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The Discovery Jem Calder's writing career had a fairytale start. Sally Rooney emailed him, impressed with a short story he'd submitted to the literary magazine she was editing soon after Conversations with Friends came out. It was the first story he'd ever completed. Calder was already 'a huge fan' of Rooney's, so the whole thing was surreal, he tells me. 'I can't really imagine what could top that, to be honest.' The Writing Career That story ultimately ended up in Reward System, Calder's 2022 collection of six interconnected tales following a cast of sad young things living in an unnamed city. It was hailed as a book of the year; a review in this paper placed Calder among 'the most talented young writers of fiction at work today'. Now, his debut novel, I Want You to Be Happy, picks up some of the themes of the first book: the trials of modern love, millennial ennui, consumer culture, technology, political and ecological doom. The Novel's Themes The novel explores the challenges of modern relationships, with characters struggling with commitment, addiction, and the search for meaning in a dismal macroeconomic climate. Calder's characters are addicted to instant gratification – buying stuff, social media, vaping, porn – anything to ward off the world's horrors. The Author's Perspective Calder grew up in Cambridge, studied English at Leeds, and has since worked a variety of jobs alongside writing, including those of his protagonists – Joey is a barista, and Chuck is a copywriter. He says he 'truly can't relate' to authors who complain of writer's block – having to work a day job 'gives me such motivation to get back to it and force myself to deal with something difficult in my writing'. The Future Calder could be grouped with a cohort of young novelists to whom the 'voice of a generation' label can easily be applied, alongside the likes of Rooney, Oisín McKenna, Madeleine Gray – writers concerned with how a dismal macroeconomic climate impacts young lives. How does Calder feel about that badge? It 'isn't something I consciously pursue at all', he says. 'It's unavoidable not to critique capitalism in some way if you're trying to address the absurdities of how we live now, but I also don't care about putting my political views in my fiction. The goal is always to just write realistically about how life feels.'

The Life of a Multifaceted ArtistRay Burgoyne, a painter, carpenter and musician from Essex, has died aged 80. He first exhibited his paintings in the late 1980s and spent the next 30 years organizing countless exhibitions across the Essex and Suffolk coastline. Burgoyne was self-taught and arrived in the art world with a seemingly fully realised, studied vision.An Artistic Journey of Abstract ExpressionThe extensive body of work Burgoyne produced mirrored the abstract ballad that was his life – romantic, unpredictable, filled with both childlike simplicity and dark complexity. His paintings featured carnivalesque characters, forgotten landscapes, and were painted in pure, deep colors. When viewing his more abstract paintings, typically characterised by thick oil application and conjured shapes, he was often confronted with the question: "So, what is it actually meant to be?" to which he would reply with that unmistakable Ray smile, "It's whatever you think it is."Early Life and Musical RootsBorn in Southend-on-Sea, Essex, Ray was the youngest of two children of Joseph Burgoyne, a greengrocer, and Dolly (nee Nash). His early life was characterised by fierce independence, spent trying to ride on the back of his pet pig, Rosie, pretending to be one of Alan Ladd's cowboys, fishing at the end of the pier and drinking in seafront dance halls to the soundtrack of the Shirelles.The Mod Scene and Musical CareerBy the early 60s, Ray was at the heart of the emerging mod scene in Southend as a founding member and drummer for the Flowerpots, a local rhythm and blues band who opened for the Animals and the Who. He stayed in the band until 1966, demonstrating his early artistic expression through music before transitioning to visual arts.Carpentry and Family LifeRay dreamed of going to art school, but after leaving Wentworth high school for boys, aged 14, was sent to work at a cabinet maker's as an apprentice carpenter. He continued to work as a carpenter throughout his life, at a boat-building yard in Leigh-on-Sea, doing shop fitting and antique restoration around Essex, and installing shows for the Design Centre in central London. In the mid-70s, he became master carpenter at the Palace theatre in Westcliff-on-Sea, building and constructing sets for repertory productions.Personal Relationships and Later YearsIn 1968 he married Sylvia, and they had four children, Claire, Paul, Helen and Sam. Ray and Sylvia divorced in 1986, and Ray married Gilly, a student nurse, later that same year. They had two children, Phelan and the author of this obituary. After the family moved to the village of Friston, in Suffolk, in 1999, Ray finally became a full-time artist.Artistic LegacyRay exhibited both solo and in groups, primarily in the nearby seaside town of Aldeburgh, with established and fledgling artists. He is survived by Gilly, his six children and 15 grandchildren. His artistic legacy continues through his extensive body of work that captured the romantic, unpredictable nature of his life through abstract expressionism and deep, pure colors.

