with blood and with a brown paper-bag full of cash. Yet at this stage Anderson arguably didn’t have Scorsese’s gift for making his dramas about something more than themselves.

The Stage Adaptation of a Haunting Tale Based on Babak Anvari's 2016 film, Carmen Nasr's adaptation of 'Under the Shadow' brings to life the story of Shideh, a former medical student in Tehran during the Iran-Iraq war. The play explores Shideh's struggles with her ambitions thwarted by accusations of political activity, raising her seven-year-old daughter alone, and facing regular air raids. The Interplay of Action and Metaphor Nadia Latif's suspenseful and fluidly directed production masterfully intertwines action and metaphor, making the djinn a manifestation of Shideh's internalized anger due to a lifetime of oppression. This interpretation doesn't diminish the terror it instills, as evidenced by a nerve-shredding jumpscare at the end of act one. A Detailed and Immersive Setting Ben Stones's lovingly detailed set—a widescreen living room with mustard-yellow walls, cluttered furniture, and a TV playing Jane Fonda workout tapes on a contraband VCR—dominates the stage. Donato Wharton's sound design and James Farncombe's lighting enhance the tension and melancholy, effectively bringing the bomb shelter and the characters' plight to life. Powerful Performances Leila Farzad shines as Shideh, her frazzled tenacity driving the action. Her portrayal brings real delicacy to Shideh's damaged interior landscape, especially in her impressive final scenes, where a new kind of self-exposure and emotional transparency between mother and daughter is required. A Timely and Impactful Production This adaptation could scarcely be timelier, echoing contemporary sentiments of abandonment and resilience. The relationships between Shideh's neighbors provide the drama's foundation, making 'Under the Shadow' a compelling and thought-provoking watch.

The 4K Restoration Brings a Forgotten Indie Back to the Big Screen The summer of 2026 sees Janus Films releasing a meticulously restored 4K version of I Shot Andy Warhol, the 1996 Mary Harron film that has long lived in the shadows of underground cinema. After decades of disappearing behind a battered YouTube upload and a chain of bankrupt distributors, the film is finally presented in a format that matches its visual ambition. Behind the Revival: How a Decades‑Old Rights Maze Was Untangled Date of re‑release: Summer 2026 theatrical rollout across major U.S. cities and select European art‑house venues. Restoration partner: Janus Films collaborated with original cinematographer’s archives to scan the original 35mm negatives at 4K resolution. Distribution challenge: Rights to the film passed through at least three insolvent distributors, leaving the title out of print for over a decade. Director’s involvement: Harron spent six to seven years lobbying for the restoration, working from a Brooklyn office to secure the necessary clearances. Financial and Distribution Snapshot The film never achieved mainstream box‑office success; its original limited run earned modest independent‑film revenues, making precise figures scarce. Restoration costs, while undisclosed, are typical for 4K projects of this scale—often ranging from $150,000 to $300,000, funded partly by arts‑grant programs and private investors. New theatrical bookings are expected to generate a modest but meaningful boost for the rights holders, while ancillary revenue will flow from streaming‑platform licensing and a limited‑edition Blu‑ray release. Cultural Impact: Re‑examining Gender, Politics, and Queer Representation Harron’s film, once hailed at Cannes’ Un Certain Regard, now lands in a cultural moment where its critique of patriarchal dominance feels prescient. The director notes that contemporary audiences are more attuned to the film’s exploration of “male dominance and authoritarian regimes,” echoing the feminist backlash that Valerie Solanas embodied in the 1960s. By portraying Solanas without sanctifying her, the film invites viewers to grapple with the messy intersection of radical feminism, trans‑exclusionary rhetoric, and artistic rebellion. Moreover, the restoration highlights the film’s formal daring—its use of Warhol‑style screen tests and manifesto‑driven monologues—offering a fresh case study for film‑studies curricula that examine anti‑biopic storytelling. Looking Ahead: What This Revival Means for Indie Film Preservation The successful 4K rollout of I Shot Andy Warhol could set a precedent for other neglected indie titles. As streaming platforms increasingly seek exclusive, high‑quality archival content, rights holders may view restoration as a viable revenue stream rather than a purely cultural exercise. Harron’s perseverance demonstrates that even films with fragmented rights histories can find new life, encouraging archivists, distributors, and filmmakers to invest in the preservation of avant‑garde cinema before it fades entirely.