Monroe’s Home Becomes a Legal FlashpointThe iconic Spanish‑style bungalow that Marilyn Monroe bought in February 1962 has been thrust into a courtroom showdown after the Los Angeles City Council designated it a cultural‑historical monument in 2024. The designation halted the owners' demolition plans and sparked a lawsuit alleging a violation of constitutional property rights.Owners’ $8.35 Million Purchase and Demolition PlansBrinah Milstein, a real‑estate heiress, and her husband Roy Bank, a reality‑TV producer, acquired the property for $8.35 million in 2023. Their intent was to raze the original structure and fold the half‑acre lot into their adjoining estate, a plan initially approved through a demolition permit.Financial Stakes: Purchase Price and Potential CompensationPurchase price: $8.35 million (2023)Potential compensation sought: unspecified multimillion‑dollar claim for loss of investmentLegal fees and court costs expected to run into six‑figures for both partiesThe federal judge’s dismissal leaves the plaintiffs the option to file an amended complaint, meaning the financial exposure could increase if the case proceeds to trial.Implications for Historic Preservation and Property Rights in Los AngelesThe dispute highlights a tension between private property owners and the city’s historic‑preservation authority. While the designation does not require public access, it obliges owners to maintain the structure, effectively turning a private residence into a public monument at the owners’ expense. The case could set a precedent for how “demolition through neglect” is addressed and whether cities can enforce costly upkeep on designated properties.What the Courts May Decide and Future of the PropertyLegal analysts anticipate three possible outcomes: (1) the court reinstates the demolition permit, allowing the owners to proceed; (2) the city’s preservation order is upheld, forcing the owners to preserve the house and potentially seek compensation; or (3) a settlement that includes partial demolition of non‑character‑defining elements while preserving key historic features. Regardless of the verdict, the saga will likely influence future landmark designations and real‑estate transactions in Los Angeles.

The Unauthorized Image UseDua Lipa is suing Samsung for at least $15m (£11m, A$20.6m), alleging that the electronics company used a photo of her to sell its TVs without financially compensating her or seeking her permission. According to the legal complaint, filed in a US district court in California, Samsung began using an image of Lipa on an image of a TV screen printed on its cardboard packaging for "a significant portion" of its TVs sold in the US last year.Legal Claims and ResponseWhen the 30-year-old British singer became aware of the image in June 2025, she says she immediately demanded that the company stop using it but claims Samsung was "dismissive and callous" and "repeatedly refused." The lawsuit states that Lipa owns the copyright to the photograph, which was taken backstage before a performance at the Austin City Limits festival in 2024. Lipa is alleging copyright violation, a violation of the California right of publicity statute, a federal Lanham Act claim, and trademark claims.Financial Impact and DamagesThe lawsuit claims that Samsung had financially benefited from giving the appearance of her endorsement, with the lawsuit quoting alleged comments shared on social media from her fans. Lipa is seeking a permanent injunction against Samsung and "no less than $15m" in actual damages, plus punitive damages and legal costs. The suit also states that Lipa was "highly selective" in making product endorsements and had brand deals with Apple, Porsche, Versace, Bulgari and Nespresso, among others.Industry ImplicationsThis case highlights the growing importance of celebrity image rights in marketing campaigns and the potential legal consequences of unauthorized use. Samsung's conduct "makes a mockery of her hard work in establishing a successful brand and has deprived her of the ability to control and monetize her assets," the lawsuit reads. The case could set a precedent for how companies use celebrity images in product packaging and marketing materials without explicit permission.Future OutlookAs of now, Samsung has yet to respond to requests for comment. The outcome of this lawsuit could have significant implications for both the electronics industry and entertainment marketing. If Lipa prevails, it may lead to more stringent guidelines for companies using celebrity images in their marketing materials and potentially higher damages for similar violations in the future.

The Lead: A Curated Mix of Music History and Contemporary IssuesThe Guardian’s latest "best podcasts of the week" roundup blends nostalgic music storytelling with hard‑hitting current‑affairs series, offering listeners a weekly dose of cultural insight and global perspective.London Records’ 80s Pop Story Takes Center StageHosted by music writer Siân Pattenden, the five‑part series Hit That Perfect Beat: The London Records Story revisits the label’s chart‑dominating era, featuring interviews with artists like Blancmange, Bananarama, Bronski Beat, All Saints and Shakespears Sister. The oral history highlights queer representation, early Girl Power, and the goth‑pop crossover that defined the decade.Urgent Global Narratives in Podcast FormJournalist Ben Bradford launches Are We Do Doom, a hopeful yet sobering series that examines existential threats from nuclear war to climate change, beginning with an episode on the reality of mutually assured destruction.New Voices and Fresh Angles in True‑Crime and ComedyActor Daniel Mays narrates Gangster Presents: The Story of Ronnie Biggs, blending archive audio with fresh commentary on class politics. Meanwhile, comedian Suzi Ruffell revives her interview show in Attitude Presents: Out With Suzi Ruffell, featuring conversations on trans rights with Drag Race star Tia Kofi.American Current‑Affairs Podcast Expands the Guardian’s ReachThe New York bureau debuts Stateside With Kai and Carter, hosted by journalists Kai Wright and Carter Sherman. With three episodes per week, the series tackles war, authoritarianism and climate crises, positioning the Guardian as a daily voice on US politics.Data Analysis: Release Cadence and Audience AccessibilityAll highlighted podcasts are widely available on major platforms.Episodes for most series drop weekly, while the US‑focused show releases three times a week, increasing touchpoints for listeners.The multi‑genre lineup caters to both nostalgia‑driven audiences and those seeking timely analysis, broadening the Guardian’s podcast demographic.Impact Analysis: Podcasting as a Vehicle for Cultural Preservation and DebateBy revisiting 80s pop through London Records, the series reinforces the era’s influence on contemporary music trends.Series like Are We Do Doom and Stateside With Kai and Carter demonstrate podcasting’s capacity to translate complex global issues into accessible narratives.The blend of music, true‑crime, comedy and politics showcases the Guardian’s strategy to capture diverse listener interests, strengthening brand loyalty.Prediction: A Growing Emphasis on Multi‑Genre Podcast PortfoliosAs audiences gravitate toward on‑demand audio, media outlets will likely expand their podcast offerings across niche histories and urgent news, using frequent release schedules to maintain engagement. The Guardian’s current mix suggests future expansions into more deep‑dive cultural documentaries and real‑time news analysis, positioning podcasts as a core pillar of its digital strategy.

What Prompted the £500 Fixed‑Penalty Notice?A resident of Haringey was issued a £500 fixed‑penalty notice (FPN) after putting a cigarette butt into a refuse sack awaiting collection on a London street. The council classified the act as littering because the sack was not a public bin, despite it being full of other waste.Council’s Interpretation of Littering RulesHaringey Council argues that litter “defaces a public place” when it is deposited outside a designated public bin. Their statement reads:“As a public litter bin was not used, placing the cigarette end in the bags is otherwise depositing the litter.”The council’s stance contrasts with common public understanding of littering and has sparked debate over the clarity of local guidelines.Financial Stakes: Fine Amounts Across London Boroughs£80 – typical fine for a cigarette butt dropped on a street in some boroughs.£500 – maximum on‑the‑spot fine that councils like Haringey can issue, non‑appealable like parking PCNs.Unpaid fines double after 28 days, often collected by private enforcement firms.These disparities illustrate a lack of uniformity in how litter offences are priced across the capital.Broader Implications for Local Enforcement and CitizensThe case underscores several systemic concerns:Proportionality – Government guidance requires fines to be proportionate, yet interpretations vary wildly.Transparency – Council websites rarely explain the legal basis for such high penalties.Appeal Rights – Fixed‑penalty notices cannot be appealed directly; challengers must go to court, bearing legal costs.Revenue Incentives – Private firms benefit from the collection of unpaid fines, potentially influencing enforcement vigor.Public confidence in local authorities may erode if perceived as “extortionate” rather than protective.Possible Shifts in Litter‑Penalty PoliciesFollowing the resident’s challenge, Haringey Council reviewed the evidence and chose to cancel the FPN, suggesting that pressure and scrutiny can prompt policy reassessment. Future developments may include:Standardised fine scales across London boroughs.Clearer public guidance on what constitutes littering.Introduction of a formal appeal mechanism for on‑the‑spot fines.Greater oversight of private enforcement agencies.Stakeholders—including residents, consumer‑rights groups, and local MPs—are likely to push for reforms that balance environmental protection with fair, transparent enforcement.

Lead: Europe Faces an Age of Un‑OrderEurope is confronting a geopolitical landscape where traditional rules no longer apply, a situation the author Mark Leonard describes as “un‑order”. While the US and Israel are embroiled in the war in Iran, the real strategic contest is between China and Europe.China’s Strategic Stockpiling and Market DominanceChina anticipated the crisis years ago, building massive reserves of oil, food and semiconductors, and securing control over rare earths and other critical minerals. This foresight has left it in a position of “remarkable equanimity” as European leaders scramble.Quantifying Europe’s Dependence on Chinese Supply Chains80% of the global drone supply chain is sourced from Chinese firms.97% of the EU’s magnesium, essential for fighter jets and tanks, comes from China.Key green‑technology sectors—batteries, electric vehicles, solar panels and wind turbines—are dominated by Chinese manufacturers.Why Europe’s Current Approach Risks DeindustrialisationHalf‑hearted EU tariffs on the auto sector have only attracted a few BYD plants, insufficient to offset the flood of cheaper Chinese products. Without a decisive policy shift, Europe risks rapid deindustrialisation and increased vulnerability to coercion.Path Forward: Leveraging Tariffs, the Trade “Bazooka” and Strategic StockpilesExperts propose a suite of tools: a 30% across‑the‑board tariff on Chinese goods, activation of the EU’s anti‑coercion “trade bazooka”, stricter enforcement of the Digital Markets Act, and the creation of strategic mineral reserves. Implementing these measures could rebalance the power dynamic and give Europe the agency to thrive in an age of chaos.