The Alarming State of Bee Populations Last winter, commercial beekeepers lost more than 60% of their colonies, marking their worst losses on record. This decline is not just an environmental issue but also a significant threat to the US food system, which relies heavily on bees for pollination. The Role of Industrial Agriculture Managed honeybees are essentially gig workers in agriculture, contributing over $15bn to the US food system and pollinating more than 130 types of fruits, nuts, and vegetables. However, their management is grueling and involves being trucked cross-country, fed supplements, bred for productivity, and exposed to pesticides. The Impact of Almond Pollination The annual almond bloom in California is a prime example of the challenges faced by bees. Beekeepers truck more than 2m bee colonies to the state, which is over 95% of the country's commercial colonies, to pollinate 1.4m acres of blooming almonds. This event poses significant risks, including the spread of parasitic varroa mites and exposure to agrochemicals. The Financial and Environmental Consequences The consequences of bee declines are far-reaching. Beekeepers may charge farmers more for their pollination services or have fewer bees to offer, leading to smaller harvests, more expensive fruits and vegetables, and less diversity in the produce aisle. The problem is exacerbated by the loss of floral oases where beekeepers historically produced honey and the reduction in bee research funding. A Call to Action To support bees, it is crucial to restore and increase funding for pollinator research, maintain and plant more conservation lands, and require pesticide labels to better disclose sublethal toxicities. The time has come for the food system to take responsibility and make changes to protect these vital pollinators.

The LeadBritain's scientific capabilities face "serious damage" with some national facilities at risk of closure under spending cuts to meet spiralling costs at the government's infrastructure funding agency. The crisis threatens to dismantle the UK's global standing in big science.The STFC Funding Shortfall and Facility CutsThe Science and Technology Facilities Council (STFC) is under pressure to save at least £162m by 2029-30 due to soaring electricity, staff costs, and foreign exchange rates for international collaborations like CERN. Managers are proposing cuts of 10% to 20% at facilities like the Diamond Light Source and ISIS Neutron and Muon Source.Diamond Light Source (Oxfordshire): A giant microscope producing beams 10 billion times brighter than the sun.ISIS Neutron and Muon Source (Oxfordshire): Used for studying pharmaceuticals, batteries, and aerospace components.Daresbury Laboratory (Cheshire): A key site for national facilities.Quantifying the Cost of Scientific DeclineThe proposed cuts represent a significant reduction in operational capacity. The ISIS facility has already been running at 80% capacity and has lost 10% of its staff. Scientists are bracing for savings of about 20% at Diamond, which threatens the planned Diamond-II upgrade.Target savings: £162m by 2029-30.Proposed cuts at facilities: 10% to 20% of annual spend.ISIS capacity: 80% (down from full capacity).ISIS staff attrition: 10% (not replaced).The "Destruction of the Future" and Global ReputationThe potential closure of beamlines or facilities is not just a budget issue but a strategic threat to the UK's innovation ecosystem. Brian Cox has described the cuts as the "destruction of the future," while Tom Grinyer warns of "serious damage to the UK's scientific capability and international attractiveness." These facilities are vital for diverse sectors, including pharmaceuticals, batteries, and aerospace. Losing specific instruments could mean losing capability for entire sections of the research community, potentially derailing future breakthroughs in materials science and medicine.A Crossroads for UK Big ScienceWhile the STFC spokesperson denies immediate closure decisions, Prof John Womersley suggests facility closure is "on the table" if a "salami-slicing" approach fails. The government faces a tough dilemma: maintaining the UK's status as a "science superpower" or addressing immediate fiscal pressures. Decisions are expected to be shared in the autumn, but the window for preserving the UK's infrastructure is narrowing.