Lead: A Diverse Evening of History, Competition and DramaThis Thursday’s schedule offers a poignant look back at World War II, the climax of a beloved cooking contest, and fresh twists on reality and scripted series across BBC, Channel 4 and Sky One.The Blitz Documentary Illuminates Wartime Childhood9 pm, BBC Two – “Children of the Blitz” gathers first‑hand testimony from those who endured London’s night raids without evacuation. The film weaves terror, loss, humour and love, anchored by the comforting words of a Liverpool father: “Don’t worry … we’ve got big strong slates on our roof.”MasterChef’s High‑Stakes Final Week8 pm, BBC One – The competition heats up with seafood chowder, a delicate fillet steak, an extravagant toastie, two intricate puddings and a crowd‑pleasing lamb dish. Six chefs battle for the coveted title as judges weigh risk against reward.Channel 4’s ‘The Dog House’ Returns with New Canine Romances8 pm, Channel 4 – In series 6, hopeful owners meet dogs like Zeus the shih tzu and Wolf the malamute, while nervous retriever Pipet confronts his fireworks phobia.BBC One’s ‘Mint’ Offers Off‑beat Drama9 pm, BBC One – The series follows the evolving relationship between Arran and Shannon against the backdrop of a crumbling bond between Cat and Dylan, all framed by modern‑dance‑inspired visuals.‘Virgin Island’ Pushes Boundaries with S&M; Themes9 pm, Channel 4 – Shelby guides participants through bondage, dominance and submission exercises, while Will, Ed and Bertie explore their evolving desires.Sky One’s ‘Rooster’ Concludes with Steve Carell’s Farewell10 pm, Sky One – Steve Carell stars as author Greg, delivering a bittersweet finale where his daughter Katie asserts independence, leaving Greg’s future uncertain.Film Choice: ‘Sisu’ Brings Finnish WWII Action to Film49.30 pm, Film4 – Jalmari Helander’s 2022 thriller follows gold‑prospector Aatami Korpi (the “Immortal”) as he battles retreating German forces in 1944 Lapland, delivering relentless, propulsive violence.Tonight’s Schedule at a GlanceBBC Two 9 pm – Children of the Blitz (documentary)BBC One 8 pm – MasterChef (reality competition)Channel 4 8 pm – The Dog House (reality)BBC One 9 pm – Mint (drama)Channel 4 9 pm – Virgin Island (reality)Sky One 10 pm – Rooster (comedy‑drama)Film4 9.30 pm – Sisu (feature film)Why the Blitz Documentary Resonates NowMarking the 85th anniversary of the Blitz’s end, the programme taps into renewed public interest in personal wartime narratives, offering younger audiences a humanised glimpse of history that contrasts with textbook accounts.What to Expect from Tomorrow’s Line‑upGiven the strong viewership of reality‑cooking shows and the appetite for historical documentaries, broadcasters are likely to schedule more personal‑history features and competition finales in the coming weeks, while niche dramas like “Mint” will continue to experiment with visual style.

Mass Demonstrations Challenge Government's Urban Clearance PlanOn May 11, 2026, a large crowd gathered in central Mogadishu to oppose the administration's decree to demolish several informal neighborhoods. Protesters, waving Somali flags and chanting slogans, accused the authorities of prioritising commercial development over the basic housing needs of vulnerable residents.Scale of Displacements and Economic StakesGovernment estimates: 10,000 families slated for relocation.Opposition groups claim up to 15,000 households could be affected.Potential loss of informal sector income valued at roughly $45 million annually.While officials argue the clearances will pave the way for new infrastructure, critics warn that the abrupt displacements could exacerbate poverty and trigger a surge in informal settlements elsewhere.Political Fallout and Humanitarian ConcernsThe protests have put the ruling party under pressure, with opposition leaders demanding a transparent resettlement plan and compensation for displaced families. International NGOs have called for an independent assessment, citing risks of heightened food insecurity and limited access to clean water for the uprooted communities.Potential Shifts in Policy and International ResponseAnalysts predict that sustained street pressure may force the government to pause the evictions and negotiate a phased relocation strategy. Continued attention from regional bodies and donor agencies could also shape a more rights‑based approach, linking future development funding to compliance with housing and humanitarian standards.